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EXPLORE HOW THE STRUCTURE AND COMPONENTS (IN 
PARTICULAR SELECTION OF ACTION CLIPS) OF 2 TRAILERS ARE 
USED IN ORDER TO CREATE AN ENIGMA/TWIST AND 
SUSPENSE/TENSION. 
Skyfall & Marvel’s Avengers
SKYFALL 
In Skyfall the first few shots are in a really dark room with some sunlight coming 
through past the blinds. At first we have some close ups and medium shots 
following bond through the hallway. The camera then cuts straight away to an 
action shot of a car flipping on its side; then again a straight cut to Bond and a 
villain running on top of a train. We then see a clip of bond getting shot by a 
sniper rifle and falling to his death off a 400 foot bridge. This immediately 
creates a twist as it is not very often that we see a 007 agent get shot and 
die. This trailer does not follow conventions of normal action films as it 
introduces the trailer with a scary scene in the dark. This does not follow 
normal conventions as by creating this much tension too early means that it is 
only temporary. However because bond films are always about tension their 
trailers are usually like this; peaking the action early and continuing it 
throughout. There is a real contrast through the first half of the trailer. When 
Bond is involved in a scene it is dark or there is a twist and when he is not it is 
usually a brighter scene involving more light. This really contrasts the second 
half of the trailer where he teams up with “M”. This is where we see the real 
007 agent fighting for something he can’t afford to lose. The tension is 
created using a lot of background music. Both diegetic and non diegetic 
sounds are used in the film trailer. A clear example of when diegetic sound is 
used is the train moving. A clever example of non diegetic sound used in this 
trailer is the gun that kills Bond. It is clear to the audience that the gun has 
been fired with the sound of a gunshot; however, for obvious reasons Bond 
was not realistically shot, but by adding this non diegetic sound its clear for 
both the audience and actors to react to the gunshot.
AVENGERS 
The avenger’s trailer starts off with slow fades of different scenes of the setting 
and a narration from the main antagonist in an English accent. There are non 
diegetic sounds used for the sirens from police cars. The following shot fades 
into a scene with a woman looking out a shop window into the sky. Then there 
is a cut into an explosion of cars and dramatic music begins. The next shot is 
of police cars and policemen lining up and shooting their guns at the sky 
however; what they’re shooting at is not shown. This adds tension to the 
trailer as the audience does not know what is in the sky so it sets them up for 
an action film. The scene then cuts to a shot of someones legs walking 
through a large dark room. The darkness has strong connotations that this is 
the villain’s hideaway or special room. From the way the people are walking in 
synchronisation, through using obvious stereotypes we can tell they are 
soldiers of some sort. There is then a quick cut to a close up of the villains 
face. This is where continuity editing is used as it brings the shot out into a 
mid shot where ‘Loki’ is jumping at the soldiers. The pace of the trailer then 
begins to increase. There are many explosions shown in different camera 
shots to show the power of Loki. After this, the major film corporation logos 
are shown and the pace of the film momentarily decreases before picking 
back up with the music (the pace decreases to allow the reader to have time 
to read the logo). Then there is then a series of shots showing the all the main 
heroes of the film. They are shown individually as a narrator in the 
background talks about the idea to bring them all together to defend the earth 
from Loki. The next scene shows two of the superheroes arguing but then a 
funny comment is made and the scene cuts into a series of action clips which 
contain fast shots and continuity editing which builds excitement for the movie 
and lets the audience know the film contains a lot of action.

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Research & Planning Task 3

  • 1. EXPLORE HOW THE STRUCTURE AND COMPONENTS (IN PARTICULAR SELECTION OF ACTION CLIPS) OF 2 TRAILERS ARE USED IN ORDER TO CREATE AN ENIGMA/TWIST AND SUSPENSE/TENSION. Skyfall & Marvel’s Avengers
  • 2. SKYFALL In Skyfall the first few shots are in a really dark room with some sunlight coming through past the blinds. At first we have some close ups and medium shots following bond through the hallway. The camera then cuts straight away to an action shot of a car flipping on its side; then again a straight cut to Bond and a villain running on top of a train. We then see a clip of bond getting shot by a sniper rifle and falling to his death off a 400 foot bridge. This immediately creates a twist as it is not very often that we see a 007 agent get shot and die. This trailer does not follow conventions of normal action films as it introduces the trailer with a scary scene in the dark. This does not follow normal conventions as by creating this much tension too early means that it is only temporary. However because bond films are always about tension their trailers are usually like this; peaking the action early and continuing it throughout. There is a real contrast through the first half of the trailer. When Bond is involved in a scene it is dark or there is a twist and when he is not it is usually a brighter scene involving more light. This really contrasts the second half of the trailer where he teams up with “M”. This is where we see the real 007 agent fighting for something he can’t afford to lose. The tension is created using a lot of background music. Both diegetic and non diegetic sounds are used in the film trailer. A clear example of when diegetic sound is used is the train moving. A clever example of non diegetic sound used in this trailer is the gun that kills Bond. It is clear to the audience that the gun has been fired with the sound of a gunshot; however, for obvious reasons Bond was not realistically shot, but by adding this non diegetic sound its clear for both the audience and actors to react to the gunshot.
  • 3. AVENGERS The avenger’s trailer starts off with slow fades of different scenes of the setting and a narration from the main antagonist in an English accent. There are non diegetic sounds used for the sirens from police cars. The following shot fades into a scene with a woman looking out a shop window into the sky. Then there is a cut into an explosion of cars and dramatic music begins. The next shot is of police cars and policemen lining up and shooting their guns at the sky however; what they’re shooting at is not shown. This adds tension to the trailer as the audience does not know what is in the sky so it sets them up for an action film. The scene then cuts to a shot of someones legs walking through a large dark room. The darkness has strong connotations that this is the villain’s hideaway or special room. From the way the people are walking in synchronisation, through using obvious stereotypes we can tell they are soldiers of some sort. There is then a quick cut to a close up of the villains face. This is where continuity editing is used as it brings the shot out into a mid shot where ‘Loki’ is jumping at the soldiers. The pace of the trailer then begins to increase. There are many explosions shown in different camera shots to show the power of Loki. After this, the major film corporation logos are shown and the pace of the film momentarily decreases before picking back up with the music (the pace decreases to allow the reader to have time to read the logo). Then there is then a series of shots showing the all the main heroes of the film. They are shown individually as a narrator in the background talks about the idea to bring them all together to defend the earth from Loki. The next scene shows two of the superheroes arguing but then a funny comment is made and the scene cuts into a series of action clips which contain fast shots and continuity editing which builds excitement for the movie and lets the audience know the film contains a lot of action.