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Representation in “Bikes”
     by Lucy Rose


       Brontë Vickery
Camera Work
• At the beginning of the video, there is a
  close up shots of the artist’s
  boots, representing Lucy Rose as
  mysterious and dramatic in a parody of the
  establishing shots typical of a western film ;
  this leaves the audience to question
  whether Lucy will be presented as the
  ‘hero’ or ‘villain’ of such a scenario.
• This is followed by a close up shot of Lucy
  slamming down a note on the
  bar, representing her as demanding and
  headstrong, perhaps parodying male
  behaviour. This is drawn attention to as it is
  done in time with the beat.
•   There is frequent use throughout of close
    up and extreme close up shots of Lucy’s
    face, establishing her importance. In the
    beginning scene, she is presented to be
    very fierce, verging on insane, to create
    the impression that she is very strong
    whilst adding a comical element. This
    would indicate to the audience that she
    does not take herself too seriously and has
    a sense of humour, thus representing her
    in a manner that is likeable and relatable
    for the audience
•   A combination of both low and high angle
    shots are used. The low angle shots
    represent her as very strong and
    admirable, whilst the high angle shots re-
    establish her as relatable and less
    intimidating than she is represented as
    throughout the majority of the video.
    These shots emphasise the artist’s small
    frame, representing her as more
    vulnerable and stereotypically feminine.
• With regards to framing, Lucy is
  usually in the foreground and centre
  of the frame, again establishing her
  importance and representing her as
  the “leader” or a “heroic” figure.
  This also represents her as very
  dominant, which supports the
  aggressive character that she plays in
  this video.
• This aggression and strength is
  reflected by the frequent use of
  direct address which gives the
  impression she is challenging her
  audience.
• The use of tracking shots again
  represent her as being dominating
  and of central importance
  , encouraging the audience to view
  her with admiration as some type of
  icon or even idol.
Editing
• During the first scene (in the bar/saloon) there
  is use of subtitles. This is more effective than
  diegetic sound as it does not interrupt the
  song. The subtitles are used to add a humorous
  effect, representing the artist as being funny
  and also quirky or strange, as she demands
  “milk”. The subtitles are also used to establish
  the message of the video of the strength of
  women, as one of the male actors refers to her
  belittlingly as “kitty”. This may be a reflection
  of the objectification of women and represents
  Lucy as being against this.
• Lucy, playing her character, responds to this
  with shocking violence which is emphasised by
  the use of slow motion, representing her as
  being very strong, defensive, and aggressive;
  someone, in short, that one would not want to
  ‘mess with’.
• Shot-reverse-shot is used to
  emphasise the male character’s
  reaction to her. This is
  presented at first to be very
  ridiculing and
  condescending, yet this quickly
  changes to fear, creating a
  comical effect and representing
  her as powerful.
• However, the video sticks to
  conventions as the artist is
  represented through the video
  as being more soft and
  feminine through the use of
  cutaways to the scenery and
  twinkling lights, creating a
  whimsical atmosphere.
Mise-en-scène
• The other actors who accompany Lucy in the
  video are fairly old, tough looking men who
  form a biker gang. The men who are against
  her are presented in the same
  way, representing her in standing up to them
  as strong and fearless.
• Lucy herself is represented as being part of this
  ‘gang’ and is dressed in a very
  masculine, stereotypically “biker” outfit, with
  her image including tattoos. This represents
  her again as being fierce and subverts the
  image of women conventionally found in music
  videos, as female artists are usually
  represented in a glamorous, feminine and
  sexualised way. The fact that Lucy goes against
  such conventions could represent her as being
  potentially feminist to some degree.
• Within the group, she has the
  biggest bike, a quad bike
  which dominates the
  road, representing her as a
  strong authority figure.

• The artist is shown to be
  participating in typically male
  activities- lighting a
  fire, sawing wood and even
  winning an arm wrestle
  (against a male character).
  This represents her as very
  strong and again challenges
  the conventional view of
  omen, particularly in the
  music industry.
• The setting for the video
  is varied but none of the
  scenes are
  glamorous, and are
  mostly outside. This
  represents the artist as
  being very down-to-
  earth.
• There is an American flag
  in one of the scenes
  which emphasises the
  “western” theme. Lucy is
  British so the foreign
  location for the video
  may represent the artist
  as being adventurous.
• The lighting starts of
  very dark, representing
  her as mysterious and
  adding to the
  atmosphere of the
  room. The scenes of the
  bike trips are brightly
  and warmly lit
  suggesting that Lucy, or
  at least the character
  she us playing, is
  happiest doing that.

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Representation in "bikes"

  • 1. Representation in “Bikes” by Lucy Rose Brontë Vickery
  • 2. Camera Work • At the beginning of the video, there is a close up shots of the artist’s boots, representing Lucy Rose as mysterious and dramatic in a parody of the establishing shots typical of a western film ; this leaves the audience to question whether Lucy will be presented as the ‘hero’ or ‘villain’ of such a scenario. • This is followed by a close up shot of Lucy slamming down a note on the bar, representing her as demanding and headstrong, perhaps parodying male behaviour. This is drawn attention to as it is done in time with the beat.
  • 3. There is frequent use throughout of close up and extreme close up shots of Lucy’s face, establishing her importance. In the beginning scene, she is presented to be very fierce, verging on insane, to create the impression that she is very strong whilst adding a comical element. This would indicate to the audience that she does not take herself too seriously and has a sense of humour, thus representing her in a manner that is likeable and relatable for the audience • A combination of both low and high angle shots are used. The low angle shots represent her as very strong and admirable, whilst the high angle shots re- establish her as relatable and less intimidating than she is represented as throughout the majority of the video. These shots emphasise the artist’s small frame, representing her as more vulnerable and stereotypically feminine.
  • 4. • With regards to framing, Lucy is usually in the foreground and centre of the frame, again establishing her importance and representing her as the “leader” or a “heroic” figure. This also represents her as very dominant, which supports the aggressive character that she plays in this video. • This aggression and strength is reflected by the frequent use of direct address which gives the impression she is challenging her audience. • The use of tracking shots again represent her as being dominating and of central importance , encouraging the audience to view her with admiration as some type of icon or even idol.
  • 5. Editing • During the first scene (in the bar/saloon) there is use of subtitles. This is more effective than diegetic sound as it does not interrupt the song. The subtitles are used to add a humorous effect, representing the artist as being funny and also quirky or strange, as she demands “milk”. The subtitles are also used to establish the message of the video of the strength of women, as one of the male actors refers to her belittlingly as “kitty”. This may be a reflection of the objectification of women and represents Lucy as being against this. • Lucy, playing her character, responds to this with shocking violence which is emphasised by the use of slow motion, representing her as being very strong, defensive, and aggressive; someone, in short, that one would not want to ‘mess with’.
  • 6. • Shot-reverse-shot is used to emphasise the male character’s reaction to her. This is presented at first to be very ridiculing and condescending, yet this quickly changes to fear, creating a comical effect and representing her as powerful. • However, the video sticks to conventions as the artist is represented through the video as being more soft and feminine through the use of cutaways to the scenery and twinkling lights, creating a whimsical atmosphere.
  • 7. Mise-en-scène • The other actors who accompany Lucy in the video are fairly old, tough looking men who form a biker gang. The men who are against her are presented in the same way, representing her in standing up to them as strong and fearless. • Lucy herself is represented as being part of this ‘gang’ and is dressed in a very masculine, stereotypically “biker” outfit, with her image including tattoos. This represents her again as being fierce and subverts the image of women conventionally found in music videos, as female artists are usually represented in a glamorous, feminine and sexualised way. The fact that Lucy goes against such conventions could represent her as being potentially feminist to some degree.
  • 8. • Within the group, she has the biggest bike, a quad bike which dominates the road, representing her as a strong authority figure. • The artist is shown to be participating in typically male activities- lighting a fire, sawing wood and even winning an arm wrestle (against a male character). This represents her as very strong and again challenges the conventional view of omen, particularly in the music industry.
  • 9. • The setting for the video is varied but none of the scenes are glamorous, and are mostly outside. This represents the artist as being very down-to- earth. • There is an American flag in one of the scenes which emphasises the “western” theme. Lucy is British so the foreign location for the video may represent the artist as being adventurous.
  • 10. • The lighting starts of very dark, representing her as mysterious and adding to the atmosphere of the room. The scenes of the bike trips are brightly and warmly lit suggesting that Lucy, or at least the character she us playing, is happiest doing that.