Devil In A Blue Dress Rhetorical Analysis Novel Vs. Film...

Devil in a Blue Dress Rhetorical Analysis Novel vs. Film...
Devil in a Blue Dress: Novel vs. Film The hardboiled mystery novel, Devil in a Blue Dress, by
Walter Mosley was first published in 1990 and was acknowledged by former U.S. President, Bill
Clinton, as one of his many favorite novelists (Easy Writer). Taking place in post–war Los Angeles,
the story is narrated by an African American laborer, Easy Rawlins, who is transformed into an L.A.
detective after being pulled in to the affairs of local townspeople. The successful novel continued
onto screen adaptation in 1995 and was directed by Carl Franklin and starred Denzel Washington,
who also financed and produced the film (Easy Writer). From a well–liked hardboiled detective
novel to a contemporary film, viewers and readers are restricted from ... Show more content on
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In addition to the differences seen through Easy's point of view, there are also several differences in
how the author and director utilize certain effects to obtain a dark tone. The screen adaptation paid
homage to the dark tone perceived in the novel through lighting and a voiceover narration from
Easy. Several scenes in the movie appear to have darker lighting than others. This effect allows
viewers to feel the mysterious and secretive mood that is intended. In the scene where Easy visits
John's nightclub the lighting in the movie portrays the room as very dark and musty. The room itself
is very enclosed and secretive since the owner, John, was into the speakeasy business before
Prohibition was repealed. The nightclub itself is for the black community and has a very low–key
reputation. To show the secretive, mysterious reputation of the nightclub, Franklin shoots the scene
with little to no lighting (Devil in a Blue Dress Movie 1995). Throughout the film the audience is
led through Easy's point of view, which is heard through his voiceover narration. According to a
movie review by Edwin Jahiel, "Washington's voice is rather too sweet, lacks the tough staccato...".
Again, we see actors blocking take effect as Washington attempts to live up to his typical role as the
"good guy". The movie takes a much different approach towards Easy's character, which results in a
smooth, legato narration. His short, flowing
... Get more on HelpWriting.net ...

Assessing the Significance of the Cityscape to the...
The Sign of Four is a detective novel written by Sir Arthur Conan Doyle, which was published in
1890. It is Conan Doyle's second novel to feature detective Sherlock Holmes. Sherlock Holmes is a
master detective, known for his deduction skills, disguises and most importantly, his use of the city
as means of solving mysteries. The cityscape plays a significant role in the narrative of The Sign of
Four.
Conan Doyle uses real places found in London in The Sign of Four. It gives the novel a degree of
realism, and Holmes the detective appears genuine to the reader. He certainly knows his way
through the streets of London. At the beginning of the novel, Dr. Watson and Holmes are travelling
across London to a meeting they know very little ... Show more content on Helpwriting.net ...
His biggest advantage as a detective in London is use of networking. The Baker Street Irregulars are
a group of homeless children Conan Doyle included in his Sherlock Holmes series several times.
They are Sherlock's eyes and ears on the streets of London, as he notes "they can go everywhere, see
everything, overhear everyone" (Conan Doyle 93) He can gather them all together with the help of
their leader Wiggins, and then inform them of what they should keep an eye out for. They can
assemble within a few hours, and are immediately ready to work. They provide unparalleled access
to the murkiest parts of London's underground. It is in The Sign of Four that Holmes notes "this is
just the case where they might be invaluable" (Conan Doyle 89). Holmes manages to navigate the
problems that the modern cityscape of the late 1800s throws at him, namely limited means of
transport, by spreading his eyes and ears thinly across London. While it may be helpful to the cause,
Holmes ultimately uses the Baker Street Irregulars to do his dirty work for him. This goes against
the belief that Sherlock Holmes is a detective who avoids the harming of innocent people by using
his mighty intelligence to solve crimes.
There is a sort of supremacy to be found in The Sign of Four with regards to the city. London is seen
as a greater place than anywhere else on this earth. Here they have cocaine addictions, murders,
criminals and

The Thin Blue Line
Mahmoud Nabil Soliman
Engl 1302
Mrs. Linda Daigle
Topic: Essay #3 (A documentary presentation)
"The Thin Blue Line" "The Thin Blue Line" is the fascinating, controversial true story of the arrest
and conviction of Randall Adams for the murder of a Dallas policeman in 1976. It was billed as "the
first movie mystery to actually solve a murder." The film's title comes from prosecutor Doug
Mulder's comment during his closing argument that the police are the "thin blue line" separating
society from "anarchy". This is a re–working of a line from Rudyard Kipling's poem "Tommy" in
which he describes British soldiers (nicknamed "Tommy Atkins") as the "thin red line", from the
color of their uniforms and their formation. The crew who helped to make that movie are: Director:
Errol Morris, Producer: Mark Lipson, Associate Producer: Brad Fuller, Executive Producer: Lindsay
Law, Original Music: Philip Glass, Directors of Photography: Robert Chappell, Stefan Czapsky,
Editor: Paul Barnes, Production ... Show more content on Helpwriting.net ...
With its use of expressionistic reenactments, interview material and music by Philip Glass, it
pioneered a new kind of non–fiction filmmaking. Its style has been copied in countless reality–based
television programs and feature films. "The Thin Blue Line" was voted the best film of 1988 in a
Washington Post survey of 250 film critics. Premiere magazine, in a survey of films of the 1980s,
described it as one of the most important and influential movies of the decade. This movie has
collected many awards like: Best Documentary, 1988, New York Film Critics Circle, National Board
of Review. National Society of Film Critics, Best Movie, 1988, Washington Post Survey of 250 Film
Critics, Mystery Writers of America (Edgar Award), Best Foreign Film, 1988, Taiwan International
Film Festival (Golden Horse

Veronica Mars Untoiled
Hardboiled emphasizes a protagonist that is presented with a cynical attitude or voice. Hardboiled
typically features an inner monologue of a detective, which has been used widely by authors and
creators of detective fiction. Veronica Mars genre is an example of hardboiled detective fiction
where the main character is a teenage girl who adds the sarcastic inner monologue to the series,
which is a different and modern take on hardboiled fiction. Veronica Mars is a young woman who
attends Neptune High School, which is nestled in the corrupt seaside town of Neptune, California.
Veronica is represented as an outcast who spends her free time investigating often times dangerous
cases, which isn't a typical behavior of a high school student. Throughout

William Marlowe As A Detective
Detective Marlowe is portrayed as a strong, dependable man who can carry the weight of the world
on his shoulders. He is a tough but honest man with the intentions of bringing good into the world.
He embraces his masculinity and shows it proudly. Many male detectives masculinity in novels are
noticed and stressed to the reader. Detective Marlowe, at times a person can certainly view him as a
cocky, confident individual because of his actions. Being a detective is the only thing he lives for
and the most important aspect of his life. Yet, as serious as Detective Marlowe takes his job he has
an extremely sarcastic attitude. When having a conversation he makes snide comments and remarks.
As stated by Brunsdale "The unforgettable attractive, ... Show more content on Helpwriting.net ...
Like the other women, she is not making it any easier for him to find die culprit in the rather
confusing environ
ment of corruption, mob–methods, gambling, drinking, easy women, and easy
money. And yet she has come to represent the epitome of the female role in the hard–boiled crime
story for which Chandler set the standard." (Schmidt,Nette pg.423). Detectives in the majority
novels show no emotion and often have a sarcastic attitude. They often live alone and only depend
on themselves to survive. Detective Marlowe is not married by does recognizes women and their
troubles that he believes follows them. Detective Marlowe was hired to find and search for who
stole the sexual nude pictures of Carmen and was holding them as black man. Women in detective
films are viewed as being uneasy and weak individuals. If they are not viewed as uneasy and weak
they are viewed as scandalous. Women are constantly fit and sculpted to fit the role of a woman who
serves only to a man and his needs and wants. Carmen was portrayed as a persuasive woman found
naked passed out with a dead man at her feet. In a way also vulnerable and searching for a protector
to save her from the person that is blackmailing her. She is also a persuasive woman who convinced
everyone surrounding her that she was the victim. She uses her sexuality in a way of getting what
she wants. A woman who bats her eyes at men and has a flirtatious body

Movie Review : ' The Big Sleep '
Film Review of The Big Sleep The Big Sleep was originally written as a novel in 1939 by Raymond
Chandler. Philp Marlowe, a private investigator was hired by a wealthy general to help in resolve the
blackmailing and gambling debts of his wild daughter, Carmen. Things get off to a quick start in the
movie and it immediately begins to unravel, Marlowe suddenly had found himself in a deep web of
love triangles, blackmail, murder, gambling, and organized crime. Vivian the oldest daughter of the
general, quickly jumps in to help Marlowe and warn him of the dangers to come (sort of). As
Marlowe begins to dig deeper into the case he comes to an owner of a casino named Eddie Mars,
and this is when the story takes a turn of events again, and everyone begins to warn him to back off,
but he persists. In the end Marlowe, lures Eddie to the house of a man murdered in the beginning.
This is where things take another turn, Eddie brings a bunch of henchmen to the house, where
Marlowe and Vivian are waiting unexpectedly. Marlowe holds Eddie at gun point and had him
confess to his crimes, Eddie then runs out the door and meets his fate, shot to death by his own
henchmen. There are several things going to be discussed in the following paragraphs. These to be
discussed include: what makes this a hard–boiled novel/film, what characteristics of a noir does the
film have, and cinematic techniques used in the movie. What makes The Big Sleep a hard–boiled
crime? First it is best to start off

The History of the Hard-Boiled Detective Essay
There are many sub–genres of detective fiction and hard–boiled fiction is one of them. What exactly
is hard–boiled detective fiction? Hard–Boiled detective fiction is fiction that features tough, cynical,
urban private eyes who expose corruption and frequently get injured in the course of their
investigations ("Detective Fiction," Literary). Hard–Boiled fiction is considered one of the more
popular sub–genres of detective fiction; there have been numerous films and novels about urban
detectives exposing corruption in the police force and in politics. The author credited with inventing
the first successful hard–boiled story is Carroll John Daly. His character, Terry Mack, was quick to
fight, was quick to shoot and he made plenty of ... Show more content on Helpwriting.net ...
Poe's story set the basic plot for detective stories of that time. A crime, usually murder, is
committed; a detective investigates the crime; a number of suspects are considered; the guilty party
is discovered and imprisoned, killed, or allowed to escape at the conclusion (Detective Fiction," 1
Twentieth Century). The detective story was originally a competition between the reader and the
writer. It was a game intended to challenge the intellect and stimulate though. The reader is
challenged by the writer to attempt to solve the mystery with the clues provided. In the final pages
of the story the reader would learn if their solution matched that of the detective (Herbert and
Hillerman 3–4). Detective stories continued to be this intellectual challenge between reader and
writer for many years until the hard–boiled genre emerged. The first hard–boiled detective was Terry
Mack, who first appeared in Black Mask magazine in 1923 (Marling). This detective was quick to
fight and less on an intellectual than Auguste Dupin. He battled corrupt policemen and gangsters and
almost always became injured in the process. Hard–Boiled detective fiction brought the complexity
of the story down and added a greater sense of adventure to the novels. This attracted many readers
and caused the sub–genre to take off like a rocket (Marling). Hard–Boiled fiction reached its peak in
the 1930s and the 1940s. It reflected the pressures of the Depression and World War II. Its villains

Analysis Of The Movie ' Chinatown ' And ' Oedipus '
Chinatown, directed by Roman Polanski, is a thriller, detective fiction and film noir. Back story
plays an important role within Chinatown as it allows the audience to be exposed to the greed and
corruption within the plot through a slow reveal. Characteristic of a detective fiction is the slow
release of information allowing for the audience to understand the crime and its' motives at the same
pace as the detective. The backstory behind Chinatown builds tension within the story as it clearly
foreshadows what is to happen within the film. There is a great amount of symbolism and parallels
within Chinatown which creates a cyclic narrative to the plot. Another set of parallel is between the
narrative of Chinatown and Oedipus. By examining these two plots it can be noted how the slow
reveal of backstory results in a strong climax. Evelyn's back story is withheld earlier in the plot.
When Evelyn's backstory of the incestuous relationship between herself and Noah Cross, her father,
it creates a climactic point in drama as it shows the greed and corruption. To add to this theme of
greed, when it is revealed that Noah Cross is behind the murder of Hollis Mulwray. The
combination of monetary greed and Cross's greed for his children makes it a more sinister crime. By
having Hollis and Evelyn killed it shows how the innocent as well as the righteous have no justice as
Chinatown is a corrupt place. The backstory of Jake Gittes in Chinatown ignites storytelling through
provoking

What Are The Similarities Between Chinatown And The Big Sleep
The two films of the week Chinatown and The Big Sleep are noir films. The Big Sleep is a classical
noir film and Chinatown is a neo Noir film. Both of them share similar
Mise en scene with elements like the camera work, settings, characters, plot and themes. The films
involve mystery solving by detectives, in addition to a revolution on the crime and the corrupted
people, And dark themes and a sense of unsolved problems and evil. The big sleep involves
hardboiled character, which is the masculine strong detective in The Big Sleep he was hired by a
rich man to solve a blackmail mystery. The movie shows all the events take place in the city, which
symbolizes the darkness,corruption and that people that live there are untrustworthy. Another
important element of film noir is the femme fatale, which dress up in white, ... Show more content
on Helpwriting.net ...
The film explains how the corrupt rich and powerful wins at the end and the justice never comes as
the small girl was taken away by the man who raped his daughter. However this explains the rules of
the city that money and power are the biggest elements and justice and law comes next. Therefore
since the movie is full of corruption it's named as a town. In addition that chinatown was a place that
the detective had bad experiences before in the film as he was narrating that he hated it there.
However what happened is that the movie ended up with another bad experience in chinatown too,
which signifies dystopia and mystery. Chinatown clearly explains Polanski's ideas and themes since
he escaped the nazi party in his childhood, therefore there was violence, oppression and repression
of trauma. However this was reflected in the film by the death of the fetal femme and the end of the
innocent girl being taken away after experiencing a graphic situation, which will give her also post
traumatic stress disorder. Both noir films revolved around mystery that's why the name of the both
movies can have more than one underlying meaning, depending on the

Essay on Alfred Hitchcock's Works of Crime Fiction
Creative works are organised into a specific genre. Genre can be concisely defined as a set of
conventions and expectations which audiences will grow accustomed to over time. Conventions
within a genre will limit and shape the meaning perceived by audiences. Through time, as contexts
alter, so do values; though conventions remain the same. Some composers make their texts more
appealing once they challenge the original conventions of a genre and thus attract a wider audience.
By doing this, composers are able to present their audiences with new themes and values relative to
their social contexts. Crime fiction has often adapted these processes and has become a genre of its
own with intriguing plots fuelling the audience's inquisitive ... Show more content on
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Lisa (Jeff's partner) justifies her views by saying, "Lots of wives nag and men hate them, and trouble
starts – but very, very, very few of them end up in murder –" to which Jeff replies, "It's pretty hard to
stay away from the word (murder) isn't it?" reflecting what the audience of their context might have
been thinking. Family values are embedded into the minds of people of that context as Stella (nurse)
holds a belief that; "A man is always ready for marriage – with the right girl." Marriage and its
importance in society is a pinnacle concept as all subplots seen in the windows Jeff looks through,
concerns relationships and/or marriage. Hitchcock has achieved his purpose of challenging the
conventions and scrutinising values through his specialty genre.
Another sub–genre of The Golden Age was the Realists, which is the main portrayal of unlikely
'detective' Jeff in the film 'Rear Window'. Realist texts often revealed much about society at the
time. This sub–genre eventually led into 'Hard–Boiled' crime fiction that became prominent in
American crime writing. Hard–Boiled detectives were generally streetwise detectives who were
tough talkers and cynical thinkers. Jeff is conveyed as an atypical hard–boiled detective as his
movements are restricted. His only way of investigating the crime is by close observation through
his camera and binoculars. Point of

`` No Country For Old Men `` By Cormac Mccarthy
Cormac McCarthy wrote a novel by the name of "No Country for Old Men" in 2005 which was
created into a movie of the same name in 2007. The film adaptation represents both continuity
within the film noir styles and also breaks away from them in relation to films such as "The Maltese
Falcon," "The Big Sleep" and "The Killers". In the film there are multiple characters that are hard–
boiled and each try to figure out "who did what" and "what happened" for their own individual
reasons. This characterization and the actions done by the main characters are remnant of film noir
styles. In film noir, the main character is usually hard–boiled by showing no emotion and does the
task at hand of finding out the unanswered questions; usually being portrayed as a detective. This
differs though from past styles as in the film there are many hard–boiled characters and not just one
that is considered the stronger character, the detective, who is above the others who are subjective to
emotion. The portrayal of the hard boiled character has transitioned away from the traditional
representation of the detective.
In film noir there are various components that are needed in order to place a film within the genre,
such as the established archetype of the hard–boiled character. In most film noir, this character is
usually a male detective that tries to find a killer while trying to fight off the evil around him.
Typically this character shows no outward emotion and is seemed to be as the strong

Auster Narrative Style
American writer and director Paul Auster uses different literary devices and narrative styles to create
a new form of crime fiction, that links the traditional genre characteristics with experimental
metafiction and postmodern irony. In the "New York Trilogy" novels published sequentially as "City
of Glass" (1985), "Ghosts" (1986) and "The Locked Room" (1986), Auster uses a number of
different narrative styles including pastiche, parody and intertextuality to mix postmodernism with
crime fiction. Previously, the most important aspect in a detective story according to Encyclopedia
Britannica has been: "solving the crime and answering the whodunit question" ("Detective Story").
For that reason, most literature on criminal fiction has focused ... Show more content on
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According to literary criticist William G. Little: "While the goal of detection is to uncover the whole
story, in Auster's work, nothing, especially not nothing, is grasped in its all. No case is closed...his
calculations and representations lead to no final illumination, no climatic discovery." (p. 133). It is
clear, that the postmodern detective fiction has a different purpose than just answering all the
questions and restore order. At the beginning of "City of Glass" the narrator describes that
"detective" Quinn's knowledge regarding crime in general, is very average: "Like most people,
Quinn knew almost nothing about crime. He had never murdered anyone, had never stolen anything,
and he did not know anyone who had. He had never been inside a police station, had never met a
private detective, had never spoken to a criminal. Whatever he knew about these things, he had
learned from books, films, and newspapers." (p. 7). Therefore, Quinn as the writer of crime novels
does not have any actual information about real crime and his stories are not real, but the kind that
parodies the genre on which he lacks experience. On the use of parody M. H. Abrams says: "it
imitates the serious manner and characteristic features of a particular literary work, or the distinctive
style of

The Girl with The Silver Eyes
Hard–boiled detective fiction sets the scene for a cold and harsh reality. Dashiell Hammett's, "The
Girl with The Silver Eyes" is no exception to this rule. In this short story Hammett paints a picture
of a brutally realistic urban center filled with characters that not many people would want to call
friends. The realistic qualities of Hammett's story are drawn from his own life's experience working
as a Pinkerton detective. The detective in "The Girl With The Silver Eyes" works for the Continental
Detective Agency and is, therefore, known simply as the Continental Op. In the beginning of the
story the Op professes, "a detective, if he is wise, takes pains to make and keep as many friends as
possible among transfer company, express ... Show more content on Helpwriting.net ...
The P.I. does not care that his prospective client is visibly upset by the disappearance of his love,
Miss Jeanne Delano. The detective in "The Girl With The Silver Eyes" can be describes as being
very clinical and curt in his approach to the people he works with. The Continental Op bases
everything on direct observation of the situation, largely discouraging the small details that people
want to include. The Op asks Burke Pangburn to describe Miss Delano**** The Continental Op
believes in taking, "pains to make and keep as many friends as possible among transfer company,
express company and railroad employees" (27). His method of going about his detective work
depends on this philosophy. Without the help of the people he calls 'friends' the P.I. would be unable
to get the information that he needs to solve his cases. The people that the Op refers to as friends are
people that he pays or forcible converses into helping him. While hot on the trail the detective finds
himself at the Marquis Hotel and in need of some information from the girl on duty behind the desk.
The detective walks right up to the desk and asks, "who's been calling Halfmoon Bay numbers"
(36)? The firm manner of the P.I. does not allow for a friendly, 'hello' or a 'how are you?' In the same
paragraph the Continental Op mentions that the girl at the switchboard was someone that he had

Essay on Similes in The Big Sleep
Similes in The Big Sleep
In response to Raymond Chandler's The Big Sleep, I have just one question. Why all the similes?
There isn't a single page in the novel that doesn't display this annoying literary device. Everything is
"like this" or "like that." It never ends! Similar to decoding a secret message that isn't difficult to
understand, but nevertheless tiring due to the overwhelming amount of messages, the novel is
frustrating to read. The following analysis acknowledges Chandler's creativity in developing his
main character, Philip Marlowe, with his usage of simile. However, the excessive style of the novel
creates a dominating force that ultimately leaves the reader unfulfilled at the end.
Chandler goes ... Show more content on Helpwriting.net ...
"The smile would wash off like water off sand and her pale skin had a harsh granular texture under
the stunned and stupid blankness of her eyes" (64). This is a rather harsh observation, yet is
important in realizing Chandler's excessive use of simile. His analogies are often lost when he
compares every type of characteristic; whether it is external or internal, positive or negative. The
Sternwood daughters are two different characters whom Marlowe observes in contrasting ways.
Using numerous similes to describe both characters simply confuses this difference.
It is from this standpoint that the novel is absolute drudgery completing. Simile after simile is
overlooked because they are too numerous to count. The reader accepts Chandler's analogous style
and skims over it in order to solve the mystery in their lifetime. Marlowe gives an astute observation
that is often lost because the reader's mind has swelled into a ball of oozing muck from the heavy
dosage of similes. However, this problem is a small droplet in an overwhelming sea of redundancy
that Chandler whole–heartedly navigates to perilous depths.
Not only are the similes potentially overlooked, they also create a bigger problem in deterring
readers from finding the more interesting themes, such as truth and loyalty, in the novel. If they skim
over the similes, they will most likely skim over some of these important, and interesting, themes.
His interactions with

The Long Goodbye: Typical Images Of Women In The Noir World
Female Characters in The Long Goodbye: Typical Images of Women in the Noir World
As one of the most famous hard–boiled crime fictions, The Long Goodbye enjoys its reputation not
only for the story itself, but also for its delicate social criticism. In fact, this novel is representative
of how female characters are formed in the noir world. There are basically three main female
characters in the book: the victim Sylvia Lennox, her sister Linda Loring, and the criminal (or
villain) Eileen Wade. These characters show the typical roles that women play in the noir world –
women can be very emotional, and thus commit crimes. Compared with men, who may get involved
with crime for money, revenge and other issues, women seem to have more emotional desires,
which in most cases involve love. In The Long Goodbye, Eileen, the representative of "Blonde,"
somehow also portrays the "femme fatale" image that would often appear in noir fiction, while
Linda Loring, who is pure and innocent and who falls in ... Show more content on Helpwriting.net
...
For example, in Paper 1, I discussed how the police were used to illustrate the detective. It seems
that The Long Goodbye presents a story about "love and loss," but in fact, what Chandler tries to
depict is the friendships between Detective Marlowe and the mysterious Terry Lennox. In other
words, the story is not about love, but about masculinity. For example, Plain points out that even
Roger Wade shows his masculinity by "drinking himself into an easily killable stupor" after he feels
disappointed and is "refusing to complete a debased cultural product" (p. 81). The main theme of
masculinity thus forms the female characters in the novel. The female characters could also be
regarded as significant elements for building the traits of the detective and/or the novel, and to
differentiate the masculinity that Chandler wishes to illustrate in the

Summary Of Heart Of Darkness Chapter 1-11
Chapter 1 Philip Marlowe, who is a private detective, goes to see General Sternwood. Who is a very
rich man. Philip Marlowe has an appointment with him. Chapter 2 As Philip Marlowe is at the
mansion, General Sternwood tells Philip that he is being blackmailed by a guy named Arthur Geiger,
he sent in an envelope to General Sternwood with his daughter's gambling debt, and wanted to see a
few thousand dollars. General Sternwood once paid a man named Joe Brody 5000 dollars to leave
his daughter be. His daughter being Carmen Sternwood, who might have a little crush on Philip.
Chapter 3 The oldest daughter of General Sternwood, Vivian Regan, wants to talk to Philip as she
thinks her father hired him to find her disappeared husband: Mr. Regan. But ... Show more content
He decides not to escape, but he starts the car. Then Canino comes outside as well shooting his gun.
Philip plays dead, and Canino falls for it. He goes back into the house and comes outside again with
Mona. Mona sees Philip and pretends to think Philip is dead, but Canino doesn't fall for it. As
Canino grabs his gun, it is too late because Philip already has got his, and shoots Canino. Mona
Frees Philip of his handcuffs. Chapter 30 Philip goes to the missing person office, and tells them that
where Mona had been hiding. But they already knew and they were just playing along with the
game of Eddie Mars. Philip goes to bed but he keeps thinking about the case. He has got a feeling
that something isn't right. Then suddenly Norris calls him saying that the General wants to see him
immediately. In half an hour Philip is at the Generals place. He is mad because Philip continued the
case about Regan without permission from the General himself. And they have a conversation. At
the end, the General tells him that he need to find Regan. Chapter

The Big Sleep By Raymond Chandler
Raymond Chandler's hardboiled detective novel, The Big Sleep is a story of murder mysteries,
revelations, blackmailing and lies that the private detective Philip Marlowe gets caught up in.
Marlowe is a private detective who is hired by the millionaire General Sternwood to tackle a
blackmail attempt on his one of the two wild daughters, Carmen Sternwood by a man named Arthur
Geiger. Arthur Geiger is a bookseller; therefore, Marlowe begins to investigate about his bookstore.
Consequently, he meets Agnes Lozelle, the clerk of the pornography library disguised as a
bookstore. She is Brody's girlfriend, but after his death, she is seen to be in cahoots with Harry Jones
to blackmail Marlowe by offering information about the location of Mona Mars. Although Harry
Jones is a deceiver, a chronic liar and an appalling tailgater, but his loyalty and morality command
respect. As the novel progresses, there is more to it. It is not just a blackmail attempt that Marlowe
has to deal with, but complications such as extortion, kidnapping and seduction as well. Harry Jones
comes to light as the man in a gray Plymouth sedan following Marlowe. Apparently, crime is the
wrong business for him, as illustrated by his unsuccessful attempt of tailgating Marlowe secretly. In
the scene when Marlowe notices the Plymouth sedan that was following him, he says "He stayed
close enough so that I couldn't make a short block and leave that before he entered it, and he stayed
back far enough so that other cars

Analysis Of The Girl With The Dragon Tattoo '
The Girl with the Dragon Tattoo
The film and its relation to fiction stories
Annotated Bibliography
Fincher, David, director. The girl with the Dragon Tattoo. Music Box Films, 2010.
David Fincher's adaptation based "The Girls with the Dragon Tattoo" on the international bestselling
psychological thriller novel of the same name by the late Stieg Larsson. Director Fincher has created
a dramatic film, and it was extremely eye catching. From the opening moments, the trailer and the
characters led viewers into the serious air of a crime drama. At the beginning of the film, there is a
loud soundtrack of the electric guitar. While the vocalist is singing, a girl in the background is
screaming with fire images and this made viewers think the movie was about crime and sex.
Following the opening scenes, the film also pointed out the close–to–perfect teamwork of maybe the
not so professional detective and his genius young computer hacker assistant. They were from
different backgrounds, but agreed to work together and aid each other at part of the team, and
eventually fell in love.
Stenport, Anna W., and Cecilia O. Alm. "Corporations, Crime, and Gender
Construction in Stieg Larsson's: The Girl with the Dragon Tattoo Exploring Twenty–First Century
Neoliberalism in Swedish Culture." Scandinavian Studies, vol. 81, no. 2, 2009, pp. 157–178,
ProQuest Central. The movie consists both the traditional mysterious of the hard–boiled detective
fictions, and the new thriller of the modern

The Characteristics Of A Detective Fiction
Detective Fiction Essay
A detective fiction is a literary genre in form of a short story or novel that deals with crimes, usually
murder and detectives are involved to seek out justice for the victims. The detectives involved in
detective fictions can either be private, amateur, or police detectives. There are also other characters
like the suspects and the side kicks. An amateur detective is a detective who has no license to
operate as a private investigator neither is he/she a member of the police force. These detectives
have a different profession, but are not trained in criminal investigation. They have a passion in
crime and delivering justice to the society. On the other hand, a private detective also known as hard
boiled is a male or female detective trained in criminal investigation. Dealing with crime is his/her
profession, therefore, has good physical attributes and uses the gun efficiently. The two detectives
differ in two ways; first, they differ in financial status, secondly they differ on how they use violence
in their investigations.
The first difference between an amateur detective and a private detective is their financial statuses.
An amateur detective is an individual who has another job or rather a ... Show more content on
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In addition, most of them are always poor. A good example is in the Simple Art of Murder by
Raymond Chandler. Raymond writes that, "He is a relatively poor man, or he would not be a
detective at all. He is a common man or he could not go among common people," (219). Another
example is the short story Trouble is My Business by Phillip Marlowe. This story presents a needy
private detective. When he is hired, he confesses that, "I started to get up from my chair, then
remembered that business had been bad for a month and that I needed the money" (Marlowe 255).
This is an example of a hard boiled detective and how they struggle to make a

The Theme Of Rage In Harlem By Chester Himes
The hard–boiled detective story The Rage in Harlem is a grim humored piece of work by Chester
Himes. Himes was born July 29, 1909, in Kansas City, Missouri. He was born into a family with
both parents that were successful teachers. So, in his youth, he had to deal with the social stressing
of being raised in a successful African American family. These stresses helped create the style of
writing he is famous for today. Himes' is known for a theme. He leaned toward a recurring writing
style displaying discrimination of African Americans against themselves. Himes attended Ohio State
University for two years. Himes was smart, but being very slothful in his studies at the time. He was
asked to withdraw after 2 years. He later fell into a path of crime in 1928. Himes faced with his
charges and convicted and later imprisoned. While writing in prison this is where his gritty style
takes form in his later pulp works. A Rage in Harlem is a novel with an eccentric plot. A kind of
comical farce combining hilarity, hostility, and swindling. The scam boomerangs into nothing but
mayhem leading through the city. Including a car chase scene with flowers and dead bodies falling
out the back somewhere on the street. Displaying a naive significant character with the name of
Jackson and his twin brother Goldie. Goldie is also a drug–addicted cross–dressing sister of mercy
selling tickets to heaven. Despite playing a sister of mercy the brother in him comes out as he is the
only one trying to

BHIND THE SHILED
BEHIND THE SHILED is a police drama that sends strong messages about the challenges that face
law enforcement. The messages are relevant and the events in the script are similar to real life recent
events involving civilians and law enforcement.
The story focuses on four cops patrolling the streets with the lead character of O'Donnell being a
veteran cop struggling with both professional and personal issues. The script does a good job of
showing what patrol officers go through. It's similar to the film END OF WATCH.
While the messages are well appreciated, the script could use more development.
One concern is the that there's no real actionable or external goal for the main character of
O'Donnell. There's no strong hook. It's not until page 86 that the issue or complaint about police
brutality is introduced and ... Show more content on Helpwriting.net ...
Remember, the protagonist needs to drive the story.
The dialogue has strengths and weaknesses. The dialogue nicely conveys the message about the
lives of police officers. It does push an agenda, so be careful of sounding too preachy. Sometimes
there too much dialogue. On page 98, the dialogue needs to be broken up vs. long passages. It's a bit
challenging to believe that O'Donnell would also be so sarcastic towards the DA when questioned.
He's a veteran cop, so he probably wouldn't be so disrespectful.
Finally, there are numerous formatting errors and some misspellings. These issues to affect the read
and the pace. The formatting isn't properly aligned or spaced. There should be no space in–between
the character element and the dialogue. There are too many spaces between the narrative
descriptions and the character elements (example page 1). There are several missing scene headings
when the characters go to a new location or get out of a car, (page 2). Introduce a character properly
(i.e. age) when first introduced. There's wrong dialogue formatting on page

Disadvantages Of Crime Translation
Crime fiction is a genre which has been making it to the bestseller lists for quite some time. Novels
from Scandinavia in this genre have gained immense popularity and it would not be wrong to say
that translated crime fiction rules the roost. It is therefore interesting for me, as a translator to
consider the characteristics of crime fiction and the challenges involved in its translation. In my
paper I would like to explore these challenges and study them in detail.
"Crime fiction is a genre that is often perceived to travel quite well in translation" says David Platten
in his book The Pleasures of Crime: Reading Modern French Crime Fiction. (2011:21), "even into
English, despite the fact that the Anglophone publishing industry is often considered ... Show more
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The language of crime fiction has been discussed at great length, for example by Epstein, because
the use of slang, dialects, swearwords and jargon feature heavily in such novels and the usage of
such language varies between cultures. Should the source culture be reflected as closely as possible
in the translation? Surely this would enable the target audience to learn about different cultures and
ideologies whilst remaining faithful to the original intentions and voice of the author. On the other
hand, the translator could change aspects of the original text in order to make it more accessible to
the target audience but with the risk of losing in translation elements of the source culture which are
important to the text. However, in this case, what is likely to be gained instead is an insight into the
ideologies of the target culture and indeed the translator. In addition to cultural and linguistic
aspects, the translator must also take into account the translation of suspense whilst being careful not
to provide the target audience with any additional hints which did not appear in the original. This is
what Umberto Eco calls negotiation. I

Code Of Ethics In The Maltese Falcon And The Big Sleep
Hardboiled American detectives, such as Sam Spade in The Maltese Falcon and Philip Marlowe in
The Big Sleep, follow a general code of ethics in which they portray themselves as tough guys with
no feelings or emotional attachments to anything, who willingly get into violent fights and resolve
what the police cannot solve. They are presented as detectives who are independent in nature and
have more wit than the rest of the characters in the novels. In the case of Lew Archer in The Galton
Case, it is important to note that he is a special illustration of a detective that differs from the normal
formula of what makes one hardboiled. Lew Archer's code of ethics differs from the codes followed
by the other hardboiled American detectives in the way ... Show more content on Helpwriting.net ...
Unlike Sam Spade who "turned off the lights, and went to bed" (Hammett 23) right after the news of
a murder, Archer admits he has trouble sleeping after he sees the touching scene of John stroking
Mrs. Galton's gray hair as he states, "I wondered as I went out how many more scenes like that the
old lady's heart would stand. The question kept me awake on the night plane to Chicago"
(Macdonald 180). Also, in contrast to how Philip Marlowe and Sam Spade treat Carmen, Vivian,
Brigid, and Iva, Lew Archer is portrayed as having a more humane and understanding heart towards
women as he speaks to Ada Reichler. Ada continuously calls herself names that John had called her
previously, such as "a dollar snob" and "a hag," which frustrates Archer. He tells her to be quiet and
claims he had never been so angry. When she runs and kneels at the garden, Archer states that "her
back was long and beautiful. I waited until she was still, and lifted her to her feet" (Macdonald 192).
In the actions and choice of words Archer uses to describe the moments like this and how he feels, it
creates a clear distinction of his ethical codes in comparison to Spade and

The Big Sleep: Movie vs. Novel Essay
The Big Sleep: Movie vs. Novel
Film and literature are two media forms that are so closely related, that we often forget there is a
distinction between them. We often just view the movie as an extension of the book because most
movies are based on novels or short stories. Because we are accustomed to this sequence of
production, first the novel, then the motion picture, we often find ourselves making value judgments
about a movie, based upon our feelings on the novel. It is this overlapping of the creative processes
that prevents us from seeing movies as distinct and separate art forms from the novels they are based
on.
I enjoyed The Big Sleep by Howard Hawks, but can still recognize and appreciate the ... Show more
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The tone in the book was cleverly created by Chandler's fast–paced lines; the flick was equally
clever with the new dialogue for added scenes. Bogart might not meet the expectations of your
mental image of Marlowe, but no one should be expected to recreate someone else's imagination in
a piece of reality. Expecting an artist to do so is ignorant. The Bacall/Bogart connection, and the
way the novel was altered to fit them, gave the movie a sense of individuality, and a signature of its
own merit. The movie was well made, as the book was well written: both are sufficient to stand and
to be appreciated alone.
When making a distinction between movie and novel, it is not acceptable, in my opinion to talk
about the differences between the two versions in terms of "better" or "worse." You may like how
the artist creates a scene in the movie or how another artist plays with the same scene in the novel,
but these are subjective preferences; neither speak to the quality of the work. You cannot critically
compare different media, because you do not have a common set of terms with which to
comparatively discuss the works.
In his book Novels into Film, George Bluestone supports my opinion:
? The film becomes a different thing in the same sense that a historical painting becomes a different
thing from the historical event which it illustrates. It is as

The Maltese Falcon by Dashiell Hammett
Dashiell Hammett's novel, The Maltese Falcon, is a hard–boiled detective novel; a subset of the
mystery genre. Before the appearance of this sub–genre, mystery novels were mainly dominated by
unrealistic cases and detectives like Conan Doyle's Sherlock Holmes. As Malmgren states, "The
murders in these stories are implausibly motivated, the plots completely artificial, and the characters
pathetically two–dimensional, puppets and cardboard lovers, and paper mache villains and
detectives of exquisite and impossible gentility." (Malmgren, 371) On the other hand, Hammett tried
to write realistic mystery fiction – the "hard–boiled" genre. In the Maltese Falcon, Hammett uses
language, symbolism, and characterization to bring the story closer to ... Show more content on
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Brigid symbolises Ireland, because in Hammett's opinion, Ireland manipulated Americans during
World War II for her own benefits (Abrahams, 115). The boy Wilmer also corresponds to the
American Finance Capitalism (AFC) while the fat Gutman represents to the British Empire who was
almost immobilized by size (Abrahams, 98). From Hammett's perspective, Gutman (Britain)
exhibits parental instincts toward Wilmer (AFC), but exploits him nonetheless. On the other hand,
Wilmer is like the AFC, who "in 1920, engaged in various schemes assuming they were heirs to
Britain's world financial power" (Abrahams, 99). However, what brings the most realism into the
novel is how Hammett incorporates actual human nature in the characterization. The characters of
The Maltese Falcon have qualities that make them appear realistically complex, unpredictable, and
at times self–contradicting: reflexive of human nature. For instance, the femme fatale, Brigid, blurs
the line between appearance and reality. This is shown when Spade is about to turn her in to the
police and she says, "You're [Spade is] lying if you say you don't know down in your heart that, in
spite of anything I've done, I love you." (Hammett, 212) Brigid claims that she loves Spade, but
neither he nor the reader know if that is actually true. Brigid also mixes truth with lies like when she
confesses, " 'I am a liar,'

Critical Analysis of the Skull Beneath the Skin Essay
It could be said that The Skull beneath the Skin is quite typical of the crime genre, however P.D.
James has somewhat subverted the genre. The novel incorporates a combination of Intuitionist,
Realist and Hard Boiled styles of crime fiction. Usually crime novels fall into one of the three afore
mentioned styles. Although obviously an Intuitionist or classically styled crime novel, Skull beneath
the Skins as I have previously stated incorporates all three creating a unique novel while still
following the traditions and conventions of the crime genre. This can be seen from this essay
reference will be made to setting, dialogue, characterisation, dramatic irony, humour, narrative
structure and the conventions of crime fiction.
Setting is a ... Show more content on Helpwriting.net ...
The reader is presented with a group of characters all struggling with troubled lives. Following the
strictures of the Intuitionist text this serves the purpose of making all characters a suspect in the
inevitable murder investigation. The reader is introduced to three main stereotypes throughout Skull
beneath the Skin; the detective, the victim and the murderer/ villain.
The detective in the Shull beneath the Skin Cordelia Gray is typical of the intuitionist text. Cordelia
is not perfect but she seems to be morally better than all those around her in particular the occupants
of Courcey Island. This particular trait makes her the 'Goodie' in the reader's eyes. She is clever and
apt at seeing through the deceptions around her. However she hides this behind a somewhat
dithering exterior to make her job at Courcey Island less conspicuous.
Also introduced in the novel is the character of Clarissa Lisle the victim. True to the Intuitionist
style Clarissa is immoral and a completely despicable character who the reader cannot like at all.
This puts more intrigue into the murder investigation because with such a nasty victim many people
could have reason to want her dead. In this case almost everyone on Courcey Island has felt the
bitter edge of Clarissa Lisle.
The last major character stereotype that the novel S.B.T.S includes is the murderer/criminal.
Generally as the name suggests the criminal is the person who

Corruption in Raymond Chandler’s The Big Sleep
In Raymond Chandler's novel The Big Sleep, a private detective is trying to unravel a blackmailing
case for a dying millionaire, General Sternwood. Philip Marlowe, the detective, finds that the case
not only involves blackmail, but also homicide. Set and written in 1930's America, the economic
devastation of the Great Depression has a significant influence on the book's plot, and showcases
character's struggle to retain honor and virtue in a world that revolves around profit–seeking
delinquency and organized corruption. Marlowe's work as a private detective brings him face to face
with criminals of every variety, and each corresponds to a piece on the chessboard that appears
repeatedly in the story. Marlowe's symbolic identity is the well–intentioned knight, who represents
the shred of chivalry that remains in a society of pawns and crooked kings, and the chess game is his
combat against crime in a period of national despondency.
In the heart of the Great Depression, America as a whole is in serious financial turmoil and people
have become pessimistic about the future. Money is the main incentive for the actions of several
characters that Marlowe deals with throughout the story. When he wonders why Harry Jones and
Agnes Lozelle want to blackmail him, Jones replies, "[Agnes is] a grifter, shamus. I'm a grifter.
We're all grifters. So we sell each other out for a nickel" (Chandler 168). People have become
money–hungry criminals simply because they have nothing left to lose

Elements Of A Classic: The Maltese Falcon
What does it mean for a book to be a classic? When something is a classic, it has been judged over a
long period of time and come to be considered one of the best of its kind. So a classic book is one
that has tested time, teaches a lesson, entertains many audiences, and changes your perspective or
values after reading the book. Some examples of classic books would be Moby Dick, To Kill a
Mockingbird, and The Hobbit. The Maltese Falcon, an exceptional book written by Dashiell
Hammett, is filled with mystery, crime, and adventure. The Maltese Falcon should be a classic
because the characters are very interesting, it makes the reader reconsider the acts of good and bad,
and it was one of the first unique detective books.
"Classic Is As ... Show more content on Helpwriting.net ...
The further you get into it, the more it begins to make sense." This quote will immediately make the
audience think of The Maltese Falcon since the book can be confusing at times with its continuous
plot twists, until the end when the reader solves the mystery. The Maltese Falcon should be a classic
because there are many similarities such as the interesting characters, changing the reader's
perspective and values, and being very unique and one of the first detective books. The Maltese
Falcon has also stood the test of time and entertained a variety of audiences. Even after finishing
The Maltese Falcon, the story never ends. The reader is left with questions, like they may have in
other classics. All of these comparisons come to the fact that The Maltese Falcon should indeed be
considered a

The Noir Anti Hero : How Walter Huff Reflects Depression...
The Noir Anti–Hero:
How Walter Huff Reflects Depression–Era Society The anti–hero of Double Indemnity, Walter Huff,
is a reflection of the greed, lust, and corruption of the evils of society during the Great Depression.
The anti–hero must navigate his way through the external landscape of depression–era Los Angeles
in an attempt to survive the urban wilderness in perhaps some very non–conventional ways. Despite
this, the anti–hero is relatable to the reader since he is not seen as a typical hero but rather a flawed
moral character. Ambiguity is a key characteristic of noir and surrounds the love triangle of the anti–
hero, femme fatale, and the crime committed. Noir is a genre of hard–boiled crime dramas, which
originated in America in the 1930s and 1940s, during and post WWII. The films and novels that
were associated with this genre reflected how the world was viewed during and after the war⎯cold,
heartless and cruel. A noir anti–hero is the main character of a story that lacks the characteristics of a
typical hero, but is relatable to the audience. He usually functions outside social norms and
challenges the system. Hardboiled detective is a tough, cynical style of writing that brought an
aspect of realism to the genre of detective fiction. It is often a gritty detective story set in a world
overrun with violence and corruption. The way that Cain describes depression–era Los Angeles is a
reflection of society during that time period. The anti–hero is morally compelling

The Relationship Between Sam Spade And The Maltese Falcon...
Both Dashiell Hammett's development of Sam Spade in the Maltese Falcon and Dorothy Sayers
development of Harriet Vane in Gaudy Night, leave something to be said about the way British and
American detective novels create their characters in line with different views of life. Whether that
perspective is relative to the time period and country, or just the views of the author, it is clear that
the American "hardboiled" novel focuses strongly on the self–interest of most of the characters, and
the self–development of Sam Spade and what his perception of life is. Dorothy Sayers develops her
protagonist Harriet Vane in a similar way. She too is trying to understand her place in the world and
is given the opportunity to do so at Shrewsbury. The two novels' contrast either drastically in plot
development and the types of crimes, which influences the character's views of their own lives.
The Maltese Falcon begins by quickly establishing Sam Spade as a morally complex character after
his affair with his partner's wife, even though he is supposed to be the protagonist. Sam Spade's
opening description as a 'blond devil' let the readers begin to picture his cynicism. Readers can't
expect the normal actions of a protagonist as they can in Gaudy Night. In a sub–genre of Mystery,
this moral questioning plays on the emotional mystery of not knowing fully that the protagonist is
actually going to be the hero. Not only questioning if he's the hero, but questioning if he might
possibly be the

The Characteristics Of Male And Women In Detective Novels
In detective novels and films, men characters are portrayed to be the definition of a masculine male
and women are portrayed as the persuasive, and vulnerable female. The man detective is grounded,
straightforward, attentive to detail, and a lone wolf. Women are portrayed as a distraught, damsel in
distress, not independent searching for a man for support and saving. In the film, The Big Sleep
directed by Howard Hawks and written by Raymond Chandler creates the character Detective
Marlowe who interest and passion is his detective work. He shows no emotion to not make himself
vulnerable to the outside world and all the people that are connected with it. In detective stories
women are portrayed as being flirtatious using the title of being a women to get what they want. A
damsel in distress is what the majority of women play in detective novels. They turn to the detective
or other men in the story for protection and guidance. Carmen is presented as a flirtatious,
promiscuous woman but yet evil and tainted.
In the novel "Too Many have lived" and "They Can Only Hang You Once" both written by Dashiell
Hammett introduces the reader to Detective Samual Spade who similar to Detective Marlowe
dedicated his time and efforts into solving crimes, catching killers, and protecting the people's
safety. He creates a hard exterior to the world and shows no sympathy or emotion. There are many
similar characteristic traits shared between both Detective Marlowe and Detective Spade. The man

The Postman Always Rings Twice By Dashiell Hammett And The...
Major Works The following list is a great start for those who want to read the classic hard–boiled
stories that have defined what is meant by a hard boiled fiction. The Maltese Falcon by Dashiell
Hammett. The Postman Always Rings Twice by James M Cain. It caused a scandal with its
explosive mix of violence and sex. The torrid story of Frank Chambers, the amoral drifter, Cora, the
sullen and brooding wife, and Nick Papadakis, the amiable but inconvenient husband, has become a
classic of its kind, and established Cain as a major novelist with a spare and vital prose style and a
bleak vision of America. Cain's another work Double Identity. Here, Walter Huff is an insurance
investigator like any other until the day he meets the beautiful ... Show more content on
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Thus became very human need of entertainment. Most of the hard boiled crime fiction stories
involve private investigators as the hero, though Sherlock Holmes was a private eye and the stories
aren't hard–boiled, and Cain never wrote a detective novel. They are realistic, in the sense that
people who go out and get a private investigator license are hired to solve crimes, which is more
than the village vicar or the head of the gardening club can say. These situations will definitely make
a curiosity in eyes of the reader than the normal occasions.
The Setting As we discussed earlier the setting for hardboiled detective fiction is usually a large city,
an urban area, or an industrial area. The cities tend to be dark, dangerous places run by corrupt
politicians, gangster syndicates, and an occasional corrupt police officer. Often the stories
themselves have more night scenes than daylight scenes, which contribute to the overall dark
atmosphere of the stories thus, can create more mind blowing occasions. Hard boiled fiction covers
a broad range of writing about crime and the people involved in criminal activity or violence, the
police, private detectives, criminals, lawyers, and so on. The plots range from the solving of the
mystery of who committed the crime to following the

Harry Lavender Characters
Day's, 'The Life and Crimes of Harry Lavender', powerfully engages with the responder and
effectively subverts the crime fiction genre to create a new era of crime fiction. Day critics modern
society through the protagonistic voices of Claudia Valentine and Harry Lavender to challenge the
audience's perception of what crime and criminality is. Day uses the subversion of female characters
to challenge and question our perceptions of gender stereotypes. Day also effectively synthesises the
insight that the dynamic personality of criminals, like Sydney, is evolving. Ultimately, "The Life and
Crimes of Harry Lavender" highlights these fundamental ideas to examine the impact of the
narrative voices in order to gain insight into crime fiction and to address traditional conventions of
modern society.
Day effectively dissociates the ... Show more content on Helpwriting.net ...
Claudia Valentine is a character that is an enigmatic and codified by the crime fiction genre. She is
cleverly introduced in such a manner which is stereotypical of the traditional hard boiled detective
with the alcohol, cigarettes and 'blonde' in the bed. These crime fiction conventions re–
contextualized her in terms of her gender so to explore a more sinister aspect of humanity and the
qualities that she possesses. Within Claudia, Day has created a strong and independent woman,
creating a new voice for females in crime fiction. This can be seen in the encounters between
Claudia and Dr. Angell, where she contrasts her personalities. In contrast to this, Day uses the
characterization of Harry to understand his motives in becoming a major technological criminal.
Through the monologues of Harry experiencing his mother being brutally murdered by the Nazis,
the schoolyard bullies and the alienation that he encountered when being a refugee; Harry
physiologically shifts towards

Marele Day's Novel, The Life and Crimes of Harry Lavender...
"Witty, wryly humorous and fast–paced, "The Life and Crimes of Harry
Lavender" is a thriller with a twist which brilliantly evokes the sleaze below the surface of the city's
glittering faade". Is this what the novel is about?
Marele Day's novel, "The Life and Crimes of Harry Lavender" explores a large scope of issues
related to crime and mystery writing. The use of simple language, symbolism, clever wit and a
certain sense of satirical mockery all contribute to composing this witty, wryly humorous and fast
paced novel. Through the way in which Day portrays the protagonist, Claudia Valentine, she
challenges the stereotypes and ideas set in the readers' minds, in relation to gender issues. Day also
succeeds to ruthlessly unmask ... Show more content on Helpwriting.net ...
She shows a female character doing what previously only men had done; directly committing herself
to the criminal underworld, walking dangerous streets at night, boldly trespassing into perilous areas
and defending herself– all the things that only men would do in conventional versions of the genre.
On the very first page, Day introduces this concept of ironic mockery by creating confusion as to the
gender of the character. A tough voice that fills the requirements of hard–boiled school men is
established, and only after turning the page does the reader realize that the terribly hung–over
narrator is a female private–eye and the blonde in the bed is a good–looking male.
The novel is set in Sydney. Day represents the city form two different views. One is Claudia's safe,
sheltered Sydneyof innocent childhood,
"Cars sat in the sun silently absorbing the heat, reminding me of childhood summers. Days at the
beach and before you went home all the doors of the car would be flung open and the heat that
rushed out nearly knocked you over."
The reader soon discovers it to simply be a faade that blinds us from seeing the seedy, savage and
corrupted undertones of a world which very few are aware of. This other side is associated with
Harry
Lavender, who is slowly infiltrating all of society like cancer slowly invades a healthy human body.
On several occasions Claudia reinforces
the

Analysis Of Dashiell Hammett's The House On Turk Street
Set against the backdrop of San Francisco during the Roaring 1920's, Dashiell Hammett's "The
House on Turk Street" invokes classic images of the courageous and hardened crime fighter
enveloped by the ubiquitous reach of organized crime. Mr. Hammett draws inspiration from his own
experiences both as a young man working for the Pinkerton National Detective Agency and his time
serving in the Army (PBS, 1). The story, a pristine specimen of the hardboiled detective genre,
captures not only the edge–of–your–seat emotions of mystery, but also the grueling realism and
brutality of organized crime. Despite my overwhelmingly positive response to the story, it is not a
flawless work. Mr. Hammett occasionally relies too heavily on seemingly self–resolving
circumstances within the storyline, making scenarios too convenient for the characters and leaving
the reader frustrated by the lack of suspense. Also of concern is that, while the periphery characters
are plentifully described and develop harmoniously throughout the story, Mr. Hammett often leaves
the reader yearning for a more profound development of the Continental Op. Beyond these sudden
revolutions and shallow descriptions, "The House in Turk Street" is a fantastic read that is exciting,
intelligent, and a quintessential piece of American noir fiction. Mr. Hammett begins his story by
introducing a Continental Op (a detective) who "had been told that man whom I was hunting lived
in a certain Turk Street block" (Hammett, 3). The

Comparing The Long Goodbye And Roman Polanski's Chinatown
Robert Altman's The Long Goodbye and Roman Polanski's Chinatown are both good examples of
neo–noir. They both carry elements of classical film noir with them, such as the "hard boiled
detective" archetype, the "femme fatale" archetype, and they both deal with the gritty side of human
nature. But while they both have some overlapping noir tropes that can be seen in classical noirs,
these films are actually incredibly different from one another. They both act as examples for John
Cawelti's Modes of Generic Transformation. They both share one mode, but then have different
modes in addition, making them noir–like in essence, but still incredibly different films. In Cawelti's
piece, he talks about the "generic transformation" that appears in Chinatown. Most of all, he points
at the "myth" of the hard–boiled detective, a well known noir character archetype that appears in
both Chinatown and The Long Goodbye. According to Cawelti, the "hard–boiled" detective is an
archetype that is meant to portray the "moral ambiguity" theme often seen in classical film noir.
These types of characters are licensed by the state as private investigators, but are far from morally
upright beings. They follow their own internal code of ethics, and if the law needs to be broken in
order for the job to get done, that is just the way things have to go (Cawelti 499–500). Both Jake
Gittes and Philip Marlowe are private investigators who do their own thing when it comes to
enforcing the law. Mostly because they realize that the system is corrupt, so they invent their own
form of justice. To Gittes, that means lying his way in and out of most situations; to Marlowe that
means killing his friend who has committed murder. James Naremore links the films The Long
Goodbye and Chinatown together, but says they run parallel to each other in many different ways. A
few examples he lists are the productions themselves: The Long Goodbye attempts to stray away
from a classical noir setting––being set in 1970s Los Angeles, it never denies its modernity and
almost seems to push it in your face. Something we can see with the hippie girl neighbors who like
to sit on the porch topless––a very early 1970s thing to do. Chinatown, on the other hand, is a lavish

The Maltese Falcon Analysis
Major Works
The following list is a great start for those who want to read the classic hard–boiled stories that have
defined what is meant by a hard boiled fiction. The Maltese Falcon by Dashiell Hammett. The
Postman Always Rings Twice by James M Cain. It caused a scandal with its explosive mix of
violence and sex. The torrid story of Frank Chambers, the amoral drifter, Cora, the sullen and
brooding wife, and Nick Papadakis, the amiable but inconvenient husband, has become a classic of
its kind, and established Cain as a major novelist with a spare and vital prose style and a bleak
vision of America. Cain's another work Double Identity. Here, Walter Huff is an insurance
investigator like any other until the day he meets the beautiful and dangerous Phyllis Nirdlinger and
falls under her spell. Together they plot to kill her husband and split the insurance.
Another writer Raymond Chandler's work The Long Goodbye deals about a down–and–out drunk
Terry Lennox dying millionaire, Philip Marlowe to handle the blackmailer of one of his two
troublesome daughters, Marlowe finds himself involved with more than extortion. Kidnapping,
pornography, seduction, and murder are just a few of the complications he gets caught up in.
Hammett's innovations were incorporated in the hard–boiled melodramas of James M. Cain (1892–
1977), particularly in such early works as The Postman Always Rings Twice (1934) and Double
Indemnity (1936). Another successor was Raymond Chandler (1888–1959), whose

Detective Marlowe Research Paper
There were once two detectives. The guy is John Marlowe and the girl is Brooke Willow. The guy is
passionate about his job but the girl is an undercover spy, little did she know her life was about to
change for good. Detective Marlowe was born in Ohio he is 21 years old. John has brown hair,
green eyes and light skin. He is smart and goofy, he can take things seriously but also have fun.
When he was younger he lived on a farm and his passion was to be a detective. He attended a small
private school and did not have many friends,he mostly stayed to himself but he took an after school
class to study being a detective. When he is not working on a case he is teaching line dancing
classes as a hobby. He is in the top five. best detectives

Gender Stereotypes In The Gutting Of Couffignal
Carving Out Gender Stereotypes in "The Gutting of Couffignal" "The Gutting of Couffignal" is a
detective fiction short story written by Dashiell Hammett that focuses on the mystery surrounding
the attack on the town of Couffignal by an unknown gang, and more specifically, the robberies and
murders that ensue. Hammett's story is classified as hard–boiled fiction, which Encyclopaedia
Britannica defines as a "tough, unsentimental style of American crime writing" (The Editors of
Encyclopaedia Britannica). Due to its hard–boiled nature, "The Gutting of Couffignal" mainly
focuses on the issue of large–scale crime in the city. However, throughout the story, Hammett uses
gender stereotyping of both the protagonist and the antagonist by the readers ... Show more content
Unlike the Continental Op, Princess Zhukovski allows some of her most significant actions to be
ruled by her own gender stereotyping. To begin with, the princess is taken by surprise when the Op
announces his suspicions of her. Her reaction proves that she does not believe he would come to
those conclusions, not only because she is of royal birth but also because she is a woman. Once the
princess realizes she is found out, Zhukovski attempts to gain sympathy from the Continental Op by
expressing the woes of her troublesome past life. She laments, "There was no place for us in world.
Outcasts easily become outlaws" (Hammett 250). Zhukovski hopes that her sob story will touch the
heart of the Continental Op and that her portrayal of the damsel in distress will drive the point home,
but the Continental Op is having none of it. Growing in desperation, the princess plays her last card
by seductively offering herself to him, and it appears it is a hand she has played before. Zhukovski
expects even the strongest–willed men to bend before her at the promise of a sexual favor. At the
conclusion of the story, the princess employs both her wealth and feminine wiles to save her own
skin, bribing Flippo to kill the Continental Op for her. Hammett illustrates her tactics when he writes
"She was singing, chanting, crooning Italian syllables into his round face" (252). Although
Zhukovski successfully manipulates Flippo, it ultimately does her no good; once the

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