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Facts About Acrylic Colors!
1- Good products help you succeed.
The finest quality paints and colours mix
brilliantly, offer the purest color, and
provide the artist with all the essentials
for creative, artistic success.
2 - Water-borne Acrylic colors for artists
were invented by Liquitex in 1955. Liquitex
continues to be the leader in producing
high quality, innovative acrylic products
for artists.
3 - Acrylics are ideal for contemporary and
experimental applications.The colors dry
very rapidly (remaining workable for require
masking, rapid layering, and textural applica-
tion.They’re ideal for murals, fabrics, tiles, and
structural techniques.
4 - Acrylics can be used for traditional paint-
ing, too. Mediums can be used to make the
color suitable for glazing, impasto, water
color, and other applications.
5 - Acrylics can be used on aimost any
surface, from paper, to canvas, to brick,
to wood...The exceptions are oily or shiny
surfaces. Plastic surfaces should be sanded
before painting; leather surfaces should be
degreased with rubbing alcohol.
Why Basics Matt?
At Liquitex,we receive a steady flow of requests
from artists, students, and teachers for an acrylic
color that offers a flat matt surface, deep rich
color, high opacity, combined with even flow
and leveling. In the past, artists have relied upon
gouache colors to provide these characteristics,
but there’s nothing currently on the market that
offers this kind of performance and permanence
at a scholastic price. Until Basics Matt.
How we developed Basics Matt?
We started with simple targets: rich color,“dead
matt”surface,high opacity,even flow and
leveling.Hitting those benchmarks proved to be
anything but simple.When we looked at other
matt acrylics on the market,we found that crack-
ing was a consistent problem.We spent months
tweaking formulations that would allow us to hit
our original targets and eliminate cracking.It
turned out that the only way to do it was with a
high pigment load,and a high quality resin — a
combination that has never before bee achieved
with a scholastic priced color.Until Basics Matt.
Who’s it for ?
• Students looking for a matt surface
and clean mixing (for color studies)
• New artists looking for great
coverage and brilliant color
• New artists looking for smooth
brushing and even leveling
• Experienced artists looking for “gouache-
like” properties at a scholastic price.
What Basics Matt does ?
• Extra Opaque • Flat Matt Finish
• Rich, saturated color • Fluid consistency
• Even Leveling • Non-toxic
• Water-resistant when dry
• Crack-resistant on absorbent
surfaces (paper and board)
Liquitex Basics Matt. Ideal for students and artists needing a flat,
matt surface and clean mixing. Deep, rich color with a unique,
free-flow formula. Smooth leveling and extra opaque.
Mediums can be added with all Basics colors to adjust the
working and optical properties.
Made in China/ Fabrique in Chine
© 2007 Liquitex Artist Materials
P.O. Box 246, Piscataway, NJ
08855-1936 U.S.A.
www.liquitex.com
1-888-4-ACRYLIC
L91075
Color # Color Name Hue Value Chroma
Light-
fastness Opacity
Single or
Mixed
Pigments Pigments
116 Alizarin Crimson Hue Permanent 4.45R 2.5 7.04 I SO M Quinacridone (PR 206), Quinacridone (PR 202)
660 Bright Aqua Green 2.23BG 5.97 9.77 I O M Chlorinated Copper Phthalocyanine (PG 7), Titanium Dioxide (PW 6)
127 Burnt Sienna .71YR 3.27 5 I O S Calcined Natural Iron Oxide (PBr 7)
128 Burnt Umber 4.20YR 2.59 2.36 I O S Calcined Natural Iron Oxide Containing Manganese (PBr 7)
720 Cadmium Orange Hue .20YR 5.28 13.91 I SO S Pyrrole PO 73
311 Cadmium Red Deep Hue 4.85R 3.32 8.97 I O M Naphthol Carbamide (PR 170), Quinacridone Violet (PV 19)
510 Cadmium Red Light Hue 8.13R 4.57 14.22 I O M Arylide Yellow 5Gx (PY 74), Arylamide Red (PR 9)
151 Cadmium Red Medium Hue 6.82R 4.03 14.53 I SO M Naphthol Carbamide (PR 170 F3RK-70), Arylide Yellow 5Gx (PY 74)
163 Cadmium Yellow Deep Hue 9.59Y 6.84 13.22 I SO M Diarylide Yellow (PY 83), Titanium Dioxide (PW 6)
160 Cadmium Yellow Light Hue 9.99Y 8.34 11.22 II SO S Arylide Yellow 10G (PY 3)
161 Cadmium Yellow Medium Hue 2.84Y 7.73 13.41 I SO M Arylide Yellow 5Gx (PY 74), Diarylide Yellow (PY 83), Titanium Dioxide (PW 6)
470 Cerulean Blue Hue 3.24PB 2.93 8.06 I O M Complex Silicate of Sodium and Aluminum with Sulfur (PB 29),
Copper Phthalocyanine (PB 15:3), Chlorinated
Copper Phthalocyanine (PG 7), Titanium Dioxide (PW 6)
170 Cobalt Blue Hue 6.61PB 3.38 13.91 I O M Complex Silicate of Sodium and Aluminum with Sulfur (PB 29),
Copper Phthalocyanine (PB 15:3) Titanium Dioxide (PW 6)
350 Deep Green, Permanent 8.07G 2.34 3.22 I O M Chlorinated and Brominated Copper Phthalocyanine
(PG 36); Nearly Pure Amorphous Carbon (PBk 7)
115 Deep Violet 3.21RP 1.97 2.85 II O M Gamma Quinacridone (PR 122), Carbazole Dioxazine (PV 23 RS)
186 Dioxazine Purple 2.98P 1.87 2.31 II O S Carbazole Dioxazine (PV 23)
234 Gold I O M Titanium Dioxide Coated Mica
224 Hooker’s Green Hue, Permanent 1.98G 2.77 4.22 I O M Phthalocyanine Green (PG 7), Amorphous
Carbon (PBk 9), Arylide Yellow 5Gx (PY 74)
Color # Color Name Hue Value Chroma
Light-
fastness Opacity
Single or
Mixed
Pigments Pigments
244 Ivory Black 5.01PB 1.84 0.11 I O S Amorphous Carbon Produced by Charring Animal Bones (PBk 9)
312 Light Green, Permanent .93G 4.81 11.24 I O M Chlorinated Copper Phthalocyanine (PG 7),
Arylide Yellow 5Gx (PY 74 LF), Titanium Dioxide (PW 6)
276 Mars Black 8.05PB 2.43 0.12 I O S Synthetic Black Iron Oxide (PBk 11)
292 Naphthol Crimson 6.60R 3.95 14.1 I SO S Naphthol Carbamide PR 170
599 Neutral Gray Value 5 .94B 4.77 0.12 I O M Yellow Iron Oxide (PY 42), Amorphous Carbon
(PBk 9), Titanium Dioxide (PW 6)
316 Phthalocyanine Blue 7.37PB 1.79 4.53 I O S Copper Phthalocyanine (PB 15:3)
317 Phthalocyanine Green 4.46BG 2.18 2.55 I O S Chlorinated Copper Phthalocyanine (PG 7)
420 Primary Blue 6.66PB 2.01 5.93 I O S Copper Phthalocyanine (PB 15:3)
415 Primary Red 4.41R 3.77 12.12 I SO S Quinacridone Violet (PV 19)
410 Primary Yellow 7.74Y 7.64 12.59 I SO S Arylide Yellow 5Gx (PY 74)
114 Quinacridone Magenta 1.60R 2.57 7.15 I SO S Gamma Quinacridone (PR 122)
330 Raw Sienna 4.82YR 4.34 5.13 I O S Natural Iron Oxide (PBr 7)
331 Raw Umber 9.73YR 2.72 0.48 I O S Natural Iron Oxide (PBr 7)
335 Red Oxide 9.55R 3.56 7.68 I O S Synthetic Red Iron Oxide (PR 101)
236 Silver I O M Titanium Dioxide Coated Mica
432 Titanium White 6.63GY 9.39 0.11 I O S Titanium Dioxide (PW 6)
380 Ultramarine Blue 8.21PB 2.06 9.85 I SO S Complex Silicate of Sodium and Aluminum with Sulfur (PB 29)
416 Yellow Oxide 9.05YR 5.79 8.38 I O S Synthetic Hydrated Iron Oxide (PY 42)
O=Opaque SO=Semi-Opaque Lightfastness: I-Excellent II-Very Good
Composition and Permanence Chart
Available Colors
114
Quinacridone Magenta
Lightfastness I / Semi-Opaque
116
Alizarin Crimson Hue Permanent
Lightfastness I / Semi-Opaque
415
Primary Red
Lightfastness I / Semi-Opaque
311
Cadmium Red Deep Hue
Lightfastness I / Opaque
292
Naphthol Crimson
Lightfastness I / Semi-Opaque
510
Cadmium Red Light Hue
Lightfastness I / Opaque
151
Cadmium Red Medium Hue
Lightfastness I / Semi-Opaque
720
Cadmium Orange Hue
Lightfastness I / Semi-Opaque
335
Red Oxide
Lightfastness I / Opaque
127
Burnt Sienna
Lightfastness I / Opaque
128
Burnt Umber
Lightfastness I / Opaque
330
Raw Sienna
Lightfastness I / Opaque
331
Raw Umber
Lightfastness I / Opaque
416
Yellow Oxide
Lightfastness I / Opaque
163
Cadmium Yellow Deep Hue
Lightfastness I / Semi-Opaque
161
Cadmium Yellow Medium Hue
Lightfastness I / Semi-Opaque
160
Cadmium Yellow Light Hue
Lightfastness II / Semi-Opaque
410
Primary Yellow
Lightfastness I / Semi-Opaque
312
Light Green, Permanent
Lightfastness I / Opaque
224
Hooker’s Green Hue, Permanent
Lightfastness I / Opaque
350
Deep Green, Permanent
Lightfastness I / Opaque
317
Phthalocyanine Green
Lightfastness I / Opaque
660
Bright Aqua Green
Lightfastness I / Opaque
470
Cerulean Blue Hue
Lightfastness I / Opaque
170
Cobalt Blue Hue
Lightfastness I / Opaque
420
Primary Blue
Lightfastness I / Opaque
316
Phthalocyanine Blue
Lightfastness I / Opaque
380
Ultramarine Blue
Lightfastness I / Semi-Opaque
115
Deep Violet
Lightfastness II / Opaque
186
Dioxazine Purple
Lightfastness II / Opaque
599
Neutral Gray Value 5
Lightfastness I / Opaque
244
Ivory Black
Lightfastness I / Opaque
276
Mars Black
Lightfastness I / Opaque
432
Titanium White
Lightfastness I / Opaque
234
Gold
Lightfastness I / Opaque
236
Silver
Lightfastness I / Opaque
This color chart is produced within the limitations of lithographics printing and is intended as a guide only. Some compositions and pigment information may change, based upon availability or improvements to the range.

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Painting Manual :: Basics matt brochure

  • 1. Facts About Acrylic Colors! 1- Good products help you succeed. The finest quality paints and colours mix brilliantly, offer the purest color, and provide the artist with all the essentials for creative, artistic success. 2 - Water-borne Acrylic colors for artists were invented by Liquitex in 1955. Liquitex continues to be the leader in producing high quality, innovative acrylic products for artists. 3 - Acrylics are ideal for contemporary and experimental applications.The colors dry very rapidly (remaining workable for require masking, rapid layering, and textural applica- tion.They’re ideal for murals, fabrics, tiles, and structural techniques. 4 - Acrylics can be used for traditional paint- ing, too. Mediums can be used to make the color suitable for glazing, impasto, water color, and other applications. 5 - Acrylics can be used on aimost any surface, from paper, to canvas, to brick, to wood...The exceptions are oily or shiny surfaces. Plastic surfaces should be sanded before painting; leather surfaces should be degreased with rubbing alcohol. Why Basics Matt? At Liquitex,we receive a steady flow of requests from artists, students, and teachers for an acrylic color that offers a flat matt surface, deep rich color, high opacity, combined with even flow and leveling. In the past, artists have relied upon gouache colors to provide these characteristics, but there’s nothing currently on the market that offers this kind of performance and permanence at a scholastic price. Until Basics Matt. How we developed Basics Matt? We started with simple targets: rich color,“dead matt”surface,high opacity,even flow and leveling.Hitting those benchmarks proved to be anything but simple.When we looked at other matt acrylics on the market,we found that crack- ing was a consistent problem.We spent months tweaking formulations that would allow us to hit our original targets and eliminate cracking.It turned out that the only way to do it was with a high pigment load,and a high quality resin — a combination that has never before bee achieved with a scholastic priced color.Until Basics Matt. Who’s it for ? • Students looking for a matt surface and clean mixing (for color studies) • New artists looking for great coverage and brilliant color • New artists looking for smooth brushing and even leveling • Experienced artists looking for “gouache- like” properties at a scholastic price. What Basics Matt does ? • Extra Opaque • Flat Matt Finish • Rich, saturated color • Fluid consistency • Even Leveling • Non-toxic • Water-resistant when dry • Crack-resistant on absorbent surfaces (paper and board) Liquitex Basics Matt. Ideal for students and artists needing a flat, matt surface and clean mixing. Deep, rich color with a unique, free-flow formula. Smooth leveling and extra opaque. Mediums can be added with all Basics colors to adjust the working and optical properties. Made in China/ Fabrique in Chine © 2007 Liquitex Artist Materials P.O. Box 246, Piscataway, NJ 08855-1936 U.S.A. www.liquitex.com 1-888-4-ACRYLIC L91075
  • 2. Color # Color Name Hue Value Chroma Light- fastness Opacity Single or Mixed Pigments Pigments 116 Alizarin Crimson Hue Permanent 4.45R 2.5 7.04 I SO M Quinacridone (PR 206), Quinacridone (PR 202) 660 Bright Aqua Green 2.23BG 5.97 9.77 I O M Chlorinated Copper Phthalocyanine (PG 7), Titanium Dioxide (PW 6) 127 Burnt Sienna .71YR 3.27 5 I O S Calcined Natural Iron Oxide (PBr 7) 128 Burnt Umber 4.20YR 2.59 2.36 I O S Calcined Natural Iron Oxide Containing Manganese (PBr 7) 720 Cadmium Orange Hue .20YR 5.28 13.91 I SO S Pyrrole PO 73 311 Cadmium Red Deep Hue 4.85R 3.32 8.97 I O M Naphthol Carbamide (PR 170), Quinacridone Violet (PV 19) 510 Cadmium Red Light Hue 8.13R 4.57 14.22 I O M Arylide Yellow 5Gx (PY 74), Arylamide Red (PR 9) 151 Cadmium Red Medium Hue 6.82R 4.03 14.53 I SO M Naphthol Carbamide (PR 170 F3RK-70), Arylide Yellow 5Gx (PY 74) 163 Cadmium Yellow Deep Hue 9.59Y 6.84 13.22 I SO M Diarylide Yellow (PY 83), Titanium Dioxide (PW 6) 160 Cadmium Yellow Light Hue 9.99Y 8.34 11.22 II SO S Arylide Yellow 10G (PY 3) 161 Cadmium Yellow Medium Hue 2.84Y 7.73 13.41 I SO M Arylide Yellow 5Gx (PY 74), Diarylide Yellow (PY 83), Titanium Dioxide (PW 6) 470 Cerulean Blue Hue 3.24PB 2.93 8.06 I O M Complex Silicate of Sodium and Aluminum with Sulfur (PB 29), Copper Phthalocyanine (PB 15:3), Chlorinated Copper Phthalocyanine (PG 7), Titanium Dioxide (PW 6) 170 Cobalt Blue Hue 6.61PB 3.38 13.91 I O M Complex Silicate of Sodium and Aluminum with Sulfur (PB 29), Copper Phthalocyanine (PB 15:3) Titanium Dioxide (PW 6) 350 Deep Green, Permanent 8.07G 2.34 3.22 I O M Chlorinated and Brominated Copper Phthalocyanine (PG 36); Nearly Pure Amorphous Carbon (PBk 7) 115 Deep Violet 3.21RP 1.97 2.85 II O M Gamma Quinacridone (PR 122), Carbazole Dioxazine (PV 23 RS) 186 Dioxazine Purple 2.98P 1.87 2.31 II O S Carbazole Dioxazine (PV 23) 234 Gold I O M Titanium Dioxide Coated Mica 224 Hooker’s Green Hue, Permanent 1.98G 2.77 4.22 I O M Phthalocyanine Green (PG 7), Amorphous Carbon (PBk 9), Arylide Yellow 5Gx (PY 74) Color # Color Name Hue Value Chroma Light- fastness Opacity Single or Mixed Pigments Pigments 244 Ivory Black 5.01PB 1.84 0.11 I O S Amorphous Carbon Produced by Charring Animal Bones (PBk 9) 312 Light Green, Permanent .93G 4.81 11.24 I O M Chlorinated Copper Phthalocyanine (PG 7), Arylide Yellow 5Gx (PY 74 LF), Titanium Dioxide (PW 6) 276 Mars Black 8.05PB 2.43 0.12 I O S Synthetic Black Iron Oxide (PBk 11) 292 Naphthol Crimson 6.60R 3.95 14.1 I SO S Naphthol Carbamide PR 170 599 Neutral Gray Value 5 .94B 4.77 0.12 I O M Yellow Iron Oxide (PY 42), Amorphous Carbon (PBk 9), Titanium Dioxide (PW 6) 316 Phthalocyanine Blue 7.37PB 1.79 4.53 I O S Copper Phthalocyanine (PB 15:3) 317 Phthalocyanine Green 4.46BG 2.18 2.55 I O S Chlorinated Copper Phthalocyanine (PG 7) 420 Primary Blue 6.66PB 2.01 5.93 I O S Copper Phthalocyanine (PB 15:3) 415 Primary Red 4.41R 3.77 12.12 I SO S Quinacridone Violet (PV 19) 410 Primary Yellow 7.74Y 7.64 12.59 I SO S Arylide Yellow 5Gx (PY 74) 114 Quinacridone Magenta 1.60R 2.57 7.15 I SO S Gamma Quinacridone (PR 122) 330 Raw Sienna 4.82YR 4.34 5.13 I O S Natural Iron Oxide (PBr 7) 331 Raw Umber 9.73YR 2.72 0.48 I O S Natural Iron Oxide (PBr 7) 335 Red Oxide 9.55R 3.56 7.68 I O S Synthetic Red Iron Oxide (PR 101) 236 Silver I O M Titanium Dioxide Coated Mica 432 Titanium White 6.63GY 9.39 0.11 I O S Titanium Dioxide (PW 6) 380 Ultramarine Blue 8.21PB 2.06 9.85 I SO S Complex Silicate of Sodium and Aluminum with Sulfur (PB 29) 416 Yellow Oxide 9.05YR 5.79 8.38 I O S Synthetic Hydrated Iron Oxide (PY 42) O=Opaque SO=Semi-Opaque Lightfastness: I-Excellent II-Very Good Composition and Permanence Chart Available Colors 114 Quinacridone Magenta Lightfastness I / Semi-Opaque 116 Alizarin Crimson Hue Permanent Lightfastness I / Semi-Opaque 415 Primary Red Lightfastness I / Semi-Opaque 311 Cadmium Red Deep Hue Lightfastness I / Opaque 292 Naphthol Crimson Lightfastness I / Semi-Opaque 510 Cadmium Red Light Hue Lightfastness I / Opaque 151 Cadmium Red Medium Hue Lightfastness I / Semi-Opaque 720 Cadmium Orange Hue Lightfastness I / Semi-Opaque 335 Red Oxide Lightfastness I / Opaque 127 Burnt Sienna Lightfastness I / Opaque 128 Burnt Umber Lightfastness I / Opaque 330 Raw Sienna Lightfastness I / Opaque 331 Raw Umber Lightfastness I / Opaque 416 Yellow Oxide Lightfastness I / Opaque 163 Cadmium Yellow Deep Hue Lightfastness I / Semi-Opaque 161 Cadmium Yellow Medium Hue Lightfastness I / Semi-Opaque 160 Cadmium Yellow Light Hue Lightfastness II / Semi-Opaque 410 Primary Yellow Lightfastness I / Semi-Opaque 312 Light Green, Permanent Lightfastness I / Opaque 224 Hooker’s Green Hue, Permanent Lightfastness I / Opaque 350 Deep Green, Permanent Lightfastness I / Opaque 317 Phthalocyanine Green Lightfastness I / Opaque 660 Bright Aqua Green Lightfastness I / Opaque 470 Cerulean Blue Hue Lightfastness I / Opaque 170 Cobalt Blue Hue Lightfastness I / Opaque 420 Primary Blue Lightfastness I / Opaque 316 Phthalocyanine Blue Lightfastness I / Opaque 380 Ultramarine Blue Lightfastness I / Semi-Opaque 115 Deep Violet Lightfastness II / Opaque 186 Dioxazine Purple Lightfastness II / Opaque 599 Neutral Gray Value 5 Lightfastness I / Opaque 244 Ivory Black Lightfastness I / Opaque 276 Mars Black Lightfastness I / Opaque 432 Titanium White Lightfastness I / Opaque 234 Gold Lightfastness I / Opaque 236 Silver Lightfastness I / Opaque This color chart is produced within the limitations of lithographics printing and is intended as a guide only. Some compositions and pigment information may change, based upon availability or improvements to the range.