Reflection Of Cinema

Reflection Of Cinema
Some of the important topics that are covered in the course are creativity and aesthetics, an overview of major movements in literature and cinema,
cinema & art; understanding fiction, drama, poetry, narrative structures, understanding cinema, relationship between form and meaning, image
construction, shots, scenes, sequences, mise–en–scene, cinematography, codes, frames, signs, syntax, diegetic & non–diegetic sound, silence, and
various editing styles. The handout of the course (please go to the Appendix) gives the complete course description. Both literature and cinema being
canvasses of immense depth, covering the topics mentioned above is a daunting task. There is the possibility of it becoming demanding to the students
too. Since the majority of the students opting out for such a course have either a passion for or are keen to develop insights into the finer aspects of
these mediums, they do...show more content...
Slowly I have evolved a strategy in which we pay equal attention to reading/ studying the cinematography, color, lighting, effects of editing etc. as can
be seen from the above bulleted points. My experiences in teaching the course and the knowledge gained by doing a four–week Summer Course in
Film Appreciation conducted jointly by National Film Archive of India, Pune and Film & Television Institute of India, Pune two years back have been
major reasons for this evolution. Course Plan and
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Cinema And Cinema
film is arguably the most ubiquitous art form. Since the very first motion pictures of the late eighteen hundreds, a century and a half of time has
elapsed and the world is still enthralled with cinema. Perhaps it is the ways in which film has developed as the years have gone by. From the black
and white films telling stories in the absence of audio to the high–tech special effects that are commonplace in modern day movies, film has grown to
become the trillion dollar industry it is today. The success of cinema is due to the fact that it is ingrained in the fabric of our culture just as it is
interwoven into our own individual lives.
Film is introduced to us at day one the moment we become conscious of our surroundings. At first, movies...show more content...
We all inherit a natural curiosity as human beings, and not all of us are given correct information regarding the differences of skin colour or culture.
From featuring characters hailing from cultures that aren't apart of the majority, we can be broadening a child's perspective through film. As they are
exposed to new and alternative ways of life, their world view can increase drastically. Children's television series seem to be doing much better than
cinema. The long–running show Arthur (mwahaha) is composed of an extensive cast of characters all of various religions, cultures, socio–economic
levels, and family structures. If kids' TV shows can be this diverse, why can't kids' films? And why can't they be more explicitly ethnically diverse,
with human people instead of cartoon animals?
Through exposure to various types of people on screen, children will be also be educated on the culture at hand. They will be given accurate
portrayals of people of colour rather than the usual flat character derived from stereotypes. The common tropes of a black character who is good at
basketball –– Chad of High School Musical –– or the intelligent, nerdy asian student –– Baljeet Tjinder of Phineas and Ferb –– need to be demolished.
All "token" characters need to. Stereotypes of cultures like that of Native Americans –– being mystic, shaman people who are one with the spirits and
talk to the earth –– are still widely accepted as common knowledge. And while such stereotypes may hold

The Evolution of Film Essay example
In the early times of narrative cinema there was litter pressure on the filmmakers for the evolution of film forms before nickelodeons (Salt, 31) as
cinema had not become a mass cultural product and film was still just a novelty expected to die out like rock n roll. And so the demand was low and
so the supply could remain unoriginal. Mary Jane's Mishap was made in 1903 when 'multi–scene films were becoming popular' (Salt, 32). Mary Jane's
Mishap is notable for its use of experimental and inventive shot transitions. It used a vertical wipe to instead of 'separate successive scenes' (Salt, 32)
(as it cuts to a shot width a wider frame of the same locale) but to change the zoom level. This frame is essentially an insert and borderline...show more
content...
In big bold letter 'PARRAFIN' the flammable oil. Without this shot the viewer would be perplexed as to why she exploded and allows the narrative to
flow as it could be water or any other fluid for all they know as cleverly Smith used this mise–en–scene to explain the narrative instead of an intertitle
before the explosion which would have removed all suspense, tension and mystery especially after she moved to the cameras to show her gesturing a
bright idea. Though this close–up could also be argued by Gunning of being of the cinema of attractions as 'For a time [in cinema] close–ups were only
used as an attraction to see an images but larger than life but 'inciting visual curiosity' (Gunning, pg 58) rather being evolutionary towards narrative
cinema. The close–ups heighten the 'only [tool they] they have at their disposal, a language of gestures' (Burch, 224) musser idea
Mary Jane's Mishap combined the cinema of attraction trick film with the viewers want for narrative. 'The decline in their [trick films] commercial
importance was already evident by 1906' (Salt, 40) Smith used a jump cut to create the illusion of Mary Jane exploding into smoke by subtracting her
and adding smoke in the successive shot. He also uses superimposition to create a ghost liken creature. Like an avatar for its day. This shows narratives
cinema still being influenced by the cinema of attractions as to make an entertaining film.
The acting

Reflective Essay On Cinema
Every human being at a very young age is introduced to some type of cinema one way or another. Whether it's a play or film we all experience
these prescreened scripts early on. The types of cinema that we seem to enjoy the most are ones in which give us the best memories and those that
seem to coincide with our personalities. For example, starting at a very young age I've always been the jokester in the family. Therefore I seem to
gravitate towards comedies on the big screen because of my personality.
It never stops there, humans are a creature of habit and we tend to enjoy films that remind us of events or people close to us. This is why films based
off true events seem to always have the biggest numbers behind them. I personally love viewing films about some historical significance that I was not
able to experience in real life. It's something about a true story that gives me the chills when a director is recreating something with immense
significance.
At the very beginning of my enrollment in this film analysis class I had no idea what to expect. Other than knowing we would be analyzing films and
likely writing reviews on them of some sort. I was pretty much up in arms as to what kind of films we would be viewing and how the class would
pan out. After viewing "Imperial Dreams" the first day, it reassured me that this was the correct class to be in. Like most young people around me, I
have always enjoyed watching films over reading the books before it. For the fact that

Essay on Cinema and the Digital Age
"Film has shaped the new media to accommodate it"
–David Bordwell, Kirsten Thompson, p.730.
Since the introduction of Digital Cinema in the late 90's, it is fair to say that we are well and truly immersed in a new digital age for film. Despite
some filmmaker's objection to the introduction of digital cinema, and an overall wariness of the conversion from traditional films to digital, nowadays,
the majority of films that we see in the cinema are digitally made.
"The next ten years may witness the almost complete disappearance of celluloid film stock as a recording, distribution, and exhibition medium."
(Roderick. The Virtual Life of Film (2007))
Furthermore, many classic films such as Walt Disney's "Snow White and the Seven Dwarves"...show more content...
Bordwell and Thompson argue that "Far from killing movies, digital media have allowed them to leave the theatre and our living rooms." (p730)
and I completely agree. Why not avail of the technology that is there and watch a movie on your commute to work. John Belton argues that digital
cinema lacks novelty value and that "it does not transform the experience that spectators have of moving images and sound in the theatre the way
sound, colour, 3D and widescreen did. It merely duplicates the experience spectators always had with 35mm film." (Belton. Film History. Vol.24.
Issue 2 (2012) I however disagree with this statement. I believe that digital cinema truly has revolutionised not only film quality and experience, but
has also made 3D cinema much more enjoyable and easier to watch. No longer do we encounter the blurriness of quick paced movement, or feel the
need to take off the 3D glasses to give our eyes a break. Furthermore, I feel that the novelty which Belton thinks that digital cinema lacks is in fact there.
The novelty is that we can easily watch movies on our phones etc, something that would not have been possible without the induction of digital cinema.
New media is defined as" products and services that provide information or entertainment using computers or the internet, and not by traditional
methods such as television and newspapers" (Cambridge Dictionary (2012)) and I feel that Film has most certainly been reshaping the new media in
recent years.

Cinema Paradiso
Film and Culture
27 September 2010
Cinema Paradiso: Feeling the Love Through Music and Sound Cinema Paradiso was made in 1988, and was written and directed by Giuseppe
Tornatore. It won the Oscar for Best Foreign Language Film in 1989. Cinema Paradiso follows the life of Salvatore Di Vita from the time he was a boy
to his successful career as a film director. Love truly is what the movie is about. Whether it is to have a love of film, love of someone else, or having
a love for what you do, it is the driving force in this movie that causes everything to happen. The music and sound effects in Cinema Paradiso enhance
the emotions and plot of the movie. Two of the most important sound effects in the movie deal with the use of bells and...show more content...
In a way, I think it was a way to help Salvatore let go of the memories that that building held for him. The "Love Theme" of this movie is a turning
point for many pivotal scenes. The first is when Alfredo shows the movie the crowd wants to see in the piazza right before the film catches fire. It
was showing a time where everything was perfect in the movie before everything went wrong, at least for the first half of the movie. The "Love
Theme" also plays on New Year's Eve when Salvatore is first rejected, then kissed by Elena. This was the point in the second half of the movie
where everything was right before life's troubles kicked back in for Salvatore. In terms of moving the plot along, the last time the "Love Theme" is
played to advance plot is when Salvatore is considering going back to Rome. The song "Childhood and Manhood" is played as the young Salvatore
leaves Giancaldo, and as the adult Salvatore returns to Giancaldo at the end of the movie. Not only does the music advance the plot, but it the source of
feeling throughout the movie. The music enhances the emotions felt by the characters and really allows the audience to feel the emotions too. There
were two main songs that were played throughout the film. The theme music, called "Cinema Paradiso", has a sense of journey to it. It is the music
that is played the most in the film; it has a constant flow like a river.

Essay Cinema of Attraction
When one contemplates the concepts of cinema and attractions, the ideas of the modern day blockbuster film might come to mind. World disasters, car
chases, and high profile police investigations are just some of the story lines that attract people to theatres year round. The term "cinema of attraction"
introduced by Tom Gunning into the study offilm is defined more precisely. To quote Gunning, a cinema of attraction: "directly solicits spectator
attention, inciting visual curiosity, and supplying pleasure through an exciting spectacle" (p.230). This spectacle may be demonstrated through dance,
song or offscreen supplements, such as sound effects and spoken commentary. Rather than a straightforward entertainment purpose, a film may seek to
...show more content...
The ending (or the beginning В– it was interchangeable) helped place the film in history books. The scene involved one of the bandits shooting his
pistol towards the audience creating a spectacle as the viewers, seeing this for the first time, believed they were being shot at. Many audience
members were startled by this cinema tactic and the action shot became a great innovation in film (Dirk, 2007). The Great Train Robbery used a
number of inventive techniques; including parallel editing, minor camera movement and location shooting. The director was one of the first to utilize
jump cuts or cross cuts which displayed two separate lines of action or events happening continuously at identical times but in different places (Dirk,
2007). For instance, the film is intercut from the bandits beating up the telegraph operator (scene one) to the operators daughter discovering her
father (scene ten), to the operators recruitment of a dance hall posse (scene eleven), to the bandits being pursued and splitting up the booty and
having a final shoot out (scene thirteen) (Dirk, 2007). Furthermore, The Great Train Robbery was also the first film in which gunshots forced
someone to dance, which is now a clichГ©d action in many western cinemas. Additionally, the use of colour was a spectacle seen in some of the
women's attire, the gun shots and the explosions in the train. Overall as the film worlds first linear narrative The Great Train Robbery made way for
several future filming

Essay about Cinema and Religion
Cinema and Religion
Entertainment media are contributing to the emergence of new and novel forms of spiritual and religious phenomena in our contemporary (and past)
culture. The essays in this issue explore diverse facets of the morphing relationship between entertainment, spirituality and culture. Over the last century,
the cinema has played a vital role in the expression and representation of Judeo–Christian religious practices and beliefs. Early cinema told the life of
Christ in the Passion Play and Cecil B DeMille produced two spectacular versions of The Ten Commandments in 1923 and 1956. While cinema
represented religious themes and figures, religious institutions also shaped the emergence of this moving image technology and its...show more content...
In our Post–Millennial era the Heavens are the home for satellites rather than angels and the New Age emphasis upon the paranormal and
extraterrestrial as alternative avenues for spiritual expression and self–transformation melds with the prevalent sense of an impending apocalypse that
was reactivated by the spectacular disappearance of the Twin Towers on our television screens on 9–11, 2001. Where once God may have been a
singular entity that designed the world in seven days, the multi–dimensional relationship between new and existing media technologies now activates
multiple worlds and multiple entities. The God/s of the Multi–verse take many and multifarious forms from Elvis to Lara Croft and the signs of the
Heaven or Hell emerge in the shopping mall, the television screen, the web site and the comic book panel. Our media heroes are worshipped and our
creations come to life.
The task of media research and theory is to articulate how these Post–Millennial forms of religiosity – how the uncanny spaces and the gods in the
multiverse – are shaped by the media. How are these spaces of dread or icons of worship articulated? This issue provides a collection of original
research and writing on entertainment forms – past and present. It presents an interdisciplinary focus by collating material from historians, theorists,
philosophers and practitioners involved in the study and teaching of art, cinema, literature and new media. However, the advantage of Gods in the

Cinema Paradiso Essay
Cinema Paradiso: Still Relevant Today
Released in 1988 by director Giuseppe Tomatore, "Cinema Paradiso" follows the life of a young boy in Italy who dreams of being a filmmaker. The
road the boy, who eventually becomes a famous Italian film director named Salvatore Di Vita, takes to reach his goal is difficult and includes many
sacrifices and trade–offs. Today, thefilm is widely regarded as one of the most popular foreign films ever to be released in the United States. Given
that foreign films are fairly common in America, it is fair to consider why "Cinema Paradiso" received such critical acclaim, as well as relative
mainstream popularity. "Cinema Paradiso" received critical and popular praise because the film includes several timeless themes...show more content...
The importance a mentor can play in a person's life is something that many viewers will have experienced, while the hard decision between love and
ambition is another familiar feeling. Many American viewers will see the scenes involving censorship and consider how the modern American
government is practicing authority overreach, just as the priest was doing in Salvatore's hometown. These themes make "Cinema Paradiso" both
insightful as well as entertaining, and help explain its popularity

Reflection Of Cinema

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Reflection Of Cinema