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 CHINA
 JAPAN
 KOREA
East Asian Music (Japan, China, Korea)
 The music of East Asia, particularly Japan, China, and the Korea, are
amongst the oldest artistic traditions in the world. It is generally based on
a pentatonic scale, in which five notes create an octave. Most East Asian
music contain these traits. In this module, you will learn the following: 1.
The prominent features of the vocal and instrumental music of East Asian
Countries (Japan, China and Korea), 2. How its music reflects the different
aspects of East Asian culture through its timbre, rhythm, melody, dynamics
and form /style; and 3. The different cultural and musical practices of
Japan, China and Korea as expressed through their feelings towards each
other, to the environment, their history, and culture.
Japanese Music
 Through this lesson, you will discover the traditional music of
Japan by their vocal (folk songs) and instrumental music.
Japanese vocal music is quite different from the Western vocal
music, and is based on the intervals of human breathing
rather than mathematical timing, and how Japanese musicians
show their spiritual self-mastery in mastering his or her
instrument more than simply perfecting a technique of some
sort and how they give value to their performance and
composure. 6 Vocal Music of Japan The main tone of Japanese
music has two modes
Vocal Music of Japan
 The main tone of Japanese music has two modes:
 The Yo-sen and the In-sen. Both consist of five primary tones
based on a scale with seven tones.
Yosen Mode
In-sen Mode
Sakura – “Cherry Blossoms” is a traditional Japanese folk song
depicting spring, the season of cherry blossoms.
Instrumental Music of Japan Percussion Instruments
(Membranophone)
1. Odaiko (big drums) - The physical energy and sheer excitement of an
Odaiko is an integral part of many Japanese matsuri (festivals).
 2. Tsuzumi (hourglass-shape) - is a hand drum of Japanese origin. It consists of a
wooden body shaped like an hourglass, and it is taut, with two drum heads with
cords that can be squeezed or released to increase or decrease the tension of the
heads respectively.
 String Instruments (Chordophone)
1. Koto - is also called kin, long Japanese board zither having 13 silk strings
and movable bridges. The body of the instrument is made of paulownia
wood and is about 190 cm (74 inches) long.
2. Biwa - is a short-necked fretted lute from Japan. The musical instrument is
often used in narrative story telling. The musical instrument is the chosen
musical instrument of Breten, goddess of music, poetry and education in
Shinto.
 Wind Instrument (Aerophone)
 Shakuhachi - is the most famous flute made of Bamboo. It has 4 or 5 finger
holes on the front face and a thumbhole on the rear face. As with other
instruments above, it was imported from China for Gagaku.
Sho - is a Japanese free reed musical instrument that was introduced from
China during the Nara period. It is descended from the Chinese sheng, of the
Tang Dynasty era, although the shō tends to be smaller in size than its
contemporary sheng relatives.

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Grade 8 East Asian Music.pptx

  • 1.
  • 2.
  • 3.
  • 4.
  • 5.
  • 6.
  • 8. East Asian Music (Japan, China, Korea)  The music of East Asia, particularly Japan, China, and the Korea, are amongst the oldest artistic traditions in the world. It is generally based on a pentatonic scale, in which five notes create an octave. Most East Asian music contain these traits. In this module, you will learn the following: 1. The prominent features of the vocal and instrumental music of East Asian Countries (Japan, China and Korea), 2. How its music reflects the different aspects of East Asian culture through its timbre, rhythm, melody, dynamics and form /style; and 3. The different cultural and musical practices of Japan, China and Korea as expressed through their feelings towards each other, to the environment, their history, and culture.
  • 9. Japanese Music  Through this lesson, you will discover the traditional music of Japan by their vocal (folk songs) and instrumental music. Japanese vocal music is quite different from the Western vocal music, and is based on the intervals of human breathing rather than mathematical timing, and how Japanese musicians show their spiritual self-mastery in mastering his or her instrument more than simply perfecting a technique of some sort and how they give value to their performance and composure. 6 Vocal Music of Japan The main tone of Japanese music has two modes
  • 10. Vocal Music of Japan  The main tone of Japanese music has two modes:  The Yo-sen and the In-sen. Both consist of five primary tones based on a scale with seven tones. Yosen Mode In-sen Mode
  • 11. Sakura – “Cherry Blossoms” is a traditional Japanese folk song depicting spring, the season of cherry blossoms. Instrumental Music of Japan Percussion Instruments (Membranophone) 1. Odaiko (big drums) - The physical energy and sheer excitement of an Odaiko is an integral part of many Japanese matsuri (festivals).
  • 12.  2. Tsuzumi (hourglass-shape) - is a hand drum of Japanese origin. It consists of a wooden body shaped like an hourglass, and it is taut, with two drum heads with cords that can be squeezed or released to increase or decrease the tension of the heads respectively.
  • 13.  String Instruments (Chordophone) 1. Koto - is also called kin, long Japanese board zither having 13 silk strings and movable bridges. The body of the instrument is made of paulownia wood and is about 190 cm (74 inches) long.
  • 14. 2. Biwa - is a short-necked fretted lute from Japan. The musical instrument is often used in narrative story telling. The musical instrument is the chosen musical instrument of Breten, goddess of music, poetry and education in Shinto.
  • 15.  Wind Instrument (Aerophone)  Shakuhachi - is the most famous flute made of Bamboo. It has 4 or 5 finger holes on the front face and a thumbhole on the rear face. As with other instruments above, it was imported from China for Gagaku.
  • 16. Sho - is a Japanese free reed musical instrument that was introduced from China during the Nara period. It is descended from the Chinese sheng, of the Tang Dynasty era, although the shō tends to be smaller in size than its contemporary sheng relatives.