This document provides an overview of a film analysis session on Stanley Kubrick's A Clockwork Orange. It discusses various micro-elements of film construction that can be used to elicit emotional responses from audiences, such as camerawork, character alignment, narrative, sound, mise-en-scene, and editing. Students are tasked with watching clips to analyze how these elements are used and link it to film theories. Several relevant film theories are then outlined, such as the hypodermic needle model, uses and gratifications, and the impression of reality. Students are divided into groups to discuss how A Clockwork Orange manipulates audience emotion based on these theories.