1. A COLLECTION OF FORM DESIGNING
BY HOAI ANH PHAN
PORT
PORT
FOLIO
FOLIO

2. ABOUT ME
I Am Passionate About Acting Creatively
Because I Believe Design Is Both Intrinsically & Instrumentally Good
That Conceptually Means Emotion Is The Point of Departure In Design While Reason Helps
Bringing It To Life.
The Follow “INGs” Are The Tools That I Believe Help Bringing My Design Philosophies To Life:
Listening, Hard Working & Constant Pursuing
Contact
Cell: 0424626258
Social Media Connection
https://au.linkedin.com/in/hoai-anh-phan-andy-88763994
Digial Online Portfolio
http://tdezign1582.wix.com/hoaianhphan

3. CONTENT
THE WORKS INCLUDED IN
THIS PORTFOLIO CENTER ON
FORM DESIGNING
WHICH I BELIEVE TO BE THE
ESSENCE OF ANY DESIGN DISCIPLINE
FURNITURE PROJECT: 2014
A PIECE OF WORK FOR REECE’S BATHROOM COMPETITION
COMMERCIAL BUILDING FACADE REDESIGN PROJECT: 2015
ENTRANCE REDESIGN - HA NOI, VIETNAM
RESIDENTIAL FACADE PROJECT: 2012
ENTRANCE REDESIGN - HA NOI, VIETNAM
RESIDENTIAL PROJECT: 2016
ARCHITECTURAL DESIGN - DA NANG, VIETNAM
MAJOR PROJECT: CONCEPTUAL DESIGN 2013
FASHION RETAIL DESIGN - SYDNEY, AUSTRALIA
PRACTICAL EXPERIENCE
INTERIOR DRAFTING & DESIGN PROJECT: 2016
KITCHEN & BATHROOM RENOVATION, LENDLEASE, SYDNEY

4. FURNITURE PROJECT - BATHROOM VANITY DESIGN
301 587 464 367 282 380
2,380
310811508
1,629
203
50
887 1,493
80
385
359
S/01 S/02
E/01
E/02
100670120
404040
40
10068540225860
1,910
1,050
111299
78580
100267418265860
40518010010080
825225
Ground
1:10
Front
1:10
Side
1:10
The design was inspired by a panoramic
view of a river which brings all sort of life
activities together and creates a harmony
environment for all the livings. This panoramic
view was then turned into a design concept that
represents such view in a flowing form that pulls
together organically all the required
functionalities, forms and technologies.
“Form and Function should be one and join in a spiritual union” Frank Lloyd Wright
Flowing like a river......
The Magnet - Submitter ID: S-14-2030

5. FURNITURE PROJECT - BATHROOM VANITY DESIGN
The vanity is called “The Magnet”. It is designed in a
dynamic flow form that breathes life into dry functions.
It flows smoothly from the toilet to the basin, sets them both in
an equator-like stream which creates an ergonomic
functionality between the two.
The Magnet is created by different forms of triangular
geometries which join together and eventually, everything
is merged into one flow, creating an aesthetically pleasing
design.

6. COMMERCIAL BUILDING - ENTRANCE REDESIGN
EXISTING ENTRANCE VIEW
Growth is never by mere chance; it is the result of forces working together.
James Cash Penney
NATURE AS INSPIRATION
Design Concept
Inspired by the perception in which the union of small trees
would withstand any force. Such perception was articulated
into the concept of growth that functions as muptiple trunks
that grow and cling onto each other lifting up the base
throughout the ground to second floor of the building for a
proud feeling cloaking the form. On the other hand, the
design should not only look good but also feel good.
Objective
The intended approach is to design an entrance that provides a
welcoming atmosphere and form a sturdy base for the
whole building. The design also aims to increase the instrumential
values for the building’s leasing plan for any commercial purpose
in the future.

7. RESIDENTIAL PROJECT: FACADE DESIGN
Hanoi’s Way of Living as Inspiration
Street-Sofa Housing is the term coiled by
Japanese architectural reviewer in reference to the type
of housing in the Ha Noi Old Quarter which has played
a major role in shaping the unique communal culture
of Ha Noi people in this modern day. This was the
inspiration to my conceptual perception of the design

8. RESIDENTIAL PROJECT: FACADE DESIGN
Design Objective
I was asked to solve the “small-area” problem for the design of
the facace for this small block house for a family of four in Ha Noi,
Vietnam. My design approach was set in the context of
“Form follow function.” With the ideas of having
aesthetics as a bonus and bring-theinside-out windows
that also act as doors to external bacolnies.

9. DESIGN AS PROBLEM SOLVING
I was approached and asked to redesign the facade for
this small block housing in Da Nang, Vietnam. As soon
as i identified one of the main problems of the existing
facade was that it faces the West directly, i came up with
the idea of pushing the facade back and creating another
facade for the external.Preliminary SKetch
“Architecture Appears For The First Time When The Sunlight
Hit A Wall. It Did Not Know What It Was Before It Hit A Wall.”
Louis KaHN
RESIDENTIAL PROJECT: FACADE REDESIGN

10. PROJECT STATEMENT:
Making decision on using block bricks to create the
form the external facade for cost effectiveness and Vietnamese
cultural construction. The square pattern was repeatedly used to pro-
vide a consistently look for aesthetics of the design. The external
facade acts as a screen to shield off the melting sunlight coming directly
from the West. Together with the internal facade, it forms a shaft for hot
air circulation keeping the interior of the house coolly perferable.
The Shaft
RESIDENTIAL PROJECT: FACADE REDESIGN
Night View

11. CONCEPTUAL PROJECT: METAMORPHOSIS & ITS DEVELOPMENT
CONCEPTUAL CONTEXT
My first acquaintance with the concept of morphing was in the major
project in the undergraduate of the Bachelor of Interior Design. Ever
since i have been fascinated by the process of changing form
as observed in the metamorphosis phenomena.
Metamorphosis “Look deeper into NATURE, you will understand everything better.”
Einstein
Conceptualization & Rationalization
To my rationalization of the phenonmenon, it can be generalized as
“Explosive moment of emotion in motion” that led me
to verifying the concept by breaking the chicken egg against the floor
to express such perception of the concept. This experiment helps
generating the conceptual sketches for the project.
Egg-Breaking Experiments
Conceptual Sketches

12. FASHION RETAIL STORE: APPLICATION OF MORPHING
PROJECT STATEMENT:
My design approach to solving the
requirements of this Fashion Retail is to ARTICULATE
the Function of Morphing in generalization of
“Form & Function are one and the same”.
This helps generating the forms that satisfy the
functions of this project.
Selected Site: Sydney Convention Center
Conceptual Layout

13. CONCEPTUAL PROJECT: METAMORPHOSIS & ITS DEVELOPMENT
Context
Finishing the Bachelor Degree with a profound interest in the concept of Morphology. I
decided to study further into the concept of change in the Master Degree. With the advise
of my academic supervisor, i researched into the concept of “Yi Jing”; A Chinese
comprehensive concept of change in which the whole Chinese culture rooted. At the end
of my research, i proposed a theory of morphing alternatives in my dissertation, and that
could be conclusively generalized as
“The more it changes,
The more it is the same.”
Yin YangDiagram of System of Change
Concept Proposal
The change in Yin Yang is more complex and more comprehensive.
It is a produce and reproduce process of change.
Generally, its ultimate objective is to find the harmony created
by the dualistic interaction of Yin and Yang.
Conceptual Sketch; “The more it changes the more it is the same”

14. FASHION RETAIL STORE: APPLICATION OF YIN YANG MORPHING
Concept Statement
The project is a redesign of the typology that i did previously in my Bachelor
design. In this design approach, the concept generated the forms out of the
perception of the recurrence of time & space with an aim to achieve
the harmony out of the chaotic motion. The context behind the project’s
requirements is to create a form that attributed to the aesthetics of the existing
height while allowing an unobstructed view throughout the design. The
contrast but union between the solid forms and hollow forms helps creating
a harmony for the whole.

15. TECHNICAL PROBLEM SOLVING OF ORGANIC FORM
S/1
S/2
Tube 10mm
Solid Object
White Obscure Glass Light Fitting - Organic Shape
Counter Suspended Light Plan
1:20
Counter Suspended Light Elevation
1:20 Amendmen
CLIENT
Date
LIGHTI
Tel (02) 995
Fax (02) 99
e-mail rd@r
Issue By
Joinery D
DN027
Refurbi
Sydney
Centre
Darling
Sydney
DRAWI
Drawn by
Checked by
S
D
INTERI
PROJE
D
Anh Phan
8 Orchar
Sydney N
Rice Dau
Level 1/1
North Sy
PROJEC
Lighting I
8 Best St
Sydney N
Tel (02) 920
Fax (02) 92
e-mail bsc@
Art Galle
Mobile 0424
Fax (02) 42
e-mail t.dez
N
A
Light Fitting Section Detail
1:5 Anh Phan
Anh Phan
Self-Tapping Screw

16. PRACTICAL DRAFTING EXPERIENCE: KITCHEN & BATHROOM
GSPublisherEngine 0.98.100.100
600400600500700390
600 1,090 600
3,190
2,290 COS
600400600790700
3,090COS
1
2
3
50 mm
RADIUS
NEW PLASTER
WALL
WO
PA
FR
600 mm D/W
UNDER
BANK OF 2 POT
DRAWERS
4 DRAWERS WITH
CUTLERY CONTAINER
INSTALLED ON THE
TOP DRAWER
10078020600
690 600 300 300 400 300 300
2EQ
300 690 600 300 300 400 600
4 EQUAL DRAWERS WITH PLASTIC CUTLERY
INSTALLED INTO THE TOP DRAWER
SPLASH-BACK RETURN ALL TILING TO WINDOWCABINET HEIGHT TO
MATCH WINDOW HEIGHT
D/W
DWR
PD
PD
10078020
520
3EQ
1,100
1,750
612 400 600 790 688
SPLASH-BACK
CABINET HEIGHT TO
MATCH WINDOW HEIGHT
RETURN ALL TILING TO WINDOW
OV
MW
PA
FR
10078020600
330450
600 1,090 600
350
CABINET HEIGHT TO
MATCH WINDOW HEIGHT
SPLASH-BACK
DW
600
2,390COS
400
600
1
B/C
W/M & DR
C/L
10078020600
600 300 600 800
600 270 630 800
600 x 300 mm
SPLASH-BACK
TILE AS SPECIFIED
CABINET HEIGHT TO
MATCH DOOR HEIGHT
W/M & Dryer
Combo
BC LS
KITCHEN FLOOR PLAN
ELEVATION 01 ELEVATION 03ELEVATION 02
LAUNDRY FLOOR PLAN ELEVATION 01
1:50 @ A3
KITCHEN LEGEND
PA: PANTRY
S: SINK
CT: COOKTOP
DWR: DRAWER
WO: WALL OVEN
FR: FRIDGE
LAUNDRY LEGEND
BC: BROOM CUPBOARD
LS: LAUNDRY SINK
WM & DR: WASHING MACHINE
& DRYER COMBO
LC: LINEN CUPBOARD
NOTE:
KITCHEN/ENTRY/BATHROOM &LAUNDRY 300X300 mm TILE
ALL TILING TO BE CONFIRMED WITH CONTRACTOR & MANAGER
ALL EXISTING AND NEW POWER POINTS, PHONE POINTS, LIGHTING TO
BE DETERMINED PRIOR TO CONSTRUCTION BY SUPERVISOR
DUE TO WALL REMOVAL A STRUCTURAL BEAM MAY BE REQUIRED
ALL DIMENSIONS ARE TAKEN FROM EXISTING DRAWING AND ARE
INDICATIVE ONLY
REVISION NOTE
PROJECT TITLE:
DRAWING TITLE:
REVISION NOTENOTE
stage.disc revisiondwg no.
NORTH POINT:
SCALE:
CHECKED BY:DRAWN BY:CLIENT:
AP MM
A
STAGE 4/5, TYPE 'F'
UNIT No: 59
KITCHEN & LAUNDRY FLOOR PLAN
1. Contractors to verify all dimensions on site before any shop drawings
or work is commenced.
2. Any discrepancies between drawings of differing scales or between
drawings and specification where appropriate to be notified to
superintendent and/or the architects for decision.
3. Figured dimensions to be taken in preference to scaled dimensions.
4. Critical dimensions to be taken from site.
5. This drawing is to be read in conjunction with the specification and
engineers' drawings.
DATE DATEISSUE ISSUEITEM ITEMCHK CHKBY BY
02TD
LENDLEASE RETIREMENT LIVING
ADDRESS:
PARKLAND VILLAS
HUNGERFORD AVE, HALLS HEAD A
27/04/2016A TENDER ISSUE AP MM
L2, 17 federation rd, newtown nsw 2042
mostaghim.com.au
info@mostaghim.com.au
02 9557 2002
a
w
e
p
Mostaghimworkingprogress16026_ParklandMandrahRV_Unit59III.PRODUCTION1.DESIGNA.ARCHICADUnit59.plnPrinted:27/04/2016
This drawing is the copyright of Mostaghim & Associates and may
not be altered, reproduced or transmitted in any form or by any
means, in part or in whole without the prior express written consent
of Mostaghim & Associates.
IF THE ABOVE DIMENSION DOES NOT MEASURE FIFTY MILLIMETERS (50 mm)
EXACTLY, THIS DRAWING WILL HAVE BEEN ENLARGED OR REDUCED, AFFECTING
ALL LABELED SCALES.
50 mm ACTUAL