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Dawn Martin Mobile: 415.601.2552
121 Grove Ave. #2, Corte Madera, CA, 94925 Email: mardawntin@gmail.com
Hi –
Below is a brief list of my past work experience:
• Editorial & Motion Capture Video pipeline - Disney IMD
• Live Action 3D (5 features) – Media Supervisor, Tape operations, workflow into Post
• VFX Post Production, ILM, IMD
• 4 Olympic Games - live and "plausibly live" events
• Video Streaming MCR Manager (signal acquisition & encoding)
• HD (DIT) certification
• High level client interaction
• Over 1,000 satellite & fiber transmissions
• Emmy award / DGA Member
I am known for calmly organizing, and making things run smoothly.
Four Mocap features, and five Live Action 3D features have taught me to pool all the various knowledge I have, in order to
develop end-user friendly, efficient workflow and organizational strategies.
The comprehensive Media Management system I created for live action 3D, is structured for large multicam projects and
saves valuable time going into Post. Beginning with U23D as the HD Tape Op and Manager, my system melded for
Hannah Montana 3D. Then it was requested for Justin Bieber (Never Say Never), Glee Live 3D, and had also become the
“Bible” to Post for Cirque du Soleil 3D. I have ended up translating Live TV style shoots, into Film Post language.
At Disney ImageMovers Digital, I was handed a crazy pile of non-standard, unusual, file based video (media) from the
Mocap stage. I learned about the capture process, and translated the video into necessary media for the first stages of
post, with no company plan or known post capture video requirements. Immediately, I reached out to learn, and construct
an effective pipeline…the Artists could not begin shots without “me”. For the next projects, I went on stage with a plan to
control how the media delivered to post, which proved to be a dynamic improvement for my niche of the pipeline.
Critical parts of that pipeline are now in use at Digital Domain, as they purchased IMDʼs Mocap System. I helped to
update and improve this system with DD, so they are assured of optimized deliverables.
Thank you for your consideration.
Best regards,
Dawn
Dawn Martin Mobile: 415.601.2552
121 Grove Ave. #2, Corte Madera, CA, 94925 Email: mardawntin@gmail.com
Objective: Bringing experience from Features and TV, to handle all types of Technical Operations & workflow.
Skills and History:
Management: Media / Video Operations Manager – Live and post production facilities
Equipment: Leadership, Communication, Process & Work Flow - creation and implementation, Client
Services, Vendor Relations, Reporting, Employee Supervision – support, reviews, discipline,
scheduling, training, documentation, recruiting, conflict resolution, or anything needed.
Technical: Creating Media Pipelines & Workflow: Live & Post Production, 2D, 3D, & Mocap
Equipment: Avid, Nuke, FCP, RV, Shotgun, Qube!, Command Line Tools/FFMPEG transcoding &
automation, AVI QT JPG PNG & QTPro...HD SRW1 & SRW5800, Vicon & Norpix capture
systems, Sony F950, DDRs, Servers, D5, D1, DigiBeta, Digital Routers, Satellite Broadcast
Codecs, MPEG players, CMX, Video Switchers, Patch Bays,
Mac and PC proficient
Also: actual Film editing for dailies w/ sync sound
Award: National Emmy – Outstanding Live Sports Special, Associate Director, NBC Olympics 2002
Employers: 20th Century Fox / Pace / Glee – Media Supervisor, “Glee Live! 3D” digital feature
Digital Domain – Headcam Video TD (mocap) – “Jack the Giant Killer” VFX feature
Pace / James Cameron – Media Supervisor, “Cirque du Soleil 3D” digital feature
Paramount / Pace / Laser Pacific – Media Manager, “Justin Bieber 3D” digital feature
3Ality Digital – Tape Operator, “Luna Sea 3D” Japanese digital feature
Disney IMD – Editorial / Mocap: Created pipeline for non-standard, file based media, to
accommodate deeply varied department requirements. Facial Sync…experiments & fast learning!
Pace / Disney – Tape Supervisor, “Hannah Montana 3D” digital feature / music documentary
Sony Pictures – Sr. Coordinator - Film scanning & DI, Syndication ADR, for cable clients
Idea Asylum / ABC – Tape Operator “ABC affiliate promos” –– 2006 & 2007 seasons
3Ality Digital – Tape Operator, “U23D” – the 1st 3D multicam music documentary / feature
MediaScape – Director of Operations, MCR with 2 employees – Time Warner Center NY
Link TV – MCR consultant to smooth out procedures and client relationship w/ ITN SF
iBEAM Broadcasting – MCR Operations Manager, 10 employees in California & Oklahoma,
created the Scheduling System, and was responsible for Acquisition and Encoding
Industrial Light + Magic – Video Operations Supervisor, Lucas Digital video support:
Highly trusted with technical work, 15 employees, problem solving for any unusual deliverables
NBC & CBS – Olympics AD Barcelona BA Atlanta BA Nagano AD Salt Lake
GGP – Post and Live projects: Tape, Stage Mgr, Floor Director, Camera Assist, PA, Internship
Feature Credits: Star Wars – Phantom Menace, Empire Strikes Back & Return of the Jedi (Special Editions)
Glee Live! 3D Cirque Du Soleil 3D A Christmas Carol Sweet Home Alabama
U23D Mighty Joe Young Men in Black 101 Dalmatians
Union Affiliations: Directors Guild of America & Editors Guild Local 700
Certificate: Digital Imaging Technician - May 2006 Los Angeles
References available upon request

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Dawn Martin TechOpsRes_2016

  • 1. Dawn Martin Mobile: 415.601.2552 121 Grove Ave. #2, Corte Madera, CA, 94925 Email: mardawntin@gmail.com Hi – Below is a brief list of my past work experience: • Editorial & Motion Capture Video pipeline - Disney IMD • Live Action 3D (5 features) – Media Supervisor, Tape operations, workflow into Post • VFX Post Production, ILM, IMD • 4 Olympic Games - live and "plausibly live" events • Video Streaming MCR Manager (signal acquisition & encoding) • HD (DIT) certification • High level client interaction • Over 1,000 satellite & fiber transmissions • Emmy award / DGA Member I am known for calmly organizing, and making things run smoothly. Four Mocap features, and five Live Action 3D features have taught me to pool all the various knowledge I have, in order to develop end-user friendly, efficient workflow and organizational strategies. The comprehensive Media Management system I created for live action 3D, is structured for large multicam projects and saves valuable time going into Post. Beginning with U23D as the HD Tape Op and Manager, my system melded for Hannah Montana 3D. Then it was requested for Justin Bieber (Never Say Never), Glee Live 3D, and had also become the “Bible” to Post for Cirque du Soleil 3D. I have ended up translating Live TV style shoots, into Film Post language. At Disney ImageMovers Digital, I was handed a crazy pile of non-standard, unusual, file based video (media) from the Mocap stage. I learned about the capture process, and translated the video into necessary media for the first stages of post, with no company plan or known post capture video requirements. Immediately, I reached out to learn, and construct an effective pipeline…the Artists could not begin shots without “me”. For the next projects, I went on stage with a plan to control how the media delivered to post, which proved to be a dynamic improvement for my niche of the pipeline. Critical parts of that pipeline are now in use at Digital Domain, as they purchased IMDʼs Mocap System. I helped to update and improve this system with DD, so they are assured of optimized deliverables. Thank you for your consideration. Best regards, Dawn
  • 2. Dawn Martin Mobile: 415.601.2552 121 Grove Ave. #2, Corte Madera, CA, 94925 Email: mardawntin@gmail.com Objective: Bringing experience from Features and TV, to handle all types of Technical Operations & workflow. Skills and History: Management: Media / Video Operations Manager – Live and post production facilities Equipment: Leadership, Communication, Process & Work Flow - creation and implementation, Client Services, Vendor Relations, Reporting, Employee Supervision – support, reviews, discipline, scheduling, training, documentation, recruiting, conflict resolution, or anything needed. Technical: Creating Media Pipelines & Workflow: Live & Post Production, 2D, 3D, & Mocap Equipment: Avid, Nuke, FCP, RV, Shotgun, Qube!, Command Line Tools/FFMPEG transcoding & automation, AVI QT JPG PNG & QTPro...HD SRW1 & SRW5800, Vicon & Norpix capture systems, Sony F950, DDRs, Servers, D5, D1, DigiBeta, Digital Routers, Satellite Broadcast Codecs, MPEG players, CMX, Video Switchers, Patch Bays, Mac and PC proficient Also: actual Film editing for dailies w/ sync sound Award: National Emmy – Outstanding Live Sports Special, Associate Director, NBC Olympics 2002 Employers: 20th Century Fox / Pace / Glee – Media Supervisor, “Glee Live! 3D” digital feature Digital Domain – Headcam Video TD (mocap) – “Jack the Giant Killer” VFX feature Pace / James Cameron – Media Supervisor, “Cirque du Soleil 3D” digital feature Paramount / Pace / Laser Pacific – Media Manager, “Justin Bieber 3D” digital feature 3Ality Digital – Tape Operator, “Luna Sea 3D” Japanese digital feature Disney IMD – Editorial / Mocap: Created pipeline for non-standard, file based media, to accommodate deeply varied department requirements. Facial Sync…experiments & fast learning! Pace / Disney – Tape Supervisor, “Hannah Montana 3D” digital feature / music documentary Sony Pictures – Sr. Coordinator - Film scanning & DI, Syndication ADR, for cable clients Idea Asylum / ABC – Tape Operator “ABC affiliate promos” –– 2006 & 2007 seasons 3Ality Digital – Tape Operator, “U23D” – the 1st 3D multicam music documentary / feature MediaScape – Director of Operations, MCR with 2 employees – Time Warner Center NY Link TV – MCR consultant to smooth out procedures and client relationship w/ ITN SF iBEAM Broadcasting – MCR Operations Manager, 10 employees in California & Oklahoma, created the Scheduling System, and was responsible for Acquisition and Encoding Industrial Light + Magic – Video Operations Supervisor, Lucas Digital video support: Highly trusted with technical work, 15 employees, problem solving for any unusual deliverables NBC & CBS – Olympics AD Barcelona BA Atlanta BA Nagano AD Salt Lake GGP – Post and Live projects: Tape, Stage Mgr, Floor Director, Camera Assist, PA, Internship Feature Credits: Star Wars – Phantom Menace, Empire Strikes Back & Return of the Jedi (Special Editions) Glee Live! 3D Cirque Du Soleil 3D A Christmas Carol Sweet Home Alabama U23D Mighty Joe Young Men in Black 101 Dalmatians Union Affiliations: Directors Guild of America & Editors Guild Local 700 Certificate: Digital Imaging Technician - May 2006 Los Angeles References available upon request