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THE DYBBUK
UNDISCIPLINING THE ARCHIVE
In Celebration of 100 Years to Habima’s
Performance of "The Dybbuk" (1922)
Saturday 23.4, Jerusalem Cinematheque
Monday 25.4, The Hebrew University of Jerusalem
Tuesday 26.4, The University of Haifa
Wednesday 27.4, Tel Aviv University
Cover Photo: Batami Schneider as Leah together with
Benno Schneider (с. 1926). By the courtesy of Dr. Nina
Schneider.
THE DYBBUK - UNDISCIPLINING THE ARCHIVE
23.4.2022 | 20:30 | Jerusalem Cinematheque
The Dybbuk 1937-2022
A Film-Performance
by Sala-manca Group, Adi Kaplan and Shahar Carmel
As Hannan’s ghost inhabits and speaks through Leah’s body, the soundtrack of the film is
communicated through the mouths and instruments of the live artists and musician.
In “The Dybbuk 1937-2017”, the 1937 Polish film “Der Dibuk” (dir: Michał Waszyński) is
subjected to artistic interventions and manipulations: The original score is silenced and
replaced by live music composed and played by Yarden Erez, real-time Yiddish voiceovers by
Sala-manca group and special sound effects performed live by Adi Kaplan, Shahar Carmel and
Ashu Rotman-Mauas who also performs the songs.
The film-performance is an iconic and layered event that reflects a multifaceted dialogue
with death – the one found in the original story, with the dying Yiddish culture, and the
dialogue generated by the revisit of the classic film, which grants the familiar story
immortality.
Tickets: https://jer- cin.org.il/he/event/53430
THE DYBBUK - UNDISCIPLINING THE ARCHIVE
25.4.2022 | The Garage Theatre, The Hebrew University of Jerusalem
09:15-9:30 Gathering
09:30-9:40 Greetings
Diego Rotman, Head of the Department of Theatre Studies
09:40-11:10 Panel I [Hebrew]
Chair: Rachel Elior, The Hebrew University of Jerusaelm
Between Two Worlds: Reflections on “The Dybbuk” as Illness and as Play
Yoram Bilu, The Hebrew University of Jerusalem
Structured Like Melancholia, Manifests Like Hysteria, Eerie Like the Uncanny: An-sky's
“The Dybbuk” according to Freud and as Derrida's “Mal d'Archive”
Ayelet Naeh, The Hebrew University of Jerusalem
Jewish, Hebrew, and Israeli Roots in Rina Yerushalmi’s Versions of “The Dybbuk”
Sharon Aronson-Lehavi, Tel Aviv University
11:10-11:20 Short Break
11:20 -12:00 Panel 2 [English]
Chair: Diego Rotman, The Hebrew University of Jerusalem
Ritual, Mythology, Mysticism in the Russian Theatre of 1910-20s’
Nikolai Pesochinsky, Russian State Institute of Performing Arts, St. Petersburg
12:00-13:00 Launch Break
13:00-14:30 Panel 3 [English]
Chair: Dani Schrire, The Hebrew University of Jerusalem
Manuscript About the Dybbuk from the Expedition of Sh. An-sky and the Reflection of its
Motives in “The Dybbuk” play.
Maria Kaspina, Russian State University for Humanities, Moscow
The Ethnographic Program of Sh. An-sky and Modern Field Materials
Svetlana Amosova, Jewish Museum and Tolerance Centre in Moscow
“The Dybbuk” Beyond Ethnography
Ruthie Abeliovich, The University of Haifa
14:30-15:00 Coffee Break
15:00-16:45 Panel 4 [English]
Chair: Olga Levitan, The Hebrew University of Jerusalem
Possessing the Archives: “The Dybbuk’s” “Archival Turn”
Agnieszka Legutko, Columbia University
Dancing with the Dead: Possession and Dispossession in the Old-new Film “Der Dibuk”,
1937-2017
Diego Rotman, The Hebrew University of Jerusalem
“You had buried me. And I’ve come back!”: “The Dybbuk” and the Mendacious Archive
Zehavit Stern, Tel Aviv University and the Hebrew University of Jerusalem
Sonic Dybbuks and Zombie Linguistics: Soundscapes of Jewish Languages in Israeli
Theatre
Sarit Cofman-Simhon, The Kibbutzim College and Emunah Academic College
16:45-17:00 Break
17:00-17:40 Panel 5: At the the Goor Theatre Archives and Museum [Hebrew]
Chair: Shai Bar Yaacov, The Hebrew University of Jerusalem
Maintaining The Dybbuk – What is Preserved in the Archives?
Yael Dinar, The Yehuda Gabay Theatre Archive, The Sha'ar Zion - Beit Ariela Library
Leah Gilula, The Israel Goor Theatre Archives and Museum, Jerusalem
17:40-18:00 Guided Tour at the Archives
18:00-18:15 A Toast in Celebration: Birthday Drinks and Sushi
18:15-19:45 Celebrating 50th Centennial to the Theatre Department [Hebrew]
Chair and greetings: Nissim Otmazgin, Dean, Faculty of Humanities, The Hebrew University of
Jerusalem
Therese Malachy
Isaac Benabu
Yehuda Moraly
Francoise Coriat
Olga Levitan
19:45-20:00 The OWL LAB Ensemble
THE DYBBUK - UNDISCIPLINING THE ARCHIVE
26.4.2022 | Eshkol Tower, 29th Floor, The Senate Room,
The University of Haifa
10:00 Greetings
Philip Rantzer, Head of The School of Arts
Shelly Zer-Zion, Head of The Theatre and Performance Studies Department, The University of
Haifa
10:15-11:45 Panel 6 [Hebrew and English]
Chair: Ruthie Abeliovich, The University of Haifa
Robert Wilson and the Possessed Archive
Keren Cohen, Ben-Guion University
The Possession of Isaac Babel
Sweetlana Portnaya, Bezalel Academy of Art and Design Jerusalem
Mining the Archives: The Ephemerality of Performance, Repetition, and the Unchangeable
Archive in the production of “The Dybbuk” at the Hungarian National Theatre of Cluj in
Romania, 2002
David Zinder, Tel Aviv University
11:45-12:00 Coffee Break
12:00-13:30 Panel 7 [Hebrew and English]
Chair: Yossi Chajes, The University of Haifa
Yiddish Cinema Model in the films “Der Dybbuk” and “Tkies Kaf ”
Einat Tamir, The University of Haifa
"Clara Ha'kdosha” (1996) and “The Dybbuk”: The Film as an Exorcism Ritual and a Dybbuk
in the Lives of the Actors
Odea Gabbai, The Hebrew University of Jerusalem
Dybbuk’s in the Present: Tamy Ben Tor's Video Art
Judith Lenglart, The Hebrew University of Jerusalem
13:30-14:30 Lunch Break
14:30-16:00 Panel 8 [Hebrew]
Chair: Nurith Yaari, Tel Aviv University
Parodies of “The Dybbuk” in Mandatory Palestine: The Performative Archive of
Cosmopolitan Desires
Shelly Zer-Zion, The University of Haifa
Performing “HaDybbuk” in Kibbutz Mishmar HaEmek 1942
Arik Gutler- Ofir, The Hebrew University of Jerusalem
The Metamorphoses of Sh. An-sky's “Der Dibek”: Three Variations in Three
Languages
Alexandra Polyan, The University of Regensburg
16:00: 16:15 Coffee Break
16:15-17:45 Panel 9 [English]
Chair: Shelly Zer-Zion, The University of Haifa
Bondage to the Dead, or the (Modern) Dybbuk on the Polish Stage
Anna Nienartowicz, The University of Wrocław, Poland
How Can I Sing in a World as Empty to Me as a Desert? Moni Ovadia, the Dybbuk and the
Holocaust
Giovanni Gorla, University of Milan
The Ethnographic Soul of a Drama Possessed: Reflections on Sh. An-sky’s “The Dybbuk” in
Argentina
Susana Skura, Universidad de Buenos Aires
17:45-18:00 Break
18:00-19:00 Panel 10 [Hebrew]
Chari: Sharon Poliakin, The University of Haifa
The Performance of Study in “The Dybbuk”: From Scholasticism to Embodiment
Yair Lipshitz, Tel Aviv University
Yiddish Dybbuk
Assi Meshulam, The University of Haifa
THE DYBBUK - UNDISCIPLINING THE ARCHIVE
27.4.2022 | The Cymbalista Synagogue and Jewish Heritage Center,
Tel Aviv University
10:00-10:15 | Greetings
Eran Neuman, Dean, The Faculty of the Arts
Dror Harari, Head of The Department of Theatre Arts, Tel Aviv University
10:15-12:00 | Panel 11 [Hebrew]
Chair: Yair Lipshitz, Tel Aviv University
A Quest Following “The Dybbuk”
Boris Yentin, The Gnazim Institute of the Hebrew Writers Association
The Archive Against Reconstruction
Olga Levitan, Tel Aviv University and The Hebrew University of Jerusale
m in dialogue with Dina Konson, Tel Aviv University
Exhibition Opening
The Dybbuk Journeys
Curator: Olga Levitan
Design: Dina Konson
Hanale Hendler as Young Chasid. “The Dybbuk”, Habima. Direction: Evgeni
Vachtangov. Photo: Nini and Carry Hess, 1927. Courtesy of The Israeli Center of
the Documentation of Performing Arts, The Faculty of Arts, Tel Aviv University.
THE DYBBUK - UNDISCIPLINING THE ARCHIVE
Organizing committee: Ruthie Abeliovich, Olga Levitan, Yair Lipshitz, Diego Rotman Ac
ademic committee: Sharon Aronson-Lehavi, Leah Gilula, Dror Harari, Shelly Zer-Zion Co
nference coordinator and producer: Einat Tamir
Contact: undisciplineddybbuk2022@gmail.com
The Program of Yiddish Language,
Literature, and Culture
The Hebrew University of Jerusalem
The Institute of the Arts
The Hebrew University of Jerusalem
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The Dybbuk - Final Programme Reduced 2.pdf

  • 1. THE DYBBUK UNDISCIPLINING THE ARCHIVE In Celebration of 100 Years to Habima’s Performance of "The Dybbuk" (1922) Saturday 23.4, Jerusalem Cinematheque Monday 25.4, The Hebrew University of Jerusalem Tuesday 26.4, The University of Haifa Wednesday 27.4, Tel Aviv University Cover Photo: Batami Schneider as Leah together with Benno Schneider (с. 1926). By the courtesy of Dr. Nina Schneider.
  • 2. THE DYBBUK - UNDISCIPLINING THE ARCHIVE 23.4.2022 | 20:30 | Jerusalem Cinematheque The Dybbuk 1937-2022 A Film-Performance by Sala-manca Group, Adi Kaplan and Shahar Carmel As Hannan’s ghost inhabits and speaks through Leah’s body, the soundtrack of the film is communicated through the mouths and instruments of the live artists and musician. In “The Dybbuk 1937-2017”, the 1937 Polish film “Der Dibuk” (dir: Michał Waszyński) is subjected to artistic interventions and manipulations: The original score is silenced and replaced by live music composed and played by Yarden Erez, real-time Yiddish voiceovers by Sala-manca group and special sound effects performed live by Adi Kaplan, Shahar Carmel and Ashu Rotman-Mauas who also performs the songs. The film-performance is an iconic and layered event that reflects a multifaceted dialogue with death – the one found in the original story, with the dying Yiddish culture, and the dialogue generated by the revisit of the classic film, which grants the familiar story immortality. Tickets: https://jer- cin.org.il/he/event/53430
  • 3. THE DYBBUK - UNDISCIPLINING THE ARCHIVE 25.4.2022 | The Garage Theatre, The Hebrew University of Jerusalem 09:15-9:30 Gathering 09:30-9:40 Greetings Diego Rotman, Head of the Department of Theatre Studies 09:40-11:10 Panel I [Hebrew] Chair: Rachel Elior, The Hebrew University of Jerusaelm Between Two Worlds: Reflections on “The Dybbuk” as Illness and as Play Yoram Bilu, The Hebrew University of Jerusalem Structured Like Melancholia, Manifests Like Hysteria, Eerie Like the Uncanny: An-sky's “The Dybbuk” according to Freud and as Derrida's “Mal d'Archive” Ayelet Naeh, The Hebrew University of Jerusalem Jewish, Hebrew, and Israeli Roots in Rina Yerushalmi’s Versions of “The Dybbuk” Sharon Aronson-Lehavi, Tel Aviv University 11:10-11:20 Short Break 11:20 -12:00 Panel 2 [English] Chair: Diego Rotman, The Hebrew University of Jerusalem Ritual, Mythology, Mysticism in the Russian Theatre of 1910-20s’ Nikolai Pesochinsky, Russian State Institute of Performing Arts, St. Petersburg 12:00-13:00 Launch Break 13:00-14:30 Panel 3 [English] Chair: Dani Schrire, The Hebrew University of Jerusalem Manuscript About the Dybbuk from the Expedition of Sh. An-sky and the Reflection of its Motives in “The Dybbuk” play. Maria Kaspina, Russian State University for Humanities, Moscow The Ethnographic Program of Sh. An-sky and Modern Field Materials Svetlana Amosova, Jewish Museum and Tolerance Centre in Moscow “The Dybbuk” Beyond Ethnography Ruthie Abeliovich, The University of Haifa 14:30-15:00 Coffee Break 15:00-16:45 Panel 4 [English] Chair: Olga Levitan, The Hebrew University of Jerusalem Possessing the Archives: “The Dybbuk’s” “Archival Turn” Agnieszka Legutko, Columbia University Dancing with the Dead: Possession and Dispossession in the Old-new Film “Der Dibuk”, 1937-2017 Diego Rotman, The Hebrew University of Jerusalem “You had buried me. And I’ve come back!”: “The Dybbuk” and the Mendacious Archive Zehavit Stern, Tel Aviv University and the Hebrew University of Jerusalem Sonic Dybbuks and Zombie Linguistics: Soundscapes of Jewish Languages in Israeli Theatre Sarit Cofman-Simhon, The Kibbutzim College and Emunah Academic College 16:45-17:00 Break 17:00-17:40 Panel 5: At the the Goor Theatre Archives and Museum [Hebrew] Chair: Shai Bar Yaacov, The Hebrew University of Jerusalem Maintaining The Dybbuk – What is Preserved in the Archives? Yael Dinar, The Yehuda Gabay Theatre Archive, The Sha'ar Zion - Beit Ariela Library Leah Gilula, The Israel Goor Theatre Archives and Museum, Jerusalem 17:40-18:00 Guided Tour at the Archives 18:00-18:15 A Toast in Celebration: Birthday Drinks and Sushi 18:15-19:45 Celebrating 50th Centennial to the Theatre Department [Hebrew] Chair and greetings: Nissim Otmazgin, Dean, Faculty of Humanities, The Hebrew University of Jerusalem Therese Malachy Isaac Benabu Yehuda Moraly Francoise Coriat Olga Levitan 19:45-20:00 The OWL LAB Ensemble
  • 4. THE DYBBUK - UNDISCIPLINING THE ARCHIVE 26.4.2022 | Eshkol Tower, 29th Floor, The Senate Room, The University of Haifa 10:00 Greetings Philip Rantzer, Head of The School of Arts Shelly Zer-Zion, Head of The Theatre and Performance Studies Department, The University of Haifa 10:15-11:45 Panel 6 [Hebrew and English] Chair: Ruthie Abeliovich, The University of Haifa Robert Wilson and the Possessed Archive Keren Cohen, Ben-Guion University The Possession of Isaac Babel Sweetlana Portnaya, Bezalel Academy of Art and Design Jerusalem Mining the Archives: The Ephemerality of Performance, Repetition, and the Unchangeable Archive in the production of “The Dybbuk” at the Hungarian National Theatre of Cluj in Romania, 2002 David Zinder, Tel Aviv University 11:45-12:00 Coffee Break 12:00-13:30 Panel 7 [Hebrew and English] Chair: Yossi Chajes, The University of Haifa Yiddish Cinema Model in the films “Der Dybbuk” and “Tkies Kaf ” Einat Tamir, The University of Haifa "Clara Ha'kdosha” (1996) and “The Dybbuk”: The Film as an Exorcism Ritual and a Dybbuk in the Lives of the Actors Odea Gabbai, The Hebrew University of Jerusalem Dybbuk’s in the Present: Tamy Ben Tor's Video Art Judith Lenglart, The Hebrew University of Jerusalem 13:30-14:30 Lunch Break 14:30-16:00 Panel 8 [Hebrew] Chair: Nurith Yaari, Tel Aviv University Parodies of “The Dybbuk” in Mandatory Palestine: The Performative Archive of Cosmopolitan Desires Shelly Zer-Zion, The University of Haifa Performing “HaDybbuk” in Kibbutz Mishmar HaEmek 1942 Arik Gutler- Ofir, The Hebrew University of Jerusalem The Metamorphoses of Sh. An-sky's “Der Dibek”: Three Variations in Three Languages Alexandra Polyan, The University of Regensburg 16:00: 16:15 Coffee Break 16:15-17:45 Panel 9 [English] Chair: Shelly Zer-Zion, The University of Haifa Bondage to the Dead, or the (Modern) Dybbuk on the Polish Stage Anna Nienartowicz, The University of Wrocław, Poland How Can I Sing in a World as Empty to Me as a Desert? Moni Ovadia, the Dybbuk and the Holocaust Giovanni Gorla, University of Milan The Ethnographic Soul of a Drama Possessed: Reflections on Sh. An-sky’s “The Dybbuk” in Argentina Susana Skura, Universidad de Buenos Aires 17:45-18:00 Break 18:00-19:00 Panel 10 [Hebrew] Chari: Sharon Poliakin, The University of Haifa The Performance of Study in “The Dybbuk”: From Scholasticism to Embodiment Yair Lipshitz, Tel Aviv University Yiddish Dybbuk Assi Meshulam, The University of Haifa
  • 5. THE DYBBUK - UNDISCIPLINING THE ARCHIVE 27.4.2022 | The Cymbalista Synagogue and Jewish Heritage Center, Tel Aviv University 10:00-10:15 | Greetings Eran Neuman, Dean, The Faculty of the Arts Dror Harari, Head of The Department of Theatre Arts, Tel Aviv University 10:15-12:00 | Panel 11 [Hebrew] Chair: Yair Lipshitz, Tel Aviv University A Quest Following “The Dybbuk” Boris Yentin, The Gnazim Institute of the Hebrew Writers Association The Archive Against Reconstruction Olga Levitan, Tel Aviv University and The Hebrew University of Jerusale m in dialogue with Dina Konson, Tel Aviv University Exhibition Opening The Dybbuk Journeys Curator: Olga Levitan Design: Dina Konson Hanale Hendler as Young Chasid. “The Dybbuk”, Habima. Direction: Evgeni Vachtangov. Photo: Nini and Carry Hess, 1927. Courtesy of The Israeli Center of the Documentation of Performing Arts, The Faculty of Arts, Tel Aviv University.
  • 6. THE DYBBUK - UNDISCIPLINING THE ARCHIVE Organizing committee: Ruthie Abeliovich, Olga Levitan, Yair Lipshitz, Diego Rotman Ac ademic committee: Sharon Aronson-Lehavi, Leah Gilula, Dror Harari, Shelly Zer-Zion Co nference coordinator and producer: Einat Tamir Contact: undisciplineddybbuk2022@gmail.com The Program of Yiddish Language, Literature, and Culture The Hebrew University of Jerusalem The Institute of the Arts The Hebrew University of Jerusalem ‫ן‬ ‫ו‬ ‫ר‬ ‫ט‬ ‫א‬ ‫י‬ ‫ת‬ ‫ה‬ ‫ת‬ ‫ו‬ ‫ד‬ ‫ל‬ ‫ו‬ ‫ת‬ ‫ל‬ ‫ג‬ ‫ו‬ ‫ח‬ ‫ה‬ T h ‫ﺔ‬ e ‫ـ‬ D ‫ﻴ‬ e ‫ﺣ‬ p ‫ﴪ‬ a r t ‫ﳌ‬ m ‫ا‬ e n ‫ت‬ to ‫ﺎ‬ ‫ـ‬ f ‫ﺳ‬ T h ‫ا‬ ‫ر‬ e a ‫ﺪ‬ t ‫ﻟ‬ r ‫ا‬ e ‫ﻢ‬ S t ‫ـ‬ u ‫ﺴ‬ d ‫ﻗ‬ i e s