SlideShare a Scribd company logo
1 of 18
Codal Analysis
The Dark Knight
Visual Codes
• The visual style of the trailer is very dark in order to match the tone of the
film. They often cut to a black screen in order to build tension within the
trailer. The colour pallet of the film is a cool blue shade, this enhances
shadows and creates a more serious/mysterious feeling to the trailer.
There are plenty of explosions and moments of action that fall into the
crime/action genre. We are presented with a typical story of good vs. evil,
the villain is portrayed as a total parallel to the hero. The props include
guns, rocket launchers, fast cars and knives. All of these are common with
the genre. The costumes do differ in some places as this is a superhero
film. The good characters can be seen wearing police uniforms and the
hero can be seen wearing armor, like a typical hero would. The villain
wears darkly coloured clothing, complete with scars and war paint on his
face to give him a terrifying look. The villain has a slouched posture while
the hero stands tall upon buildings. This good vs evil is common
throughout the genre however, we often witness it from the perspective
of the criminal where in this film, we follow the good characters in pursuit
of evil.
Audio Code
• The score of the film is played throughout the
trailer with heavy drum beats and instrumentals
that lend itself to creating the dark tone seen in
the film. This music also allows for the pace of
the trailer to be set in terms of action, as they
time hits with the bass notes of the score. This
allows for audiences to be immediately
engrossed into whatever is going on within the
trailer. This driving soundtrack allows dialogue to
become more engaging and action to be more
astounding.
Narrative Code
• The trailer opens with our first glimpse of the Joke’s voice
as he begins his narration. We see that since the first film,
Batman has been changing the state of local crime while
sacrificing himself as a person. We get a glimpse at some of
the destruction the joker causes. The police provide some
information about the villain by stating that they have no
idea about who he is or his motivations. This lends itself to
the idea that the joker is insane and only wants to cause
chaos. We then follow the trail of destruction that the joker
causes throughout the film as Batman desperately tries to
find him. Themes are explored of how Batman will have to
become something that he is not in order to stop the joker.
Technical Code
• The theme of the shots within the trailer are very
kinetic in order to match the pace of the trailer.
This is shown a lot through tracking shots with
pans or tilts. The shots often go from long or
extreme long shots to close up shots, in order to
create a jarring effect between the beats of the
music. The start of the trailer is slow and uses
fades in order to transition between different
shots, but as the pace steps up the clips remain
short and cut between each other.
Enigma Code
• The main point of mystery throughout the film
centers around the joker. This trailer leaves
audiences wondering who is he? What is his
grand plan? How will the good characters stop
him? Will Batman be forced to murder him?
There are also some amazing set pieces which
make the audience wonder how they will
make their way into the film.
Codal Analysis
Goodfellas
Visual Code
• The visual style is very in keeping with the time in
which the time that each scene is set. Vehicles, fashion
and props. As one of the major features of the film is to
show three decades of life in the mafia we can see the
characters start to change through features such as
greying hair. The trailer blends ordinary imagery with
moments of extreme action or violence, in order to
reflect the spontaneous nature of the film and the way
it blends different tones together. There are plenty of
guns, explosions, vast amounts of illegal money and
scenes of violence. These are all common aspects
within the crime genre.
Audio Code
• The soundtrack featured throughout the trailer
shows all music from the time in which the film
was set. This allows for the trailer to transition
between the decades seamlessly by playing the
relevant music. This aspect immediately becomes
a story telling device as a result instead of just
filler or a means to set the pace. The music does
remain smooth and upbeat in order to match the
pace of the film. The music is all big band, a genre
that is commonly associated with the mafia and
crime films.
Narrative Code
• We are introduced to the main character as a kid. He makes a clear
impression that he always aspired to be a gangster. We then are
introduced to the family mentality that is associated with the
gangsters as well as some of the key characters who will have a
great influence on the characters ideas about life. We see some of
the violence and action that he is exposed to at an early age as well
as the development of some friendships until we are introduced to
him at an older age. We see some of the things that he was doing
during this second part of the story we are told how he would
attempt to steal all of the money that was going through the
airport. We can see how some of the characters change over this
time period. We can see how his lifestyle has improved and we are
also introduced to his wife. We are also given an insight into the
power that came from being in the mafia. We then start to see
some of the darker sides to the story as murder becomes
incorporated into the story.
Technical Code
• Camera movement is kept constantly in the
trailer in order to show the smooth pace of the
film, gradually becoming more choppy as
tensions rise within the film and action kicks in.
The trailer begins using close up shots of the
main character in order to show how personal
this story is to him and how we will see the story
from his perspective. More close ups are used
along with a lot of group shots in order to show a
lot of the important characters that will play parts
in his life.
Enigma Code
• Those familiar with the story of Henry Hill will
be curious to learn more about how he got to
where he ended up. It will be interesting to
see how the story can develop over three
decades of life in the mafia. The main factor to
take away from the trailer is how did things go
from good to bad, encouraging them to watch
the full film to find out.
Codal Analysis
Pulp Fiction
Visual Code
• The trailer starts in a very sophisticated way as it
presents the praise that the film has had since it’s
release. The tone quickly changes as the gritty,
face paced nature of the film becomes apparent
with gunshots firing through the screen. It’s clear
that the film may take place from the 80s-90s
judging by the clothes and vehicles being used
throughout the trailer. Many tropes of the crime
can be seen as there are lots of guns, violence
and confrontation.
Audio Code
• There is a vast and complex soundtrack to this
trailer. There are some songs which cut
suddenly into others midway through. This
shows the audience that there is a nonstop
pace to this film and gives the idea of the
different stories that may seem out of place to
begin with but will eventually intertwine
perfectly.
Narrative Code
• The trailer plants the seeds of stories, containing
common tropes within the crime genre, including
hitmen, crime bosses, drug users, and rigged
fights. This continues more and more throughout
the trailer, showing the vast number of branching
storylines within the film that flow together. The
different aspects of the film’s story are shown
through different title cards such as ‘loyalty’. This
allows the audience to slightly follow along
without giving anything to drastic away.
Technical Code
• The trailer begins with a very slow and smooth
pace in order to give the impression that this is a
critically acclaimed art film, instead the trailer
breaks with guns shots, starting a much faster
pace for the rest of the trailer. The trailer is very
kinetic showing the way the film is constantly
developing and weaving within storylines. A
medium- close up shots are used in order to
show each important character that is relevant to
the story, not a shot is wasted on support
characters.
Enigma Code
• An instant question that is raised in audience’s
heads is relating to the developing storylines.
The audience will want to make sense of it all
and learn how each one is resolved, and how
they could possibly all link together within the
same film.

More Related Content

What's hot

Conventions of a gangster film
Conventions of a gangster filmConventions of a gangster film
Conventions of a gangster filmCasey Jefferies
 
Conventions of the Gangster Film Genre
Conventions of the Gangster Film GenreConventions of the Gangster Film Genre
Conventions of the Gangster Film GenreLukeAkers
 
Conventions of a Gangster Film
Conventions of a Gangster FilmConventions of a Gangster Film
Conventions of a Gangster FilmLauren Pratt
 
Analysis Of Films Horror Slasher and research
Analysis Of Films  Horror Slasher and researchAnalysis Of Films  Horror Slasher and research
Analysis Of Films Horror Slasher and researchJordan
 
Textual analysis of action film trailers
Textual analysis of action film trailersTextual analysis of action film trailers
Textual analysis of action film trailersAliceThornton9586
 
Analysis of media films
Analysis of media filmsAnalysis of media films
Analysis of media filmsShaz209895
 
Media A2 Portfolio
Media A2 PortfolioMedia A2 Portfolio
Media A2 Portfoliohugojarvis
 
Treatment For Our Horror Teaser Trailer
Treatment For Our Horror Teaser TrailerTreatment For Our Horror Teaser Trailer
Treatment For Our Horror Teaser Trailerguestde8214
 
British Gangster Genre
British Gangster GenreBritish Gangster Genre
British Gangster Genresylvieapps
 
Repertoire of Elements (Police/Crime Thrillers)
Repertoire of Elements (Police/Crime Thrillers)Repertoire of Elements (Police/Crime Thrillers)
Repertoire of Elements (Police/Crime Thrillers)Staccii_
 
Western genre analysis
Western genre analysisWestern genre analysis
Western genre analysise4001105
 
Genre Research
Genre ResearchGenre Research
Genre ResearchShortarse
 
Pre production planning
Pre production planningPre production planning
Pre production planningflamingdodo
 
Media tv crime drama Sophie's + Jenna's q's
Media tv crime drama Sophie's + Jenna's q'sMedia tv crime drama Sophie's + Jenna's q's
Media tv crime drama Sophie's + Jenna's q'sMalinatac
 

What's hot (20)

Conventions of a gangster film
Conventions of a gangster filmConventions of a gangster film
Conventions of a gangster film
 
Personal research
Personal researchPersonal research
Personal research
 
Conventions of the Gangster Film Genre
Conventions of the Gangster Film GenreConventions of the Gangster Film Genre
Conventions of the Gangster Film Genre
 
Crime genre
Crime genreCrime genre
Crime genre
 
Conventions of a Gangster Film
Conventions of a Gangster FilmConventions of a Gangster Film
Conventions of a Gangster Film
 
Iron man
Iron manIron man
Iron man
 
Analysis Of Films Horror Slasher and research
Analysis Of Films  Horror Slasher and researchAnalysis Of Films  Horror Slasher and research
Analysis Of Films Horror Slasher and research
 
Textual analysis
Textual analysisTextual analysis
Textual analysis
 
Textual analysis of action film trailers
Textual analysis of action film trailersTextual analysis of action film trailers
Textual analysis of action film trailers
 
Analysis of media films
Analysis of media filmsAnalysis of media films
Analysis of media films
 
Media A2 Portfolio
Media A2 PortfolioMedia A2 Portfolio
Media A2 Portfolio
 
Task 3
Task 3Task 3
Task 3
 
Treatment For Our Horror Teaser Trailer
Treatment For Our Horror Teaser TrailerTreatment For Our Horror Teaser Trailer
Treatment For Our Horror Teaser Trailer
 
British Gangster Genre
British Gangster GenreBritish Gangster Genre
British Gangster Genre
 
Repertoire of Elements (Police/Crime Thrillers)
Repertoire of Elements (Police/Crime Thrillers)Repertoire of Elements (Police/Crime Thrillers)
Repertoire of Elements (Police/Crime Thrillers)
 
Western genre analysis
Western genre analysisWestern genre analysis
Western genre analysis
 
Genre Research
Genre ResearchGenre Research
Genre Research
 
Pre production planning
Pre production planningPre production planning
Pre production planning
 
Media tv crime drama Sophie's + Jenna's q's
Media tv crime drama Sophie's + Jenna's q'sMedia tv crime drama Sophie's + Jenna's q's
Media tv crime drama Sophie's + Jenna's q's
 
Film genre research
Film genre researchFilm genre research
Film genre research
 

Viewers also liked

How to Test the New Fashioned Way
How to Test the New Fashioned WayHow to Test the New Fashioned Way
How to Test the New Fashioned WayCA Technologies
 
серпнева презентація 25.08.2016 поправлено
серпнева презентація 25.08.2016 поправленосерпнева презентація 25.08.2016 поправлено
серпнева презентація 25.08.2016 поправленоMARO51
 
Edit decision list
Edit decision listEdit decision list
Edit decision listNathanR10
 
Lap. diklatpim IV 2015 Kab. Pangandaran
Lap. diklatpim IV 2015 Kab. PangandaranLap. diklatpim IV 2015 Kab. Pangandaran
Lap. diklatpim IV 2015 Kab. PangandaranDani Setiawan
 
Designing for Culture Change
Designing for Culture ChangeDesigning for Culture Change
Designing for Culture ChangeGuido Stevens
 
10만 라인, 26280시간의 이야기
10만 라인, 26280시간의 이야기10만 라인, 26280시간의 이야기
10만 라인, 26280시간의 이야기Minyoung Jeong
 
Action and enigma code analysis
Action and enigma code analysisAction and enigma code analysis
Action and enigma code analysisBeth Cobbold
 
Action and Enigma codes
Action and Enigma codesAction and Enigma codes
Action and Enigma codesLucyburrows11
 
Enigma codes lesson
Enigma codes lessonEnigma codes lesson
Enigma codes lessonibz10
 
Surat Edaran Pakain Dinas di Lingkungan Pemerintah Kabupaten Pangandaran
Surat Edaran Pakain Dinas di Lingkungan Pemerintah Kabupaten PangandaranSurat Edaran Pakain Dinas di Lingkungan Pemerintah Kabupaten Pangandaran
Surat Edaran Pakain Dinas di Lingkungan Pemerintah Kabupaten PangandaranDani Setiawan
 
Celery의 빛과 그림자
Celery의 빛과 그림자Celery의 빛과 그림자
Celery의 빛과 그림자Minyoung Jeong
 
Thriller trailer conventions
Thriller trailer conventionsThriller trailer conventions
Thriller trailer conventionshaverstockmedia
 
Action and Enigma codes – Roland Barthes
Action and Enigma codes – Roland BarthesAction and Enigma codes – Roland Barthes
Action and Enigma codes – Roland BarthesWillow Catlin
 
Barthes Narrative Codes
Barthes Narrative CodesBarthes Narrative Codes
Barthes Narrative CodesEllie Grocock
 

Viewers also liked (20)

How to Test the New Fashioned Way
How to Test the New Fashioned WayHow to Test the New Fashioned Way
How to Test the New Fashioned Way
 
KRISHNAVENI_GURRAM_CV
KRISHNAVENI_GURRAM_CVKRISHNAVENI_GURRAM_CV
KRISHNAVENI_GURRAM_CV
 
серпнева презентація 25.08.2016 поправлено
серпнева презентація 25.08.2016 поправленосерпнева презентація 25.08.2016 поправлено
серпнева презентація 25.08.2016 поправлено
 
The rogues
The roguesThe rogues
The rogues
 
Edit decision list
Edit decision listEdit decision list
Edit decision list
 
Lap. diklatpim IV 2015 Kab. Pangandaran
Lap. diklatpim IV 2015 Kab. PangandaranLap. diklatpim IV 2015 Kab. Pangandaran
Lap. diklatpim IV 2015 Kab. Pangandaran
 
Designing for Culture Change
Designing for Culture ChangeDesigning for Culture Change
Designing for Culture Change
 
FaceControllMovie
FaceControllMovieFaceControllMovie
FaceControllMovie
 
10만 라인, 26280시간의 이야기
10만 라인, 26280시간의 이야기10만 라인, 26280시간의 이야기
10만 라인, 26280시간의 이야기
 
Enigma code
Enigma codeEnigma code
Enigma code
 
Action and enigma code analysis
Action and enigma code analysisAction and enigma code analysis
Action and enigma code analysis
 
Narrative codes
Narrative codesNarrative codes
Narrative codes
 
Action and Enigma codes
Action and Enigma codesAction and Enigma codes
Action and Enigma codes
 
Enigma codes lesson
Enigma codes lessonEnigma codes lesson
Enigma codes lesson
 
Surat Edaran Pakain Dinas di Lingkungan Pemerintah Kabupaten Pangandaran
Surat Edaran Pakain Dinas di Lingkungan Pemerintah Kabupaten PangandaranSurat Edaran Pakain Dinas di Lingkungan Pemerintah Kabupaten Pangandaran
Surat Edaran Pakain Dinas di Lingkungan Pemerintah Kabupaten Pangandaran
 
Celery의 빛과 그림자
Celery의 빛과 그림자Celery의 빛과 그림자
Celery의 빛과 그림자
 
Thriller trailer conventions
Thriller trailer conventionsThriller trailer conventions
Thriller trailer conventions
 
Action and Enigma codes – Roland Barthes
Action and Enigma codes – Roland BarthesAction and Enigma codes – Roland Barthes
Action and Enigma codes – Roland Barthes
 
Narrative Theory
Narrative TheoryNarrative Theory
Narrative Theory
 
Barthes Narrative Codes
Barthes Narrative CodesBarthes Narrative Codes
Barthes Narrative Codes
 

Similar to Codal analysis film trailers 3

Presentation for mrs.flyn
Presentation for mrs.flynPresentation for mrs.flyn
Presentation for mrs.flynatipping
 
Structure types
Structure typesStructure types
Structure typeswisdoms
 
Conventions of genre film trailer credited by Camie
Conventions of genre film trailer credited by Camie Conventions of genre film trailer credited by Camie
Conventions of genre film trailer credited by Camie reidyluc
 
Teaser trailer analysis
Teaser trailer analysis Teaser trailer analysis
Teaser trailer analysis tommckay_
 
Dark knight trailer
Dark knight trailerDark knight trailer
Dark knight trailergroyley
 
Film types and Possible Genres
Film types and Possible GenresFilm types and Possible Genres
Film types and Possible Genresalicesoph96
 
Film trailer analysis
Film trailer analysisFilm trailer analysis
Film trailer analysisflamingdodo
 
Scream 1996 Trailer - Detailed Description
Scream 1996 Trailer - Detailed DescriptionScream 1996 Trailer - Detailed Description
Scream 1996 Trailer - Detailed Descriptionphilippaenglish
 
Similar products
Similar productsSimilar products
Similar productskieran1424
 
The dark knight trailer analysis
The dark knight trailer analysisThe dark knight trailer analysis
The dark knight trailer analysisrishikaaaaaaaa
 
Analysing film trailers- The November Man
Analysing film trailers- The November ManAnalysing film trailers- The November Man
Analysing film trailers- The November Man8060media
 
Evaluation of my a2 media studies coursework
Evaluation of my a2 media studies courseworkEvaluation of my a2 media studies coursework
Evaluation of my a2 media studies courseworkA2MediaIpswich
 
Genre conventions film
Genre conventions filmGenre conventions film
Genre conventions filmshamima93
 

Similar to Codal analysis film trailers 3 (20)

Codal analysis
Codal analysisCodal analysis
Codal analysis
 
Codal Analysis
Codal AnalysisCodal Analysis
Codal Analysis
 
Ben
BenBen
Ben
 
Presentation for mrs.flyn
Presentation for mrs.flynPresentation for mrs.flyn
Presentation for mrs.flyn
 
Structure types
Structure typesStructure types
Structure types
 
Conventions of genre film trailer credited by Camie
Conventions of genre film trailer credited by Camie Conventions of genre film trailer credited by Camie
Conventions of genre film trailer credited by Camie
 
Teaser trailer analysis
Teaser trailer analysis Teaser trailer analysis
Teaser trailer analysis
 
Dark knight trailer
Dark knight trailerDark knight trailer
Dark knight trailer
 
Film types and Possible Genres
Film types and Possible GenresFilm types and Possible Genres
Film types and Possible Genres
 
Trailer analysis
Trailer analysisTrailer analysis
Trailer analysis
 
Suicide squad
Suicide squadSuicide squad
Suicide squad
 
Film trailer analysis
Film trailer analysisFilm trailer analysis
Film trailer analysis
 
Scream 1996 Trailer - Detailed Description
Scream 1996 Trailer - Detailed DescriptionScream 1996 Trailer - Detailed Description
Scream 1996 Trailer - Detailed Description
 
Similar products
Similar productsSimilar products
Similar products
 
question 1b
question 1bquestion 1b
question 1b
 
The dark knight trailer analysis
The dark knight trailer analysisThe dark knight trailer analysis
The dark knight trailer analysis
 
Legend analysis
Legend analysisLegend analysis
Legend analysis
 
Analysing film trailers- The November Man
Analysing film trailers- The November ManAnalysing film trailers- The November Man
Analysing film trailers- The November Man
 
Evaluation of my a2 media studies coursework
Evaluation of my a2 media studies courseworkEvaluation of my a2 media studies coursework
Evaluation of my a2 media studies coursework
 
Genre conventions film
Genre conventions filmGenre conventions film
Genre conventions film
 

More from NathanR10

Evaluation 1
Evaluation 1Evaluation 1
Evaluation 1NathanR10
 
Youth culture
Youth cultureYouth culture
Youth cultureNathanR10
 
Textual analysis
Textual analysisTextual analysis
Textual analysisNathanR10
 
Detailed research
Detailed researchDetailed research
Detailed researchNathanR10
 
Film trailer questionnaire
Film trailer questionnaireFilm trailer questionnaire
Film trailer questionnaireNathanR10
 
Electronic portfolio unit 2
Electronic portfolio unit 2Electronic portfolio unit 2
Electronic portfolio unit 2NathanR10
 
Evaluation 1 Edit
Evaluation 1 EditEvaluation 1 Edit
Evaluation 1 EditNathanR10
 
Evaluation 1 Edit
Evaluation 1 EditEvaluation 1 Edit
Evaluation 1 EditNathanR10
 
Electronic portfolio unit 2
Electronic portfolio unit 2Electronic portfolio unit 2
Electronic portfolio unit 2NathanR10
 
Evaluation 7
Evaluation 7Evaluation 7
Evaluation 7NathanR10
 
Evaluation 1
Evaluation 1Evaluation 1
Evaluation 1NathanR10
 
Evaluation 3
Evaluation 3Evaluation 3
Evaluation 3NathanR10
 
Distribution
DistributionDistribution
DistributionNathanR10
 
My top twenty photos
My top twenty photosMy top twenty photos
My top twenty photosNathanR10
 
My top forty images
My top forty imagesMy top forty images
My top forty imagesNathanR10
 
My top forty
My top forty My top forty
My top forty NathanR10
 
My top forty
My top forty My top forty
My top forty NathanR10
 

More from NathanR10 (20)

J top forty
J top fortyJ top forty
J top forty
 
Evaluation 1
Evaluation 1Evaluation 1
Evaluation 1
 
Top forty
Top fortyTop forty
Top forty
 
Treatment
TreatmentTreatment
Treatment
 
Youth culture
Youth cultureYouth culture
Youth culture
 
Textual analysis
Textual analysisTextual analysis
Textual analysis
 
Detailed research
Detailed researchDetailed research
Detailed research
 
Film trailer questionnaire
Film trailer questionnaireFilm trailer questionnaire
Film trailer questionnaire
 
Electronic portfolio unit 2
Electronic portfolio unit 2Electronic portfolio unit 2
Electronic portfolio unit 2
 
Evaluation 1 Edit
Evaluation 1 EditEvaluation 1 Edit
Evaluation 1 Edit
 
Evaluation 1 Edit
Evaluation 1 EditEvaluation 1 Edit
Evaluation 1 Edit
 
Electronic portfolio unit 2
Electronic portfolio unit 2Electronic portfolio unit 2
Electronic portfolio unit 2
 
Evaluation 7
Evaluation 7Evaluation 7
Evaluation 7
 
Evaluation 1
Evaluation 1Evaluation 1
Evaluation 1
 
Evaluation 3
Evaluation 3Evaluation 3
Evaluation 3
 
Distribution
DistributionDistribution
Distribution
 
My top twenty photos
My top twenty photosMy top twenty photos
My top twenty photos
 
My top forty images
My top forty imagesMy top forty images
My top forty images
 
My top forty
My top forty My top forty
My top forty
 
My top forty
My top forty My top forty
My top forty
 

Recently uploaded

Call Girl Service in Karachi +923081633338 Karachi Call Girls
Call Girl Service in Karachi +923081633338 Karachi Call GirlsCall Girl Service in Karachi +923081633338 Karachi Call Girls
Call Girl Service in Karachi +923081633338 Karachi Call GirlsAyesha Khan
 
Retail Store Scavanger Hunt - Foundation College Park
Retail Store Scavanger Hunt - Foundation College ParkRetail Store Scavanger Hunt - Foundation College Park
Retail Store Scavanger Hunt - Foundation College Parkjosebenzaquen
 
Laxmi Nagar Call Girls : ☎ 8527673949, Low rate Call Girls
Laxmi Nagar Call Girls : ☎ 8527673949, Low rate Call GirlsLaxmi Nagar Call Girls : ☎ 8527673949, Low rate Call Girls
Laxmi Nagar Call Girls : ☎ 8527673949, Low rate Call Girlsashishs7044
 
Olivia Cox. intertextual references.pptx
Olivia Cox. intertextual references.pptxOlivia Cox. intertextual references.pptx
Olivia Cox. intertextual references.pptxLauraFagan6
 
FULL ENJOY - 9953040155 Call Girls in Uttam Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Uttam Nagar | DelhiFULL ENJOY - 9953040155 Call Girls in Uttam Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Uttam Nagar | DelhiMalviyaNagarCallGirl
 
Akola Call Girls #9907093804 Contact Number Escorts Service Akola
Akola Call Girls #9907093804 Contact Number Escorts Service AkolaAkola Call Girls #9907093804 Contact Number Escorts Service Akola
Akola Call Girls #9907093804 Contact Number Escorts Service Akolasrsj9000
 
FULL ENJOY - 9953040155 Call Girls in Gtb Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Gtb Nagar | DelhiFULL ENJOY - 9953040155 Call Girls in Gtb Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Gtb Nagar | DelhiMalviyaNagarCallGirl
 
FULL ENJOY - 9953040155 Call Girls in Dwarka Mor | Delhi
FULL ENJOY - 9953040155 Call Girls in Dwarka Mor | DelhiFULL ENJOY - 9953040155 Call Girls in Dwarka Mor | Delhi
FULL ENJOY - 9953040155 Call Girls in Dwarka Mor | DelhiMalviyaNagarCallGirl
 
Alex and Chloe by Daniel Johnson Storyboard
Alex and Chloe by Daniel Johnson StoryboardAlex and Chloe by Daniel Johnson Storyboard
Alex and Chloe by Daniel Johnson Storyboardthephillipta
 
Downtown Call Girls O5O91O128O Pakistani Call Girls in Downtown
Downtown Call Girls O5O91O128O Pakistani Call Girls in DowntownDowntown Call Girls O5O91O128O Pakistani Call Girls in Downtown
Downtown Call Girls O5O91O128O Pakistani Call Girls in Downtowndajasot375
 
Mandi House Call Girls : ☎ 8527673949, Low rate Call Girls
Mandi House Call Girls : ☎ 8527673949, Low rate Call GirlsMandi House Call Girls : ☎ 8527673949, Low rate Call Girls
Mandi House Call Girls : ☎ 8527673949, Low rate Call Girlsashishs7044
 
SHIVNA SAHITYIKI APRIL JUNE 2024 Magazine
SHIVNA SAHITYIKI APRIL JUNE 2024 MagazineSHIVNA SAHITYIKI APRIL JUNE 2024 Magazine
SHIVNA SAHITYIKI APRIL JUNE 2024 MagazineShivna Prakashan
 
Call Girls in Islamabad | 03274100048 | Call Girl Service
Call Girls in Islamabad | 03274100048 | Call Girl ServiceCall Girls in Islamabad | 03274100048 | Call Girl Service
Call Girls in Islamabad | 03274100048 | Call Girl ServiceAyesha Khan
 
Greater Noida Call Girls : ☎ 8527673949, Low rate Call Girls
Greater Noida Call Girls : ☎ 8527673949, Low rate Call GirlsGreater Noida Call Girls : ☎ 8527673949, Low rate Call Girls
Greater Noida Call Girls : ☎ 8527673949, Low rate Call Girlsashishs7044
 
Low Rate Call Girls in Laxmi Nagar Delhi Call 9990771857
Low Rate Call Girls in Laxmi Nagar Delhi Call 9990771857Low Rate Call Girls in Laxmi Nagar Delhi Call 9990771857
Low Rate Call Girls in Laxmi Nagar Delhi Call 9990771857delhimodel235
 
FULL ENJOY - 9953040155 Call Girls in Moti Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Moti Nagar | DelhiFULL ENJOY - 9953040155 Call Girls in Moti Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Moti Nagar | DelhiMalviyaNagarCallGirl
 
Russian⚡ Call Girls In Sector 104 Noida✨8375860717⚡Escorts Service
Russian⚡ Call Girls In Sector 104 Noida✨8375860717⚡Escorts ServiceRussian⚡ Call Girls In Sector 104 Noida✨8375860717⚡Escorts Service
Russian⚡ Call Girls In Sector 104 Noida✨8375860717⚡Escorts Servicedoor45step
 
Hazratganj ] (Call Girls) in Lucknow - 450+ Call Girl Cash Payment 🧄 89231135...
Hazratganj ] (Call Girls) in Lucknow - 450+ Call Girl Cash Payment 🧄 89231135...Hazratganj ] (Call Girls) in Lucknow - 450+ Call Girl Cash Payment 🧄 89231135...
Hazratganj ] (Call Girls) in Lucknow - 450+ Call Girl Cash Payment 🧄 89231135...akbard9823
 
Delhi Room Call Girls : ☎ 8527673949, Low rate Call girl service
Delhi Room Call Girls : ☎ 8527673949, Low rate Call girl serviceDelhi Room Call Girls : ☎ 8527673949, Low rate Call girl service
Delhi Room Call Girls : ☎ 8527673949, Low rate Call girl serviceashishs7044
 
Zagor VČ OP 055 - Oluja nad Haitijem.pdf
Zagor VČ OP 055 - Oluja nad Haitijem.pdfZagor VČ OP 055 - Oluja nad Haitijem.pdf
Zagor VČ OP 055 - Oluja nad Haitijem.pdfStripovizijacom
 

Recently uploaded (20)

Call Girl Service in Karachi +923081633338 Karachi Call Girls
Call Girl Service in Karachi +923081633338 Karachi Call GirlsCall Girl Service in Karachi +923081633338 Karachi Call Girls
Call Girl Service in Karachi +923081633338 Karachi Call Girls
 
Retail Store Scavanger Hunt - Foundation College Park
Retail Store Scavanger Hunt - Foundation College ParkRetail Store Scavanger Hunt - Foundation College Park
Retail Store Scavanger Hunt - Foundation College Park
 
Laxmi Nagar Call Girls : ☎ 8527673949, Low rate Call Girls
Laxmi Nagar Call Girls : ☎ 8527673949, Low rate Call GirlsLaxmi Nagar Call Girls : ☎ 8527673949, Low rate Call Girls
Laxmi Nagar Call Girls : ☎ 8527673949, Low rate Call Girls
 
Olivia Cox. intertextual references.pptx
Olivia Cox. intertextual references.pptxOlivia Cox. intertextual references.pptx
Olivia Cox. intertextual references.pptx
 
FULL ENJOY - 9953040155 Call Girls in Uttam Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Uttam Nagar | DelhiFULL ENJOY - 9953040155 Call Girls in Uttam Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Uttam Nagar | Delhi
 
Akola Call Girls #9907093804 Contact Number Escorts Service Akola
Akola Call Girls #9907093804 Contact Number Escorts Service AkolaAkola Call Girls #9907093804 Contact Number Escorts Service Akola
Akola Call Girls #9907093804 Contact Number Escorts Service Akola
 
FULL ENJOY - 9953040155 Call Girls in Gtb Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Gtb Nagar | DelhiFULL ENJOY - 9953040155 Call Girls in Gtb Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Gtb Nagar | Delhi
 
FULL ENJOY - 9953040155 Call Girls in Dwarka Mor | Delhi
FULL ENJOY - 9953040155 Call Girls in Dwarka Mor | DelhiFULL ENJOY - 9953040155 Call Girls in Dwarka Mor | Delhi
FULL ENJOY - 9953040155 Call Girls in Dwarka Mor | Delhi
 
Alex and Chloe by Daniel Johnson Storyboard
Alex and Chloe by Daniel Johnson StoryboardAlex and Chloe by Daniel Johnson Storyboard
Alex and Chloe by Daniel Johnson Storyboard
 
Downtown Call Girls O5O91O128O Pakistani Call Girls in Downtown
Downtown Call Girls O5O91O128O Pakistani Call Girls in DowntownDowntown Call Girls O5O91O128O Pakistani Call Girls in Downtown
Downtown Call Girls O5O91O128O Pakistani Call Girls in Downtown
 
Mandi House Call Girls : ☎ 8527673949, Low rate Call Girls
Mandi House Call Girls : ☎ 8527673949, Low rate Call GirlsMandi House Call Girls : ☎ 8527673949, Low rate Call Girls
Mandi House Call Girls : ☎ 8527673949, Low rate Call Girls
 
SHIVNA SAHITYIKI APRIL JUNE 2024 Magazine
SHIVNA SAHITYIKI APRIL JUNE 2024 MagazineSHIVNA SAHITYIKI APRIL JUNE 2024 Magazine
SHIVNA SAHITYIKI APRIL JUNE 2024 Magazine
 
Call Girls in Islamabad | 03274100048 | Call Girl Service
Call Girls in Islamabad | 03274100048 | Call Girl ServiceCall Girls in Islamabad | 03274100048 | Call Girl Service
Call Girls in Islamabad | 03274100048 | Call Girl Service
 
Greater Noida Call Girls : ☎ 8527673949, Low rate Call Girls
Greater Noida Call Girls : ☎ 8527673949, Low rate Call GirlsGreater Noida Call Girls : ☎ 8527673949, Low rate Call Girls
Greater Noida Call Girls : ☎ 8527673949, Low rate Call Girls
 
Low Rate Call Girls in Laxmi Nagar Delhi Call 9990771857
Low Rate Call Girls in Laxmi Nagar Delhi Call 9990771857Low Rate Call Girls in Laxmi Nagar Delhi Call 9990771857
Low Rate Call Girls in Laxmi Nagar Delhi Call 9990771857
 
FULL ENJOY - 9953040155 Call Girls in Moti Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Moti Nagar | DelhiFULL ENJOY - 9953040155 Call Girls in Moti Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Moti Nagar | Delhi
 
Russian⚡ Call Girls In Sector 104 Noida✨8375860717⚡Escorts Service
Russian⚡ Call Girls In Sector 104 Noida✨8375860717⚡Escorts ServiceRussian⚡ Call Girls In Sector 104 Noida✨8375860717⚡Escorts Service
Russian⚡ Call Girls In Sector 104 Noida✨8375860717⚡Escorts Service
 
Hazratganj ] (Call Girls) in Lucknow - 450+ Call Girl Cash Payment 🧄 89231135...
Hazratganj ] (Call Girls) in Lucknow - 450+ Call Girl Cash Payment 🧄 89231135...Hazratganj ] (Call Girls) in Lucknow - 450+ Call Girl Cash Payment 🧄 89231135...
Hazratganj ] (Call Girls) in Lucknow - 450+ Call Girl Cash Payment 🧄 89231135...
 
Delhi Room Call Girls : ☎ 8527673949, Low rate Call girl service
Delhi Room Call Girls : ☎ 8527673949, Low rate Call girl serviceDelhi Room Call Girls : ☎ 8527673949, Low rate Call girl service
Delhi Room Call Girls : ☎ 8527673949, Low rate Call girl service
 
Zagor VČ OP 055 - Oluja nad Haitijem.pdf
Zagor VČ OP 055 - Oluja nad Haitijem.pdfZagor VČ OP 055 - Oluja nad Haitijem.pdf
Zagor VČ OP 055 - Oluja nad Haitijem.pdf
 

Codal analysis film trailers 3

  • 2. Visual Codes • The visual style of the trailer is very dark in order to match the tone of the film. They often cut to a black screen in order to build tension within the trailer. The colour pallet of the film is a cool blue shade, this enhances shadows and creates a more serious/mysterious feeling to the trailer. There are plenty of explosions and moments of action that fall into the crime/action genre. We are presented with a typical story of good vs. evil, the villain is portrayed as a total parallel to the hero. The props include guns, rocket launchers, fast cars and knives. All of these are common with the genre. The costumes do differ in some places as this is a superhero film. The good characters can be seen wearing police uniforms and the hero can be seen wearing armor, like a typical hero would. The villain wears darkly coloured clothing, complete with scars and war paint on his face to give him a terrifying look. The villain has a slouched posture while the hero stands tall upon buildings. This good vs evil is common throughout the genre however, we often witness it from the perspective of the criminal where in this film, we follow the good characters in pursuit of evil.
  • 3. Audio Code • The score of the film is played throughout the trailer with heavy drum beats and instrumentals that lend itself to creating the dark tone seen in the film. This music also allows for the pace of the trailer to be set in terms of action, as they time hits with the bass notes of the score. This allows for audiences to be immediately engrossed into whatever is going on within the trailer. This driving soundtrack allows dialogue to become more engaging and action to be more astounding.
  • 4. Narrative Code • The trailer opens with our first glimpse of the Joke’s voice as he begins his narration. We see that since the first film, Batman has been changing the state of local crime while sacrificing himself as a person. We get a glimpse at some of the destruction the joker causes. The police provide some information about the villain by stating that they have no idea about who he is or his motivations. This lends itself to the idea that the joker is insane and only wants to cause chaos. We then follow the trail of destruction that the joker causes throughout the film as Batman desperately tries to find him. Themes are explored of how Batman will have to become something that he is not in order to stop the joker.
  • 5. Technical Code • The theme of the shots within the trailer are very kinetic in order to match the pace of the trailer. This is shown a lot through tracking shots with pans or tilts. The shots often go from long or extreme long shots to close up shots, in order to create a jarring effect between the beats of the music. The start of the trailer is slow and uses fades in order to transition between different shots, but as the pace steps up the clips remain short and cut between each other.
  • 6. Enigma Code • The main point of mystery throughout the film centers around the joker. This trailer leaves audiences wondering who is he? What is his grand plan? How will the good characters stop him? Will Batman be forced to murder him? There are also some amazing set pieces which make the audience wonder how they will make their way into the film.
  • 8. Visual Code • The visual style is very in keeping with the time in which the time that each scene is set. Vehicles, fashion and props. As one of the major features of the film is to show three decades of life in the mafia we can see the characters start to change through features such as greying hair. The trailer blends ordinary imagery with moments of extreme action or violence, in order to reflect the spontaneous nature of the film and the way it blends different tones together. There are plenty of guns, explosions, vast amounts of illegal money and scenes of violence. These are all common aspects within the crime genre.
  • 9. Audio Code • The soundtrack featured throughout the trailer shows all music from the time in which the film was set. This allows for the trailer to transition between the decades seamlessly by playing the relevant music. This aspect immediately becomes a story telling device as a result instead of just filler or a means to set the pace. The music does remain smooth and upbeat in order to match the pace of the film. The music is all big band, a genre that is commonly associated with the mafia and crime films.
  • 10. Narrative Code • We are introduced to the main character as a kid. He makes a clear impression that he always aspired to be a gangster. We then are introduced to the family mentality that is associated with the gangsters as well as some of the key characters who will have a great influence on the characters ideas about life. We see some of the violence and action that he is exposed to at an early age as well as the development of some friendships until we are introduced to him at an older age. We see some of the things that he was doing during this second part of the story we are told how he would attempt to steal all of the money that was going through the airport. We can see how some of the characters change over this time period. We can see how his lifestyle has improved and we are also introduced to his wife. We are also given an insight into the power that came from being in the mafia. We then start to see some of the darker sides to the story as murder becomes incorporated into the story.
  • 11. Technical Code • Camera movement is kept constantly in the trailer in order to show the smooth pace of the film, gradually becoming more choppy as tensions rise within the film and action kicks in. The trailer begins using close up shots of the main character in order to show how personal this story is to him and how we will see the story from his perspective. More close ups are used along with a lot of group shots in order to show a lot of the important characters that will play parts in his life.
  • 12. Enigma Code • Those familiar with the story of Henry Hill will be curious to learn more about how he got to where he ended up. It will be interesting to see how the story can develop over three decades of life in the mafia. The main factor to take away from the trailer is how did things go from good to bad, encouraging them to watch the full film to find out.
  • 14. Visual Code • The trailer starts in a very sophisticated way as it presents the praise that the film has had since it’s release. The tone quickly changes as the gritty, face paced nature of the film becomes apparent with gunshots firing through the screen. It’s clear that the film may take place from the 80s-90s judging by the clothes and vehicles being used throughout the trailer. Many tropes of the crime can be seen as there are lots of guns, violence and confrontation.
  • 15. Audio Code • There is a vast and complex soundtrack to this trailer. There are some songs which cut suddenly into others midway through. This shows the audience that there is a nonstop pace to this film and gives the idea of the different stories that may seem out of place to begin with but will eventually intertwine perfectly.
  • 16. Narrative Code • The trailer plants the seeds of stories, containing common tropes within the crime genre, including hitmen, crime bosses, drug users, and rigged fights. This continues more and more throughout the trailer, showing the vast number of branching storylines within the film that flow together. The different aspects of the film’s story are shown through different title cards such as ‘loyalty’. This allows the audience to slightly follow along without giving anything to drastic away.
  • 17. Technical Code • The trailer begins with a very slow and smooth pace in order to give the impression that this is a critically acclaimed art film, instead the trailer breaks with guns shots, starting a much faster pace for the rest of the trailer. The trailer is very kinetic showing the way the film is constantly developing and weaving within storylines. A medium- close up shots are used in order to show each important character that is relevant to the story, not a shot is wasted on support characters.
  • 18. Enigma Code • An instant question that is raised in audience’s heads is relating to the developing storylines. The audience will want to make sense of it all and learn how each one is resolved, and how they could possibly all link together within the same film.