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Truth or Consequences:
Learn How to Get Great Color without Suffering
Do your customers separate in the gamut you use to print?

Do they consistently separate into one color space?

Do they always know what output will be used?

No, no and no.

Very few customers know what output is going to be when creating a job. Even if they know precisely which
device will be used, the chances of them having the most updated profile data is very low. Accurate press or
printer profiling is only attained with continuous calibration and communication of that information to
creative and pre-media. This is why files that pass even the most stringent preflight criteria go on to have
problems in the pressroom. Press and printer operators then chase the color in multiple, costly runs; or they
use Photoshop to re-render; and still compromise channel integrity.

Despite everyone’s efforts, there are still numerous, random, everyday variables that make it difficult to receive
digital files in the color space of the output device.

In the end, printers have to accept the files and adapt them to their processes. The best solution is a color
server application that does conversions on the fly for whatever output is going to be used.

The already negative situation is compounded when ink optimization solutions are employed. If ink
optimization is determined before, or without, proper color setting; the results will be fair at best, and
disastrous at worst.
In order to fully appreciate the performance of each product, Eli Khoury of Alwan says that its ink
savings performance should be put in perspective with its ability to maintain color, i.e., to have a low ΔE
(or, amount of change).

An average ΔE of 0.5 and a maximum ΔE less than 1 are considered to be very good quality indicators for
a color transformation. Any color difference in this range can probably not be visible by the human Eye.

And while that may be a good start as far as Khoury is concerned, Dave Hunter feels it important to
elaborate further. For what it’s worth, Hunter is an in-demand consultant and speaker who chose Alwan
over other solutions in the category.

He’s passionate on the topic: “If you pull out just one dimension of what these products do – in this case,
saving ink – you’re missing the point.

Saying, that you have to look at ink savings in the context of several variables; Hunter takes Khoury’s
point about seeking lowest color change a step further, saying that color conversion should be a required
component of ink savings.

Khoury agrees and notes that two IPA	
  Ink	
  Optimization	
  product	
  competitors	
  have	
  unbundled	
  color	
  
conversion,	
  and	
  so	
  their	
  systems	
  seem	
  less	
  expensive	
  on	
  the	
  surface.	
  In	
  actuality,	
  having	
  to	
  manage	
  
color	
  outside	
  of	
  the	
  process	
  makes	
  those	
  solutions	
  more	
  expensive.

By redirecting the focus from the single dimensionality of ink savings, to a more holistic optimization
objective, the necessary context for deciding on a good solution becomes clearer.

Hunter is not satisfied until his customers are at least aware of the other factors they should look for,
including
    • Gracol/ISO	
  Conformance/Integration
    • Press	
  control	
  and	
  dot	
  gain	
  compensation
     •    Proactive	
  Plate	
  curve	
  maintenance	
  
     •    Complete	
  ISO/G7	
  Auditing	
  and	
  reporting	
  
     •    Accommodation	
  for	
  Conventional	
  and	
  Digital	
  Presses	
  
	
  
Don’t	
  let	
  your	
  eyes	
  glaze	
  over,	
  Hunter	
  exclaims.	
  “This	
  is	
  not	
  fancy	
  stuff	
  meant	
  for	
  people	
  with	
  bigger	
  
budgets	
  and	
  more	
  resources.	
  These	
  are	
  all	
  crucial	
  to	
  quality	
  and	
  efficiency	
  no	
  matter	
  what	
  the	
  size	
  of	
  
the	
  operation.”	
  	
  

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Get Great Color without Suffering

  • 1. Truth or Consequences: Learn How to Get Great Color without Suffering Do your customers separate in the gamut you use to print? Do they consistently separate into one color space? Do they always know what output will be used? No, no and no. Very few customers know what output is going to be when creating a job. Even if they know precisely which device will be used, the chances of them having the most updated profile data is very low. Accurate press or printer profiling is only attained with continuous calibration and communication of that information to creative and pre-media. This is why files that pass even the most stringent preflight criteria go on to have problems in the pressroom. Press and printer operators then chase the color in multiple, costly runs; or they use Photoshop to re-render; and still compromise channel integrity. Despite everyone’s efforts, there are still numerous, random, everyday variables that make it difficult to receive digital files in the color space of the output device. In the end, printers have to accept the files and adapt them to their processes. The best solution is a color server application that does conversions on the fly for whatever output is going to be used. The already negative situation is compounded when ink optimization solutions are employed. If ink optimization is determined before, or without, proper color setting; the results will be fair at best, and disastrous at worst.
  • 2. In order to fully appreciate the performance of each product, Eli Khoury of Alwan says that its ink savings performance should be put in perspective with its ability to maintain color, i.e., to have a low ΔE (or, amount of change). An average ΔE of 0.5 and a maximum ΔE less than 1 are considered to be very good quality indicators for a color transformation. Any color difference in this range can probably not be visible by the human Eye. And while that may be a good start as far as Khoury is concerned, Dave Hunter feels it important to elaborate further. For what it’s worth, Hunter is an in-demand consultant and speaker who chose Alwan over other solutions in the category. He’s passionate on the topic: “If you pull out just one dimension of what these products do – in this case, saving ink – you’re missing the point. Saying, that you have to look at ink savings in the context of several variables; Hunter takes Khoury’s point about seeking lowest color change a step further, saying that color conversion should be a required component of ink savings. Khoury agrees and notes that two IPA  Ink  Optimization  product  competitors  have  unbundled  color   conversion,  and  so  their  systems  seem  less  expensive  on  the  surface.  In  actuality,  having  to  manage   color  outside  of  the  process  makes  those  solutions  more  expensive. By redirecting the focus from the single dimensionality of ink savings, to a more holistic optimization objective, the necessary context for deciding on a good solution becomes clearer. Hunter is not satisfied until his customers are at least aware of the other factors they should look for, including • Gracol/ISO  Conformance/Integration • Press  control  and  dot  gain  compensation • Proactive  Plate  curve  maintenance   • Complete  ISO/G7  Auditing  and  reporting   • Accommodation  for  Conventional  and  Digital  Presses     Don’t  let  your  eyes  glaze  over,  Hunter  exclaims.  “This  is  not  fancy  stuff  meant  for  people  with  bigger   budgets  and  more  resources.  These  are  all  crucial  to  quality  and  efficiency  no  matter  what  the  size  of   the  operation.”