1. Secret of the Bards
By Aaron Berman
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2. Controllable Factors of
Composition
Changes in Pitch, Tempo, Pattern and
Timbre
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3. Emotional Responses
Elicit the One you Intended
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40645538@N00/1638699646/">Pink Sherbet Photography</
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40645538@N00/303014935/">Pink Sherbet Photography</a>
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4. Attempting a Masterpiece
With Crayons
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5. Key’s of the Bard
Doors of Understanding
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84301190@N00/3329673735/">Rosino</a> via <a href="http://
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6. Music of the Spheres
Mathematics in Music
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27787901@N06/4402617839/">gideon_wright</a> via <a href="http://compfight.com">Compfight</
a> <a href="http://creativecommons.org/licenses/by/2.0/">cc</a>
8. Changes in Tempo
Nervous Reactions?
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Sherbet Photography</a> via <a href="http://compfight.com">Compfight</a> <a href="http://
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9. Changes in Tempo
Activating Music vs. Calming
Music`
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photo</a> via <a href="http://compfight.com">Compfight</a> <a href="http://
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99771506@N00/5491134733/">paul bica</a> via <a href="http://
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2.0/">cc</a>
10. Changes in Pitch
Increases and Decreases
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href="http://
www.flickr.com/photos/
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8340/">Erik Daniel
Drost</a> via <a
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fight</a> <a
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11. Changes in Pitch
PSNS Activation vs. SNS Activation
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22519875@N08/7328405008/">Dreaming in the deep
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12. Changes in Pitch
SNS Activation
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J. Lynch</a> via <a href="http://compfight.com">Compfight</a> <a href="http://
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Photo Credit: <a href="http://www.flickr.com/photos/
87793853@N00/1573158163/">Kyle May</a> via <a href="http://
compfight.com">Compfight</a> <a href="http://creativecommons.org/licenses/
by/2.0/">cc</a>
15. Changes in Pattern and Timbre
Violins Legato Violins
Tremolo
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GiselaGiardino²³</a> via <a href="http://compfight.com">Compfight</a> <a href="http://
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16. Changes in Pattern and Timbre
Meters and Beat Grouping
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48423254@N00/12294167/">Paco Vila</a> via <a
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17. Changes in Pattern and Timbre
Building your Own Library
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18. Review of the Keys
Changes in Pitch and Tempo
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19. Review of the Keys
Changes in Timbres and
Pattern
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9239422@N03/5481137306/">KrysiaB</a> via <a
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2.0/">cc</a>
20. Mystery of the Bards Unveiled
The Doors Revealed, Will you
Walk Through?
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21. References
Livio, M. (2002). The golden ratio. Brooklyn, NY: Broadyway Books.
Collins, K. (2008). Game sound : An introduction to the history, theory, and practice of video game
music and sound design . Cambridge, MA: Massachusetts Institute of Technology
Coutinho, E. & Cangelosi, A. (2009, September). The use of spatio-temporal connectionist models
in psychological studies of musical emotions. Music Perception, 27(1), 1-15. Retrieved from
http://web.ebscohost.com.oclc.fullsail.edu:81/ehost/detail?
sid=63fd467b-6f78-4283-8f2c-7a017cd5bf5e
%40sessionmgr12&vid=5&hid=9&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d
%3d#db=a9h&AN=44408112
Bergström-Isacsson, M., Julu, P. O., & Ingegerd, W. (2007). Autonomic Responses to Music and
Vibroacoustic Therapy in Rett Syndrome. Nordic Journal Of Music Therapy, 16(1), 42-59.
http://web.ebscohost.com.oclc.fullsail.edu:81/ehost/pdfviewer/pdfviewer?
sid=63fd467b-6f78-4283-8f2c-7a017cd5bf5e%40sessionmgr12&vid=8&hid=9
Chang, S. H., Luo, C. H., & Yeh, T. L. (2004). An experimental design for quantification of
cardiovascular responses to music stimuli in humans. Journal Of Medical Engineering &
Technology, 28(4), 157-166. doi:10.1080/0309190031000111371
http://web.ebscohost.com.oclc.fullsail.edu:81/ehost/pdfviewer/pdfviewer?
sid=a79dfa2a-81dc-489b-b21e-7e232de84ad3%40sessionmgr11&vid=14&hid=26