3. Title here
CC BY-SA
Access to Europe’s cultural heritage
Europeana Essentials
CC BY-SACC BY-SA
53 million digitized objects, from 3,700 institutions in 44 countries
4. Engage people
● Place the digital cultural heritage where
people are: Wikipedia, Pinterest, online but
also in the street, participating via collection
days, or transcribathons.
● And develop more browse entry points for
specific interest areas
5. Re-use with Partners
Make content available to:
●Educators, Teacher Networks and
Ministries of Education
●Research Networks
●the Creative industries/innovators
So it they can make it work for their
audiences
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CC BY-SACC BY-SA
A network of data partners
●Data providers: Cultural heritage institutions providing content and metadata to
Europeana
●"Intermediate” Aggregators: organizations
or projects gathering metadata and content
for institutions from a specific country, sector,
or on a specific domain (music, archaeology,
theater…) and making it available for
Europeana and other data consumers
7. Title here
CC BY-SA
What data does Europeana
hold?
Europeana Essentials
CC BY-SACC BY-SA
● Descriptive and technical metadata
● Thumbnails
As a rule, content is still served from our data partners
● Some content for specific projects
● newspapers text and images
● user-generated content (Europeana 1914-1918)
8. Title here
CC BY-SA
Big data?
Europeana Essentials
CC BY-SACC BY-SA
Volume – not so big
● Metadata <1TB
● Thumbnails <4TB
● Some content for specific projects <10TB
53 million digitized objects, from 3,700 institutions in 44 countries
9. Title here
CC BY-SA
Big data?
Europeana Essentials
CC BY-SACC BY-SA
Velocity - manageable
● Approx. 2M records added or removed between May 2017
and September 2017
● Updates are done continuously, but not in real time (our
data ingestion team pushes the buttons)
10. Title here
CC BY-SA
Big data?
Europeana Essentials
CC BY-SACC BY-SA
Veracity - problematic
● We have big data quality issues
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CC BY-SA
Big data?
Europeana Essentials
CC BY-SACC BY-SA
Variety – huge
53 million digitized objects, from 3,700 institutions in 44
countries
● Many different themes and types of objects
Books, newspapers, journals, letters, diaries, archival papers, paintings, maps, drawings,
photographs, music, spoken word, radio broadcasts, film, newsreels, television, fashion,
sculpture, 3D objects, and more
● Libraries, archives, museums have different ways to describe objects.
Even within a sector, big differences can be observed
● Heterogeneity makes quality issues even harder to cope with
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CC BY-SA
Multilinguism
Europeana Essentials
CC BY-SACC BY-SA
● Officially we get metadata in 39 languages
● But there are more languages used in individual metadata
fields
13. Title here
CC BY-SA
Europeana Essentials
CC BY-SACC BY-SA
Work by Péter Kiraly (Göttingen Research alliance)
http://144.76.218.178/europeana-qa/languages.php?collectionId=
14. Title here
CC BY-SA
Europeana Essentials
CC BY-SACC BY-SA
Work by Péter Kiraly (Göttingen Research alliance)
http://144.76.218.178/europeana-qa/languages.php?collectionId=
15. Title here
CC BY-SA
Multilinguism
Europeana Essentials
CC BY-SACC BY-SA
● Officially we get metadata in 39 languages
● But there are more languages used in individual metadata
fields
• Over 400 language codes
• E.g., 6 values in x-aramaic-latn - not a valid code by the way
• But the most common case is lack of language information!
16. What do we do with it?
France, Public Domain
1914, National Library of France
Agence de presse Meurisse
Concours de cycles nautiques sur le lac
d’Enghien : Berregent piloté par Austerling
20. Title here
CC BY-SA
Contributing to third party sites -
Wikimedia Commons
Europeana Essentials
CC BY-SACC BY-SA
Europeana 1914-1918 content on Wikimedia Commons
Wikimedia Commons| CC BY-SA
22. France, Public Domain
1932, National Library of France
Agence de presse Mondial Photo-Presse.
Tournoi royal de motos à Londres :
changement d'une roue de side-car en marche
Still, we need to
work on data
23. Title here
CC BY-SA
Title here
CC BY-SA
Europeana Essentials
CC BY-SA
Data modelling for
interoperability and richer data
CC BY-SA
Clavecin, Bartolomeo Cristofori
Cite de la Musique,
MIMO - Musical Instruments Museums Online|CC BY-NC-SA
Europeana Data Model example
24. Title here
CC BY-SACC BY-SA
A community driven model
• Involving experts from libraries, archives and museums, as
well as academic partners
• The input from the different communities makes the model
stronger
Bible Translators
Anatolia College, Greece | Public Domain
26. Title here
CC BY-SACC BY-SA
Following the Linked Open Data
principles
http://vimeo.com/36752317
27. Title here
CC BY-SA
Title here
CC BY-SA
Europeana Essentials
CC BY-SA
Enriching data
CC BY-SA
Several processes produce richer data that
we and others can use to build new and
innovative services
• Harvesting richer Linked Open Data from
data partners
• Crowdsourcing
•Automatic semantic enrichment
Latvijas dzelzce u karteļ
1937, National Library of Latvia, Latvia | Public Domain
30. Title here
CC BY-SACC BY-SA
The Entity Collection
Contribution to multilingual coverage
Entities effectively used to enrich Europeana Objects
Entities present in the Entity Collection
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CC BY-SACC BY-SA
Multilingual enrichment is not easy
Poisonous India or the Importance of a Semantic and
Multilingual Enrichment Strategy
Marlies Olensky, Juliane Stiller, Evelyn Dröge, MTSR 2012
http://link.springer.com/chapter/10.1007%2F978-3-642-35233-1_2
32. Title here
CC BY-SACC BY-SA
Data Quality Committee
Working on recommendations for the community on:
○ Mandatory metadata elements for ingestion of EDM data
○ Metadata checking and normalization
○ Meaningful metadata values (in the context of use)
○ Quality of content (digital media)
○ Coordination with other quality-related initiatives
http://pro.europeana.eu/get-involved/europeana-tech/data-quality-committee
33. Title here
CC BY-SACC BY-SA
Title here
CC BY-SA
Name of image | Creator
Providing organization|
Country, licence
Name of image | Creator
Providing organization| Country, licence
antoine.isaac@europeana.eu
@antoine_isaac
Editor's Notes
Image is: http://www.europeana.eu/portal/record/9200365/BibliographicResource_1000055421061.html
Copyright url: http://creativecommons.org/publicdomain/mark/1.0/
Europeana gives you access to:
Books, newspapers, journals, letters, diaries, archival papers, paintings, maps, drawings, photographs, music, spoken word, radio broadcasts, film, newsreels, television, fashion, sculpture, 3D objects, and more
Previews and information (metadata) about each object with, where possible, (direct) access to full texts, high-quality imagery, sound and video files either on Europeana or on the provider’s own website.
Europeana Collections was updated and given its new name in December 2015. Its fresh, clean feel, designed in response to stakeholder and audience feedback, makes it easy to navigate. Improved search and filters, including innovative colour searches (try this one for ‘Dark slate blue’) and quality searches (find our very best maps of Paris), mean finding what you’re looking for is simple. Better, bigger previews, a zoom function for high resolution images and documents (get really close up to this Monet), direct play for video (try this silent film) and audio (listen to this Maria Callas aria) and a new download option mean less time clicking and more time engrossed in cultural content. Clear copyright information shows you what you can and can’t do with the treasures you find. All this together gives you trustworthy and relevant information and content to use, to learn, to share or to contribute to research. See for yourself with our quick demo.
Explore Europeana Collections at http://europeana.eu
3. Engaging and involving people more
We also need to continue to deliver content to Wikipedia and Pinterest so that the more casual user gets to experience a broader spectrum of our heritage in the places they already use. And we undertake broad engagement campaigns such as Europeana 1914-1918 which I will come to and we are building one on migration to play out next year because we know that as a citizen of Europe, taking part in our thematic campaigns – like adding your family memorabilia to Europeana 1914-1918 – helps increase appreciation of our shared history and reinforces the importance of our shared future.
53 million pieces of cultural heritage - search, browse, filter
From 3,500 institutions in 35 countries
Europeana gives you access to:
Books, newspapers, journals, letters, diaries, archival papers, paintings, maps, drawings, photographs, music, spoken word, radio broadcasts, film, newsreels, television, fashion, sculpture, 3D objects, and more
Previews and information (metadata) about each object with, where possible, (direct) access to full texts, high-quality imagery, sound and video files either on Europeana or on the provider’s own website.
Europeana Collections was updated and given its new name in December 2015. Its fresh, clean feel, designed in response to stakeholder and audience feedback, makes it easy to navigate. Improved search and filters, including innovative colour searches (try this one for ‘Dark slate blue’) and quality searches (find our very best maps of Paris), mean finding what you’re looking for is simple. Better, bigger previews, a zoom function for high resolution images and documents (get really close up to this Monet), direct play for video (try this silent film) and audio (listen to this Maria Callas aria) and a new download option mean less time clicking and more time engrossed in cultural content. Clear copyright information shows you what you can and can’t do with the treasures you find. All this together gives you trustworthy and relevant information and content to use, to learn, to share or to contribute to research. See for yourself with our quick demo.
Explore Europeana Collections at http://europeana.eu
Europeana isn’t content with a service in which audiences simply come to us. We take Europe’s collections to the online places in which our audiences congregate.
We share openly licensed collections in as many places as we can. Here are some examples.
Europeana 1914-1918
The Europeana blog
Europeana virtual exhibitions, curated by our expert partners
Facebook
Pinterest
Twitter
Google+
Wikimedia
Europeana newsletter
We’re always looking for ways to improve how we connect with our audiences, so our work on things like the portal, blog, virtual exhibitions and our newsletter is never done! Working with partners and projects is really important for our end-user services. It’s their expertise in specific areas that helps us create fascinating exhibitions and take people on great cultural journeys with our channels.
2. Scaling with partners
We have 5 markets we are trying to reach with Europeana: Lovers of the various aspects of culture from music to art to fashion to maps to natural history; whether they are Cultural Professionals; Educators, Researchers or from the Creative Industries and Innovators. We cannot reach these markets by ourselves we dont have the subject knowledge or capability of reaching the audiences so need to rely on partners. But to do this we must be able to provide educator, researcher or creative, with clearly labelled, high-quality material content for use. So they can make it work in their systems and users get rich, trusted cultural heritage in their workflow, tailored to their specific need.