The document compares 9 screenshots from a film trailer the author created with 9 screenshots from other films to evaluate how their media product uses, develops, or challenges conventions of real media. The comparisons analyze aspects like lighting, camera angles, settings, and how elements like including names, quotes, and technology were handled. For example, shots of characters interacting were included to show intimacy and safe spaces, while other shots portrayed isolation or arguments to drive the story and engage the target audience. Overall, the analysis suggests the author's trailer conformed to typical conventions but also took creative risks to appeal specifically to teenage viewers.

1. EVALUATION OF MEDIA
PRODUCT
Question 1

2. QUESTION…
In what way does your media product use, develop or
challenge forms and conventions of real media products?
To answer this question I will be comparing nine screenshots from the film trailer Millie and
I made, with a another nine screenshots from a selection of other films. These films will
mainly be from the same genre as our trailer; Social Realism so I can accurately compare
them. I will chose different aspects to compare such as lighting, camera angle, setting and
more.

3. COMPARISON PHOTOS
Here are the two 3x3 grids of the screenshots I will be comparing…

4. COMPARISON 1
Here we have a similar shot of two females seeing each other for the first time. Both
the female with the blue hair, Emma, and our central protagonist, Alice, are moving
in a social area when they catch a glimpse of their potential love interest. One
difference is that Alice is in a car whilst seeing Maggie, the love interest, and Emma
is on foot. This allows for the central protagonist, Adele, to look back and notice the
Emma, unlike our trailer where only Alice sees Maggie. Another difference is that our
central protagonist sees her love interest first, where as Emma, the love interest, sees
the central protagonist first.
Blue is the Warmest Colour
(2013)
Loving You

5. COMPARISON 2
When doing the final touches to our editing Millie and I were undecided whether or not we
wanted to include actors and actresses names. Eventually we decided that we didn’t want
any actors/actresses names shown in the trailer, but pictured above is where we would’ve
added Alice’s. This is because we wanted our trailer to be considered as an upcoming
independent production with actors and actresses the audience may have not heard about,
so thought it unnecessary to include them. This conforms to many others film we looked
into.
Loving YouThe First Girl I Ever Loved
(2016)

6. COMPARISON 3
Loving YouFish Tank (2009)
One main attribute of film trailers is to have quotes from critics. Millie and I designed our
own (on the right) as we liked the professional finish it gave to the trailer. Coincidently, it
has a very similar lay out to the one on the left from Fish Tank, with the solid line
horizontally across. We wanted to have our quote from an independent, low budget
magazine, so we decided to use ‘Indie Magazine’ as it was suitable for our genre and
similar to what I wanted to create in the Ancillary Task.

7. COMPARISON 4
Loving You
Despite these shots not looking similar to the eye, when you look further into what’s
happening in them they become very similar. Both Alice and Hazel are using a form of
technology, which I believe was a key element throughout my trailer. We wanted to use
contemporary technology because we felt it would help attract our specific target audience
of teenager, as technology plays a major role in the life of 21st Century teenagers. The
slight difference in this shot is that Alice, our protagonist, is a victim of cyberbullying.
Where as Hazel, is having a friendly text conversation. Even though cyberbullying is a
horrible subject Millie and I really wanted to include it as we believe that cyberbullying is
the most invasive and current form of bulling, which again our audience could relate to.
The Fault in Our Stars

8. COMPARISON 5
Loving YouCareer Girls (1997)
In both of these shots the central protagonist is laughing with her friend/friends.
The shot from ‘Career Girls’ is in a car, however we chose our shot to be in a home
setting because we wanted to show our central protagonist in a ‘safe’ setting, so
she can show her true character. We also wanted to include this shot as it creates
more of a contrast between the shots where Alice is alone to this one with her
friends, it intensifies the isolation she feels and audience sees.

9. COMPARISON 6
Loving YouBlue is the Warmest Colour
(2013)
In both of these screenshots the central protagonist is looking lovingly at their love
interest, Maggie and Emma. They are both also lying down, Adele on the ground and Alice
on a bed. Millie and I decided to use a bed as it created a more intimate atmosphere
between the two characters and again created the ‘safe place’.

10. COMPARISON 7
Loving YouManchester by the Sea (2016)
This shot of Alice is taken from the argument section of the film trailer, as you an tell from
the slight look of anger and disappointment in her face. This is also reflected in the image
on the left, taken from ‘Manchester by the Sea’, where Lee Chandler is arguing with lawyers
about the custody of his nephew. This shot is in a public place, however we chose to use
the privacy of a living room as we thought this would allow the characters to express their
selves more freely.

11. COMPARISON 8
Loving YouLetters To Juliet (2010)
Both of these shots are over the shoulder shots and show the central protagonist looking
up at their love interest. Due to the protagonist being positioned lower than the love
interest, they appear to be inferior in the relationship. You could say this is true because in
our film Alice, the protagonist, is in love with Maggie who is in a relationship and at this
stage of ‘Letters to Juliet’ the protagonist believes her love interest is with someone else.
However, despite the plot line, both protagonists are looking lovingly towards the second
protagonist which suggests they’re love for the other is strong and could overcome the
barriers each plot has.

12. COMPARISON 9
Loving YouLike Crazy (2011)
In our trailer, Millie and I used some soft focus filters to add to the gentleness and intimacy
of some specifically chosen shots. Here we used it because both our protagonists were
lying in bed, which suggests a level of intimacy. This can also be seen in the screengrab
from ‘Like Crazy’, as both protagonists in an intimate setting and the soft focus therefore
used. Both protagonists also have a physical connection with their love interest which
again suggests another level of intimacy between them.