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What is the opera like
for a newcomer?
Photo: US National Archives, WikiCommons http://bit.ly/ZKQ9vm
How can technology
turn newcomers into
passionate opera
patrons?
Interaction Design Assessment
Caitlin Flint
Opera companies are not short on
content. They are constantly sharing
podcasts, live streams, interviews, video,
history, synopses, program,
commentaries, directors notes, behind
the scenes photos, conventional
newspaper reviews, and advertising.
To get started, I did a
quick assessment of
how opera companies
interact with patrons.
I wanted to get a sense of
the types of information
opera-goers might be
curious about, and how it
could be organized or
related.
Next, I did
a quick
brainstorm
To test some of my
assumptions, I
interviewed a friend
who had been to the
opera only once
before.
“I’ve been to the Opera once. I fell
asleep. I loved it, but it was late at night
and I had been on a flight earlier that
day. The bathroom line was too long
during intermission so I wasn’t able to
buy coffee.”
I learned that for a
newcomer, the opera
seems long
Solution
Allow patrons to purchase refreshments in
advance, from their seat, or while in restroom lines.
“Before the show started, the
usher scolded me because I took a
picture with my phone. But having
a seat at the Metropolitan is kind
of a big deal. I wanted to share the
moment on Facebook.”
It is exciting, but
difficult to share
Solution
Make the opera company’s existing social content
accessible and shareable.
“Not everyone reads the screens,
they just pick up on the emotion, but
I read the screen quite a bit, which
made me miss out on the production
—you have to look down and then
look up.
At times the opera can
also be confusing
Solution
Allow individuals to switch between word-for-word
translation and an overview of the scene, or
choose their preferred language.
“They usually give you a program
with the story, but next time I will look
up the story before hand, to be a bit
more prepared.”
To make the experience
meaningful, newcomers
may do a bit of research
in advance
Solution
Make program content available to patrons in
advance via mobile device.
We can improve the
newcomer’s experience
from the moment they
purchase their ticket.
Providing patrons with a mobile platform that
has everything they need for their trip to the
opera will help them feel more prepared
and help them interpret the show while they
are in the audience.
11
22
33
Before the Opera
All their tickets and
program information is
stored in one place. When
they are ready to return, all
the information they need
is right here.
At the start of the opera
While they’re waiting for the
show to start they can read
about the show, or pre-
order refreshments so they
don’t have to wait in line.
During the opera they can
view subtitles on their
mobile device, customizing
them to fit their needs.
At intermission
While patrons are waiting, they
can scroll through a news feed
with behind-the-scenes info
about their performance and
upcoming shows. Since photos
aren’t allowed, this content
will also be something they
can share on social media to
tell others about their day.
55 66
Scroll
Down
44
The opera company already
has tons of great content
they are sharing with social
media—now it is available to
patrons while their motivated
to interact. Scrolling through
will kill time while waiting in
lines, but it will also connect
newcomers to the opera in a
more intimate way.
Patrons can tweet images
or share them on Facebook.
They can even buy tickets
to upcoming shows that
look interesting.
By keeping interaction
minimal—limiting tasks to
scrolling and sharing—visitors
won’t be too distracted or
burdened by technology and
can still relax and enjoy the
beauty of the opera.

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Designing a companion screen experience to accompany an opera performance.

  • 1. What is the opera like for a newcomer? Photo: US National Archives, WikiCommons http://bit.ly/ZKQ9vm How can technology turn newcomers into passionate opera patrons? Interaction Design Assessment Caitlin Flint
  • 2. Opera companies are not short on content. They are constantly sharing podcasts, live streams, interviews, video, history, synopses, program, commentaries, directors notes, behind the scenes photos, conventional newspaper reviews, and advertising. To get started, I did a quick assessment of how opera companies interact with patrons.
  • 3. I wanted to get a sense of the types of information opera-goers might be curious about, and how it could be organized or related. Next, I did a quick brainstorm
  • 4. To test some of my assumptions, I interviewed a friend who had been to the opera only once before.
  • 5. “I’ve been to the Opera once. I fell asleep. I loved it, but it was late at night and I had been on a flight earlier that day. The bathroom line was too long during intermission so I wasn’t able to buy coffee.” I learned that for a newcomer, the opera seems long Solution Allow patrons to purchase refreshments in advance, from their seat, or while in restroom lines.
  • 6. “Before the show started, the usher scolded me because I took a picture with my phone. But having a seat at the Metropolitan is kind of a big deal. I wanted to share the moment on Facebook.” It is exciting, but difficult to share Solution Make the opera company’s existing social content accessible and shareable.
  • 7. “Not everyone reads the screens, they just pick up on the emotion, but I read the screen quite a bit, which made me miss out on the production —you have to look down and then look up. At times the opera can also be confusing Solution Allow individuals to switch between word-for-word translation and an overview of the scene, or choose their preferred language.
  • 8. “They usually give you a program with the story, but next time I will look up the story before hand, to be a bit more prepared.” To make the experience meaningful, newcomers may do a bit of research in advance Solution Make program content available to patrons in advance via mobile device.
  • 9. We can improve the newcomer’s experience from the moment they purchase their ticket. Providing patrons with a mobile platform that has everything they need for their trip to the opera will help them feel more prepared and help them interpret the show while they are in the audience.
  • 10. 11 22 33 Before the Opera All their tickets and program information is stored in one place. When they are ready to return, all the information they need is right here. At the start of the opera While they’re waiting for the show to start they can read about the show, or pre- order refreshments so they don’t have to wait in line. During the opera they can view subtitles on their mobile device, customizing them to fit their needs. At intermission While patrons are waiting, they can scroll through a news feed with behind-the-scenes info about their performance and upcoming shows. Since photos aren’t allowed, this content will also be something they can share on social media to tell others about their day.
  • 11. 55 66 Scroll Down 44 The opera company already has tons of great content they are sharing with social media—now it is available to patrons while their motivated to interact. Scrolling through will kill time while waiting in lines, but it will also connect newcomers to the opera in a more intimate way. Patrons can tweet images or share them on Facebook. They can even buy tickets to upcoming shows that look interesting. By keeping interaction minimal—limiting tasks to scrolling and sharing—visitors won’t be too distracted or burdened by technology and can still relax and enjoy the beauty of the opera.