4. CHINA
CHINA
The history of East Asian painting is as
old as the civilization of China
Landscape painting was quintessential
form of Chinses painting.
Nature, Heaven and Humankind -
components about landscape.
5. CHINA
CHINA
Chinese landscapes frequently combine
painting and writing.
Silk painting is also a part of the Chinese
arts and traditions.
Calligraphy is an ornamental writing
usually done with a pen in the West and
brush in China and Japan.
6. CHINA
CHINA
Wang Hui - is one of the Chinese group
of painters known as Four Wangs:
Wang Shimin 1592 -1680, Wang Jian
1598–1677, Wang Hui 1632–1717, and
Wang Yuanqui 1642–1715
According to a Chinese landscape
painter, Kuo Hsi: An artist should identify
himself with the landscape and watch it
until its significance is revealed to him.
7. CHINA
CHINA
To make one’s painting interesting,
Chinese follow these Six Principles of
Painting or also known Six Canons of
Paintings
Spirit Resonance or Vitality - Viewing
true art is like taking on the heartbeat
and breathing of someone else.
1.
8. CHINA
CHINA
To make one’s painting interesting,
Chinese follow these Six Principles of
Painting or also known Six Canons of
Paintings
2. Bone Method - Not only to refer to the
element of texture and brush strokes but
also a close link between handwriting
and character.
9. CHINA
CHINA
To make one’s painting interesting,
Chinese follow these Six Principles of
Painting or also known Six Canons of
Paintings
3. Correspondence to the Object - A
remarkable art will bring new
understanding to even traditions
subjects.
10. CHINA
CHINA
4. Suitability to Type or the application of
color
-Use colors correctly, that includes
layers, value and tone. Xie He said that
artist should recreate the image and be
faithful to the subjects reality.
11. CHINA
CHINA
5. Division and Planning - Live up to the
tradition by copying the master’s
artwork. Composition refers to the
choices an artist makes about his/her
subject and how it will be be framed and
viewed.
Planning is a very important part of art. It
makes use of the artist’s experience and
skill.
12. CHINA
CHINA
6. Transmission by Copying or copying
models
Copy the correct proportion of the objects
and nature, not only from life but also the
works of antiquity.
If artists did not remember and learn
from the masters, then art would never
have evolved to the variety of this
modern age.
13. CHINA
CHINA
6. Transmission by Copying or copying
models
To become truly great, it is important to
learn as much as possible and apply it to
your own personal style, moving forward
but keeping your eyes open to the
greatness that has come before
15. KOREAN
KOREAN
North and South Korean Paintings’
subjects are divided into four
categories:
Landscape 2. Minhwa (traditional
folk painting 3. The four gracious
plant 4. Portrait Styles
1.
17. KOREAN
KOREAN
North and South Korean Paintings’
subjects are divided into four
categories:
2. Minhwa - traditional folk painting
18. KOREAN
KOREAN
3. The Four Gracious Plants
Chrysanthemum symbolizes
productivity and autumn
Bamboo - integrity and winter
Orchids - refinement and summber
Plum blossom - courage and spring
19. KOREAN
KOREAN
4. Portrait Styles - Detail from Taking
a Rest after Reading Books by Jeong
Seon, believed to be a self portrait of
the painter.
20. JAPANESE PRINTMAKING
If artists want to make more one copy
of artwork, they make prints.
Print - is a mark or shape on a flat
surface by an inked block or a piece of
wood and a thin sheet of material like
metal
JAPANESE
JAPANESE
21. JAPANESE
JAPANESE
JAPANESE PRINTMAKING
Woodblock printing - is a technique for
printing text, images or patterns being
widely used throughout East Asian
countries.
- originated from China
-this method is adapted in Japan during
Edo period (1603-1867)
23. JAPANESE
JAPANESE
JAPANESE PRINTMAKING
Ukiyo-e is one of the best known and
popular styles of Japanese which
means “Pictures of the floating World”.
-it shows scenes in harmony and
carefree everyday living.
-it is produced by common people.
25. EAST ASIAN
EAST ASIAN
East Asian Architectural Designs
East Asian temples and houses have
rhythmically arranged sweeping roofs.
Because they believe it will protect
them from the elements like water,
wind and fire.
it wards off evil spirits
26. CHINESE
CHINESE
There are three main types of roof in
Chinese architecture:
Straight inclined - This is more
economical for common Chinese
architecture. This is commonly
seen among the house roofs of
commoners, merchants and
farmers.
1.
27. CHINESE
CHINESE
There are three main types of roof in
Chinese architecture:
2. Multi-inclined - These are with two
or more inclined sections. These are
used for residences of wealthy
Chinese.
28. CHINESE
CHINESE
There are three main types of roof in
Chinese architecture:
3. Sweeping - These are roofs with
curves that rise at the corners. These
are usually reversed for temples and
palaces. Can also found in the homes of
the wealthy. Ridges roofs are highley
decorated with ceramic figurines.