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17/11/2014 
An establishing shot in filmmaking and 
television production sets up, or 
establishes the context for a scene by 
showing the relationship between its 
important figures and objects. 
Zaine Bradford-Millar Extreme close up 
An extreme 
close up is a 
shot where the 
camera is 
zoomed in onto 
the chosen 
object so that 
you get to see 
the detail. 
Although this 
focuses more 
on detail, we 
are not able to 
see the whole 
screen. 
Zaine Bradford-Millar 
Zaine Bradford-Millar 
Close up shots are shots 
that have been zoomed 
on a specific item or 
person so that you can 
see the detail you 
otherwise would not look 
at. It is very useful for 
understanding facial 
expressions of characters 
and/or thoughts. 
Zaine Bradford-Millar 
In film, a medium shot is a camera 
angle shot from a medium 
distance. The dividing line between 
"long shot" and "medium shot" is 
fuzzy, as is the line between 
"medium shot" and "close-up".
17/11/2014 
Zaine Bradford-Millar Two Shot 
A longshot is a camera angle from 
quite far away which is usually 
used to show the detail of the 
background whilst also having the 
object or person in it and relating 
them to their surroundings. It has 
been suggested that long-shot 
ranges usually correspond to 
approximately what would be the 
distance between the front row of 
the audience. 
Zaine Bradford-Millar 
A Two shot is a type of shot employed in the 
film industry in which the frame 
encompasses a view of two people (the 
subjects). The subjects do not have to be 
next to each other, and there are many 
common two‐shots which have one subject 
in the foreground and the other subject in 
the background. It is very useful if the film is 
about two people. 
The shots are also used to show the 
emotional reactions between the subjects. 
Zaine Bradford-Millar 
This shot is framed from behind a person who is 
looking at the subject. The person facing the 
subject should usually occupy about 1/3 of the 
frame. 
This shot helps to establish the position of each 
person, and get the feel of looking at one 
person from the other's point of view. 
It's common to cut between these shots during a 
conversation, alternating the view between the 
different speakers. 
This shot can be varied quite a bit to include the 
shoulder or back of the person facing the 
subject. 
Zaine Bradford-Millar 
To understand looking room, you must 
first understand that the people you see 
on TV rarely look directly at the camera. 
They look off-screen slightly. This is as 
true for news interviews as it is for soaps 
and sitcoms. 
Looking room is the space between the 
subject's face and the edge of the 
screen. More specifically, looking room 
is the space on the side the subject is 
looking toward.
17/11/2014 
Zaine Bradford-Millar 
Bird's Eye 
The scene is shown from directly above. This 
is a completely different and somewhat 
unnatural point of view which can be used 
for dramatic effect or for showing a 
different spatial perspective. In drama it 
can be used to show the positions and 
motions of different characters and objects, 
enabling the viewer to see things the 
characters can't. 
The bird's-eye view is also very useful in 
sports, documentaries, etc. It also allows the 
audience to see the object or person from 
a powerful point of view. 
Zaine Bradford-Millar 
In cinematography, a low‐angle shot, is a 
shot from a camera angle positioned low 
on the vertical axis, anywhere below the 
eyeline, looking up. The trunk shot is a 
specialized type of low‐angle shot. This 
camera angle allows the audience to see 
the person from a less powerful 
perspective as it is a first person shot 
used when speaking up to people or 
looking up at people who powerful. 
Zaine Bradford-Millar 
Tracking shot may refer to a 
shot in which the camera is 
mounted on a camera dolly, a 
wheeled platform that is 
pushed on rails while the 
picture is being taken; in this 
case the shot is also known as 
a dolly shot or trucking shot. 
One may dolly in on a 
stationary subject for emphasis, 
or dolly out, or dolly beside a 
moving subject 
Zaine Bradford-Millar 
The adjustment of the camera lens 
to allow the operator progressively to 
move in close off or to pull away from 
the subject.
17/11/2014 
Zaine Bradford-Millar 
Where, during a scene featuring 
two people or more, we can 
imagine an imaginary line joining 
those two people together. 
Adhering to the 180 degree rule 
would mean you would always 
ensure your camera was on one 
side of that line and the camera 
would never be crossed to the 
other side. 
Zaine Bradford-Millar 
Describes a technique used to make a 
shot look interesting, rather than 
placing a person or object in the 
middle of the frame, they are placed 
at the sides, or where the lines cross 
on this imaginary grid. 
Zaine Bradford-Millar 
Describes a shot where an object near the 
front is in focus, and everything else behind 
is out of focus (blurry). Often used to make 
one thing seem more important. 
Zaine Bradford-Millar 
Deep focus is a photographic and 
cinematographic technique using a large 
depth of field. Depth of field is the front‐to‐back 
range of focus in an image — that is, 
how much of it appears sharp and clear. 
Consequently, in deep focus the 
foreground, middle‐ground and background 
are all in focus. This can be achieved 
through use of the hyperfocal distance of 
the camera lens.
17/11/2014 
Zaine Bradford-Millar 
A shot filmed with the camera not on a 
tripod but instead held by the camera 
man, often whilst walking. This makes the 
shots seem quite shaky. This can make the 
audience feel the scene is more realistic, 
or can make us feel like we are part of the 
action 
Zaine Bradford-Millar 
The mise‐en‐scene in so spaciously 
distributed within the confines of the 
framed image that the people 
photographed have considerable freedom 
of movement. 
Zaine Bradford- 
Millar 
A point of view shot (also 
known as POV shot or a 
subjective camera) is a short 
film scene that shows what a 
character (the subject) is 
looking at (represented 
through the camera). It is 
usually established by being 
positioned between a shot of 
a character looking at 
something, and a shot showing 
the character's reaction 
Zaine Bradford-Millar 
In photography, panning refers 
to the rotation in a horizontal 
plane of a still camera or video 
camera. Panning a camera 
results in a motion similar to 
that of someone shaking their 
head from side to side or of an 
aircraft performing a yaw 
rotation. Or to that of an 
opening door if the door stays 
facing one way.

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Camera shots tumblr

  • 1. 17/11/2014 An establishing shot in filmmaking and television production sets up, or establishes the context for a scene by showing the relationship between its important figures and objects. Zaine Bradford-Millar Extreme close up An extreme close up is a shot where the camera is zoomed in onto the chosen object so that you get to see the detail. Although this focuses more on detail, we are not able to see the whole screen. Zaine Bradford-Millar Zaine Bradford-Millar Close up shots are shots that have been zoomed on a specific item or person so that you can see the detail you otherwise would not look at. It is very useful for understanding facial expressions of characters and/or thoughts. Zaine Bradford-Millar In film, a medium shot is a camera angle shot from a medium distance. The dividing line between "long shot" and "medium shot" is fuzzy, as is the line between "medium shot" and "close-up".
  • 2. 17/11/2014 Zaine Bradford-Millar Two Shot A longshot is a camera angle from quite far away which is usually used to show the detail of the background whilst also having the object or person in it and relating them to their surroundings. It has been suggested that long-shot ranges usually correspond to approximately what would be the distance between the front row of the audience. Zaine Bradford-Millar A Two shot is a type of shot employed in the film industry in which the frame encompasses a view of two people (the subjects). The subjects do not have to be next to each other, and there are many common two‐shots which have one subject in the foreground and the other subject in the background. It is very useful if the film is about two people. The shots are also used to show the emotional reactions between the subjects. Zaine Bradford-Millar This shot is framed from behind a person who is looking at the subject. The person facing the subject should usually occupy about 1/3 of the frame. This shot helps to establish the position of each person, and get the feel of looking at one person from the other's point of view. It's common to cut between these shots during a conversation, alternating the view between the different speakers. This shot can be varied quite a bit to include the shoulder or back of the person facing the subject. Zaine Bradford-Millar To understand looking room, you must first understand that the people you see on TV rarely look directly at the camera. They look off-screen slightly. This is as true for news interviews as it is for soaps and sitcoms. Looking room is the space between the subject's face and the edge of the screen. More specifically, looking room is the space on the side the subject is looking toward.
  • 3. 17/11/2014 Zaine Bradford-Millar Bird's Eye The scene is shown from directly above. This is a completely different and somewhat unnatural point of view which can be used for dramatic effect or for showing a different spatial perspective. In drama it can be used to show the positions and motions of different characters and objects, enabling the viewer to see things the characters can't. The bird's-eye view is also very useful in sports, documentaries, etc. It also allows the audience to see the object or person from a powerful point of view. Zaine Bradford-Millar In cinematography, a low‐angle shot, is a shot from a camera angle positioned low on the vertical axis, anywhere below the eyeline, looking up. The trunk shot is a specialized type of low‐angle shot. This camera angle allows the audience to see the person from a less powerful perspective as it is a first person shot used when speaking up to people or looking up at people who powerful. Zaine Bradford-Millar Tracking shot may refer to a shot in which the camera is mounted on a camera dolly, a wheeled platform that is pushed on rails while the picture is being taken; in this case the shot is also known as a dolly shot or trucking shot. One may dolly in on a stationary subject for emphasis, or dolly out, or dolly beside a moving subject Zaine Bradford-Millar The adjustment of the camera lens to allow the operator progressively to move in close off or to pull away from the subject.
  • 4. 17/11/2014 Zaine Bradford-Millar Where, during a scene featuring two people or more, we can imagine an imaginary line joining those two people together. Adhering to the 180 degree rule would mean you would always ensure your camera was on one side of that line and the camera would never be crossed to the other side. Zaine Bradford-Millar Describes a technique used to make a shot look interesting, rather than placing a person or object in the middle of the frame, they are placed at the sides, or where the lines cross on this imaginary grid. Zaine Bradford-Millar Describes a shot where an object near the front is in focus, and everything else behind is out of focus (blurry). Often used to make one thing seem more important. Zaine Bradford-Millar Deep focus is a photographic and cinematographic technique using a large depth of field. Depth of field is the front‐to‐back range of focus in an image — that is, how much of it appears sharp and clear. Consequently, in deep focus the foreground, middle‐ground and background are all in focus. This can be achieved through use of the hyperfocal distance of the camera lens.
  • 5. 17/11/2014 Zaine Bradford-Millar A shot filmed with the camera not on a tripod but instead held by the camera man, often whilst walking. This makes the shots seem quite shaky. This can make the audience feel the scene is more realistic, or can make us feel like we are part of the action Zaine Bradford-Millar The mise‐en‐scene in so spaciously distributed within the confines of the framed image that the people photographed have considerable freedom of movement. Zaine Bradford- Millar A point of view shot (also known as POV shot or a subjective camera) is a short film scene that shows what a character (the subject) is looking at (represented through the camera). It is usually established by being positioned between a shot of a character looking at something, and a shot showing the character's reaction Zaine Bradford-Millar In photography, panning refers to the rotation in a horizontal plane of a still camera or video camera. Panning a camera results in a motion similar to that of someone shaking their head from side to side or of an aircraft performing a yaw rotation. Or to that of an opening door if the door stays facing one way.