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Color and “Light”
Glenn Hirsch
What is the ‘real’ color of the house?
The ‘real’ color
doesn’t exist
independently of
the light
Monet painted ‘white marble’ in different times of day
color theory and ‘light’
1. “Value”
“value’ = the black-and-white of the color
Black and white is the
“value” of the color
2. “Temperature”
warm and cool varieties
of each color
Since color is
“relative,” we use
warm and cool
versions of each
color to enhance
the feeling of
“light”
3. “Chromatic Scale”
• Light to dark
• Bright to dull
• Warm to cool
Chromatic scale to
enhance the
illusion of “light”
chromatic scale
• Light to dark
• Bright to dull
• Warm to cool
Georgia O’Keefe
Glowing Light
Glowing, mystical, supernatural light
the light is coming from the object
Wangechi
Mutu
Fred Martin
Kim Dylla
Hirsch - Antediluvian Sleep
theatrical light
Theatrical light
Is a spotlight
Theatrical light
Is a spotlight
Felicita Norris
theatrical light is also
‘back-lighting’
the light comes from
behind the object
‘back-lighting’
the light comes from behind the object
Ana Teresa Fernandez
Ana Teresa Fernandez
Monochromatic Color Schemes
John Reamer
Monochromatic color =
varieties of the same hue Nathan Oliveira
Judith Klain
you can use more
than one hue,
it’s just that one
hue dominates
Picasso’s
‘Blue
Period’
Paul Wonner
Close Encounters of the Third Kind
a
monochromatic
color scheme
creates a
strong
mood
Alfons Mucha
Gustav Klimpt
a
monochromatic
color scheme
creates a
strong
mood
Close Encounters of the Third Kind
same subject in two color schemes
same subject in two color schemes
Russell
Chatham
Odd Nerdrum
Zhon Chunya
Melissa Miller
Bill Puetz
twilight is a natural
monochromatic color
scheme
Daniel Rabier,
Banksy

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Color and the Illusion of Light in Painting