Building Stories in Glass

Portfolio
Wheels
B U I L D I N G I N A G L A S S W O R L D
V3 Some Advancing
Topics, Ark Media
MDIA
Brij Consulting, LLC, Jean A. Marshall
Patron Saint of Media,
St. Clare of Assisi
Storyboard “Eru Finds a Golden Pen”
Contents
V1 Secants in Commercial use
V2 Putting the Three Type of Secants to
Work
V3 Some Advancing Topics
Intro to the Ark and Story Narration

Secant
Utilization
From Wheel to Gate, the Ark is a Bridged System in Plait Glass
8/21/2021 Brij Consulting, LLC, Jean A. Marshall 2

Mu Sic as a Process in Ark Mode
Brij Consulting, LLC, Jean A. Marshall 3
• Mu Sic is the transmutational process that develops the underpinnings, the scrolling, the z-formation, the path and the
written algorithm &/or matrix for a project
• Within the Glass System nothing changes the ARGUMENT that develops the project once it is encrypted with its design
fingerprint and set within the PRODUCTION BOOK
• Within our project we begin to show the relationship between the Sun and the Moon in Ark development
• If the sun is supplying the image, then the moon is its grounded resource for developing that image. And that Instance is
developed by the elements and properties brought into the domain window that allows it to produce
• Thus, the mapping of the arrangement is taking place in the Scrum set for the formation of instances within it
• If you look at Musical scores themselves, they are often bridged, and it is at that bridge that many changeups occur. On a
sheet of music, it is where the repeated lines or the chorus emerge, or the symbols indicate within the score to bridge to the
end, often called the Coda.
• Secant Wheels in the process of our Ark Mode performance, are creating an entire product PORTFOLIO. This includes the
schema, process design, production methods and corresponding thruput and glass media that emerges from the project. The
keys to the secant wheels themselves are what keeps them in perfect UNION with each instance that is developed with them
• So, before we get to the bridge, we have multiple arrangements ready. The two arrangements that we are used to in our
digital process occur next, and these are the prototype and the production book. Sufficiently tested and fully simulated, we are
now ready to engage that process [we will study this in 2022.]
8/21/2021
Poetry of St. Francis of Assisi is responsible for the lyrics to the hymn, “All Creatures of our God and King.” Noticeably, in St. Francis we find the
relationship between Brother Sun and Sister Moon, the key to many benefactors of Holy Religion is the relationship between St. Francis and St. Clare. St.
Clare was led first by Francis of Assisi to the Benedictine order and then called her back to create a rule of Franciscan Sisters called ‘The Poor Clares’.
In art, Clare is often shown carrying a monstrance or pyx, in commemoration of the occasion when she warded away the invading soldiers of Frederick II
at the gates of her convent by displaying the Blessed Sacrament and kneeling in prayer.
Pope Pius XII designated Clare as the patron saint of television in 1958 on the basis that when she was too ill to attend Mass, she had reportedly been
able to see and hear it on the wall of her room.
The Cover of our paper shows a statue of St. Clare on the event of her Feast Day at Mass, holding the monstrance of the Blessed Sacrament. To the right
we show another portrait of St. Clare astride the Benedictine Medal.

Based on our review of an authentic scrum
production we noted that the interior
performance matched our corresponding
metric when we developed the Scrum and
KPI Scorecard for Benchmark and Baseline
comparison of Standards
Likewise, Based on the Central
Limit Theorem and the Load
Statement for Scrum @ Standard,
we apply the right cost basis to the
project @ the carrying cost and
burden rate of equity (varies by
project.)
From “Scrum Costing”
From “Ark in Glass”
8/21/2021
Brij Consulting, LLC, Jean A. Marshall
4
Scrum is the
Project Map
Sample
Calculation
14.1
See Appendix II: Max Scorecard
63

V1 Secants in
Commercial
use
5 Brij Consulting, LLC, Jean A. Marshall
• In V1 we will discuss the construction of secant
wheels for commercial use to develop products and
their portfolios to a longer-range plan for the Ark Mode
of construction. Building in the Ark mode is a matter of
bridging content, so we begin with Dimensional Media
8/21/2021
image sound motion
content bridge
3x

The means to
tell a story,
Dimensional
Media
584. The Sabbath before the Entry into Jerusalem.
The Supper at Bethany.
28th March 1947.
1 Supper has been prepared in the completely white hall where Jesus spoke with the
women disciples. The whole white hall is bright and silvery with a nuance not so snow-
white and cold, cast by bundles of branches of apple or pear-trees, or other fruit-trees,
as white as snow, but with such a light shade of pink that makes one think of snow
lightly touched by the kiss of a remote dawn. They protrude from pot-bellied vases or
from slender silver amphorae, on the shelves, chests and dressers placed along the walls
of the hall. The flowers shed the typical scent of blossoms of fruit-trees through the
hall, the fresh bitterish scent of pure springtime...
Lazarus enters the hall walking beside Jesus. Behind them, in twos or larger groups, the
apostles. Last are Lazarus' two sisters with Maximinus. I do not see the women
disciples. Not even Mary. Perhaps they preferred to remain in Simon's house with the
distressed Mother.
The day is turning to twilight. But the last sunbeams are still shining on the rustling
leaves of some palm-trees in a group a few meters away from the hall, and on the top of
a gigantic laurel on which sparrows are squabbling before going to rest. Beyond the
palm-trees and the laurel, beyond the hedges of roses and jasmines and the beds of lilies
of the valley, of other flowers and sweet-smelling plants, there is a white spot sprayed
with the light green of the early leaves of a group of late pear or apple-trees in the
orchard. It looks like a cloud entangled among the branches.
2 Jesus passing near an amphora full of branches remarks: «They already had the first
little fruits. Look! On the tops there are blossoms, whereas farther down the blossoms
have fallen off and the ovaries are swelling.»
«Mary wanted to pick them. She took bundles of them also to Your Mother. She got up
at dawn, I think, lest another day of sunshine might spoil the delicate corollas. I heard
of this destruction only a short while ago. But I was not so angry about it as the peasant
servants. Nay, I thought that it was just to offer all the beauties of creation to You, the
King of all things.» The Poem of the Man-God 8/21/2021
In order to tell a story, the
embellishment of sight and
sound, motion to engage
thought, feelings or transition
needs to be let out of the
box. Dimensional media has
the potential to open a book
to its fullness and let its
contents breathe a new
springtime of CREATION
sparrows are squabbling
Lazarus enters
sound motion
image
Silvery branches
Preludes to the
Wedding Feast

8/21/2021
Ark Project, initialize in Digital Process
Derive New Media
Choose level of
engineering
Based on
Secant Drivers
Design the Storyboard and determine its placement in the Secant Cycle
Decide how the elements best tell the story
Construct a Task list
Develop a Project Plan
Stage Production of a Dimensional Project
Storyboard
See next
^will encompass many types of development, Stage the Project in terms of its potential construction

8/21/2021
v
See Story on Slide 21

Theory of the Project
Planning
• To devise the storyboard project, the secant planning is at first the use of the
digital model to devise the glass construction that will complete each element. If a
glass construction is required, it is because it is more than a simple image or sound
element but is developing a wheel configured to its use. And then the secants of
that wheel are all geared to producing that dimensional aspect of the much larger
Ark production.
• All parts of the project begin in the Digital Mode of construction because none
of this has been built before and requires a history of salutary making of the product
configuration to derive its full use in bridging the Ark mode delivery of it.
• Thus, it is a long project out of which many stories will be derived and the
Streaming of it will become the most essential characteristics of building in the
remote sense of Ark Modeling in Glass.
• To build around a story is to already have the idea of its bridge. But most
importantly to put the use of the technology into the hands of people who make
the story an invitation to participate in the glory of CREATION itself.
8/21/2021
The Theory that
advances Ark
Media eventually
works into remote
building with a
powerful mix and
utility design

V2 Putting the
Three Types of
Secants to Work
• Using the first three elements of the storyboard we
will use image, sound and motion secants to view
the content as a dimensional media.
8/21/2021

Secant Processes
Brij Consulting, LLC, Jean A. Marshall 8/21/2021 11
Image: Lens/Effects Construction
Sound: Modulation Path/Design
Motion: Motion Path/animation
Content: Correlations
Bridge: Build
image
sound
correlations

8/21/2021
Portal Concept is Opening and Interval in story
Attende Domine
(Hear Us, O Lord)
| Lent Song |
Chant | Catholic
Plainsong |
Sunday 7pm Choir
- YouTube
[fade in mod effect]
Image Switch Image Side to
Side Effect Mod
Image Strats Length
Sound Amplify
Switch
Motion path
Strats Length
correlations
There is an integral path and a motion path, but
the integral defines itself as the sound and image
is defined, but the motion path must be setup
Secant mapping
section slide 14

8/21/2021
Opening Scene
Once there was a boy named Eru who lived in a land of doom and
gloom. "O sorrow is mine, and sadness, can I ever find a new life?"
This thought kept coming to him as he walked towards an
enchanted wood.
On the other side of the same wood was a girl named Allbe, and
she had similar thoughts, except that she was lonely. "If only I had
a boy to tell my happy thoughts to, then I could find how to make
such lovely things become real."
When they came to their respective edge of this lovely place, they
wondered could they dare enter there. So that night they both
slept and dreamt of things they could not describe even to
themselves. And in the morning, they thought, we must discover
their secret and so both entered. [Stone becomes Visible, Shimmer.]
Image Side to
Side Effect Mod
Enoch 48a:2-3 … the Elect One stands before the Lord of spirits; and his glory is for ever and ever; and his power from generation to generation. With him dwells the spirit of
intellectual wisdom, the spirit of instruction and of power, and the spirit of those who sleep in righteousness; he shall judge secret things.
Image Pocket
Mod
Sound-Voice
Narration-Strats Image Transition-Strats

Defining the
Secants
8/21/2021
Mods
Strats
1
2
3
4
5
6
7 8 9 10 11
12
13
14
13
14
13
14
5 1
2
3
4
6
7
8
9
10
11
12
1
2
3
4
5
6
7
8
9
12
11
10
Mods are Effects like vibe
Strats are Lengths like voice
Switches are Utility conditions
i= internal, e= external, fixed positions
Our secant maps are not complete at
this time in order to allow project
definitions to be correlated within them

8/21/2021
Sound Secant Assembly
Analogue to
Digital
Frequency
Modulation
Sound Pocket
Orchestral
Stratification
Lengths of
Sound
Dimension
Amplification
and switching
setups
To be completed with projects
End Goal is Prototype & Production Book
Delivery to Gate as Complete Product
Bridged and Assembled Content
Fully Tested Project Portfolio
Mix
and
Remix
Versioning
A-W-S#-PS#
Staging and Table configuration

Analogue to
Digital
Frequency
Modulation
Image Pocket
Dimensional
Stratification
Lengths of
Image
Dimension
Amplification
and switching
setups
8/21/2021
Light Secant Assembly
Mix
and
Remix
Versioning
A-W-S#-PS#
[Shimmer]

8/21/2021
Motion Secant Assembly
Analogue to
Digital
Frequency
Modulation
Motion
Pocket
Dimensional
Stratification
Lengths of
Motion
Dimension
Amplification
and switching
setups
Mix
and
Remix
Versioning
A-W-S#-PS#
[props appear 4,5,6]

Mix and Remix
Nomenclature
Content Assembly
Building Ark Standards
8/21/2021
V3 Some
Advancing
Topics
Dimensional Media
in Ark Mode Design
Nuances of the
Mix/Remix, Number
Naming Secants,
Digital Content
Assembly and Maxed
Scorecard means new
approach to Standards
Specific Questions: 1. when
do we need additional
wheels? 2. what does
pointing/pairing of secants
accomplish? 3. what does
serialization accomplish?
Also, Specific Questions

Mix and Remix
What about Mix and Remix affects our work now?
8/21/2021
image sound motion
content bridge
When we make the glass model for the
project, we should do it in short interval scenes.
The reason is that it is necessary to mix and
remix and if we move our markers we would
have to mix and remix the whole project.
We have our storyboard marked in intervals of
four, and so each model must walk across the
same glass table.
Considering that this is the only stage area for
awhile, we should use the glass model to
encapsulate the whole scene, and we can
place a scene within a scene using image
pockets and replicating the last model for
consistency.
It will take considerable practice to obtain a
smooth-running process in any case. It will
take a longer time to make dialogue more
natural and music flowing with the right
context of sound. Finally, we will bridge the
story with a competent version, but only as a
prototype.

Nomenclature
How do we Number-Name our Secants?
8/21/2021
Numbering secants so that we can use multiple
combinations of them causes us to consider that
we may also need sub-wheels to contend with
many multiples that require pairings.
A-W-S#-PS#
Using two sub-
wheels we can
point analog to
digital pairings
Ark-Sound-Secant-
Point Secant includes
sub-wheel
A-SW1-S131313-DW111
We need to thread the Sound Wheel in
Ark Mode to the Digital Wheel 1st Secant
Sound
Design
Converted to
secant
partitions
A-SW1-S131313-SWam13
The Secant position carrying the circuit
partitions are on a sub-wheel and paired.

Content Assembly
Content Assembly includes the crosswalk for each
8/21/2021
image sound motion
content bridge
When each level of engineering is
fully and competently arranged
the mere submission of a sketch
can result in a prop assembly. But
this is only because the full property
mix of the object is not necessary
for a media display.
Later in full ark mode such objects
can be constructed.
This will only be accomplished
once the media design is well
understood and both prototyping
and production books are
complete. Notice the pipe which
is again a major streaming
consideration in glass media.
pipe

Building Ark Standards
The standards are built from the bottom up where everything is confected and put into the mix.
But the Economic Change and Shifts in capability are demonstrated in the reporting of the
Industry. Conversion from one industry to the next will take place possibly in our work in 2022.
8/21/2021
image sound motion
content bridge
object carriage
wave building bridge
Conversion
Secant
Utilization

Additional Questions
What does it mean to our project that we have exceeded the Scorecard
standards, through the Digital Process? When do we serialize the secants?
8/21/2021
Standards are only applicable within the relevant range, and we have now
exceeded that relevant range by moving into the Ark mode. Standards will
have to be gleaned from devising the load statement and determining the
outcome on the project and made specifically to point to the work at
hand.
The first serialized secant occurred in the Digital Plait for the sake of making
specific markers for the Glass House Technology.
In order to make economic ownership of the process relative to the
Intellectual Property, serialized secants help to ensure the credibility of the
documentation used for both the Prototype and the Production Book.
Monks of Norcia - Donations –
EN - Monastero di San Benedetto in Monte
(nursia.org)

8/21/2021
A beautiful path opened for each one and the first
thing they came upon was a kind of small shining
stone.
"Oh, what is this?" Allbe thought of it as a pendant
and wished to wear it around her neck and so it
came to be a pendant to her, and she immediately
felt quite happy. Eru thought of his stone as a
wonderful ring and so it became so for him, and so
elated he could hardly quit admiring it.
It came to both of their minds that they should write
this story and so they asked the trees to make pencils
for them. A beautiful box of pencils arrived and
paper to go with them. And they were sitting in the
lovely wood dreaming, but still far apart.
Shining
Stone
Scene2
A-LW1-S152-L5-shimmer
Intimate
props until
acquired
A-SW-S46,2-voice echo
A-MW-S4,5,6, props appear

8/21/2021
Brij Consulting, LLC, Jean Marshall 25
Defining the Secant in Digital Plait
DEFINING THE CROSSWALK
NUMBERING THE SECANT
Secants can carry
sound design
characteristics
More to come on this
topic
144
800 Branch
Maximized Scorecard
See Slide 4

8/21/2021
Secant Info
Secants as
trace markers
can be
serialized
x1000
From Ark In Glass

8/21/2021
Intro to the Ark Mode
Jesus+ purportedly told the visionary Maria Valtorta an important fact: On the day Light came
into being and the world began with it, the Mind that does not err decided once and for all
what is Good and what is Evil. Human strength, that slight human strength, cannot budge and
undermine that eternal code written by God's finger on untouchable pages that are not of this
earth…
•The Mu Sic that we write should flow with God's finger
•And then all that we do, our thoughts and our desires, flow with the Plan and our role in it
Within the pages of the Mystical City, God explains to Mother Mary of Agreda that God wishes
to share all things with mankind. But conformity to the Plan of God is dependent on our free
will offering to be placed in compliance with Him, a full and complete Union, a bond of Love+
and Light.
• God has often said that there is no distinction between our work, our homelife or our
worship, as there is no separation for Him
• The power that God wields He uses for good, and He demands the same from us, thus the
Ark that God gave to Israel was used for both worship and work, as well as to receive
direction about important life lessons.
Read our story
about “Eru finds a
Golden Pen,” next

Once a Boy Named
Eru Found a Golden
Pen... Page 1 28
Once a boy named Eru found a golden pen... By Jean
Once there was a boy named Eru who lived in a land of doom and gloom. "O sorrow is mine, and
sadness, can I ever find a new life?" This thought kept coming to him as he walked towards an
enchanted wood.
On the other side of the same wood was a girl named Allbe, and she had similar thoughts, except
that she was lonely. "If only I had a boy to tell my happy thoughts to, then I could find how to make
such lovely things become real."
When they came to their respective edge of this lovely place, they wondered could they dare enter
there. So that night they both slept and dreamt of things they could not describe even to
themselves. And in the morning, they thought, we must discover their secret and so both entered.
A beautiful path opened for each one and the first thing they came upon was a kind of small
shining stone.
"Oh, what is this?" Allbe thought of it as a pendant and wished to wear it around her neck and so it
came to be a pendant to her, and she immediately felt quite happy. Eru thought of his stone as a
wonderful ring and so it became so for him, and so elated he could hardly quit admiring it.
It came to both of their minds that they should write this story and so they asked the trees to make
pencils for them. A beautiful box of pencils arrived and paper to go with them. And they were sitting
in the lovely wood dreaming, but still far apart.
Allbe thought, I know I will draw for myself a lovely animal, someone to spend my time with. And she
drew for herself a deer, and it was so lovely and beautiful, and it appeared next to her. She loved
the deer and the little doe loved her.
Brij Consulting, LLC, Jean A. Marshall 8/21/2021
Enoch 70:24 Peace shall be
to the righteous; and the
path of integrity shall the
righteous pursue, in the
name of the Lord of spirits,
for ever and ever.

Once a Boy Named Eru
Found a Golden Pen...
Page 2
29
Eru had a similar thought: I shall draw the most beautiful golden lion, and he will be my powerful
friend. And so, the lovely and peaceful lion came and lay at his feet.
They both looked up at that moment for they heard in the wood a beautiful song, and they both
started to walk toward it. The lion and the deer came too, and they brought with them the gift of
the trees.
Just then swirling through the trees came this unusual pilgrim. He had on a magic cloak of some kind
that everywhere he went he made beauty and good things appear. He appeared to them both
separately and asked: child, what is it you wish for?
Allbe repeated her wish for a boy to share her thoughts with, so that they could be complete. And
the lovely wizard smiled. Yes, he said, I know such a boy. When he is ready to share your thoughts, I
will show him to you.
"For now." repeated the wizard, "share my thoughts and you will find true happiness." Then he
departed her.
Eru lamented to the wizard, "all I know is error, and sorrow, and sadness. I want to know the works
that are good. Are there any?" The wizard said: Yes. But you need to share in my good to know what
is truly good. Stay and complete your journey. And so Eru agreed.
Now the woods could not really be all that large, and yet they wandered in it for some time never
meeting. But they came to many of the same places at different times and with a different kind of
thinking.
The lion would often discover these interesting things for Eru. And he thought: the power of the lion is
in his keen instincts for good. And so, a similar thought did occur to Allbe as the little doe would
spring up into the air at the discovery of things like the rock of joy.
Enoch 22:1 From there I
proceeded to another spot,
where I saw on the west a
great and lofty mountain, a
strong rock, and four
delightful places.

Once a Boy Named
Eru Found a Golden
Pen... Page 3 30
hoped for more and went back into the woods again. Both stopping to drink from the lovely brook that flowed past it.
Oneday Eru said: I wish to live here and never depart this place. "Draw a house," the thought had come to him. And so, he
did, and every day he thought of new ways to improve the house and spent hours thinking about that.
Allbe saw her reflection in the shining brook and thought, O my hair is a tangled mess and my dress such a sight. How could I
meet some lovely boy looking like this? "Draw a new you," the thought came to her. And so, she did and spent hours thinking
what a new "her" ought to become.
O but she became so beautiful all the trees thought their leaves rather dismal and so they began to compete for the beauty
of the skies
Eru seeing that beauty was appearing all around him thought surely, he needed some new clothes, and his house even
became as lovely as the trees.
Then oneday near this lovely singing fountain, which both suddenly found; and then they found each other...
"I found you and my joy is complete!" Eru said it first. "You make all that I hope full of more wonder!"
Eru changed his name to Evertrue And so they married as the kind wizard instructed and their names became: Allbe
Evertrue.
And they lived happily ever after.
Oh wait... what about the golden pen?
Oneday the Wizard came by to see what the two were doing in the wood. And they both ran to him with grateful hearts.
You have supplied us with such wonder. How can we repay you for your great kindness to us?
The wizard said: I want you to take this golden pen and together write a story that completes my thoughts.
And then what wonders did appear.
Is that the end of the story or perhaps there is more?
Here is the song they were singing when they entered the woods…
https://www.youtube.com/watch?v=F3KifN7Jfpc
1. Shepherd and sheep, my God and I, to fresh green fields you led my steps in days gone by You gave me rest by quiet springs and filled
my soul with peace your loving presence brings. REFRAIN O shelter me, O shelter me/ The way ahead is dark and difficult to see. O shelter
me, O shelter me/ All will be well if only you will shelter me. 2. Yet now I tread a diff’rent way Death dogs my path with stealthy steps from
day to day I cannot find your peaceful place But dwell in dreary darkness, longing for your face. REFRAIN 3. I will look back in days to
come and realize your faithfulness has led me home Within your house I’ll find my peace trusting that in your mercy you have sheltered
me. REFRAIN (Copyright 2020. The Lyrics for Shelter Me by J. Michael Joncas)
Humble
Beginnings

Come to
the Light of
God’s Face
8/21/2021
He calls a people to Himself
"Hear, O Israel! The LORD is our God, the LORD alone!
Therefore, you shall love the LORD, your God,
with all your heart,
and with all your soul,
and with all your strength.
Take to heart these words which I enjoin on you today.
Drill them into your children.
Speak of them at home and abroad, whether you are busy or at
rest.
Bind them at your wrist as a sign
and let them be as a pendant on your forehead.
Write them on the doorposts of your houses and on your gates."

Our papers 8/21/2021 32
This paper is Portfolio Wheels
Brij Consulting, LLC Jean Marshall
V3 and V4
holds all
contents
1. Ark in Glass: Changing the Schema for Ark Mode crossover, beginning study of Secants
and Wheels for the “cube-ified glass” engineering of Imaging, sound and motion
characteristics.
2. The New Stone: Simulations and Re-instancing to package, confect and view glass media
3. Dimensional Building: Dimensional Arrays, Z strength, Product Media, Interdimensional
Matrices.
4. The Dynamic Instance: Product Media Discussed
5. The Glass Build: Base Build and Modules Assembled, considering impact of dimensional
systems
6. Glass in the Making: Costing and Loading, Assembly and Assimilation, IP Defined, Logos
7. Art of the Science: What can be made? Assimilation discussed, look at basic product
ideas
8. Digital Glass Production: Pipe Transit and RIK Declare, Batch Appliance (Dialogue paper)
9. Imposition of Value Engineering: Establishing and Justifying the Load for Pipe Transit
10. The Digital Plait Position: Engineering Design of the Load and Thruput
11. ^Mu Sic in the Advancing Age: Use of Fingerprint and Encryption for Operational Loads
12. Engineering Objects: The Purpose of this Paper is to Consider the means to raise up a
Digital Portal Production System using appliances gained through Plait Object and Gate
driven configurations that work with Digital Mechanics. Six-Layer Glass and Appliances
13. Instancing at the Gate: Use of Gates and Instances, bridging of the engineering process
14. Interpolative Scope: Use of a Demand and Production Scope for building and delivery of
product, learning to specify material, looking for union of Vector
15. Functional Glass: Fitness for Function and Moral Intelligence, Bayesian Analysis
16. The Glass Wall: This is a very difficult staging of advanced engineering to depict …Motivated
by sound it creates a means by sound to cascade light for safe and wireless power
17. The Glass Wave: Learning to Plait Gates, Reconcile Metrics to Scorecard, and load value of Scrum
18. Scrum Costing w/notes (Book It Daniel): establishing scrum standards (Dialogue paper)
19. Gate Plait Green (Mark It Mark): first scalable plait arrangement overcomes bottleneck
(Dialogue paper)
20. Scorecard Integration (Map It Ralph): A review of mappings to date, marking old vs. new
(Dialogue paper)
^Mu Sic, requires update
To Change
https://www.slideshare.net/Marshallja/presentations

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