The Pink PortfolioIdeas stolen from Daniel H. Pink
PINK PORTFOLIODesignStorySymphonyEmpathyPlayMeaning
A Daniel Pink ExerciseChannel Your Annoyance
“To be a designer is to be an agent of change” – CHAD’s Barbara C. Allen“Design is a high-concept aptitude that is difficult to outsource or automate” – Daniel PinkDesign
Choose a household item that annoys you in some way.In a group of 2 or 3, decide which item is most annoyingFor duration of a class period, outline what’s annoying about it, and how you’d change itActivity
2-3 sentences explaining what task(s) the product was intended to be used to complete3-5 sentences explaining your particular problem with the product4-6 sentences of how the product you’ve re-designed is better than the existing productWriting
A (set of) drawing(s) of your new productAdditional additions
A “Karimanifesto”
BasicsPick a profession that you’re interested in joining as an adultFind one or two members of the community in that profession, and ask them:What are 5 things that someone who’sinterested in becoming a(n) _____________should begin to do on daily, weekly, andmonthly bases to work their way into your field?
Compile list of pieces of adviceOrganize by Daily, Weekly, Monthly PiecesThen organize in order of perceived (by you) importanceYou should have 15 total (5 for each time frame)How it becomes a manifesto
Put It on the Table
Find an object that matters  a lot to you or holds some special meaning AND find one that doesn’t matter a whole lotPut the item that matters on your desk and explore the following questions:Set-up
When you look at or use this object, what does it make you think of? The skill you need to use it? The person who made it? How does this object affect each of your five senses?How do you connect the sensory clues you get from the object to your thoughts about it? What connections have you made?Stuff to think about
Now complete the same task with the item that does not matterBIG QUESTION:WHAT’S THE DIFFERENCE?!?!?!Again
PINK PORTFOLIODesignStorySymphonyEmpathyPlayMeaning
Mini-sagas
A mini-saga is an extremely short storyYours should be exactly 50 words.  50. No more.  No fewer.It should still have a beginning, middle, and endSimply write three (3)
Tape Recorded Story
The BasicsFind a relative, friend, teacher or other person you come in regular contact withTurn on a video or tape recorder and ask a series of questionsInterview should be around 30-45 minutes
Ask 10 questions5 from http://tinyurl.com/scquests5 of your own writingMake sure video captures both your question and their answersRequirements
Opening Lines
Go back through what you’ve read in the past yearIf you’ve owned the books, find the marked sentences that you want(ed) to rememberCompile a list of “great” sentences from the literature that you’ve readPut a star by one, and write one on an index cardWhat to do
Choose one of the sentences that you’ve listed and base a story on itStory should run a page or two typedYour story should bare as little resemblance as possible to story it was taken fromWhat else to do
You’ll write three stories:One based on the sentence you chose from your listOne based on the sentence you drew from the boxOne based on the sentence you picked from my listDon’t stress over length; stress over contentDon’t worry about perfection; you’ll never get there anywayYou’ll only put ONE into your final portfolioIn the end
PINK PORTFOLIODesignStorySymphonyEmpathyPlayMeaning
Beethoven’s 9thMozart’s No. 35Haydn’s No. 94 in G MajorListen to how everything works togetherListening to a Symphony
Self-portraitPortrait of a neighborPortrait of the fieldYou only get 5 lines5-line Drawing
Type a (school-appropriate) word that you find interesting into a search engineChoose one of the first five websites to clickSkim over the material on the initial link to learn about your topicSelect a link from that site, and a link from that site, and so on until you’ve clicked SIX links, making sure to read information on all of the pagesFollow the Links
Write a paragraph (6-8 sentences) summarizing the information that you learned about your initial topicsConsider:What you encountered doing this that you wouldn’t have encountered otherwiseIf any patterns or themes emergedWhat unusual connections (if any) you might have encounteredFollow the Links
Like “Follow the Links,” but in a dictionaryLook up any noun, and continue looking up words from definitions until you have 6 wordsRecord the train of words, and write a 1-page story using those wordsUnderline the words from your list in the storyFollow the Words
Choose a problem from the listIn a group of 5 people, do the following to brainstorm solutionsOne person in your group should be a scribe and the other a directorBrainstorming
Go for quantitySet a numerical goal (~30 would be great)Encourage wild ideasThe more outlandish, the betterBe visualSpend 5 minutes on a search engine looking up pictures on your topicDefer JudgmentNo idea is a bad idea, but there are such things as better ideas.  Go creative, then get critical.One conversation at a timeRules
from:Pink, Daniel. A Whole New Mind. New York: Riverhead,	2005.All ideas stolen
PINK PORTFOLIODesignStorySymphonyEmpathyPlayMeaning
Tests used to measure empathy and related qualitiesTo serve as an introduction to thinking about your own empathy levelMales tend to systematically go about their lives, whereas women tend to empathetically go about their livesTest Yourself
“Male” vs. “Female” brainsFrom Simon Baron-Cohen, 60-question instruments to determine the “gender” of your brainEmpathy Quotient (girls)http://tinyurl.com/dbsd8Systemizing Quotient (boys)http://tinyurl.com/7taj8“Spot the Fake Smile”Ten-minute, 20-question test to see how good you are at differentiating between fake and real smileshttp://tinyurl.com/2u7shTest Yourself cont’d.
Pick a place to sit and listen to others’ conversationse.g. Starbucks, Target, the library, your classroom, the lunch roomListen carefully, but don’t intrude on the conversationImagine yourself as one of the participants, and consider:What are you (meaning him or her) thinking and feeling at that moment?What emotions, if any, are coursing through your body?How did you get at this spot at this particular time?Eavesdropping
Eavesdropping cont’d.Write date, time frame, and location in your SpirallyNote your considerations in your SpirallyWrite 4-6 sentences about your experienceIn addition to your considerations about the person:What did this experience teach you?How many conversations did you have to listen to before finding the one you wrote about?What if someone were doing this to you?
Whose Life?
Pair up with another classmate that you DON’T KNOW very wellAsk them about their lives and how they got to Honors World Literature at West Hall High School in whatever grade they areListen to and take notes on story, be ready to tell story to the classPick one of your teachers and ask them the sameHow Did I Get Here?
PINK PORTFOLIODesignStorySymphonyEmpathyPlayMeaning
Choose two or three of the cartoons from the setWrite a humorous caption about what’s going on in the cartoonAccording to the Cartoon Editor at The New Yorker, captions take “rhythm, brevity, and surprise,” and that:“Most cartoons or funny ideas have this weird combining aspect.  It is a conceptual blending and overlapping of categories that the conscious mind resists, but that is absolutely necessary to create new ideas” (Pink 210).Cartoon Captions
Write a (school-appropriate) joke in your SpirallyPartner up with someone you don’t know well, and tell them the jokeYour partner should then analyze the joke to discern why it’s funnyAnswer in 1-2 sentences:What makes this joke funny??  What could make it funnier?Dissect a Joke
PINK PORTFOLIODesignStorySymphonyEmpathyPlayMeaning
Think of someone at West Hall who has been kind, generous, or helpful in a significant wayStudent, teacher, support staff, librarian, etc.In your Spirally, brainstorm some of the ways that person support youAt your computer, type a one-page letter to that person explaining how grateful you areBe specific about what you’re thankful forThe Gratitude Visit
In your Spirally, draw a T-ChartHead one side “Wanted Life Changes” and the other side “Obstacles to Change”At the bottom of the chart, connect the two sides with a comma and the word “but”But Out
“Exchanging and for but can move you out of excuse-making mode and into problem-solving mode.  It’s grammar’s way of saying ‘deal with this’” (Pink 238).Pink also writes that if the technique fails, “you can always say ‘I wanted to make changes in my life, but that exercise in Pink’s book didn’t help me enough’” (238).On the next sheet in your Spirally, go back to each item and replace the word “but” with the word “and”But Out cont’d.
Sabbath: a time of rest (m-w.com)Select one day a week and remove yourself from the average busyness	Like the “This I Believe” essay, this does not need to be religious, on Sunday, etc.Try this for two weeksWrite a paragraph or two about your experience the day after each sabbath takenTake a Sabbath
The mini-sabbathChoose one common act that you commit every dayWalking into 5th period, going to lunch, waking up, etc.Take a “Sabbath pause” and “simply stop, take three mindful breaths, and then go about the activity”Try for a week or so when doing the same thingSabbath alternative
In your Spirally, make a list of what is most important to youThink about people, activities, values, etc.Narrow the list to about 5 itemsTrace 2 weeks from the Unit 5 calendar (or some other) into your SpirallyWrite into your traced calendar the days and times that you spent on these itemsCheck Your Time
Once you’ve moved your priorities from the list to the calendars, CONSIDER:How many hours can you assign to each of the life priorities?Where have you successfully aligned your values with your time?Where do you find gaps between wants and actions?Always be honest about your assessment, as that will help the mostCheck Your Time cont’d.
Choose someone that matters a lot to youDecide what kind of work they would want you to do, accomplishBegin to think of your work as a giftIn 3-4 sentences, write who you’re planning to dedicate this portfolio to, and why.Dedicate Your Work
“Live life now as if you’re living for the second time andhad acted wrongly the first time” (Pink, 244).Think of yourself as being 90 years old, and consider:What does your life look like from this point of view?What have you accomplished in your life?What have you contributed to the world in which you’ve lived?Do you have any regrets?Picture Yourself at Ninety

Pink Portfolio Exercises

  • 1.
    The Pink PortfolioIdeasstolen from Daniel H. Pink
  • 2.
  • 3.
    A Daniel PinkExerciseChannel Your Annoyance
  • 4.
    “To be adesigner is to be an agent of change” – CHAD’s Barbara C. Allen“Design is a high-concept aptitude that is difficult to outsource or automate” – Daniel PinkDesign
  • 5.
    Choose a householditem that annoys you in some way.In a group of 2 or 3, decide which item is most annoyingFor duration of a class period, outline what’s annoying about it, and how you’d change itActivity
  • 6.
    2-3 sentences explainingwhat task(s) the product was intended to be used to complete3-5 sentences explaining your particular problem with the product4-6 sentences of how the product you’ve re-designed is better than the existing productWriting
  • 7.
    A (set of)drawing(s) of your new productAdditional additions
  • 8.
  • 9.
    BasicsPick a professionthat you’re interested in joining as an adultFind one or two members of the community in that profession, and ask them:What are 5 things that someone who’sinterested in becoming a(n) _____________should begin to do on daily, weekly, andmonthly bases to work their way into your field?
  • 10.
    Compile list ofpieces of adviceOrganize by Daily, Weekly, Monthly PiecesThen organize in order of perceived (by you) importanceYou should have 15 total (5 for each time frame)How it becomes a manifesto
  • 11.
    Put It onthe Table
  • 12.
    Find an objectthat matters a lot to you or holds some special meaning AND find one that doesn’t matter a whole lotPut the item that matters on your desk and explore the following questions:Set-up
  • 13.
    When you lookat or use this object, what does it make you think of? The skill you need to use it? The person who made it? How does this object affect each of your five senses?How do you connect the sensory clues you get from the object to your thoughts about it? What connections have you made?Stuff to think about
  • 14.
    Now complete thesame task with the item that does not matterBIG QUESTION:WHAT’S THE DIFFERENCE?!?!?!Again
  • 15.
  • 16.
  • 17.
    A mini-saga isan extremely short storyYours should be exactly 50 words. 50. No more. No fewer.It should still have a beginning, middle, and endSimply write three (3)
  • 18.
  • 19.
    The BasicsFind arelative, friend, teacher or other person you come in regular contact withTurn on a video or tape recorder and ask a series of questionsInterview should be around 30-45 minutes
  • 20.
    Ask 10 questions5from http://tinyurl.com/scquests5 of your own writingMake sure video captures both your question and their answersRequirements
  • 21.
  • 22.
    Go back throughwhat you’ve read in the past yearIf you’ve owned the books, find the marked sentences that you want(ed) to rememberCompile a list of “great” sentences from the literature that you’ve readPut a star by one, and write one on an index cardWhat to do
  • 23.
    Choose one ofthe sentences that you’ve listed and base a story on itStory should run a page or two typedYour story should bare as little resemblance as possible to story it was taken fromWhat else to do
  • 24.
    You’ll write threestories:One based on the sentence you chose from your listOne based on the sentence you drew from the boxOne based on the sentence you picked from my listDon’t stress over length; stress over contentDon’t worry about perfection; you’ll never get there anywayYou’ll only put ONE into your final portfolioIn the end
  • 25.
  • 26.
    Beethoven’s 9thMozart’s No.35Haydn’s No. 94 in G MajorListen to how everything works togetherListening to a Symphony
  • 27.
    Self-portraitPortrait of aneighborPortrait of the fieldYou only get 5 lines5-line Drawing
  • 28.
    Type a (school-appropriate)word that you find interesting into a search engineChoose one of the first five websites to clickSkim over the material on the initial link to learn about your topicSelect a link from that site, and a link from that site, and so on until you’ve clicked SIX links, making sure to read information on all of the pagesFollow the Links
  • 29.
    Write a paragraph(6-8 sentences) summarizing the information that you learned about your initial topicsConsider:What you encountered doing this that you wouldn’t have encountered otherwiseIf any patterns or themes emergedWhat unusual connections (if any) you might have encounteredFollow the Links
  • 30.
    Like “Follow theLinks,” but in a dictionaryLook up any noun, and continue looking up words from definitions until you have 6 wordsRecord the train of words, and write a 1-page story using those wordsUnderline the words from your list in the storyFollow the Words
  • 31.
    Choose a problemfrom the listIn a group of 5 people, do the following to brainstorm solutionsOne person in your group should be a scribe and the other a directorBrainstorming
  • 32.
    Go for quantitySeta numerical goal (~30 would be great)Encourage wild ideasThe more outlandish, the betterBe visualSpend 5 minutes on a search engine looking up pictures on your topicDefer JudgmentNo idea is a bad idea, but there are such things as better ideas. Go creative, then get critical.One conversation at a timeRules
  • 33.
    from:Pink, Daniel. AWhole New Mind. New York: Riverhead, 2005.All ideas stolen
  • 34.
  • 35.
    Tests used tomeasure empathy and related qualitiesTo serve as an introduction to thinking about your own empathy levelMales tend to systematically go about their lives, whereas women tend to empathetically go about their livesTest Yourself
  • 36.
    “Male” vs. “Female”brainsFrom Simon Baron-Cohen, 60-question instruments to determine the “gender” of your brainEmpathy Quotient (girls)http://tinyurl.com/dbsd8Systemizing Quotient (boys)http://tinyurl.com/7taj8“Spot the Fake Smile”Ten-minute, 20-question test to see how good you are at differentiating between fake and real smileshttp://tinyurl.com/2u7shTest Yourself cont’d.
  • 37.
    Pick a placeto sit and listen to others’ conversationse.g. Starbucks, Target, the library, your classroom, the lunch roomListen carefully, but don’t intrude on the conversationImagine yourself as one of the participants, and consider:What are you (meaning him or her) thinking and feeling at that moment?What emotions, if any, are coursing through your body?How did you get at this spot at this particular time?Eavesdropping
  • 38.
    Eavesdropping cont’d.Write date,time frame, and location in your SpirallyNote your considerations in your SpirallyWrite 4-6 sentences about your experienceIn addition to your considerations about the person:What did this experience teach you?How many conversations did you have to listen to before finding the one you wrote about?What if someone were doing this to you?
  • 39.
  • 40.
    Pair up withanother classmate that you DON’T KNOW very wellAsk them about their lives and how they got to Honors World Literature at West Hall High School in whatever grade they areListen to and take notes on story, be ready to tell story to the classPick one of your teachers and ask them the sameHow Did I Get Here?
  • 41.
  • 42.
    Choose two orthree of the cartoons from the setWrite a humorous caption about what’s going on in the cartoonAccording to the Cartoon Editor at The New Yorker, captions take “rhythm, brevity, and surprise,” and that:“Most cartoons or funny ideas have this weird combining aspect. It is a conceptual blending and overlapping of categories that the conscious mind resists, but that is absolutely necessary to create new ideas” (Pink 210).Cartoon Captions
  • 43.
    Write a (school-appropriate)joke in your SpirallyPartner up with someone you don’t know well, and tell them the jokeYour partner should then analyze the joke to discern why it’s funnyAnswer in 1-2 sentences:What makes this joke funny?? What could make it funnier?Dissect a Joke
  • 44.
  • 45.
    Think of someoneat West Hall who has been kind, generous, or helpful in a significant wayStudent, teacher, support staff, librarian, etc.In your Spirally, brainstorm some of the ways that person support youAt your computer, type a one-page letter to that person explaining how grateful you areBe specific about what you’re thankful forThe Gratitude Visit
  • 46.
    In your Spirally,draw a T-ChartHead one side “Wanted Life Changes” and the other side “Obstacles to Change”At the bottom of the chart, connect the two sides with a comma and the word “but”But Out
  • 47.
    “Exchanging and forbut can move you out of excuse-making mode and into problem-solving mode. It’s grammar’s way of saying ‘deal with this’” (Pink 238).Pink also writes that if the technique fails, “you can always say ‘I wanted to make changes in my life, but that exercise in Pink’s book didn’t help me enough’” (238).On the next sheet in your Spirally, go back to each item and replace the word “but” with the word “and”But Out cont’d.
  • 48.
    Sabbath: a timeof rest (m-w.com)Select one day a week and remove yourself from the average busyness Like the “This I Believe” essay, this does not need to be religious, on Sunday, etc.Try this for two weeksWrite a paragraph or two about your experience the day after each sabbath takenTake a Sabbath
  • 49.
    The mini-sabbathChoose onecommon act that you commit every dayWalking into 5th period, going to lunch, waking up, etc.Take a “Sabbath pause” and “simply stop, take three mindful breaths, and then go about the activity”Try for a week or so when doing the same thingSabbath alternative
  • 50.
    In your Spirally,make a list of what is most important to youThink about people, activities, values, etc.Narrow the list to about 5 itemsTrace 2 weeks from the Unit 5 calendar (or some other) into your SpirallyWrite into your traced calendar the days and times that you spent on these itemsCheck Your Time
  • 51.
    Once you’ve movedyour priorities from the list to the calendars, CONSIDER:How many hours can you assign to each of the life priorities?Where have you successfully aligned your values with your time?Where do you find gaps between wants and actions?Always be honest about your assessment, as that will help the mostCheck Your Time cont’d.
  • 52.
    Choose someone thatmatters a lot to youDecide what kind of work they would want you to do, accomplishBegin to think of your work as a giftIn 3-4 sentences, write who you’re planning to dedicate this portfolio to, and why.Dedicate Your Work
  • 53.
    “Live life nowas if you’re living for the second time andhad acted wrongly the first time” (Pink, 244).Think of yourself as being 90 years old, and consider:What does your life look like from this point of view?What have you accomplished in your life?What have you contributed to the world in which you’ve lived?Do you have any regrets?Picture Yourself at Ninety

Editor's Notes

  • #5 CHAD = Charter High School for Architecture and Design (in Philadelphia)