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First Quarter:
Understanding
the Music of the
20th century.
Teacher Kristel Faith Argonza
Let’s play!
A C T I V I T Y 1
C D E F G A B
WHERE I AM BELONG?
D i r e c t i o n :
• I g r o u p y o u i n t o 4
• L i s t e n c a r e f u l l y t o t h e
m u s i c w h i l e p l a y i n g
• A n a l y z e t h e m u s i c i f i t i s
b e l o n g t o t h e 2 0 t h c e n t u r y
o r 2 1 s t c e n t u r y m u s i c
• C h o o s e 1 r e p r e s e n t a t i v e
p e r g r o u p t o w r i t e t h e
c o r r e c t a n s w e r i n t h e a i r
u s i n g t h e i r b u t t
C D E F G A B
WHERE I AM BELONG?
20th Century
C D E F G A B
WHERE I AM BELONG?
21st Century
C D E F G A B
WHERE I AM BELONG?
20th Century
C D E F G A B
WHERE I AM BELONG?
20th Century
C D E F G A B
WHERE I AM BELONG?
21st Century
The Art Movement in Europe:
Impressionism
Impressionism is a movement in painting that
started in France in the 1860s.
 It is characterized by visual impression of the
moment in terms of the shifting effect of color and
light.
They want to capture images without subtle
details, but through the use of bold colors. Thus,
their paintings can be very bright and vibrant.
What is Impressionism?
 In music, Impressionism is a style of
music that makes use of sound to let
the listener feel the moods that focus
on the structure of music.
Impressionism in music also started
and developed in France in the 19th
century.
Characteristics of
Impressionism in Music
 The rhythm of impressionism music is
irregular in terms of phrases.
 It avoids the traditional harmonic
progression.
 It has unresolved dissonance.
 It uses the whole tone scale, uses the 9th
chord, and also frequently uses modality
and exotic scales.
Dissonance- is the lack of agreement
and consistency in the harmony of
music.
Modality - is derived from the word”
modal” , a general term used with
reference to melodic and harmonic
formations based on the church
modes, as opposed to those based on
the major and minor modes(tonality).
Notable
20th
century
composers
Maurice Ravel
(1875-1937)
 Joseph-Maurice Ravel
was born at 10:00 pm
on March 7, 1875 to
Marie Delourat and
Joseph Ravel in the
town of Cibource,
France.
 He was baptized in
a catholic ceremony
in the local parish
church of Saint
Vincent.
Maurice Ravel
(1875-1937)
In his 7th birthday,
Maurice took his
first piano lesson.
 On June 2, 1889, he
performed an excerpt
from Moscheles's Third
Concerto, and it was
his first public
performance.
Maurice Ravel
(1875-1937)
 In the piano competition held
on July 10, 1890, Maurice
Ravel was awarded 2nd place,
making his initial year at the
Conservatoire rather
successful.
 The following year, Maurice's
performance of Schumann's Sonata
resulted to grand prize in July
of 1891.
 He died on December 28, at the age of
62, in Paris. The famous works of his
lifetime of compositions are Bolero, La
Valse, Ma Mère Loie, and Miroirs.
Claude Debussy
(1862-1918)
 Achilles-Claude
Debussy was born in
France on the 22nd of
August 1862.
 His parents were Manuel-Achille
Debussy and Victorine Manoury.
 . Claude was the favorite among
the siblings and was sent to his
first formal school at the Paris
Conservatoire at the age of 10.
Claude Debussy
(1862-1918)
 The evidence of his success was
in 1874, when he won third place
for solfeggio and a second
certificate of merit in the piano
exam, playing Chopin's F minor
piano concerto.
Debussy's first documented
musical experience dates back
from 1870-1871
Debussy died on the 25th of
March 1918 due to rectal
cancer.
What made Claude
Debussy's work known to
the world are the following
characteristics:
1. According to Rudolph Reti, Debussy established a new
concept in tonality in European music.
2. He used glittering passages and webs of figurations,
which distract from occasional absence of tonality.
3. The use of bitonality, or at least bitonal chords.
4. Use of the whole-tone and pentatonic scales.
Whole-tone is a scale in which each note is separated
from its neighbors by the interval of a whole step;
there are only two complementary whole-tone scales.
5. Unprepared modulations, "without any harmonic
bridge“.
TH
FOR YOUR HOME WORK SEARCH
ATLEAST ONE MUSIC OF MAURICE
RAVEL
AND CLAUDE DEBUSSY THEN MAKE AN
REFLECTION PAPER ABOUT THEIR
WORK.

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MUSIC-2-Q1.pptx understanding the music of the 20th century

  • 1. First Quarter: Understanding the Music of the 20th century. Teacher Kristel Faith Argonza
  • 2. Let’s play! A C T I V I T Y 1 C D E F G A B WHERE I AM BELONG?
  • 3. D i r e c t i o n : • I g r o u p y o u i n t o 4 • L i s t e n c a r e f u l l y t o t h e m u s i c w h i l e p l a y i n g • A n a l y z e t h e m u s i c i f i t i s b e l o n g t o t h e 2 0 t h c e n t u r y o r 2 1 s t c e n t u r y m u s i c • C h o o s e 1 r e p r e s e n t a t i v e p e r g r o u p t o w r i t e t h e c o r r e c t a n s w e r i n t h e a i r u s i n g t h e i r b u t t
  • 4. C D E F G A B WHERE I AM BELONG? 20th Century
  • 5. C D E F G A B WHERE I AM BELONG? 21st Century
  • 6. C D E F G A B WHERE I AM BELONG? 20th Century
  • 7. C D E F G A B WHERE I AM BELONG? 20th Century
  • 8. C D E F G A B WHERE I AM BELONG? 21st Century
  • 9. The Art Movement in Europe: Impressionism Impressionism is a movement in painting that started in France in the 1860s.  It is characterized by visual impression of the moment in terms of the shifting effect of color and light. They want to capture images without subtle details, but through the use of bold colors. Thus, their paintings can be very bright and vibrant.
  • 10. What is Impressionism?  In music, Impressionism is a style of music that makes use of sound to let the listener feel the moods that focus on the structure of music. Impressionism in music also started and developed in France in the 19th century.
  • 12.  The rhythm of impressionism music is irregular in terms of phrases.  It avoids the traditional harmonic progression.  It has unresolved dissonance.  It uses the whole tone scale, uses the 9th chord, and also frequently uses modality and exotic scales.
  • 13. Dissonance- is the lack of agreement and consistency in the harmony of music. Modality - is derived from the word” modal” , a general term used with reference to melodic and harmonic formations based on the church modes, as opposed to those based on the major and minor modes(tonality).
  • 14.
  • 15.
  • 17. Maurice Ravel (1875-1937)  Joseph-Maurice Ravel was born at 10:00 pm on March 7, 1875 to Marie Delourat and Joseph Ravel in the town of Cibource, France.  He was baptized in a catholic ceremony in the local parish church of Saint Vincent.
  • 18. Maurice Ravel (1875-1937) In his 7th birthday, Maurice took his first piano lesson.  On June 2, 1889, he performed an excerpt from Moscheles's Third Concerto, and it was his first public performance.
  • 19. Maurice Ravel (1875-1937)  In the piano competition held on July 10, 1890, Maurice Ravel was awarded 2nd place, making his initial year at the Conservatoire rather successful.  The following year, Maurice's performance of Schumann's Sonata resulted to grand prize in July of 1891.  He died on December 28, at the age of 62, in Paris. The famous works of his lifetime of compositions are Bolero, La Valse, Ma Mère Loie, and Miroirs.
  • 20. Claude Debussy (1862-1918)  Achilles-Claude Debussy was born in France on the 22nd of August 1862.  His parents were Manuel-Achille Debussy and Victorine Manoury.  . Claude was the favorite among the siblings and was sent to his first formal school at the Paris Conservatoire at the age of 10.
  • 21. Claude Debussy (1862-1918)  The evidence of his success was in 1874, when he won third place for solfeggio and a second certificate of merit in the piano exam, playing Chopin's F minor piano concerto. Debussy's first documented musical experience dates back from 1870-1871 Debussy died on the 25th of March 1918 due to rectal cancer.
  • 22. What made Claude Debussy's work known to the world are the following characteristics:
  • 23. 1. According to Rudolph Reti, Debussy established a new concept in tonality in European music. 2. He used glittering passages and webs of figurations, which distract from occasional absence of tonality.
  • 24. 3. The use of bitonality, or at least bitonal chords. 4. Use of the whole-tone and pentatonic scales. Whole-tone is a scale in which each note is separated from its neighbors by the interval of a whole step; there are only two complementary whole-tone scales. 5. Unprepared modulations, "without any harmonic bridge“.
  • 25. TH FOR YOUR HOME WORK SEARCH ATLEAST ONE MUSIC OF MAURICE RAVEL AND CLAUDE DEBUSSY THEN MAKE AN REFLECTION PAPER ABOUT THEIR WORK.

Editor's Notes

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  3. 20
  4. 20
  5. 21