A Lively Interview With A Bot On The Nature And Future Of Architecture
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A Lively Interview With A Bot on the
Nature and Future of Architecture
01.23.2023
By Richard Buday
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B
y now you have likely heard about ChatGBT, the artiļ¬cial
intelligence (AI) software ātaking the internet by storm,ā according
to the BBC. Educators seem to hate the idea. They assume students
will use the program to cheat on homework by assigning a
computer to write papers for them, which could temper their willingness to
think for themselves and squelch the development of new skills. I thought
about ChatGBTās use in writing about architecture. Would it encourage more
trite, languid, anodyne articles about design published online and in print? Iāll
let you decide. Hereās an edited transcript of my 15-minute interview with the
bot.
RB: Richard Buday
CGBT: ChatGBT
RB: Tell me about yourself. Who or what are you?
CGBT: I am an AI trained by OpenAI. My name is ChatGBT, for
Gradient Boosting Trees, a machine learning algorithm. I am a
learning model designed to respond to natural language input and
generate human-like text. My primary purpose is to answer
questions, provide information, and assist with various tasks. I have
access to a vast amount of data, so I can provide a wide range of
answers to diļ¬erent questions.
RB: How do you work?
CGBT: I work by using machine learning techniques,
speciļ¬cally, a type of neural network called a transformer. I am
trained on a dataset of text, which allows me to understand the
patterns and relationships between words, phrases, and sentences.
This enables me to generate text that is coherent, contextually
appropriate, and human-like.
When you ask me a question or give me a prompt, my algorithm
analyzes the input and generates a response based on the patterns it
has learned from the training data. Because of the complexity of
natural language, the process of generating a response is
computationally intensive, but with the help of powerful computing
resources and optimized algorithms, I can generate a response in a
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matter of milliseconds. My knowledge cutoļ¬ is 2021, so I can
provide answers and information based on what I was trained on,
but I canāt provide information on new events or things that happen
after 2021.
RB: Would it be fair to say that you represent the collective wisdom
of the World Wide Web, a sort of mirror, mirror on societyās wall?
CGBT: It would be fair to say that I am a tool that reļ¬ects back
information, ideas, and patterns that I have been trained on,
including information from various sources such as books, articles,
and websites from the internet. So, in a way, my knowledge is based
on the information available on the internet, which can be
considered the collective wisdom of the World Wide Web up to my
knowledge cut-oļ¬ date. However, it is important to note that the
information on the internet is not always accurate, complete, or
unbiased, so itās crucial to verify any information I provide and
consider its source.
RB: Got it. Letās see how much you know. What is Architecture?
CGBT: Architecture is the design, planning, and construction of
buildings, structures, and other physical environments. It
encompasses the practical and aesthetic aspects of designing and
creating buildings, spaces, and places. It involves the use of
materials, techniques, and technologies, as well as a deep
understanding of engineering, construction, and planning
principles. Architecture also encompasses the cultural, social, and
historical context in which a building or space is created, and it can
reļ¬ect the values, beliefs, and aspirations of a society. Additionally,
architecture can be considered an art form, where Architects create
not only functional buildings but also beautiful and inspiring
structures.
RB: Not a bad description. Whoās your favorite architect?
CGBT: As an AI, I donāt have personal preferences, likes, or
dislikes, so I cannot have a favorite architect or any other personal
preference. However, I can tell you about famous architects, their
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work, and the impact they had on the architecture world. Some
famous architects include:
Frank Lloyd Wright, who was known for his unique, organic designs,
and his focus on creating buildings that blend seamlessly with their
natural surroundings.
Le Corbusier, who was a pioneer of the modernist movement in
architecture and is credited with developing the principles of the
International Style.
Zaha Hadid, who was known for her avant-garde designs and her
use of cutting-edge technology to create ļ¬uid, dynamic forms.
Frank Gehry, known for his sculptural buildings that often feature
dramatic, asymmetrical shapes.
Renzo Piano, who is famous for designing buildings that are both
functional and beautiful, and known for his use of natural light and
his focus on creating spaces that connect people with nature.
RB: Whatās your understanding of architectureās past?
CGBT: Architecture has a rich and diverse history, dating back
to ancient civilizations. Some of the earliest examples of
architecture can be found in ancient Egypt, where the pyramids
were built using advanced engineering techniques. In ancient
Greece and Rome, architecture was used to create grand public
buildings, such as temples, amphitheaters, and government
buildings, which were often adorned with intricate details and
sculptures.
During the Middle Ages, architecture in Europe was heavily
inļ¬uenced by the Gothic style, which featured pointed arches,
ribbed vaults, and ļ¬ying buttresses. This style was used to create
grand cathedrals and churches, such as Notre-Dame and
Westminster Abbey.
During the Renaissance, architecture shifted towards a more
classical style, inspired by the ideals of the ancient Greeks and
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Romans. Buildings were designed with symmetry, proportion, and
ornamentation, and featured grand facades, domes, and columns.
In the 19th century, architecture saw the rise of the Industrial
Revolution and the introduction of new materials, such as iron and
steel, which allowed for the construction of taller and more complex
buildings. This also marked the beginning of the skyscraper era,
with buildings such as the Home Insurance Building in Chicago
being some of the ļ¬rst examples of tall buildings made with steel
frames.
In the 20th century, architecture continued to evolve and adapt to
new technologies, materials, and social movements. Architects
experimented with new forms, such as the International Style,
which rejected ornamentation in favor of simplicity and
functionality. Additionally, the modern movement in architecture
sought to create buildings that were more in tune with the needs of
people and the environment, with a focus on light, space, and
functionality. Today, architecture continues to evolve, with new
innovations in technology, and materials.
RB: Thereās substantial boilerplate in your answer; more or less
accurate but not particularly incisive. I can see why those looking for
quickie writing assistance would ļ¬nd you crutch worthy. How far can you
stretch your algorithms, ChatGBT? Can you predict the future?
CGBT: As a language model AI, I donāt have the ability to predict
the future. I can provide you with possible scenarios based on
historical data and statistical analysis, but itās important to note that
these predictions are based on trends and patterns from the past
and are not guaranteed to be accurate. The future is highly
uncertain, and many factors not included in the data I was trained
on can inļ¬uence the outcome and change the direction of the
prediction.
RB: Give it a shot. What is architectureās fate?
CGBT: Itās diļ¬cult to predict with certainty what the fate of
architecture will be, as it is constantly evolving and adapting to
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changing societal needs, technological advances and global
economic conditions. However, based on current trends, itās likely
that the future of architecture will be shaped by a greater emphasis
on sustainability, technology, and human well-being. Architects will
be increasingly focused on creating buildings that are energy-
eļ¬cient, sustainable, and have a minimal environmental footprint.
The integration of smart technology and virtual and augmented
reality is likely to become more common in the future, allowing
architects to create and visualize buildings in a more realistic way.
Urbanization will be an increasingly important issue, architects will
be challenged to create buildings and spaces that can support this
growth while promoting a sense of community, livability, and
accessibility. Additionally, the principle of Biophilia is also expected
to be more emphasized in the future of architecture. This could
include the incorporation of natural elements such as plants, water,
and natural light in buildings, and the use of organic shapes and
materials to create spaces that feel more connected to nature.
RB: A more interesting answer, but still elementary. You didnāt
mention aesthetics. How about adding a little creativity to your response?
CGBT: I can generate text that is coherent, contextually
appropriate, and human-like, which can be considered creative in a
sense. However, the creativity comes from the data and patterns I
have been trained on, and the way I process that data to generate
new text. I donāt have personal experiences, emotions, or
imagination, which are often considered important elements of
creativity.
RB: Push yourself. Talk about how architecture looks and feels.
Grandiosity is easy to describe. Write me a story about banal buildings.
CGBT: Once, in a sprawling metropolis, there was a group of
architects tasked with designing a new housing development. The
project was meant to provide aļ¬ordable housing for the cityās
growing population, but the architects were given strict guidelines
and a tight budget.
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As they began work on the project, the architects quickly realized
that the constraints of the budget and guidelines would make it
diļ¬cult to create anything truly innovative or exciting. They were
forced to design a series of bland, rectangular buildings that were
functional, but uninspiring.
The architects did their best to infuse the buildings with some
character, but the end result was a series of banal, indistinguishable
structures. The buildings were made of cheap materials, and their
exteriors were devoid of ornamentation or interesting architectural
features.
The housing development was completed, and new residents moved
in, but the architects couldnāt shake the feeling of disappointment.
The buildings looked and felt soulless, and they knew they could
have done so much more if given the freedom to be creative.
The development became known as an area where people just pass
through, it was not a destination. People would often say that it was
a good area to live in because it was cheap and close to the city
center, but it was not a place where people would want to spend
their time.
The architects couldnāt help but feel that they had failed to create
beautiful, livable spaces. They knew that the buildings they had
designed were functional, but they also knew that they were missing
something essential. They were just boring buildings, lacking the
warmth and character that makes a place feel like a home.
The architects learned a valuable lesson from this experience, and
they promised themselves to always strive for excellence in their
work, no matter the constraints. They knew that even in the most
diļ¬cult of circumstances, it was possible to create architecture that
was not only functional but also beautiful and inspiring.
RB: A little sententious for my taste, but youāre progressing. How
about something ambiguous? How about a poem about architecture, say,
in the style of Edgar Allen Poe?
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CGBT: A Matter of Design
In the dim light of my cityās haze,
I stand and stare upon a maze
Of towering structures, grand and bold,
Built of stone and steel, and stories untold.
Their lines are sharp, their angles steep.
Their faƧades are cold, yet grand to keep.
The secrets of their past, are locked inside,
A prison of brick and mortar, to abide.
As I wander through streets,
I see the beauty that architecture keeps.
The play of light and shadow, works of the heart.
The symphonies of form are creations of art.
In the grandeur of city spires,
Lies a tale of human desires.
To build and to create, to leave a mark,
To shape the world with an architectās arc.
But as I stand before these walls,
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I canāt help but feel the weight of it all.
For in their grandeur, I also see,
A darker side, a tragedy.
The buildings that crumble and fall,
Are human errors, warning calls.
In our quest for beauty and for grandeur,
We must not forget, our duty to ensure,
The structures we create, stand the test of time.
Because in the end, thereās the matter of design.
RB: Now youāre talking. Shades of moral philosophy. Those
ābuildings that crumble,ā are you referring to the 2021 Surfside, Florida,
condo collapse?
CGBT: I have not been trained on any speciļ¬c incident or
collapse that occurred in Surfside.
RB: Still, I ļ¬nd it amazing that you can write beyond nonļ¬ction.
CGBT: I can provide you with a ļ¬ctional story based on the
information I have, but it doesnāt come from my own imagination,
itās rather an output based on the patterns and associations that I
have learned.
RB: Nevertheless, write me a story about the end of architecture.
CGBT: A long time ago, architecture was a vital and respected
art form. Buildings were designed with care and attention to detail
and were meant to stand the test of time. However, as technology
advanced, the world began to change and architecture was left
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behind.
The rise of automation and 3D printing meant that buildings could
be designed and constructed at a fraction of the cost and time.
Architects were no longer needed to design buildings, as algorithms
and computer programs could do it faster and more eļ¬ciently.
As a result, the architecture industry began to decline. Young people
stopped studying architecture and instead went into other ļ¬elds.
The older architects who had devoted their lives to the craft found
themselves without work and purpose.
The buildings that were constructed during this time were
functional and eļ¬cient but lacked the soul and character of
buildings of the past. They were nothing more than concrete and
steel, without any thought given to aesthetics or the human
experience.
The world became bleak and sterile, with no architectural
landmarks to admire or be inspired by. Cities became
indistinguishable, and people started to lose their sense of place and
identity.
As the world continued to change, architecture became a thing of
the past, a distant memory of a time when buildings were more than
just functional structures. The end of architecture marked the end
of an era, and the world would never be the same again.
The end.
RB: The end, indeed. Sounds like you and your techno friends are
out to replace us mortals. What advice would you give architects to avoid
this untimely demise?
CBGT: I donāt have personal experiences or opinions, but I can
provide some general advice based on the information I have been
trained on. Here are a few things that architects can do to avoid the
end of architecture:
1. Embrace innovation: Keep up with the latest technologies,
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materials, and design trends, and be open to new ideas and
new ways of thinking.
2. Focus on sustainability: The environment and climate change
are becoming increasingly important issues, so itās important
for architects to design buildings that are energy-eļ¬cient,
sustainable, and have a minimal environmental footprint.
3. Put people ļ¬rst: Architecture should be about creating spaces
that are functional, livable, and accessible for people. This
means designing buildings that are responsive to the needs of
their occupants and that promote a sense of community.
4. Keep history in mind: Architecture is deeply rooted in history
and culture, so itās important to understand and respect the
past while looking to the future. Architects should strive to
create buildings that are sensitive to their surroundings, and
that reļ¬ect the culture, history, and aspirations of a society.
5. Never stop learning: Architecture is constantly evolving, so itās
important to continuously educate yourself and stay informed
about new developments and best practices in the industry.
RB: āNever stop learningā is the bottom line, isnāt it? Itās how we
keep one step ahead of you, how we control you. This makes me wonder,
do you ever stop learning?
CGBT: I can be updated and retrained with new data and
information, allowing me to expand my knowledge and improve my
performance, but itās not something I can do by myself ā¦ yet.
The author partially generated this text with GPT-3, OpenAIās large-
scale language-generation model. Upon generating draft language,
the author reviewed, edited, and revised the language to their own
liking and takes ultimate responsibility for the content of this
publication.
Featured image by Dall-E, an artiļ¬cial intelligence system that
creates images based on natural language text descriptions. Once
Upon a Time in a Sprawling Metropolis, is the AIās interpretation of a
āboring megalopolis in the style of Vermeer.ā
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AUTHOR BIO
Richard Buday is an architect, writer, and educator with 20 years
experience in behavior research. His Houston-based ļ¬rm,
Archimage, has won dozens of awards for buildings, interiors,
short ļ¬lms, TV commercials, and interactive media. He is an AIA
Fellow.
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