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Deborah	Kozdras:	University	of	South	Florida	
Stavros	Center	
Visual	Texts	and		
Deborah	Kozdras:	
dkozdras@usf.edu					
USF	Stavros	Center	
Arguments:	From	
Propaganda	to	Rhetoric
George	Hillocks	Jr.:	Teaching	
Argument	Wri0ng
Persuasive	Essay	
Persuasion Map
1.
2.
3.
Goal or Thesis: Conclusion:
1a.
1b.
1c.
2a.
2b.
2c.
3a.
3b.
3c.
Goal or Thesis: A goal or
thesis is a statement that
describes one side of an
arguable viewpoint. Write
your own goal or thesis here.
Main Reasons: Briefly state three
main reasons that would convince
someone that your goal or thesis is
valid.
Facts or Examples: Write
three facts or examples to
support each of your main
reasons and validate your
goal or thesis.
Conclusion: Conclude your
argument by summarizing the most
important details of the argument
and stating once again what the
reader is to believe or do.
Name:________________________________________________ Date:_____________________________
Thesis	
Argument	
Evidence	
Refuta=on	
Conclusion
hIp://
www.propagandacriKc.com/
arKcles/intro.ipa.html
Card	Stacking		
Focus	on	best	features.	Leaves	out	problems	or	faults.
TesKmonial	
Well	known	person	endorses	good	or	service.
GliIering	GeneraliKes	
Use	words	or	ideas	that	evoke	an	emoKonal	response.
Transfer	
Relates	product	to	someone	or	something	we	like.
Plain	Folks	
Uses	regular	people	to	sell	a	good	or	service.
Bandwagon	
Asks	people	to	“join	the	crowd”	because	“everyone	is	doing	it.”
Name	Calling	
Connects	a	person,	product	or	idea	to	something	negaKve.
Aristotle:	The	Art	of	Rhetoric	
From	Aristotle	to	early	20th	century,	arguments	
derived	from	syllogisms	(set	of	premises):	
	
– Major	Premise:	All	men	are	mortal	
– Minor	Premise:	Socrates	is	a	man.	
– Conclusion:	Therefore,	Socrates	is	mortal.
Man	Cannot	Live	By	Logic	Alone	.	.	.	
	
Major	Premise:	Debts	must	be	paid	in	full.	
Minor	Premise:	Antonio	owes	Shylock	a	pound	of	flesh.	
Conclusion:	Therefore,	Antonio	must	pay	his	debt.	
	
	
Problem:	In	most	disciplines	we	do	not	have	premises	
we	know	to	be	absolutely	true.
Unpacking	Arguments
Appeals	in	the	Trial:	Act	4,	Scene	1	
SCENE	I.	Venice.	A	court	of	jus=ce.	Enter	the	DUKE,	the	Magnificoes,	
ANTONIO,	BASSANIO,	GRATIANO,	SALERIO,	and	others	
DUKE		
What,	is	Antonio	here?	
ANTONIO		
Ready,	so	please	your	grace.	
DUKE	
I	am	sorry	for	thee:	thou	art	come	to	answer	
A	stony	adversary,	an	inhuman	wretch	
uncapable	of	pity,	void	and	empty	
From	any	dram	of	mercy.
Appeals	in	the	Trial:	Act	4,	Scene	1	
DUKE	
Make	room,	and	let	him	stand	before	our	face.	
Shylock,	the	world	thinks,	and	I	think	so	too,	
That	thou	but	lead'st	this	fashion	of	thy	malice	
To	the	last	hour	of	act;	and	then	'Ks	thought	
Thou'lt	show	thy	mercy	and	remorse	more	strange	
Than	is	thy	strange	apparent	cruelty;	
And	where	thou	now	exact'st	the	penalty,	
Which	is	a	pound	of	this	poor	merchant's	flesh,	
Thou	wilt	not	only	loose	the	forfeiture,	
But,	touch'd	with	human	gentleness	and	love,	
Forgive	a	moiety	of	the	principal;	
Glancing	an	eye	of	pity	on	his	losses,	
That	have	of	late	so	huddled	on	his	back.	.	.		
We	all	expect	a	gentle	answer
Appeals	in	the	Trial:	Act	4,	Scene	1	
SHYLOCK	
I	have	possess'd	your	grace	of	what	I	purpose;	
And	by	our	holy	Sabbath	have	I	sworn	
To	have	the	due	and	forfeit	of	my	bond:	
If	you	deny	it,	let	the	danger	light	
Upon	your	charter	and	your	city's	freedom.	
You'll	ask	me,	why	I	rather	choose	to	have	
A	weight	of	carrion	flesh	than	to	receive	
Three	thousand	ducats:	I'll	not	answer	that	.	.	.	
What	if	my	house	be	troubled	with	a	rat	
And	I	be	pleased	to	give	ten	thousand	ducats	
To	have	it	baned?	What,	are	you	answer'd	yet?	
Some	men	there	are	love	not	a	gaping	pig;	
Some,	that	are	mad	if	they	behold	a	cat;	
And	others,	when	the	bagpipe	sings	i'	the	nose,	
Cannot	contain	their	urine:	for	affecKon,
Appeals	in	the	Trial:	Act	4,	Scene	1	
BASSANIO		
This	is	no	answer,	thou	unfeeling	man,	
To	excuse	the	current	of	thy	cruelty.	
SHYLOCK	
I	am	not	bound	to	please	thee	with	my	answers.	
BASSANIO	
Do	all	men	kill	the	things	they	do	not	love?	
SHYLOCK	
Hates	any	man	the	thing	he	would	not	kill?	
BASSANIO	
Every	offence	is	not	a	hate	at	first.	
SHYLOCK	
What,	wouldst	thou	have	a	serpent	sKng	thee	
twice?
Appeals	in	the	Trial:	Act	4,	Scene	1	
Clerk	[Reads]	
Your	grace	shall	understand	that	at	the	receipt	
of	your	leIer	I	am	very	sick:	but	in	the	instant	
that	your	messenger	came,	in	loving	visitaKon	
was	with	me	a	young	doctor	of	Rome;	his	name	
is	Balthasar	.	.	.we	turned	o'er	many	books	
together:	he	is	furnished	with	my	opinion;	
which,	beIered	with	his	own	learning,	the	
greatness	whereof	I	cannot	enough	commend,	
comes	with	him,	at	my	importunity,	to	fill	up	
your	grace’s	request	in	my	stead.	I	beseech	you,	
let	his	lack	of	years	be	no	impediment	to	let	him	
lack	a	reverend	esKmaKon;	for	I	never	knew	so	
young	a	body	with	so	old	a	head.
Appeals	in	the	Trial:	Act	4,	Scene	1	
PORTIA	
The	quality	of	mercy	is	not	strain'd,	
It	droppeth	as	the	gentle	rain	from	heaven	
Upon	the	place	beneath:	it	is	twice	blest;	
It	blesseth	him	that	gives	and	him	that	takes:	
'Tis	mighKest	in	the	mighKest:	it	becomes	
The	throned	monarch	beIer	than	his	crown	.	.	.	
Though	jusKce	be	thy	plea,	consider	this,	
That,	in	the	course	of	jusKce,	none	of	us	
Should	see	salvaKon:	we	do	pray	for	mercy;	
And	that	same	prayer	doth	teach	us	all	to	render	
The	deeds	of	mercy.	I	have	spoke	thus	much	
To	miKgate	the	jusKce	of	thy	plea;	
Which	if	thou	follow,	this	strict	court	of	Venice	
Must	needs	give	sentence	'gainst	the	merchant	there.
Appeals	in	the	Trial:	Act	4,	Scene	1	
PORTIA	
It	must	not	be;	there	is	no	power	in	Venice	
Can	alter	a	decree	established:	
'Twill	be	recorded	for	a	precedent,	
And	many	an	error	by	the	same	example	
Will	rush	into	the	state:	it	cannot	be.	
SHYLOCK	
A	Daniel	come	to	judgment!	yea,	a	Daniel!	
O	wise	young	judge,	how	I	do	honour	thee!
Appeals	in	the	Trial:	Act	4,	Scene	1	
PORTIA	
I	pray	you,	let	me	look	upon	the	bond.	
SHYLOCK	
Here	'Ks,	most	reverend	doctor,	here	it	is.	
PORTIA	
Shylock,	there's	thrice	thy	money	offer'd	thee.	
SHYLOCK	
An	oath,	an	oath,	I	have	an	oath	in	heaven:	
Shall	I	lay	perjury	upon	my	soul?	
No,	not	for	Venice.
Appeals	in	the	Trial:	Act	4,	Scene	1	
PORTIA	
Why,	this	bond	is	forfeit;	
And	lawfully	by	[Shylock]	may	claim	
A	pound	of	flesh,	to	be	by	him	cut	off	
Nearest	the	merchant's	heart.	Be	merciful:	
Take	thrice	thy	money;	bid	me	tear	the	bond.	
SHYLOCK	
When	it	is	paid	according	to	the	tenor.	
It	doth	appear	you	are	a	worthy	judge;	
You	know	the	law,	your	exposiKon	
Hath	been	most	sound:	I	charge	you	by	the	law,	
Whereof	you	are	a	well-deserving	pillar,	
Proceed	to	judgment:	by	my	soul	I	swear	
There	is	no	power	in	the	tongue	of	man	
To	alter	me:	I	stay	here	on	my	bond.
Appeals	in	the	Trial:	Act	4,	Scene	1	
PORTIA	
A	pound	of	that	same	merchant's	flesh	is	thine:	
The	court	awards	it,	and	the	law	doth	give	it.	
SHYLOCK	
Most	righmul	judge!	
PORTIA	
And	you	must	cut	this	flesh	from	off	his	breast:	
The	law	allows	it,	and	the	court	awards	it.	
SHYLOCK	
Most	learned	judge!	A	sentence!	Come,	prepare!	
PORTIA	
Tarry	a	liIle;	there	is	something	else.	
This	bond	doth	give	thee	here	no	jot	of	blood;	
The	words	expressly	are	'a	pound	of	flesh:'	
Take	then	thy	bond,	take	thou	thy	pound	of	flesh;	
But,	in	the	cunng	it,	if	thou	dost	shed	
One	drop	of	ChrisKan	blood,	thy	lands	and	goods	
Are,	by	the	laws	of	Venice,	confiscate	
Unto	the	state	of	Venice.
Appeals	in	the	Trial:	Act	4,	Scene	1	
SHYLOCK	
Give	me	my	principal,	and	let	me	go.	
BASSANIO	
I	have	it	ready	for	thee;	here	it	is.	
PORTIA	
He	hath	refused	it	in	the	open	court:	
He	shall	have	merely	jusKce	and	his	bond.	.	.	
SHYLOCK	
Shall	I	not	have	barely	my	principal?	
PORTIA	
Thou	shalt	have	nothing	but	the	forfeiture,
Appeals	in	the	Trial:	Act	4,	Scene	1	
PORTIA	The	law	hath	yet	another	hold	on	you.	
It	is	enacted	in	the	laws	of	Venice,	
If	it	be	proved	against	an	alien	
That	by	direct	or	indirect	aIempts	
He	seek	the	life	of	any	ciKzen,	
The	party	'gainst	the	which	he	doth	contrive	
Shall	seize	one	half	his	goods;	the	other	half	
Comes	to	the	privy	coffer	of	the	state;	
And	the	offender's	life	lies	in	the	mercy	
Of	the	duke	only,	'gainst	all	other	voice.	
In	which	predicament,	I	say,	thou	stand'st;	
For	it	appears,	by	manifest	proceeding,	
That	indirectly	and	directly	too	
Thou	hast	contrived	against	the	very	life	
Of	the	defendant;	and	thou	hast	incurr'd	
The	danger	formerly	by	me	rehearsed.	
Down	therefore	and	beg	mercy	of	the	duke.
Appeals	in	the	Trial:	Act	4,	Scene	1	
ANTONIO	
So	please	my	lord	the	duke	and	all	the	court	
To	quit	the	fine	for	one	half	of	his	goods,	
I	am	content;	so	he	will	let	me	have	
The	other	half	in	use,	to	render	it,	
Upon	his	death,	unto	the	gentleman	
That	lately	stole	his	daughter:	
Two	things	provided	more,	that,	for	this	favour,	
He	presently	become	a	ChrisKan;	
The	other,	that	he	do	record	a	gio,	
Here	in	the	court,	of	all	he	dies	possess'd,	
Unto	his	son	Lorenzo	and	his	daughter.
Stephen	Toulmin:	The	Uses	of	Argument
Owl	Purdue
Analyzing Appeals and Arguments in Shakespeare's The Merchant of Venice

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