2. Why 360?
The most powerful way to share Underwater World
without getting wet
VR-Pro VR-YL3 array
3. My path
• Certified to SCUBA dive 1990
• Documenting shipwrecks - changes over time
• Sharing underwater world with non-divers
• Environmental filmmaking 2004
• In 2014 it became clear that 360 was perfect medium to capture
underwater storm drains
• 360 video returns sense of transparency to environmental
storytelling and outreach (viewer can look around and come to their
own conclusion)
10. Diver handheld
• Dynamic shot
• Pelagic animals (whales, dolphins, sharks, snorkel, etc..)
• Motion sometimes less comfortable for viewers
• More challenging stitch due to motion/variable distances
• May need stabilization in post with MochaVR
• Be SURE to respect the distance all around, I have tendency
to swim too close to bottom which will impact ease of stitch
25. Choreographed
• Most challenging
• Done right = great results
• Team effort / skilled divers
• Light beam management (use body as flag to prevent lens
flare)
29. Shooting sequence
• modified BBC 5 shot technique to help ensure story from footage
• Wide (establishing)
• Close focus wide angle subject
• Close focus wide angle diver
• Over the shoulder of diver
• Unusual shot
• Interview (many underwater stories benefit from topside footage)
VR-Pro VR-YL3 array
31. Trends
• Housings for existing unibody design cameras
• Stereo 180
• Larger sensor camera arrays
• 10 X SONY UMC S3CA
• 3 and 4 Sony A7s2 and Panasonic GH5 array with
Entanyia 200/250