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Music in movement @ IASA 2017
The MIM project aims to showcase the influence of prominent European contemporary classical composers on 20th and 21st-century music through innovative online resources and educational initiatives. It involves collaboration among partners from multiple countries and seeks to enhance the understanding of contemporary music while making it accessible to a broader audience. Key challenges include content sourcing, rights clearance, and the need for expert involvement, but successful outcomes include effective collaboration and the use of new technologies.
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Music in movement @ IASA 2017
- 1. IASA CONFERENCE BERLIN, SEPTEMBER19TH, 2017 LIZZY KOMEN (NISV) & MAJA DRABCZYK (FINA)
- 2. • A BITOF HISTORY • MIM GOALS, BACKGROUND • WEBSITE DEMO • MUSICAL CROSSROADS • EDUCATION • CONCLUSIONS AGENDA
- 3. AIM MUSIC INMOVEMENT PROJECT TO DISSEMINATE THE WORK OF 4 PROMINENT EUROPEAN CONTEMPORARY CLASSICAL COMPOSERS AND DEPICT THEIR INFLUENCE ON THE EUROPEAN MUSICAL LANDSCAPE OF THE 20TH AND 21ST CENTURIES.
- 4. MIM PROJECT PARTNERS •FINA, POLAND • SOUND AND VISION, THE NETHERLANDS • ARVO PÄRT CENTRE, ESTONIA • INA, FRANCE • RYTM INTERACTIVE • FRONTWISE
- 5. A BIT OFHISTORY...
- 6. RE:VIVE, HOOKED (NISV) •HOOKED: A GAME FOR DISCOVERING WHAT MAKES MUSIC CATCHY • RE:VIVE: BRINGING TOGETHER THE WORLDS OF ARCHIVES AND MUSIC TO CHANGE THE WAY PEOPLE HEAR THE PAST
- 7. EUROPEANA SOUNDS • TEXT PROJECT:HTTP://WWW.EUROPEANASOUNDS.EU/ COLLECTION: HTTP://WWW.EUROPEANA.EU/PORTAL/EN/COLLECTIONS/MUSIC ortal/en/colections/music
- 8. GRM: Groupe deRecherches Musicales (INA) • GRM IIS A SOUND EXPERIMENTATION LABORATORY. SINCE 1958, IT HAS BEEN DEVELOPING CREATIVE AND RESEARCH ACTIVITIES IN THE FIELD OF SOUND AND ELECTROACOUSTIC MUSIC. • 13 MEMBERS • THE MUSICAL CREATION AND PRODUCTION ACTIVITIES ARE GROUPED MAINLY AT STUDIO 116 WITHIN THE MAISON DE LA RADIO IN PARIS HTTP://WWW.INAGRM.COM/
- 9. THREE COMPOSERS (FINA) •GOAL: POPULARISATION OF THE WORK OF THREE EMINENT CONTEMPORARY POLISH COMPOSERS: WITOLD LUTOSŁAWSKI, HENRYK MIKOŁAJ GÓRECKI, AND KRZYSZTOF PENDERECKI • ONLINE RESOURCE: LARGEST PUBLICLY AVAILABLE REPOSITORY OF THE WORK OF THESE THREE COMPOSERS (320 MUSIC PIECES) • ENRICHMENT: ALPHABETS, CURATED PLAYLISTS, TIMELINE • APPROACH: HIGHLY-CURATED CONTENT AND PRESENTATION FORM HTTP://NINATEKA.PL/KOLEKCJE/EN/THREE-COMPOSERS ortal/en/colections/music
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- 12. MIM GOALS • TORE-TELL AND HELP TO BETTER UNDERSTAND THE STORIES OF EUROPEAN CONTEMPORARY MUSIC COMPOSERS TO THE XXI CENTURY SOCIETY. • TO CREATE A UNIQUE ONLINE ADDRESS GATHERING WORKS OF EMINENT MUSIC PERSONALITIES, RESEARCHING THEIR CONNECTIONS AND CREATING NEW TEACHING RESOURCES. • TO TIE THE CLASSIC WITH CUTTING-EDGE, INNOVATIVE PRESENTATION TOOLS. • TO COMBINE ONLINE ACTIVITIES WITH REAL-LIFE EXPERIENCE. • TO MATCH HIGHLY-CURATED CONTENT WITH LINKED OPEN DATA. • TO DEMONSTRATE IMPORTANCE OF MUSIC AND SOUND HERITAGE FOR AV ARCHIVES
- 13. MIM GOALS … tomake MiM well-suited to the musically educated user while also meeting the requirements of broader audiences with an interest in culture. MAINSTREAM EXPERTS
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- 23. 1. EUROPEAN CONTEXT 2.COMMON ROOTS 3. STYLES AND TECHNIQUES 4. BEYOND THE WORLD OF CLASSICAL MUSIC 5. PRIVATE LIFE 6. TIMELINE CONTEXTS
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- 30. CHALLENGES • CONTENT SOURCINGVS. STORYTELLING • RIGHTS CLEARANCE (COSTS) • NEED FOR EXPERTS ON COMPOSERS/TOPICS • TRANSLATIONS (FIRST ENGLISH, POSSIBILITY FOR MULTILINGUAL)
- 31. WHAT WORKED WELL •COLLABORATION BETWEEN 4 COUNTRIES AND 2 TECHNOLOGY PARTNERS • EDUCATIONAL ACTIVITIES AND LIVE EVENTS • USING NEW TECHNOLOGIES FOR NEW INSIGHTS • ACCESSIBILITY OF MUSIC (NO NEED FOR TRANSLATION) • DELIVERED MORE THAN PROMISED
- 32. THANK YOU! Lizzy Komen @lizzykomen lkomen@beeldengeluid.nl MajaDrabczyk @majadrabczyk maria.drabczyk@nina.gov.pl WWW.MUSICINMOVEMENT.EU