3. Table of Contents
• ExecuHve Summary
• Social Media Audit
– Social Media Assessment
– Traffic Sources Assessment
– Customer Demographics Assessment
– CompeHtor Assessment
• Social Media ObjecHves
• Online Brand Persona and Voice
• Strategies and Tools
• Timing and Key Dates
• Social Media Roles and ResponsibiliHes
• Social Media Policy
• CriHcal Response Plan
• Measurement and ReporHng Results
5. Social Media Audit
Social Media Assessment
Social Network URL/handle Follower Count Average
Weekly
Ac=vity
Average
Engagement
Rate
Facebook hps://
www.facebook.
com/
flumemusic/?
fref=ts
1,218,090 5 posts per
week
.65%
Twier hps://
twier.com/
flumemusic
290,000 14 posts per
week
.17%
Instagram @flumemusic 692,000 10 posts per
week
4.3%
Social Media Assessment: Instagram has the highest average
engagement Rate. Facebook needs to have some type of influx
of engagement , as the rate is very low.
6. Social Media Audit
Traffic Sources Assessment
Source Volume Percentage of
Overall Traffic
Conversion Rate
Facebook 10,000 20% 5%
Twier 3,000 3% 2%
Instagram NO DATA NO DATA NO DATA
Traffic Summary:
Currently, Facebook has the largest volume of traffic out of
all social media plagorms with over 1 million subscribers.
The engagement rate, however is very low. The conversion
rate for Facebook is the highest, to ensure that more of the
followers are engaging in the content because that is where
we have the largest amount of fans.
9. Social Media Audit
CompeHtor Assessment
Compe=tor Name Social Media
Profile
Strengths Weaknesses
The Chainsmokers Facebook:
hps://
www.facebook.com
/thechainsmokers/?
fref=ts
Instagram: @the
chainsmokers
The Chainsmokers
are very consistent
in posHng every
day. Their posts are
visually appealing
and stand out of a
Timeline
As a music group,
they should be
posHng more
videos. Their posts
consist mainly of
photos.
Diplo Facebook:
hps://
www.facebook.com
/diplo/?fref=ts
Instagram: @diplo
Diplo posts
intriguing photos
from his concerts
and various
performances,
causing his
audiences to
engage
Diplo posts a lot of
unprofessional,
low-quality photos
on his Facebook,
making his personal
brand inconsistent
14. Timing and Key Dates
• Tour Dates:
• Friday October 7- AusHn, TX
• Friday November 4- CincinnaH, OH
• Monday November 7- Los Angeles, CA
• Wednesday November 9- San Francisco, CA
Internal Events:
“Say It” Music Video Release // Monday November 7
CollaboraHon with Disclosure Single Release // Thursday November 17
ReporHng Dates:
Every other month beginning October 1
17. CriHcal Response Plan
• Scenario 1-
• The wrong city is announced for next tour date.
• When tweet is detected:
• Screenshot tweet, then immediately delete. Stephanie is to drav a new
tweet and then send to Savannah for approval
• Aver approved, new tweet is sent out
• Preapproved messaging: “We are so sorry about the city mishap. It’s hard
to keep up with our crazy schedule. I love you, ____(name of city)
• Scenario 2-
• Facebook hacked
• Immediately contact Savannah and delete any hacked posts.
• Stephanie changes password and adds it into secure database
• Preapproved messaging: “Looks like my account got hacked. Ignore any
dumb posts. Thanks for following!”
18. Measurement and ReporHng ReporHng Period:
• 3 months
• (October 1-Jan 1)
Source Volume
Facebook 12,000
20% increase
12% 4%
Twier 4,000
33% increase
4% 2%
Instagram No data No data No data
Social Network Data
Social
Network
URL Follower
Count
Average
Weekly
Ac=vity
Engagement
Rate
Facebook hps://
www.faceboo
k.com/
flumemusic/?
fref=ts
1,300,000
10% increase
8 posts per
week
60% increase
1%
Twier hps://
twier.com/
flumemusic
300,000
3% increase
15 posts per
week
7% increase
1%
Instagram @flumemusic 700,000
1.2% increase
12 posts per
week; 20 %
increase
5%
Website Traffic
Assessment
19. • Our following rates increased on Facebook, Instagram and Twier
• We increased the amounts of posts on all plagorms leading to an
increased amount of user engagement
• A greater focus will be put on producing high-quality videos for the
Facebook and Instagram plagorms
#FlumeforFree
Our #FlumeforFree Hcket campaign had over 100,000 retweets/menHons
QualitaHve KPIs
SenHment Analysis
We also noHced that on Twier, 50% more people are uHlizing the
@Flumemusic handle when tweeHng about concerts and new songs, which in
return brought us new followers (out of 1,000 menHoned tweets we had 300
new followers)
Over 500 of our new followers were categorized as aspiring musicians
Proposed AcHon Plan-
ConHnue the #FlumeforFree campaign for Flume’s European tour
Work on higher response rates to those menHoning Flume in their tweets
Promote a Flume Meet and Greet Hcket opHon to see what type of response
fans have to the idea