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MARIA
SARAIVA
Session Musician
HND2 MUSIC
Graded Unit 2
INTERPRETATION OF
BRIEF
 RELATE CORE UNITS
TO THE ROLE CHOSEN
 GATHER EVIDENCE TO
SUPPORT CHOSEN
ROLE
PLANNING STAGE
 S.W.O.T. ANALYSIS
 METHODS
 TIMESCALES
 QUESTIONS
ACTION PLAN
 LOGBOOKS
 HELPED TO KEEP TRACK,
ORGANISE AND PLAN
AHEAD
 AVAILABE ON PORTFOLIO
DEVELOPMENT STAGE
CORE UNITS:
 SONGWRITING
 MUSIC RESEARCH PROJECT
 FIRST INTRUMENT STUDY
(GUITAR)
 MUSIC THEORY
 INSTRUMENTAL INSTRUCTION
 LIVE PERFORMANCE
 INDEPENDENT STUDIO
PROJECT
GENRES RESEARCH
 SONGWRITING
 MUSIC RESEARCH
PROJECT
FIRST INSTRUMENT
STUDY
MY PEDALBOARD
FENDER
TELECASTER
FENDER
STRATOCASTER
FIRST INSTRUMENT
STUDY
MIND THE GAPS
 LINK
MUSIC THEORY
INSTRUMENTAL
INSTRUCTION
 HOW TO CONDUCT
LESSONS
 LESSON PLANNING
 COMMUNICATION SKILLS
LIVE PERFORMANCE
FREAKY POUCHES: KATIE BARLEY (KEYBOARDS),
EILIDH VAUGHAN (VOCALS), GLEN ALLAN
(DRUMS), DREW BRYSON (BASS), MARIA
SARAIVA (GUITAR). EXAMPLE OF A GUIDE
LIVE PERFORMANCE
VIDEO
 LINK (06:38 – 9:12
THE VOODOO ROOMS
NATASHA’S DEGREE
SHOW
 B(MUS) MUSIC STUDENT
 TO PREPARE A DEGREE SHOW
 REHEARSALS AT CRE:8 ROOMS
 GUIDE CHARTS FOR SONGS
CREATED
ONE GOODBYE IS ENOUGH
 NATASHA’S ORIGINAL SONG
 WORKING WITH SONGWRITERS
 TO BE RECORDED AT COLLEGE
 AUDIO EVIDENCE FROM
REHEARSALS
CALL IT EASY
 MICHAEL WATSON’S SONG
 PRODUCER ROLE
 RECORDED AS EVIDENCE
FOR INDEPENDENT STUDIO
PROJECT
 AUDIO AVAILABLE ON
GIMME A BULLET
 COVER OF AC/DC’S SONG
 HOW TO SET UP
MICROPHONES
 PART OF WORK FOR
INDEPENDENT STUDIO
PAINT IT, BLACK
 THE ROLLING STONES’
COVER
 PART OF RECORDING
TECHNIQUES FOR
MUSICIANS
 AUDIO AVAILABLE ON
ONLINE PROMOTION
 WHY IS IT IMPORTANT FOR
MUSICIANS
 STRATEGIES AND PLATFORMS
 SOME OF THE WORK
AVAILABLE ON MAHARA
MUSIC BUSINESS
 WHY IS IT IMPORTANT FOR
SESSION MUSICIANS
 CV & BIOGRAPHIES
 CONTRACTS & COPYRIGHT
ISSUES
 SOME OF THE WORK
THE END
Thank you.
HND2 MUSIC
Graded Unit 2

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Graded unit presentation - Maria Saraiva