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Broadcast
Advertising
Positioning Statement
• States how the consumer should
perceive your product/client.
• “Rick’s Gun and Liquor Store is the
most convenient gun and liquor store in
the market.”
Copy Platform
• The theme that runs throughout the
campaign.
• Will appear in all advertising.
• Reflects the positioning statement.
• May be a slogan.
• “Bullets and booze to go.”
Creative Planning
• Spots have to “resonate” with the
consumer.
• To make the consumer understand the
message – the advertiser must
understand the consumer.
• The first few seconds of the spot have
to be powerful. Grab the attention.
• The Hook.
Creative Planning
• Keep it simple.
• One idea per spot.
• It can be price, quality, quality,
convenience, etc.
• But only one.
Commercial formats
• Dramatic
– Short plays
• Exposition – sets the stage
• Conflict – what’s the problem?
• Rising action – complications
• Climax – problem is solved – product is the
hero
• Resolution – repeat the selling points
Creative Planning
• Problem – solution
– Sometimes uses the dramatic element
• Demonstration – TV – show the product
in use
• Interview – some are real – some
scripted
Creative Planning
• Testimonial
– Uses celebrities
– Phrased in the first person.
– “I use the product…”
• Must be bona fide user of the product
• Average person must obtain same results
• “Experts” must be experts
• If organization – consensus must be reached
• Any material consideration must be revealed
Creative Planning
• Spokesperson
– Common character or person in all ads
– Does not claim to use product
– May be real or fictional
• Symbolism
– When the product is difficult or impossible
to visualize or show
Creative Planning
• Direct comparison
– Not before 1970 – used “Brand X”
– Heavily scrutinized
– Difference must be verifiable
– Superiority must be clear
– Reinforces brand loyalty
– Viewed negatively when brand leader uses
comparison against smaller brands
– Consumer may remember wrong product
Creative Planning
• Appeals
– Emotional appeals are stronger than
logical appeals
– Emotional appeals are related to
psychological needs
– Maslow’s hierarchy of needs
Emotional appeals
• Security appeal
– Safety and security
– Medications, vitamins, etc.
– Uses cognitive dissonance
– Threat or fear of bad breath, hair loss, dandruff,
body odor, etc.
• Sex appeal
– Using the product will attract the opposite sex
Emotional appeals
• Love and sentiment
– Associated with a close and happy home life
– Baby products, pet products, foods, cameras,
greeting cards
• Humorous appeal
– Very difficult
– Humor may obscure the message
– If it’s not funny…
Emotional appeals
• Convenience
– Saves time and effort
– Even if two products are equal in quality,
price, etc. – convenience can sell one.
• Curiosity
– Appeals to our desire to explore the
unkown or the unusual
Emotional appeals
• Ego appeal
– Desire for status
– For comfort items, luxury items, big ticket
– Credit cards, luxury cars, designer clothing
• Hero worship
– Uses athletes, celebrities
– You will be like your hero, if you use the
product
Emotional appeals
• Sensory appeals
– Appeal to one of the five senses
Commercial writing
• Keep language simple, concise and
concrete
• Write as you speak
– Use pronouns
– Informal – but not slang
• Simple sentences
• Active voice
• Language that is descriptive
Commercial writing
• Identify the selling points and repeat
them
• Avoid numbers in broadcast copy
– Phone numbers are not easy to recall
unless they form an acronym
– Make numbers understandable
– No a.m. or p.m.
– Give a referent
Commercial writing
• In radio – you are speaking to an
individual
– Radio is a personal medium
– Difficult to reach listeners because of
sweeps.
Commercial writing
• Attention
• Interest
• Desire
• Action
Commercial writing
• Weasel words
– “helps control dandruff with regular use”
– “leaves dishes virtually spotless”
– “the lady has taste”
– “Listerene fights bad breath”
– “you can be sure if it’s Westinghouse”
– “Ford LTD is 700% quieter”

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ad writing.ppt

  • 2. Positioning Statement • States how the consumer should perceive your product/client. • “Rick’s Gun and Liquor Store is the most convenient gun and liquor store in the market.”
  • 3. Copy Platform • The theme that runs throughout the campaign. • Will appear in all advertising. • Reflects the positioning statement. • May be a slogan. • “Bullets and booze to go.”
  • 4. Creative Planning • Spots have to “resonate” with the consumer. • To make the consumer understand the message – the advertiser must understand the consumer. • The first few seconds of the spot have to be powerful. Grab the attention. • The Hook.
  • 5. Creative Planning • Keep it simple. • One idea per spot. • It can be price, quality, quality, convenience, etc. • But only one.
  • 6. Commercial formats • Dramatic – Short plays • Exposition – sets the stage • Conflict – what’s the problem? • Rising action – complications • Climax – problem is solved – product is the hero • Resolution – repeat the selling points
  • 7. Creative Planning • Problem – solution – Sometimes uses the dramatic element • Demonstration – TV – show the product in use • Interview – some are real – some scripted
  • 8. Creative Planning • Testimonial – Uses celebrities – Phrased in the first person. – “I use the product…” • Must be bona fide user of the product • Average person must obtain same results • “Experts” must be experts • If organization – consensus must be reached • Any material consideration must be revealed
  • 9. Creative Planning • Spokesperson – Common character or person in all ads – Does not claim to use product – May be real or fictional • Symbolism – When the product is difficult or impossible to visualize or show
  • 10. Creative Planning • Direct comparison – Not before 1970 – used “Brand X” – Heavily scrutinized – Difference must be verifiable – Superiority must be clear – Reinforces brand loyalty – Viewed negatively when brand leader uses comparison against smaller brands – Consumer may remember wrong product
  • 11. Creative Planning • Appeals – Emotional appeals are stronger than logical appeals – Emotional appeals are related to psychological needs – Maslow’s hierarchy of needs
  • 12.
  • 13. Emotional appeals • Security appeal – Safety and security – Medications, vitamins, etc. – Uses cognitive dissonance – Threat or fear of bad breath, hair loss, dandruff, body odor, etc. • Sex appeal – Using the product will attract the opposite sex
  • 14. Emotional appeals • Love and sentiment – Associated with a close and happy home life – Baby products, pet products, foods, cameras, greeting cards • Humorous appeal – Very difficult – Humor may obscure the message – If it’s not funny…
  • 15. Emotional appeals • Convenience – Saves time and effort – Even if two products are equal in quality, price, etc. – convenience can sell one. • Curiosity – Appeals to our desire to explore the unkown or the unusual
  • 16. Emotional appeals • Ego appeal – Desire for status – For comfort items, luxury items, big ticket – Credit cards, luxury cars, designer clothing • Hero worship – Uses athletes, celebrities – You will be like your hero, if you use the product
  • 17. Emotional appeals • Sensory appeals – Appeal to one of the five senses
  • 18. Commercial writing • Keep language simple, concise and concrete • Write as you speak – Use pronouns – Informal – but not slang • Simple sentences • Active voice • Language that is descriptive
  • 19. Commercial writing • Identify the selling points and repeat them • Avoid numbers in broadcast copy – Phone numbers are not easy to recall unless they form an acronym – Make numbers understandable – No a.m. or p.m. – Give a referent
  • 20. Commercial writing • In radio – you are speaking to an individual – Radio is a personal medium – Difficult to reach listeners because of sweeps.
  • 21. Commercial writing • Attention • Interest • Desire • Action
  • 22. Commercial writing • Weasel words – “helps control dandruff with regular use” – “leaves dishes virtually spotless” – “the lady has taste” – “Listerene fights bad breath” – “you can be sure if it’s Westinghouse” – “Ford LTD is 700% quieter”