shooting script

1. UGO- IMPORTANTLITTLE BOY
ShootingScript
Intro- 0.00-0.31 seconds
First Verse- 0.32-0.43 Seconds
Ugo be the triple threat
I'm sendingoutthemtriple threats
Hit youwiththe triplets
Let’sN*ggas bettermindtheirbusiness
Welcome youtoparishyou're here for
a christen
Got your girl inthe cut andshe singing
hymns
AndI don't give a f*ck I'm justlivingkid
At 32 seconds,the artistentersthe locationwhichisSt
Dunstan’sandwe use Long shot inorderto establish
the artist andhis location.
At the nextrow of the lyricswe switchto a low angle
longshotto show the artist powerand dominance.
Shootingindaytime to show the location.
The lyricsmentionwelcometothe parishsowe have
the artist stoodinthe locationwhichisan abandoned
cathedral andwe have the artist placedinthe centre of
the shot witha low angle,longshot.
Thenwhenthe stanzacomes toan endthe artistraps
intothe camera usinga mid-shotwiththe use of a
cantedangle.

2. UGO- IMPORTANTLITTLE BOY
ShootingScript
0.44-0.55 seconds
I'm justdoingwhatI do , do whatI
want
Notthe same as youbegs
Niggatriedto leave me outto dryon a
peg
Ugo readyeatingwhile you're busystill
inbed
I don't wannaheara wordabout
anotherfeature
WhenI pay itback, I'm like damnthisis
dead
0.55-1.03
Have to be cautious,Iget Nauseous
I'm dreamingof Porsches
A highangle of the artist witha mid-shottoshow a
variantbetweenthe twosidesof the Artist.A canted
angle alsoto show that the artistmay be powerand
have somethingangelicabouthim
A Low angle of the Artistto show dominance andpower
and natural lightingisusedtoshow the locationsandits
grittiness.
The use of a low angle extreme close upof the artistto
show hisemotionsandtoshock the audience,shallow
focusalsousedto show that the artist isimportant.
A longshotusingrule of thirdswitha longshotand
cantedangle so thatthere is a relationship betweenthe
artistand the location.

3. UGO- IMPORTANTLITTLE BOY
ShootingScript
I'm important
Enrol in myschool so I put youon
courses
jewel inthe ruff ,wentfromprince to
a pauper
1.05-1.11
Thisis the life thata chose
Don't be a slave tothe road
I'm the one cracking the codes
Showingnewcomerthe ropes
1.12-1.20
I’man importantlittle boy
In charge of country mynewname is
Roy
CHANGE OFLOCATION
Mid-shotof the artist ina gritty locationwithgraffiti to
show the artist urbanside.Inthe daytime withnatural
lighting.
Cantedhighangle usedtoshow the vulnerabilityof the
Artistand a brokenmirroras a way of showinghis
damagedimage.
CHANGE OFLOCATION
Artistpicturedwithalow angle representingthe lyrics
by perceivingthe actionsof climbinguparope.
CHANGE OFLOCATION
A longshotusedto show the artist issmall whichis
referringtothe lyrics“Importantlil Boy.”

4. UGO- IMPORTANTLITTLE BOY
ShootingScript
See me on stage I be jumpingforjoy
I can give youthat workand make sure
you're employed
Pre-Hook- 1.21-1.35
I got the potential
I got the credentials
Theythinkthat I'm mental
But theyknowI'm essential
I got the potential
I got the credentials
Theythinkthat I'm mental
But theyknowI'm essential
Chorus-1.36- 1.51
Since birthI've beenreal important
NowI don't needtogive nowarnings
Since birthI've beenreal important
Nowtheyknowthat the kidsimportant
A mid-shotcantedangle withgraffiti inthe backusedto
create the image that the artist isbeingintimate with
hisaudience.
A Mid shotcantedangle withthe artisthappilysinging
alongto hissong , usinga deepfocustoshow the whole
environmentandlocation
A low angle shotwitha cantedangle withgreeneryand
church placedinthe backgroundto enforce the angelic
meaning.
Extreme Close Upof the artistsingingthe chorusas if he
istryingto communicate withhisaudience alsouse of
shallow focusandlow-keylightingtoenhance hisimage
and hisdominance.

5. UGO- IMPORTANTLITTLE BOY
ShootingScript
I'm an importantlil boyx3
Verse 2
Tell emthat I got it, I ain't eventalking
boutnot got it Narcotics
I'm too busytryna finishall these
projects
Tryna make the visionsturnto a reality
I’mthe one who'sschoolingthe faculty
A mid-shotcantedangle of the artistdancing tothe
base track and lipsyncingthe chorusto the camera. In a
differentlocation.
1.52-2.02
Shotof smashedchurchwindow thentiltstothe ground
to reveal the artistandhis entourage.
2.03-2.11
A mid-shotcantedangle withgraffiti inthe backusedto
create the image that the artist isbeingintimate with
hisaudience.
2.12-2.15

6. UGO- IMPORTANTLITTLE BOY
ShootingScript
But theyall got theirdoubtsinme ...
Little faiththeywon'tevenputan
ounce inme
I go crazy on the stage cause u knowI
am sage
You wouldthinkthisn*ggareally
needssome counselling
AndMesseswere made
But messeswere meanttobe cleaned
by maid
Where'smybucketand spade
I killeditsoI have todig up a grave
A niggaup inspace like myfirstname
isLloyd
Neveronthe ropeslike mybirthname
isfloyd
Im an importantlil boyx3
A highangle of the artist witha mid-shottoshow a
variantbetweenthe twosidesof the Artist.A canted
angle alsoto show that the artistmay disturbedor
powerful.
2.16-2.19
Mediumtrackingshotof the artist performingto
camera while movingaroundthe location.
2.24-2.29
Mediumshotof artistperformingaggressivelytowards
the camera standingwiththe use of a low angle.

7. UGO- IMPORTANTLITTLE BOY
ShootingScript
Chorus
I got the potential
I got the credentials
Theythinkthat I'm mental
But they knowI'm essential
Close upof Ugo’sface withhimrappinginthe camera
withuse of a shallow focus
2.29-2.55