SlideShare a Scribd company logo
1 of 81
Architecture of the Afterlife
 Embalming & Tombs in Ancient Egypt

          Introduction To Art History I
              Professor Will Adams
                Valencia College
Ancient Egyptian History
 Early Dynastic (2950 – 2575 BCE): Step Pyramid built at
  Saqqara
 Old Kingdom (2575 – 2150 BCE): Great Pyramids at Giza &
  Great Sphinx
 First Intermediate Period (2125 – 1975 BCE): Memphis rules
  Egypt in the north & Thebes in the south
 Middle Kingdom (1975 – 1640 BCE):
  Egypt reunites & conquers Lower Nubia.
 Second Intermediate Period (1630 – 1520 BCE): The Hyksos
  invade
 New Kingdom (1539 – 1075 BCE): Deir el-Bahri & The Valley of
  the Kings
Ancient Egypt: Gift of the Nile
   The ancient Egyptians inhabited the
    fertile valley of the Nile.
   The river's annual flood deposited a
    fresh layer of silt, renewing the
    fertility of the soil & ensuring that,
    for the most part, the country was
    prosperous & the population
    sufficiently fed.
   For much of the year, most people
    would be involved in agricultural
    labor of some kind, but during the
    Inundation (July – October) the
    workforce was used by the state
    for building & other major projects
    such as "rehabilitation" of the land
    following the flood.
Ancient Egyptian Mummification
   Preserving Pharaohs for an Eternity
The Purpose of Egyptian Mummification

                      The ancient Egyptians’ funerary
                       customs & beliefs called for the
                       preservation of the body & ample
                       provisions for the afterlife.
                      This was envisioned as a continuation
                       of the mortal existence after death.
                      An ancient Egyptian would provide
                       for the afterlife as best as his or her
                       economic abilities would allow.
                      Today, this means that a huge
                       amount of information about daily
                       life in ancient Egypt can be found in
                       the tombs.
                      Examination of mummies provides
                       information on health, diet & life-
                       expectancy.
The Purpose of Egyptian Mummification

   The body of a dead Egyptian would be
    made into a mummy in order to
    preserve the body for its immortal soul,
    or ka.
   The word "mummy" comes from the
    Arabic mumiyah (body preserved by
    wax or bitumen)
   The process of mummification was
    complicated, including removing organs
    & wrapping the body in linen cloth.
   The body was treated with
    preservatives which dried out the body
    of the mummy.
   The ancient Egyptians believed that,
    after death, their bodies would travel to
    the world of the afterlife during the day
    & return to their bodies at night.
The Purpose of Egyptian Mummification

                    In order for the person’s
                     spirit, or ka, to live forever, it
                     had to be able to recognize &
                     return to the body.
                    If a spirit could not recognize
                     the body it belonged to, it
                     would die.
                    This is why the Egyptians
                     wanted to preserve the
                     bodies of the dead in as life-
                     like a state as possible.
                    Mummification guaranteed
                     eternal life for the spirit.
The Mummification Process
              The entire process took 70
               days to complete.
              Several embalmers
               conducted the task in the
               special embalming shop, or
               per-nefer.
              The chief embalmer was
               known as the hery sheshta.
              He wore a jackal mask to
               represent Anubis, the god
               of mummification.
The Mummification Process
 After the deceased’s body
  was brought to the per-
  nefer, it was washed with a
  mixture of palm wine and
  water from the Nile, then
  shaved of its hair.
 Following that, all of the
  body parts that might decay
  or rot were removed.
 The embalmers first
  removed the deceased’s
  brain through his or her nose
  using a long hook.
The Mummification Process
              The long hook was used to
               stir up the brain until it was
               liquefied.
              Then the embalmers would
               turn the body face down to
               allow the brain to ooze out
               through the nostrils.
              The Egyptians were so rough
               on the brain because they
               didn’t realize its importance.
              They thought its sole
               purpose was to produce
               snot!
The Mummification Process
              Next, the embalmers
               would remove the soft,
               moist body parts that
               would cause the body to
               decay.
              A deep incision was made
               in the left side of the
               deceased’s abdomen to
               remove his or her internal
               organs, usually the lungs,
               the stomach, the liver and
               the intestines.
The Mummification Process
 In some cases they removed
  the heart, but in the vast
  majority of cases they left it.
 Unlike modern humans, the
  ancient believed that the
  heart, not the brain, was the
  seat of the soul
 The Egyptians also believed
  that the heart testified on
  behalf of the deceased
  during the Weighing of the
  Heart Ceremony in the
  afterlife.
The Mummification Process
              After the body’s organs had
               been removed, it was stuffed
               with bundles of a strong
               drying salt called natron that
               was meant to further
               dehydrate the corpse.
              The deceased’s entire body
               was then covered with natron
               & placed on an inclined slab so
               that any moisture the natron
               pulled from the body would
               run off the end, be collected &
               buried with the body.
The Mummification Process
 While the body was drying, the
  previously removed internal
  organs were also dried &
  preserved with natron.
 They were then wrapped in
  strips of linen & put into
  separate containers called
  canopic jars.
 The Egyptians believed that all
  body parts would be magically
  reunited in the afterlife and
  that the body would become
  whole again, just like the god
  Osiris’s had.
The Egyptian Myth of Osiris
               According to Egyptian
                mythology, the god Osiris was
                murdered by his jealous
                brother Set, who hacked
                Osiris’s body into pieces &
                scattered them into the Nile.
               Heartbroken, Osiris’s wife, the
                goddess Isis, reassembled the
                pieces with the other gods’
                assistance & Osiris was
                magically restored.
               He then went on to become
                the god of the afterlife.
The Mummification Process
   The stoppers of the canopic jars
    were shaped like the heads of the
    four sons of the god Horus (god of
    the Egyptian kings).
   Each son protected the organ
    placed inside his respective jar:
   Jackal-headed Duamutef guarded
    the jar that contained the
    stomach.
   Falcon-headed Qebehsenuf
    watched over the intestines.
   The baboon-headed son of Horus,
    Hapi, protected the lungs.
   Human-headed Imseti was in
    charge of protecting the liver.
The Mummification Process
              Next, the canopic jars
               were carefully stored in
               a heavy, secure chest
               that was later placed in
               the tomb with the
               mummy.
              The chest of canopic jars
               on the left was found in
               the tomb of the famous
               King Tutankhamen.
The Mummification Process
 After 40 days, the body was
  completely dehydrated.
 During that time the skin
  became shrunken, wrinkled
  & leathery.
 The bundles of natron were
  then removed from the
  body’s abdomen.
 Next, the mummy was
  washed with wine & water
  one more time & rubbed
  with sacred oils to soften the
  skin.
The Mummification Process
              The mummy’s head & body
               were packed with herbs,
               sawdust & linen soaked in
               scented oil so that the body
               could regain its shape, and to
               deodorize the deceased’s body.
              Then, small stones or small
               onions were placed under the
               eyelids to restore a life-like
               appearance.
              Once this was done, the
               mummy could be covered with
               necklaces, rings and bracelets
               made of gold & gems.
The Mummification Process
 According to Egyptian myth,
  the god Horus had his eye
  miraculously restored after
  losing it in a battle with the evil
  god Set.
 As a result, The Eye of Horus,
  called a wedjat, is associated
  with healing & protection.
 During mummification, a wax
  or bronze plate with a wedjat
  carved on it was placed over
  the embalming incision to
  magically heal the wound in
  the afterlife.
The Mummification Process
              Once the wedjat was in
               place, the entire body was
               then covered in shrouds &
               bound with strips of linen
               until the mummy had
               returned to its original
               size.
              This was a complicated
               job, could take as long as a
               week, and usually required
               1,000 yards’ worth of 2 –
               8” wide linen strips.
The Mummification Process
 As the mummy was being
  wrapped, small, magical
  carvings called amulets
  were inserted between the
  layers of linen to further
  protect the mummy’s spirit
  on its way to the afterlife.
 As each layer was added, it
  was coated with resin to
  hold the wrappings
  together with a waterproof
  seal.
The Mummification Process
              After the week of wrapping
               was finished, the head of the
               mummy was covered with a
               portrait mask.
              This was designed to ensure
               that the ka would recognize
               the body in the afterlife.
              Finally, the wrapped, masked
               mummy was placed into a
               series of wooden & gilded
               coffins which were
               ultimately placed into a
               stone sarcophagus.
The Mummification Process
 On the day of the funeral, the
  mummy was brought to the
  western bank of the Nile on a
  barque.
 The mummy was next brought
  to its tomb, where Osiris’s
  priests performed the Opening
  of the Mouth Ceremony by
  touching the deceased’s eyes,
  nose, and mouth of the
  sarcophagus with a sacred tool.
 This ritual symbolically
  reactivated these senses in the
  afterlife.
The Mummification Process
                The deceased’s sarcophagus was
                 then placed inside the tomb’s
                 burial chamber, the entrance to
                 which would be sealed to prevent
                 looting or theft.
                Before the tomb was sealed, the
                 deceased’s family members
                 deposited food, clothes, furniture,
                 and dishes into the burial chamber.
                They did this because the
                 Egyptians believed the deceased
                 would need the same
                 accoutrements in the afterlife that
                 he or she had used in his or her
                 mortal life.
The Mummification Process
              If you still can’t get
               enough of the Egyptian
               mummification process,
               then you might enjoy the
               opportunity to act like a
               virtual hery shesta, using
               the Québec Museum of
               Civilization’s online
               embalming game at:
              www.mcq.org/momies
Architecture of the Afterlife
 Erecting A Pharaoh’s Eternal Home
Architecture of the Afterlife
  The Sahara’s Shaping Influence
                    Ancient Egyptian architecture can
                     only be understood by also looking
                     at the environment in which it is
                     located.
                    Egypt is essentially located in a
                     desert, which is vast, empty space.
                    For anything to be visible &
                     considered monumental in that
                     environment, it must match the
                     scale of the desert.
                    This understanding may have
                     influenced the architects of ancient
                     Egypt to focus on designing &
                     constructing the massive buildings
                     that we study today.
Architecture of the Afterlife
    The Nile’s Shaping Influence
                   The Nile River had an
                    important influence in the
                    geometry of ancient Egyptian
                    architecture.
                   The Nile is a very straight
                    river, and the straightness of
                    its line provided the ancient
                    Egyptians with both a
                    symbolic sense of direction &
                    a principle for application in
                    the creation of monumental
                    buildings.
Architecture of the Afterlife
                       Building Materials
 The 3 most common materials
  for construction in Egypt were
  plant materials, clay & stone.
 Plant materials consisted of
  readily available materials like
  reeds, papyrus, & palm tree ribs
  & shafts.
 Timber was available in limited
  quantity & used for roofing.
 Nile-sourced clay was used for
  construction, either for frame
  construction or as sun-dried
  brick.
 Stone was not used much during
  the early period of Egyptian
  civilization, but became popular
  later for tombs & temples.
Architecture of the Afterlife
        Building Materials
                  Construction systems in ancient
                   Egypt reflected the availability
                   of materials.
                  Two construction systems were
                   predominant: Adobe & post-
                   and-beam construction
                  Adobe construction took the
                   form of clay on plant material
                   or sun-dried brick construction.
                  This construction was reserved
                   for houses & other buildings of
                   daily life.
                  These buildings were only
                   supposed to last for a
                   generation.
Architecture of the Afterlife
                        Construction Systems
   In contrast, Egyptian monumental
    construction is mainly post-and-
    beam.
   This is found mainly in pyramids,
    tombs & temples.
   Ironically, columns are designed to
    look like plant materials:
       Their shafts resemble bundles
         of plant stems tied together.
       Their capitals are derived from
         the lotus bud, the papyrus
         flower, or the palm frond.
   Great importance was attached to
    relief carving & it was an integral
    part of the architecture.
Architecture of the Afterlife
   Building On A Massive Scale
                  Ancient Egyptian architecture
                   displays more concern with
                   massing & less attention to
                   space or function.
                  The architects of ancient Egypt
                   gave little consideration to
                   creating functional space.
                  Consideration of function in
                   design was limited to providing
                   spaces for ritual activities such
                   as chapels dedicated to gods or
                   pharaohs in pyramid funerary
                   complexes or mortuary
                   temples.
Architecture of the Afterlife
          Environmental Harmony & Contrast
 Architecture in ancient Egypt
  also displays an understanding
  of the principle of harmony &
  contrast.
 A great illustration of this is
  reflected in the Pyramids at
  Giza.
 The color & materials of the
  pyramids create a harmony
  between themselves & the
  desert.
 However, the form & shape of
  the pyramids contrast sharply
  with the smooth, undulating
  desert.
Architecture of the Afterlife
    The Socio-Cultural Context
                  Ancient Egyptians viewed
                   earthly dwellings as
                   temporary, so they spent
                   very little emphasis on
                   house construction.
                  Instead, tremendous
                   effort was exerted in
                   tomb construction.
                  This stemmed from the
                   belief that the deceased’s
                   tomb was his or her true
                   permanent dwelling, as it
                   would be used for the
                   entirety of the afterlife.
Architecture of the Afterlife
             The Socio-Cultural Context

 As previously stated,
  Egyptians believed that a
  dead person needed all her
  or his worldly goods in the
  afterlife.
 Subsequently, the tomb was
  usually packed with all the
  dead person’s treasures.
 If something could not be
  provided, its image was
  painted on the walls of the
  tomb.
Architecture of the Afterlife
   The Socio-Cultural Context
                 Ancient Egyptian tombs also
                  had charms or curses painted
                  onto or carved into their walls
                  to protect the dead person’s
                  property from looters or grave
                  robbers.
                 The Egyptians buried their dead
                  in cities of the dead, called
                  necropoli, located in the desert
                  on the west bank of the Nile.
                 The Egyptians saw the setting
                  sun on the Nile’s west bank as a
                  symbol of the deceased’s
                  transition into the afterlife.
Architecture of the Afterlife
 During the Old Kingdom, the
  pharaoh and his court lived in
  Memphis.
 When they died, they were buried
  at the necropolis at Saqqara.
 Today, very little of ancient
  Memphis survives because its
  structures were built from
  inexpensive, locally-sourced
  materials.
 Houses were built of materials
  like wood and mud-brick, and
  were only meant to last for 1
  lifetime.
Architecture of the Afterlife
                  Egyptian tombs were the most
                   outstanding architectural
                   achievements of the period.
                  In addition to housing the deceased
                   Egyptians’ remains, tombs served as
                   places of worship for the Cult of the
                   Dead.
                  The Egyptians thought that their
                   pharaohs became gods upon their
                   deaths, and worshipped them as
                   such.
                  The tomb evolved during the Old
                   Kingdom from the mastaba, through
                   the stepped pyramid, to the
                   renowned ancient Egyptian pyramids.
Architecture of the Afterlife
 The earliest method of burial in
  ancient Egypt was actually in
  shallow pits in the desert of the
  Nile’s west bank.
 The desert sand dried the
  bodies and preserved them.
 When animals preying on
  bodies became a problem in
  burial, the people dug their
  graves deeper.
 In the end, to ensure the
  preservation of their burials,
  they built a bench-like structure
  over graves to create the first
  burial structure called a
  mastaba.
Architecture of the Afterlife
                The name mastaba derived
                 from the name for the steps or
                 podiums found in the front of
                 traditional Egyptian houses.
                In the Old Kingdom, rich &
                 noble people built mastabas for
                 their burials in the necropolis.
                Above ground, the mastaba
                 looks like a large bench of
                 sunbaked bricks rising about 30
                 feet high, with a flat roof &
                 sloping walls.
                The earliest mastabas were
                 decorated with painted
                 patterns in brilliant colors.
Architecture of the Afterlife
 Internally, a mastaba
  consists of three spaces: an
  underground burial chamber
  & an above ground serdab &
  chapel.
 The burial chamber was
  located 30 feet below
  ground & was the place for
  the deceased’s sarcophagus.
 It was connected to the
  serdab & chapel above
  ground through a shaft.
Architecture of the Afterlife
                The mastaba’s serdab &
                 chapel are located above-
                 ground.
                The serdab is a room where
                 the ka statue of the dead
                 person is kept.
                The ka statue would act as a
                 substitute for the
                 deceased’s body in case it
                 was destroyed and was also
                 the focus of worship by the
                 deceased’s family members.
Architecture of the Afterlife
 The ancient Egyptians
  believed that the ka must
  return to the body, or a copy
  of it, each night.
 They believed that if both
  body & statue were destroyed,
  the ka would die.
 The serdab is where the ka is
  supposed to live forever
 Typically, it is a colorful room
  meant to deceive the gods
  into letting the ka enter the
  afterlife.
 A painted, false door led to
  the land of the dead.
Architecture of the Afterlife
                Some mastabas had
                 surrounding security
                 fences or walls, and some
                 even had chambers for
                 the burial of the
                 deceased’s servants or
                 pets.
                The design of the
                 mastaba is the
                 architectural embryo that
                 grew into the pyramids.
Architecture of the Afterlife:
  The Step Pyramid of King Djoser
Architecture of the Afterlife:
           The Step Pyramid of King Djoser

 Egyptian King Djoser was a
  powerful pharaoh of the third
  dynasty of the Old Kingdom.
 His tomb, known as the Step
  Pyramid of King Djoser, was
  designed by Imhotep (the
  first named artist in history)
  in 2,667 BCE.
 It was built as a funeral
  complex at the necropolis of
  Saqqara.
 Initially, Imhotep conceived
  of the tomb as a large
  mastaba of stone.
Architecture of the Afterlife:
  The Step Pyramid of King Djoser
                   Apparently, King Djoser did
                    not like Imhotep’s initial
                    idea, so instead Imhotep
                    designed a series of layered
                    mastaba “steps” instead.
                   The result was a pyramid
                    with five sloping tiers set
                    upon a massive mastaba
                    base.
                   As a result, this step pyramid
                    acts as the intermediate step
                    between the mastaba and a
                    true geometric pyramid.
Architecture of the Afterlife:
          The Step Pyramid of King Djoser
 When it was complete, the
  Step Pyramid stood 200’
  high, with 6 giant steps.
 The pharaoh’s burial
  chamber was entered from
  north side & is 92’ below
  ground level.
 On either side of chamber
  are store rooms for the
  pharaoh’s treasures
Architecture of the Afterlife:
        The Step Pyramid of King Djoser
 Sadly, the pharaoh’s
  stockpile of treasures
  were looted in
  antiquity, and none of
  them survive today.
 Recently, however, a
  ka statue of King
  Djoser was found,
  staring out through
  peep holes in his
  serdab!
Architecture of the Afterlife:
          The Step Pyramid of King Djoser

 The serdab is located on     The funerary complex’s
  the north side, within a      wall follows an alternating
  funerary temple.              pattern of over 200
 The Step Pyramid is           projecting & receding
  actually the middle of a      panels.
  large funerary complex.      Fourteen of the projecting
 The funerary complex          panels were larger & 13 of
  consisted of palaces,         them had false “doors”.
  temples, courtyards & the
  pyramid.                     The false “doors” for use
                                of Pharaoh’s ka, & to
 These were all surrounded     confuse looters.
  by a 33’ wall.
Architecture of the Afterlife:
  The Step Pyramid of King Djoser
Architecture of the Afterlife:
  The Step Pyramid of King Djoser

                   The complex’s actual
                    entrance door leads to a
                    long, enclosed hall
                    supported by two rows of
                    columns.
                   These are believed to be the
                    oldest surviving stone
                    columns in history!
                   Cleverly, the architect,
                    Imhotep, designed the
                    columns to look like bundles
                    of reeds from the Nile.
Architecture of the Afterlife:
           The Step Pyramid of King Djoser

 The complex’s north palace
  also features engaged (non-
  structural) columns with
  capitals designed to look like
  a papyrus plant.
 In effect, King Djoser’s
  funerary complex was
  designed to mimic his palace,
  his city & his kingdom.
 Symbolically, the pyramid
  resembles a stairway the sky,
  through which Djoser could
  join the supreme god, Amon-
  Ra, god of the sun.
Architecture of the Afterlife:
       The Step Pyramid of King Djoser

 After the completion of King Djoser’s Step
  Pyramid at Saqqara, subsequent pharaohs
  made several attempts at designing &
  building purely geometrical pyramids for
  themselves as tombs.
 Among the more successful, prominent
  attempts were the Pyramid of King Huni at
  Meidum, & the two pyramids built by
  Pharaoh Snefru at Dashur.
Architecture of the Afterlife:
   Pyramid of King Huni at Meidum
Architecture of the Afterlife:
          Pyramid of King Huni at Meidum

 It was King Huni made
  the first attempt at
  building pure,
  geometrical Pyramid at
  Meidum in 2637 BCE.
 To do this, he
  constructed a seven-
  stepped pyramid with a
  square plan, a height of
  295’, & an angle of
  incline of 51°.
Architecture of the Afterlife:
   Pyramid of King Huni at Meidum
                    Unlike King Djoser’s Step
                     Pyramid at Saqqara, Huni’s
                     Pyramid at Meidum did
                     not have mortuary temple
                     or a surrounding complex.
                    A later pharaoh, Snefru
                     attempted to convert
                     Huni’s stepped pyramid
                     into a pure pyramid by
                     facing over the layers, but
                     that work doesn’t survive
                     today.
Architecture of the Afterlife:
  Snefru’s Bent Pyramid at Dahshur
Architecture of the Afterlife:
  Snefru’s Bent Pyramid at Dahshur

                    The later Pharaoh Snefru
                     made two attempts at
                     creating a true pyramid.
                    His first attempt in 2,600
                     BCE, the Bent Pyramid at
                     Dahshur, had a square plan
                     with a height of 334’.
                    Due to structural instability
                     during construction, the
                     pyramid’s sides changed
                     angle halfway up, which led
                     to its being nicknamed the
                     “Bent Pyramid”.
Architecture of the Afterlife:
  Snefru’s Red Pyramid at Dahshur
Architecture of the Afterlife:
           Snefru’s Red Pyramid at Dahshur

 King Snefru’s second
  pyramid to the north,
  known today as the Red
  Pyramid, is the tomb in
  which the pharaoh was
  actually buried.
 It is not a true pyramid,
  because its sides have a very
  low pitch of 43° instead of
  52°, making it look stunted
  or squatty.
 A true pyramid has an
  incline angle of 52°.
Architecture of the Afterlife:
       The Pyramids at Giza
Architecture of the Afterlife:
       The Pyramids at Giza

                   Construction of a true
                    geometrical pyramid was finally
                    achieved during reign of King
                    Cheops, son of Snefru, in 2,560
                    BCE.
                   His pyramid is located, along
                    with the other most famous true
                    pyramids, on the Giza Plateau on
                    the west bank of the Nile.
                   Today, King Cheops’ Pyramid is
                    nicknamed “The Great Pyramid”
                    because of its size.
                   The pyramid is 482’ high on a
                    plan of 760’ square.
Architecture of the Afterlife:
                   The Pyramids at Giza

 Eventually, two additional
  pyramids were built at Giza
  by Cheops’ successors.
 The second and largest, in
  the center, was built by King
  Chefren, King Cheops’s son.
 The third and smallest was
  built by King Mycerinus,
  Chefren’s son.
 Collectively, the three are
  referred to as the Pyramids
  at Giza.
Architecture of the Afterlife:
              The Pyramids at Giza

 The three are aligned
  diagonally along the
  axis set by the Great
  Pyramid.
 The three small
  pyramids located
  close by were built
  for the pharaohs’
  queens.
Architecture of the Afterlife:
       The Pyramids at Giza
                   The Great Pyramid is
                    unique among the three
                    because of its internal
                    chambers’ arrangement.
                   First, a chamber was built
                    below base of pyramid.
                   Then, another chamber
                    was built above it, known
                    as “Queen’s Chamber”.
                   Finally, the largest
                    chamber, known as the
                    “King’s Chamber” was
                    built at the center of the
                    pyramid.
Architecture of the Afterlife:
                  The Pyramids at Giza
 It was the final chamber
  where the king was buried in
  his sarcophagus.
 It measures 35’ x 17’ and 19’
  high.
 Both the King & Queen’s
  Chambers are connected to
  the entrance on the
  pyramid’s north side.
 Two air shafts also connect
  the King’s Chamber to the
  outside for ventilation.
 Once the king was buried, his
  burial chamber was sealed.
Architecture of the Afterlife:
       The Pyramids at Giza
                   All the pyramids were
                    designed as part of a
                    dynastic funeral complex for
                    the burial of the pharaohs.
                   Today, Chefren’s complex is
                    the best preserved example.
                   His complex consist of three
                    interconnected units:
                      A valley temple by the
                        Nile where the pharaoh’s
                        body was embalmed
                      A pyramid mortuary
                        temple for rituals
                      A long narrow causeway
                        connecting the two
Architecture of the Afterlife:
                 The Pyramids at Giza

 How were the pyramids constructed?
 There is no completely certain knowledge about the
  method of construction used to create the pyramids.
 That said, scholars estimate that roughly 100,000 men
  worked 3-4 months each year for 30 years to build the
  pyramids.
 The material used to construct the pyramids was limestone
  quarried from nearby & transported by lever action.
 Pyramid construction workers were paid in food, clothing
  & drinks.
Architecture of the Afterlife:
       The Pyramids at Giza
                   The Pyramids at Giza were
                    built to contrast the vast
                    Saharan desert landscape
                    that surrounds them.
                   For structures to be visible in
                    the immense desert, they
                    had to be built on a huge
                    scale.
                   The pyramids were a product
                    of the will to achieve
                    immortality by the pharaohs.
                   The pyramids were built with
                    such monumentality because
                    they were the everlasting
                    homes of the pharaohs’ kas.
Architecture of the Afterlife:
                    The Great Sphinx
 Also located at Giza is the
  Great Sphinx with the body
  of a lion & the head of
  Chefren.
 The reason for its
  construction & its purpose
  are unclear.
 A theory holds that it was
  produced from leftover
  pyramid materials that were
  a applied to an existing
  stone.
 It may also have been carved
  to stand guard over the
  temple & tomb of Chefren.
Architecture of the Afterlife:
            The Period of Pyramids Passes

 With King Mycerinus’s death, the era of the pyramid ended
  for the most part.
 More pyramids were built by later pharaohs, but they
  were smaller & less complex.
 Also, later pharaohs could not afford the cost of huge
  pyramid construction.
 Of even greater concern, ancient grave robbers quickly
  learned how to break into the pyramids & steal the goods
  buried with pharaohs.
 The end of the Old Kingdom therefore marked the end of
  the great era of Egyptian pyramid construction.
Architecture of the Afterlife:
  Middle Kingdom Temples & Tombs
                  The Middle Kingdom began
                   when Pharaoh Mentuhotep
                   united Egypt again.
                  During the Middle Kingdom,
                   the practice of pyramid
                   construction disappeared
                   altogether.
                  The focus in architectural
                   development was still on
                   tombs & burial chambers
                   however.
                  During this time, 2 categories
                   of structure came into use:
                   mortuary temples &
                   underground rock-cut tombs.
Architecture of the Afterlife:
         Middle Kingdom Temples & Tombs
 Middle Kingdom mortuary temples served as a place for
  burial & worship of pharaohs after their deaths.
 Temples dedicated to the Egyptian gods were also located
  within them.
 Mortuary temples evolved from the original pyramid
  funerary complex, but without the expensive & unsecure
  pyramid itself.
 Later, underground rock-cut tombs became popular because
  they were considered more secure.
 Many powerful & wealthy pharaohs & nobles carved tombs
  directly into rock cliffs & below ground during the Middle &
  New Kingdoms.
 The majority of mortuary temple & rock-cut tomb
  construction was carried out at the necropolis of Deir el-
  Bahri.
Architecture of the Afterlife:
  Middle Kingdom Temples & Tombs
                  Two types of underground
                   tombs were built by pharaohs &
                   nobles during the Middle & New
                   Kingdom periods: Rock-cut
                   tombs & shaft tombs.
                     A rock-cut tomb is a tomb that
                     is carved into the earth itself.
                  Many of these are found along
                   the western cliffs of the Nile.
                  Good examples are the 30+
                   rock-cut tombs at Beni Hassan,
                   built for royal governors from
                   the 21st – 19th centuries BCE.
Architecture of the Afterlife:
          Middle Kingdom Temples & Tombs
 The Beni Hassan tombs consist
  of three elements:
    A colonnaded (column-
      lined) entrance with a
      portico (recessed porch)
      for public worship.
    Behind the portico, a
      chamber or hall with
      columns supporting the
      roof, serving as a chapel.
    A small chamber towards
      the back of the chapel
      where the person was
      buried.
Architecture of the Afterlife:
  Middle Kingdom Temples & Tombs
                  The Beni Hassan tombs’
                   exterior columns are prism-
                   shaped, with either 8 or 16
                   sides.
                  The columns in the tombs’
                   interiors were designed to
                   resemble bundles of reeds
                   tied together by rope, and
                   bear an uncanny
                   resemblance to those in
                   King Djoser’s hall at the
                   Step Pyramid at Saqqara.
Architecture of the Afterlife:
         Middle Kingdom Temples & Tombs

 Later, shaft tombs were
  constructed as a complex
  series of underground
  corridors & rooms, cut
  into the mountains in the
  Valley of the Kings at Deir
  Al-Bahri.
 Their large number of
  rooms & complicated
  arrangement were
  deliberate: they were a
  maze or puzzle to confuse
  grave robbers!
Architecture of the Afterlife:
  Middle Kingdom Temples & Tombs
                  Their designs made it
                   difficult for robbers to
                   determine where the
                   deceased were buried.
                  A dead pharaoh or
                   nobleman would be
                   buried in one of the many
                   underground rooms.
                  Once the burial was
                   finished, the entrance was
                   sealed permanently &
                   hidden from everybody.
The End

More Related Content

Similar to Arh2050 architecture of the afterlife embalming & tombs in ancient egypt

egyptian civiliation
egyptian civiliationegyptian civiliation
egyptian civiliationKodaikanal1
 
Mummification Steps To Life
Mummification  Steps To  LifeMummification  Steps To  Life
Mummification Steps To Lifebrucecooke
 
Egyt mummification slideshow_ks2
Egyt mummification slideshow_ks2Egyt mummification slideshow_ks2
Egyt mummification slideshow_ks2jvcole1
 
Egyptian mummies
Egyptian mummiesEgyptian mummies
Egyptian mummiesirinagusha
 
Mummification final
Mummification finalMummification final
Mummification finaliteclearners
 
Ancient history week 6a
Ancient history  week 6aAncient history  week 6a
Ancient history week 6acalvarycoop
 
Chapter 2 Section 2 Notes
Chapter 2 Section 2 NotesChapter 2 Section 2 Notes
Chapter 2 Section 2 Notesjmarazas
 
Mummification Fact Sheet
Mummification Fact SheetMummification Fact Sheet
Mummification Fact Sheetahmad bassiouny
 
egyptian civilization
egyptian civilizationegyptian civilization
egyptian civilizationulfath11
 
Ancient Egyptian Assignment[1]
Ancient  Egyptian  Assignment[1]Ancient  Egyptian  Assignment[1]
Ancient Egyptian Assignment[1]brucecooke
 
Ancient Egyptian Assignment[1]
Ancient Egyptian Assignment[1]Ancient Egyptian Assignment[1]
Ancient Egyptian Assignment[1]brucecooke
 

Similar to Arh2050 architecture of the afterlife embalming & tombs in ancient egypt (17)

The mummies
The mummiesThe mummies
The mummies
 
egyptian civiliation
egyptian civiliationegyptian civiliation
egyptian civiliation
 
Mummification Steps To Life
Mummification  Steps To  LifeMummification  Steps To  Life
Mummification Steps To Life
 
Blog 5
Blog 5Blog 5
Blog 5
 
Egyt mummification slideshow_ks2
Egyt mummification slideshow_ks2Egyt mummification slideshow_ks2
Egyt mummification slideshow_ks2
 
Egyptian mummies
Egyptian mummiesEgyptian mummies
Egyptian mummies
 
Mummification final
Mummification finalMummification final
Mummification final
 
Burial Process
Burial ProcessBurial Process
Burial Process
 
Burial Process
Burial ProcessBurial Process
Burial Process
 
Burial Process
Burial ProcessBurial Process
Burial Process
 
Mummies
MummiesMummies
Mummies
 
Ancient history week 6a
Ancient history  week 6aAncient history  week 6a
Ancient history week 6a
 
Chapter 2 Section 2 Notes
Chapter 2 Section 2 NotesChapter 2 Section 2 Notes
Chapter 2 Section 2 Notes
 
Mummification Fact Sheet
Mummification Fact SheetMummification Fact Sheet
Mummification Fact Sheet
 
egyptian civilization
egyptian civilizationegyptian civilization
egyptian civilization
 
Ancient Egyptian Assignment[1]
Ancient  Egyptian  Assignment[1]Ancient  Egyptian  Assignment[1]
Ancient Egyptian Assignment[1]
 
Ancient Egyptian Assignment[1]
Ancient Egyptian Assignment[1]Ancient Egyptian Assignment[1]
Ancient Egyptian Assignment[1]
 

More from ProfWillAdams

ARH2050 SM2023 Syllabus.pdf
ARH2050 SM2023 Syllabus.pdfARH2050 SM2023 Syllabus.pdf
ARH2050 SM2023 Syllabus.pdfProfWillAdams
 
ARH1000 SM2023 Syllabus.pdf
ARH1000 SM2023 Syllabus.pdfARH1000 SM2023 Syllabus.pdf
ARH1000 SM2023 Syllabus.pdfProfWillAdams
 
Romanesque Europe.pdf
Romanesque Europe.pdfRomanesque Europe.pdf
Romanesque Europe.pdfProfWillAdams
 
ARH2050 Perfection To Pathos - Classical Greek & Hellenistic Sculpture.pdf
ARH2050 Perfection To Pathos - Classical Greek & Hellenistic Sculpture.pdfARH2050 Perfection To Pathos - Classical Greek & Hellenistic Sculpture.pdf
ARH2050 Perfection To Pathos - Classical Greek & Hellenistic Sculpture.pdfProfWillAdams
 
The Triumph of Liberty - The Enlightenment, Modern Democracy, and the America...
The Triumph of Liberty - The Enlightenment, Modern Democracy, and the America...The Triumph of Liberty - The Enlightenment, Modern Democracy, and the America...
The Triumph of Liberty - The Enlightenment, Modern Democracy, and the America...ProfWillAdams
 

More from ProfWillAdams (20)

LWA 340-358.pdf
LWA 340-358.pdfLWA 340-358.pdf
LWA 340-358.pdf
 
Gardner 1-22.pdf
Gardner 1-22.pdfGardner 1-22.pdf
Gardner 1-22.pdf
 
ARH2050 SM2023 Syllabus.pdf
ARH2050 SM2023 Syllabus.pdfARH2050 SM2023 Syllabus.pdf
ARH2050 SM2023 Syllabus.pdf
 
ARH1000 SM2023 Syllabus.pdf
ARH1000 SM2023 Syllabus.pdfARH1000 SM2023 Syllabus.pdf
ARH1000 SM2023 Syllabus.pdf
 
Gardner 187-207.pdf
Gardner 187-207.pdfGardner 187-207.pdf
Gardner 187-207.pdf
 
20th 1335-1342.pdf
20th 1335-1342.pdf20th 1335-1342.pdf
20th 1335-1342.pdf
 
LIH 427-430.pdf
LIH 427-430.pdfLIH 427-430.pdf
LIH 427-430.pdf
 
LIH 439-441.pdf
LIH 439-441.pdfLIH 439-441.pdf
LIH 439-441.pdf
 
Romanesque Europe.pdf
Romanesque Europe.pdfRomanesque Europe.pdf
Romanesque Europe.pdf
 
20th 1296-1302.pdf
20th 1296-1302.pdf20th 1296-1302.pdf
20th 1296-1302.pdf
 
LIH 425-426.pdf
LIH 425-426.pdfLIH 425-426.pdf
LIH 425-426.pdf
 
20th 1302-1307.pdf
20th 1302-1307.pdf20th 1302-1307.pdf
20th 1302-1307.pdf
 
Gardner 103-114.pdf
Gardner 103-114.pdfGardner 103-114.pdf
Gardner 103-114.pdf
 
20th 1288-1296.pdf
20th 1288-1296.pdf20th 1288-1296.pdf
20th 1288-1296.pdf
 
MLAGuide8-1.pdf
MLAGuide8-1.pdfMLAGuide8-1.pdf
MLAGuide8-1.pdf
 
APAGuide.pdf
APAGuide.pdfAPAGuide.pdf
APAGuide.pdf
 
Romanticism.pdf
Romanticism.pdfRomanticism.pdf
Romanticism.pdf
 
ARH2050 Perfection To Pathos - Classical Greek & Hellenistic Sculpture.pdf
ARH2050 Perfection To Pathos - Classical Greek & Hellenistic Sculpture.pdfARH2050 Perfection To Pathos - Classical Greek & Hellenistic Sculpture.pdf
ARH2050 Perfection To Pathos - Classical Greek & Hellenistic Sculpture.pdf
 
The Triumph of Liberty - The Enlightenment, Modern Democracy, and the America...
The Triumph of Liberty - The Enlightenment, Modern Democracy, and the America...The Triumph of Liberty - The Enlightenment, Modern Democracy, and the America...
The Triumph of Liberty - The Enlightenment, Modern Democracy, and the America...
 
LIH 298-307.pdf
LIH 298-307.pdfLIH 298-307.pdf
LIH 298-307.pdf
 

Recently uploaded

Roles & Responsibilities in Pharmacovigilance
Roles & Responsibilities in PharmacovigilanceRoles & Responsibilities in Pharmacovigilance
Roles & Responsibilities in PharmacovigilanceSamikshaHamane
 
Employee wellbeing at the workplace.pptx
Employee wellbeing at the workplace.pptxEmployee wellbeing at the workplace.pptx
Employee wellbeing at the workplace.pptxNirmalaLoungPoorunde1
 
internship ppt on smartinternz platform as salesforce developer
internship ppt on smartinternz platform as salesforce developerinternship ppt on smartinternz platform as salesforce developer
internship ppt on smartinternz platform as salesforce developerunnathinaik
 
CELL CYCLE Division Science 8 quarter IV.pptx
CELL CYCLE Division Science 8 quarter IV.pptxCELL CYCLE Division Science 8 quarter IV.pptx
CELL CYCLE Division Science 8 quarter IV.pptxJiesonDelaCerna
 
Biting mechanism of poisonous snakes.pdf
Biting mechanism of poisonous snakes.pdfBiting mechanism of poisonous snakes.pdf
Biting mechanism of poisonous snakes.pdfadityarao40181
 
Painted Grey Ware.pptx, PGW Culture of India
Painted Grey Ware.pptx, PGW Culture of IndiaPainted Grey Ware.pptx, PGW Culture of India
Painted Grey Ware.pptx, PGW Culture of IndiaVirag Sontakke
 
History Class XII Ch. 3 Kinship, Caste and Class (1).pptx
History Class XII Ch. 3 Kinship, Caste and Class (1).pptxHistory Class XII Ch. 3 Kinship, Caste and Class (1).pptx
History Class XII Ch. 3 Kinship, Caste and Class (1).pptxsocialsciencegdgrohi
 
Introduction to AI in Higher Education_draft.pptx
Introduction to AI in Higher Education_draft.pptxIntroduction to AI in Higher Education_draft.pptx
Introduction to AI in Higher Education_draft.pptxpboyjonauth
 
Earth Day Presentation wow hello nice great
Earth Day Presentation wow hello nice greatEarth Day Presentation wow hello nice great
Earth Day Presentation wow hello nice greatYousafMalik24
 
Framing an Appropriate Research Question 6b9b26d93da94caf993c038d9efcdedb.pdf
Framing an Appropriate Research Question 6b9b26d93da94caf993c038d9efcdedb.pdfFraming an Appropriate Research Question 6b9b26d93da94caf993c038d9efcdedb.pdf
Framing an Appropriate Research Question 6b9b26d93da94caf993c038d9efcdedb.pdfUjwalaBharambe
 
Alper Gobel In Media Res Media Component
Alper Gobel In Media Res Media ComponentAlper Gobel In Media Res Media Component
Alper Gobel In Media Res Media ComponentInMediaRes1
 
Types of Journalistic Writing Grade 8.pptx
Types of Journalistic Writing Grade 8.pptxTypes of Journalistic Writing Grade 8.pptx
Types of Journalistic Writing Grade 8.pptxEyham Joco
 
Solving Puzzles Benefits Everyone (English).pptx
Solving Puzzles Benefits Everyone (English).pptxSolving Puzzles Benefits Everyone (English).pptx
Solving Puzzles Benefits Everyone (English).pptxOH TEIK BIN
 
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17Incoming and Outgoing Shipments in 1 STEP Using Odoo 17
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17Celine George
 
Organic Name Reactions for the students and aspirants of Chemistry12th.pptx
Organic Name Reactions  for the students and aspirants of Chemistry12th.pptxOrganic Name Reactions  for the students and aspirants of Chemistry12th.pptx
Organic Name Reactions for the students and aspirants of Chemistry12th.pptxVS Mahajan Coaching Centre
 
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdfssuser54595a
 
Meghan Sutherland In Media Res Media Component
Meghan Sutherland In Media Res Media ComponentMeghan Sutherland In Media Res Media Component
Meghan Sutherland In Media Res Media ComponentInMediaRes1
 
“Oh GOSH! Reflecting on Hackteria's Collaborative Practices in a Global Do-It...
“Oh GOSH! Reflecting on Hackteria's Collaborative Practices in a Global Do-It...“Oh GOSH! Reflecting on Hackteria's Collaborative Practices in a Global Do-It...
“Oh GOSH! Reflecting on Hackteria's Collaborative Practices in a Global Do-It...Marc Dusseiller Dusjagr
 

Recently uploaded (20)

Roles & Responsibilities in Pharmacovigilance
Roles & Responsibilities in PharmacovigilanceRoles & Responsibilities in Pharmacovigilance
Roles & Responsibilities in Pharmacovigilance
 
Employee wellbeing at the workplace.pptx
Employee wellbeing at the workplace.pptxEmployee wellbeing at the workplace.pptx
Employee wellbeing at the workplace.pptx
 
internship ppt on smartinternz platform as salesforce developer
internship ppt on smartinternz platform as salesforce developerinternship ppt on smartinternz platform as salesforce developer
internship ppt on smartinternz platform as salesforce developer
 
CELL CYCLE Division Science 8 quarter IV.pptx
CELL CYCLE Division Science 8 quarter IV.pptxCELL CYCLE Division Science 8 quarter IV.pptx
CELL CYCLE Division Science 8 quarter IV.pptx
 
Biting mechanism of poisonous snakes.pdf
Biting mechanism of poisonous snakes.pdfBiting mechanism of poisonous snakes.pdf
Biting mechanism of poisonous snakes.pdf
 
Painted Grey Ware.pptx, PGW Culture of India
Painted Grey Ware.pptx, PGW Culture of IndiaPainted Grey Ware.pptx, PGW Culture of India
Painted Grey Ware.pptx, PGW Culture of India
 
Model Call Girl in Tilak Nagar Delhi reach out to us at 🔝9953056974🔝
Model Call Girl in Tilak Nagar Delhi reach out to us at 🔝9953056974🔝Model Call Girl in Tilak Nagar Delhi reach out to us at 🔝9953056974🔝
Model Call Girl in Tilak Nagar Delhi reach out to us at 🔝9953056974🔝
 
History Class XII Ch. 3 Kinship, Caste and Class (1).pptx
History Class XII Ch. 3 Kinship, Caste and Class (1).pptxHistory Class XII Ch. 3 Kinship, Caste and Class (1).pptx
History Class XII Ch. 3 Kinship, Caste and Class (1).pptx
 
Introduction to AI in Higher Education_draft.pptx
Introduction to AI in Higher Education_draft.pptxIntroduction to AI in Higher Education_draft.pptx
Introduction to AI in Higher Education_draft.pptx
 
Earth Day Presentation wow hello nice great
Earth Day Presentation wow hello nice greatEarth Day Presentation wow hello nice great
Earth Day Presentation wow hello nice great
 
Framing an Appropriate Research Question 6b9b26d93da94caf993c038d9efcdedb.pdf
Framing an Appropriate Research Question 6b9b26d93da94caf993c038d9efcdedb.pdfFraming an Appropriate Research Question 6b9b26d93da94caf993c038d9efcdedb.pdf
Framing an Appropriate Research Question 6b9b26d93da94caf993c038d9efcdedb.pdf
 
Alper Gobel In Media Res Media Component
Alper Gobel In Media Res Media ComponentAlper Gobel In Media Res Media Component
Alper Gobel In Media Res Media Component
 
Types of Journalistic Writing Grade 8.pptx
Types of Journalistic Writing Grade 8.pptxTypes of Journalistic Writing Grade 8.pptx
Types of Journalistic Writing Grade 8.pptx
 
Solving Puzzles Benefits Everyone (English).pptx
Solving Puzzles Benefits Everyone (English).pptxSolving Puzzles Benefits Everyone (English).pptx
Solving Puzzles Benefits Everyone (English).pptx
 
9953330565 Low Rate Call Girls In Rohini Delhi NCR
9953330565 Low Rate Call Girls In Rohini  Delhi NCR9953330565 Low Rate Call Girls In Rohini  Delhi NCR
9953330565 Low Rate Call Girls In Rohini Delhi NCR
 
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17Incoming and Outgoing Shipments in 1 STEP Using Odoo 17
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17
 
Organic Name Reactions for the students and aspirants of Chemistry12th.pptx
Organic Name Reactions  for the students and aspirants of Chemistry12th.pptxOrganic Name Reactions  for the students and aspirants of Chemistry12th.pptx
Organic Name Reactions for the students and aspirants of Chemistry12th.pptx
 
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf
18-04-UA_REPORT_MEDIALITERAСY_INDEX-DM_23-1-final-eng.pdf
 
Meghan Sutherland In Media Res Media Component
Meghan Sutherland In Media Res Media ComponentMeghan Sutherland In Media Res Media Component
Meghan Sutherland In Media Res Media Component
 
“Oh GOSH! Reflecting on Hackteria's Collaborative Practices in a Global Do-It...
“Oh GOSH! Reflecting on Hackteria's Collaborative Practices in a Global Do-It...“Oh GOSH! Reflecting on Hackteria's Collaborative Practices in a Global Do-It...
“Oh GOSH! Reflecting on Hackteria's Collaborative Practices in a Global Do-It...
 

Arh2050 architecture of the afterlife embalming & tombs in ancient egypt

  • 1. Architecture of the Afterlife Embalming & Tombs in Ancient Egypt Introduction To Art History I Professor Will Adams Valencia College
  • 2. Ancient Egyptian History  Early Dynastic (2950 – 2575 BCE): Step Pyramid built at Saqqara  Old Kingdom (2575 – 2150 BCE): Great Pyramids at Giza & Great Sphinx  First Intermediate Period (2125 – 1975 BCE): Memphis rules Egypt in the north & Thebes in the south  Middle Kingdom (1975 – 1640 BCE): Egypt reunites & conquers Lower Nubia.  Second Intermediate Period (1630 – 1520 BCE): The Hyksos invade  New Kingdom (1539 – 1075 BCE): Deir el-Bahri & The Valley of the Kings
  • 3. Ancient Egypt: Gift of the Nile  The ancient Egyptians inhabited the fertile valley of the Nile.  The river's annual flood deposited a fresh layer of silt, renewing the fertility of the soil & ensuring that, for the most part, the country was prosperous & the population sufficiently fed.  For much of the year, most people would be involved in agricultural labor of some kind, but during the Inundation (July – October) the workforce was used by the state for building & other major projects such as "rehabilitation" of the land following the flood.
  • 4. Ancient Egyptian Mummification Preserving Pharaohs for an Eternity
  • 5. The Purpose of Egyptian Mummification  The ancient Egyptians’ funerary customs & beliefs called for the preservation of the body & ample provisions for the afterlife.  This was envisioned as a continuation of the mortal existence after death.  An ancient Egyptian would provide for the afterlife as best as his or her economic abilities would allow.  Today, this means that a huge amount of information about daily life in ancient Egypt can be found in the tombs.  Examination of mummies provides information on health, diet & life- expectancy.
  • 6. The Purpose of Egyptian Mummification  The body of a dead Egyptian would be made into a mummy in order to preserve the body for its immortal soul, or ka.  The word "mummy" comes from the Arabic mumiyah (body preserved by wax or bitumen)  The process of mummification was complicated, including removing organs & wrapping the body in linen cloth.  The body was treated with preservatives which dried out the body of the mummy.  The ancient Egyptians believed that, after death, their bodies would travel to the world of the afterlife during the day & return to their bodies at night.
  • 7. The Purpose of Egyptian Mummification  In order for the person’s spirit, or ka, to live forever, it had to be able to recognize & return to the body.  If a spirit could not recognize the body it belonged to, it would die.  This is why the Egyptians wanted to preserve the bodies of the dead in as life- like a state as possible.  Mummification guaranteed eternal life for the spirit.
  • 8. The Mummification Process  The entire process took 70 days to complete.  Several embalmers conducted the task in the special embalming shop, or per-nefer.  The chief embalmer was known as the hery sheshta.  He wore a jackal mask to represent Anubis, the god of mummification.
  • 9. The Mummification Process  After the deceased’s body was brought to the per- nefer, it was washed with a mixture of palm wine and water from the Nile, then shaved of its hair.  Following that, all of the body parts that might decay or rot were removed.  The embalmers first removed the deceased’s brain through his or her nose using a long hook.
  • 10. The Mummification Process  The long hook was used to stir up the brain until it was liquefied.  Then the embalmers would turn the body face down to allow the brain to ooze out through the nostrils.  The Egyptians were so rough on the brain because they didn’t realize its importance.  They thought its sole purpose was to produce snot!
  • 11. The Mummification Process  Next, the embalmers would remove the soft, moist body parts that would cause the body to decay.  A deep incision was made in the left side of the deceased’s abdomen to remove his or her internal organs, usually the lungs, the stomach, the liver and the intestines.
  • 12. The Mummification Process  In some cases they removed the heart, but in the vast majority of cases they left it.  Unlike modern humans, the ancient believed that the heart, not the brain, was the seat of the soul  The Egyptians also believed that the heart testified on behalf of the deceased during the Weighing of the Heart Ceremony in the afterlife.
  • 13. The Mummification Process  After the body’s organs had been removed, it was stuffed with bundles of a strong drying salt called natron that was meant to further dehydrate the corpse.  The deceased’s entire body was then covered with natron & placed on an inclined slab so that any moisture the natron pulled from the body would run off the end, be collected & buried with the body.
  • 14. The Mummification Process  While the body was drying, the previously removed internal organs were also dried & preserved with natron.  They were then wrapped in strips of linen & put into separate containers called canopic jars.  The Egyptians believed that all body parts would be magically reunited in the afterlife and that the body would become whole again, just like the god Osiris’s had.
  • 15. The Egyptian Myth of Osiris  According to Egyptian mythology, the god Osiris was murdered by his jealous brother Set, who hacked Osiris’s body into pieces & scattered them into the Nile.  Heartbroken, Osiris’s wife, the goddess Isis, reassembled the pieces with the other gods’ assistance & Osiris was magically restored.  He then went on to become the god of the afterlife.
  • 16. The Mummification Process  The stoppers of the canopic jars were shaped like the heads of the four sons of the god Horus (god of the Egyptian kings).  Each son protected the organ placed inside his respective jar:  Jackal-headed Duamutef guarded the jar that contained the stomach.  Falcon-headed Qebehsenuf watched over the intestines.  The baboon-headed son of Horus, Hapi, protected the lungs.  Human-headed Imseti was in charge of protecting the liver.
  • 17. The Mummification Process  Next, the canopic jars were carefully stored in a heavy, secure chest that was later placed in the tomb with the mummy.  The chest of canopic jars on the left was found in the tomb of the famous King Tutankhamen.
  • 18. The Mummification Process  After 40 days, the body was completely dehydrated.  During that time the skin became shrunken, wrinkled & leathery.  The bundles of natron were then removed from the body’s abdomen.  Next, the mummy was washed with wine & water one more time & rubbed with sacred oils to soften the skin.
  • 19. The Mummification Process  The mummy’s head & body were packed with herbs, sawdust & linen soaked in scented oil so that the body could regain its shape, and to deodorize the deceased’s body.  Then, small stones or small onions were placed under the eyelids to restore a life-like appearance.  Once this was done, the mummy could be covered with necklaces, rings and bracelets made of gold & gems.
  • 20. The Mummification Process  According to Egyptian myth, the god Horus had his eye miraculously restored after losing it in a battle with the evil god Set.  As a result, The Eye of Horus, called a wedjat, is associated with healing & protection.  During mummification, a wax or bronze plate with a wedjat carved on it was placed over the embalming incision to magically heal the wound in the afterlife.
  • 21. The Mummification Process  Once the wedjat was in place, the entire body was then covered in shrouds & bound with strips of linen until the mummy had returned to its original size.  This was a complicated job, could take as long as a week, and usually required 1,000 yards’ worth of 2 – 8” wide linen strips.
  • 22. The Mummification Process  As the mummy was being wrapped, small, magical carvings called amulets were inserted between the layers of linen to further protect the mummy’s spirit on its way to the afterlife.  As each layer was added, it was coated with resin to hold the wrappings together with a waterproof seal.
  • 23. The Mummification Process  After the week of wrapping was finished, the head of the mummy was covered with a portrait mask.  This was designed to ensure that the ka would recognize the body in the afterlife.  Finally, the wrapped, masked mummy was placed into a series of wooden & gilded coffins which were ultimately placed into a stone sarcophagus.
  • 24. The Mummification Process  On the day of the funeral, the mummy was brought to the western bank of the Nile on a barque.  The mummy was next brought to its tomb, where Osiris’s priests performed the Opening of the Mouth Ceremony by touching the deceased’s eyes, nose, and mouth of the sarcophagus with a sacred tool.  This ritual symbolically reactivated these senses in the afterlife.
  • 25. The Mummification Process  The deceased’s sarcophagus was then placed inside the tomb’s burial chamber, the entrance to which would be sealed to prevent looting or theft.  Before the tomb was sealed, the deceased’s family members deposited food, clothes, furniture, and dishes into the burial chamber.  They did this because the Egyptians believed the deceased would need the same accoutrements in the afterlife that he or she had used in his or her mortal life.
  • 26. The Mummification Process  If you still can’t get enough of the Egyptian mummification process, then you might enjoy the opportunity to act like a virtual hery shesta, using the Québec Museum of Civilization’s online embalming game at: www.mcq.org/momies
  • 27. Architecture of the Afterlife Erecting A Pharaoh’s Eternal Home
  • 28. Architecture of the Afterlife The Sahara’s Shaping Influence  Ancient Egyptian architecture can only be understood by also looking at the environment in which it is located.  Egypt is essentially located in a desert, which is vast, empty space.  For anything to be visible & considered monumental in that environment, it must match the scale of the desert.  This understanding may have influenced the architects of ancient Egypt to focus on designing & constructing the massive buildings that we study today.
  • 29. Architecture of the Afterlife The Nile’s Shaping Influence  The Nile River had an important influence in the geometry of ancient Egyptian architecture.  The Nile is a very straight river, and the straightness of its line provided the ancient Egyptians with both a symbolic sense of direction & a principle for application in the creation of monumental buildings.
  • 30. Architecture of the Afterlife Building Materials  The 3 most common materials for construction in Egypt were plant materials, clay & stone.  Plant materials consisted of readily available materials like reeds, papyrus, & palm tree ribs & shafts.  Timber was available in limited quantity & used for roofing.  Nile-sourced clay was used for construction, either for frame construction or as sun-dried brick.  Stone was not used much during the early period of Egyptian civilization, but became popular later for tombs & temples.
  • 31. Architecture of the Afterlife Building Materials  Construction systems in ancient Egypt reflected the availability of materials.  Two construction systems were predominant: Adobe & post- and-beam construction  Adobe construction took the form of clay on plant material or sun-dried brick construction.  This construction was reserved for houses & other buildings of daily life.  These buildings were only supposed to last for a generation.
  • 32. Architecture of the Afterlife Construction Systems  In contrast, Egyptian monumental construction is mainly post-and- beam.  This is found mainly in pyramids, tombs & temples.  Ironically, columns are designed to look like plant materials:  Their shafts resemble bundles of plant stems tied together.  Their capitals are derived from the lotus bud, the papyrus flower, or the palm frond.  Great importance was attached to relief carving & it was an integral part of the architecture.
  • 33. Architecture of the Afterlife Building On A Massive Scale  Ancient Egyptian architecture displays more concern with massing & less attention to space or function.  The architects of ancient Egypt gave little consideration to creating functional space.  Consideration of function in design was limited to providing spaces for ritual activities such as chapels dedicated to gods or pharaohs in pyramid funerary complexes or mortuary temples.
  • 34. Architecture of the Afterlife Environmental Harmony & Contrast  Architecture in ancient Egypt also displays an understanding of the principle of harmony & contrast.  A great illustration of this is reflected in the Pyramids at Giza.  The color & materials of the pyramids create a harmony between themselves & the desert.  However, the form & shape of the pyramids contrast sharply with the smooth, undulating desert.
  • 35. Architecture of the Afterlife The Socio-Cultural Context  Ancient Egyptians viewed earthly dwellings as temporary, so they spent very little emphasis on house construction.  Instead, tremendous effort was exerted in tomb construction.  This stemmed from the belief that the deceased’s tomb was his or her true permanent dwelling, as it would be used for the entirety of the afterlife.
  • 36. Architecture of the Afterlife The Socio-Cultural Context  As previously stated, Egyptians believed that a dead person needed all her or his worldly goods in the afterlife.  Subsequently, the tomb was usually packed with all the dead person’s treasures.  If something could not be provided, its image was painted on the walls of the tomb.
  • 37. Architecture of the Afterlife The Socio-Cultural Context  Ancient Egyptian tombs also had charms or curses painted onto or carved into their walls to protect the dead person’s property from looters or grave robbers.  The Egyptians buried their dead in cities of the dead, called necropoli, located in the desert on the west bank of the Nile.  The Egyptians saw the setting sun on the Nile’s west bank as a symbol of the deceased’s transition into the afterlife.
  • 38. Architecture of the Afterlife  During the Old Kingdom, the pharaoh and his court lived in Memphis.  When they died, they were buried at the necropolis at Saqqara.  Today, very little of ancient Memphis survives because its structures were built from inexpensive, locally-sourced materials.  Houses were built of materials like wood and mud-brick, and were only meant to last for 1 lifetime.
  • 39. Architecture of the Afterlife  Egyptian tombs were the most outstanding architectural achievements of the period.  In addition to housing the deceased Egyptians’ remains, tombs served as places of worship for the Cult of the Dead.  The Egyptians thought that their pharaohs became gods upon their deaths, and worshipped them as such.  The tomb evolved during the Old Kingdom from the mastaba, through the stepped pyramid, to the renowned ancient Egyptian pyramids.
  • 40. Architecture of the Afterlife  The earliest method of burial in ancient Egypt was actually in shallow pits in the desert of the Nile’s west bank.  The desert sand dried the bodies and preserved them.  When animals preying on bodies became a problem in burial, the people dug their graves deeper.  In the end, to ensure the preservation of their burials, they built a bench-like structure over graves to create the first burial structure called a mastaba.
  • 41. Architecture of the Afterlife  The name mastaba derived from the name for the steps or podiums found in the front of traditional Egyptian houses.  In the Old Kingdom, rich & noble people built mastabas for their burials in the necropolis.  Above ground, the mastaba looks like a large bench of sunbaked bricks rising about 30 feet high, with a flat roof & sloping walls.  The earliest mastabas were decorated with painted patterns in brilliant colors.
  • 42. Architecture of the Afterlife  Internally, a mastaba consists of three spaces: an underground burial chamber & an above ground serdab & chapel.  The burial chamber was located 30 feet below ground & was the place for the deceased’s sarcophagus.  It was connected to the serdab & chapel above ground through a shaft.
  • 43. Architecture of the Afterlife  The mastaba’s serdab & chapel are located above- ground.  The serdab is a room where the ka statue of the dead person is kept.  The ka statue would act as a substitute for the deceased’s body in case it was destroyed and was also the focus of worship by the deceased’s family members.
  • 44. Architecture of the Afterlife  The ancient Egyptians believed that the ka must return to the body, or a copy of it, each night.  They believed that if both body & statue were destroyed, the ka would die.  The serdab is where the ka is supposed to live forever  Typically, it is a colorful room meant to deceive the gods into letting the ka enter the afterlife.  A painted, false door led to the land of the dead.
  • 45. Architecture of the Afterlife  Some mastabas had surrounding security fences or walls, and some even had chambers for the burial of the deceased’s servants or pets.  The design of the mastaba is the architectural embryo that grew into the pyramids.
  • 46. Architecture of the Afterlife: The Step Pyramid of King Djoser
  • 47. Architecture of the Afterlife: The Step Pyramid of King Djoser  Egyptian King Djoser was a powerful pharaoh of the third dynasty of the Old Kingdom.  His tomb, known as the Step Pyramid of King Djoser, was designed by Imhotep (the first named artist in history) in 2,667 BCE.  It was built as a funeral complex at the necropolis of Saqqara.  Initially, Imhotep conceived of the tomb as a large mastaba of stone.
  • 48. Architecture of the Afterlife: The Step Pyramid of King Djoser  Apparently, King Djoser did not like Imhotep’s initial idea, so instead Imhotep designed a series of layered mastaba “steps” instead.  The result was a pyramid with five sloping tiers set upon a massive mastaba base.  As a result, this step pyramid acts as the intermediate step between the mastaba and a true geometric pyramid.
  • 49. Architecture of the Afterlife: The Step Pyramid of King Djoser  When it was complete, the Step Pyramid stood 200’ high, with 6 giant steps.  The pharaoh’s burial chamber was entered from north side & is 92’ below ground level.  On either side of chamber are store rooms for the pharaoh’s treasures
  • 50. Architecture of the Afterlife: The Step Pyramid of King Djoser  Sadly, the pharaoh’s stockpile of treasures were looted in antiquity, and none of them survive today.  Recently, however, a ka statue of King Djoser was found, staring out through peep holes in his serdab!
  • 51. Architecture of the Afterlife: The Step Pyramid of King Djoser  The serdab is located on  The funerary complex’s the north side, within a wall follows an alternating funerary temple. pattern of over 200  The Step Pyramid is projecting & receding actually the middle of a panels. large funerary complex.  Fourteen of the projecting  The funerary complex panels were larger & 13 of consisted of palaces, them had false “doors”. temples, courtyards & the pyramid.  The false “doors” for use of Pharaoh’s ka, & to  These were all surrounded confuse looters. by a 33’ wall.
  • 52. Architecture of the Afterlife: The Step Pyramid of King Djoser
  • 53. Architecture of the Afterlife: The Step Pyramid of King Djoser  The complex’s actual entrance door leads to a long, enclosed hall supported by two rows of columns.  These are believed to be the oldest surviving stone columns in history!  Cleverly, the architect, Imhotep, designed the columns to look like bundles of reeds from the Nile.
  • 54. Architecture of the Afterlife: The Step Pyramid of King Djoser  The complex’s north palace also features engaged (non- structural) columns with capitals designed to look like a papyrus plant.  In effect, King Djoser’s funerary complex was designed to mimic his palace, his city & his kingdom.  Symbolically, the pyramid resembles a stairway the sky, through which Djoser could join the supreme god, Amon- Ra, god of the sun.
  • 55. Architecture of the Afterlife: The Step Pyramid of King Djoser  After the completion of King Djoser’s Step Pyramid at Saqqara, subsequent pharaohs made several attempts at designing & building purely geometrical pyramids for themselves as tombs.  Among the more successful, prominent attempts were the Pyramid of King Huni at Meidum, & the two pyramids built by Pharaoh Snefru at Dashur.
  • 56. Architecture of the Afterlife: Pyramid of King Huni at Meidum
  • 57. Architecture of the Afterlife: Pyramid of King Huni at Meidum  It was King Huni made the first attempt at building pure, geometrical Pyramid at Meidum in 2637 BCE.  To do this, he constructed a seven- stepped pyramid with a square plan, a height of 295’, & an angle of incline of 51°.
  • 58. Architecture of the Afterlife: Pyramid of King Huni at Meidum  Unlike King Djoser’s Step Pyramid at Saqqara, Huni’s Pyramid at Meidum did not have mortuary temple or a surrounding complex.  A later pharaoh, Snefru attempted to convert Huni’s stepped pyramid into a pure pyramid by facing over the layers, but that work doesn’t survive today.
  • 59. Architecture of the Afterlife: Snefru’s Bent Pyramid at Dahshur
  • 60. Architecture of the Afterlife: Snefru’s Bent Pyramid at Dahshur  The later Pharaoh Snefru made two attempts at creating a true pyramid.  His first attempt in 2,600 BCE, the Bent Pyramid at Dahshur, had a square plan with a height of 334’.  Due to structural instability during construction, the pyramid’s sides changed angle halfway up, which led to its being nicknamed the “Bent Pyramid”.
  • 61. Architecture of the Afterlife: Snefru’s Red Pyramid at Dahshur
  • 62. Architecture of the Afterlife: Snefru’s Red Pyramid at Dahshur  King Snefru’s second pyramid to the north, known today as the Red Pyramid, is the tomb in which the pharaoh was actually buried.  It is not a true pyramid, because its sides have a very low pitch of 43° instead of 52°, making it look stunted or squatty.  A true pyramid has an incline angle of 52°.
  • 63. Architecture of the Afterlife: The Pyramids at Giza
  • 64. Architecture of the Afterlife: The Pyramids at Giza  Construction of a true geometrical pyramid was finally achieved during reign of King Cheops, son of Snefru, in 2,560 BCE.  His pyramid is located, along with the other most famous true pyramids, on the Giza Plateau on the west bank of the Nile.  Today, King Cheops’ Pyramid is nicknamed “The Great Pyramid” because of its size.  The pyramid is 482’ high on a plan of 760’ square.
  • 65. Architecture of the Afterlife: The Pyramids at Giza  Eventually, two additional pyramids were built at Giza by Cheops’ successors.  The second and largest, in the center, was built by King Chefren, King Cheops’s son.  The third and smallest was built by King Mycerinus, Chefren’s son.  Collectively, the three are referred to as the Pyramids at Giza.
  • 66. Architecture of the Afterlife: The Pyramids at Giza  The three are aligned diagonally along the axis set by the Great Pyramid.  The three small pyramids located close by were built for the pharaohs’ queens.
  • 67. Architecture of the Afterlife: The Pyramids at Giza  The Great Pyramid is unique among the three because of its internal chambers’ arrangement.  First, a chamber was built below base of pyramid.  Then, another chamber was built above it, known as “Queen’s Chamber”.  Finally, the largest chamber, known as the “King’s Chamber” was built at the center of the pyramid.
  • 68. Architecture of the Afterlife: The Pyramids at Giza  It was the final chamber where the king was buried in his sarcophagus.  It measures 35’ x 17’ and 19’ high.  Both the King & Queen’s Chambers are connected to the entrance on the pyramid’s north side.  Two air shafts also connect the King’s Chamber to the outside for ventilation.  Once the king was buried, his burial chamber was sealed.
  • 69. Architecture of the Afterlife: The Pyramids at Giza  All the pyramids were designed as part of a dynastic funeral complex for the burial of the pharaohs.  Today, Chefren’s complex is the best preserved example.  His complex consist of three interconnected units:  A valley temple by the Nile where the pharaoh’s body was embalmed  A pyramid mortuary temple for rituals  A long narrow causeway connecting the two
  • 70. Architecture of the Afterlife: The Pyramids at Giza  How were the pyramids constructed?  There is no completely certain knowledge about the method of construction used to create the pyramids.  That said, scholars estimate that roughly 100,000 men worked 3-4 months each year for 30 years to build the pyramids.  The material used to construct the pyramids was limestone quarried from nearby & transported by lever action.  Pyramid construction workers were paid in food, clothing & drinks.
  • 71. Architecture of the Afterlife: The Pyramids at Giza  The Pyramids at Giza were built to contrast the vast Saharan desert landscape that surrounds them.  For structures to be visible in the immense desert, they had to be built on a huge scale.  The pyramids were a product of the will to achieve immortality by the pharaohs.  The pyramids were built with such monumentality because they were the everlasting homes of the pharaohs’ kas.
  • 72. Architecture of the Afterlife: The Great Sphinx  Also located at Giza is the Great Sphinx with the body of a lion & the head of Chefren.  The reason for its construction & its purpose are unclear.  A theory holds that it was produced from leftover pyramid materials that were a applied to an existing stone.  It may also have been carved to stand guard over the temple & tomb of Chefren.
  • 73. Architecture of the Afterlife: The Period of Pyramids Passes  With King Mycerinus’s death, the era of the pyramid ended for the most part.  More pyramids were built by later pharaohs, but they were smaller & less complex.  Also, later pharaohs could not afford the cost of huge pyramid construction.  Of even greater concern, ancient grave robbers quickly learned how to break into the pyramids & steal the goods buried with pharaohs.  The end of the Old Kingdom therefore marked the end of the great era of Egyptian pyramid construction.
  • 74. Architecture of the Afterlife: Middle Kingdom Temples & Tombs  The Middle Kingdom began when Pharaoh Mentuhotep united Egypt again.  During the Middle Kingdom, the practice of pyramid construction disappeared altogether.  The focus in architectural development was still on tombs & burial chambers however.  During this time, 2 categories of structure came into use: mortuary temples & underground rock-cut tombs.
  • 75. Architecture of the Afterlife: Middle Kingdom Temples & Tombs  Middle Kingdom mortuary temples served as a place for burial & worship of pharaohs after their deaths.  Temples dedicated to the Egyptian gods were also located within them.  Mortuary temples evolved from the original pyramid funerary complex, but without the expensive & unsecure pyramid itself.  Later, underground rock-cut tombs became popular because they were considered more secure.  Many powerful & wealthy pharaohs & nobles carved tombs directly into rock cliffs & below ground during the Middle & New Kingdoms.  The majority of mortuary temple & rock-cut tomb construction was carried out at the necropolis of Deir el- Bahri.
  • 76. Architecture of the Afterlife: Middle Kingdom Temples & Tombs  Two types of underground tombs were built by pharaohs & nobles during the Middle & New Kingdom periods: Rock-cut tombs & shaft tombs.  A rock-cut tomb is a tomb that is carved into the earth itself.  Many of these are found along the western cliffs of the Nile.  Good examples are the 30+ rock-cut tombs at Beni Hassan, built for royal governors from the 21st – 19th centuries BCE.
  • 77. Architecture of the Afterlife: Middle Kingdom Temples & Tombs  The Beni Hassan tombs consist of three elements:  A colonnaded (column- lined) entrance with a portico (recessed porch) for public worship.  Behind the portico, a chamber or hall with columns supporting the roof, serving as a chapel.  A small chamber towards the back of the chapel where the person was buried.
  • 78. Architecture of the Afterlife: Middle Kingdom Temples & Tombs  The Beni Hassan tombs’ exterior columns are prism- shaped, with either 8 or 16 sides.  The columns in the tombs’ interiors were designed to resemble bundles of reeds tied together by rope, and bear an uncanny resemblance to those in King Djoser’s hall at the Step Pyramid at Saqqara.
  • 79. Architecture of the Afterlife: Middle Kingdom Temples & Tombs  Later, shaft tombs were constructed as a complex series of underground corridors & rooms, cut into the mountains in the Valley of the Kings at Deir Al-Bahri.  Their large number of rooms & complicated arrangement were deliberate: they were a maze or puzzle to confuse grave robbers!
  • 80. Architecture of the Afterlife: Middle Kingdom Temples & Tombs  Their designs made it difficult for robbers to determine where the deceased were buried.  A dead pharaoh or nobleman would be buried in one of the many underground rooms.  Once the burial was finished, the entrance was sealed permanently & hidden from everybody.