4. The play has so many connotations to
catholicism. There are Priests, blessings, Holy
water, etc.
Maurya acts like a pagan despite being a
catholic.
She listens to the power of the sea than the
power of God.
5.
6.
7. Maurya represents tradition. Her children and
the young priest represent modernity.
The tensions between the two worlds impact
Bartley.
Modernity ultimately prevails.
8. All of the characters resign to fate at the end
of the play.
Throughout the play, Maurya believes that it
is her son’s fate to die
Fate cannot be avoided. They are essentially
fatalists.
9.
10. Superstitions like a ghost could cause the
death of a loved one to assuage its
loneliness.
It was also believed that the dead minded
other people wearing their clothes.
11. Maurya doesn’t give blessing because of
superstition.
The use of number nine is superstitious. The
number nine is used as a sign of bad luck
throughout the story.
12.
13. The Industrial revolution changed everything
so that people were unable to make a living
in the traditional way.
Bartley is caught between the devil and deep
blue sea.
The individual is pitted against society and
the conflict results in death.
14.
15. The sea is the most powerful element in the
play.
It represents opportunity as well danger.
16. In line with the Greek thought that one must
suffer nobly and die a noble death.
Maurya suffers all her life.
17.
18. Nora gives Michael’s stick to Maurya.
Bartley’s search for rope.
Maurya intensifies the irony.
Tragic irony
19. Works cited:
Greek elements in John Millington Synge’s
Riders to the sea
By Sister Mary Gabriela Klein de Notre Dame
A Thesis
Submitted to the Faculty of the Creighton
University in partial fulfillment of the
requirments for the degree of master of arts
in the department of English
Omaha,1941