Good Stuff Happens in 1:1 Meetings: Why you need them and how to do them well
Wide Angle PP
1. Rolling
The Photo Essay of the Wide
Angle Youth Media
By:
Danae Bell
Meredith Park
Erin Whittington
Mosunmola Ibrahim
2. The Wide Angle Youth Media headquarters is nestledThe Wide Angle Youth Media headquarters is nestled
in the artsy, bohemian, and eclectic community ofin the artsy, bohemian, and eclectic community of
Charles Village and Remington right next to theCharles Village and Remington right next to the
Charmington Café….Charmington Café….(Wide Angle Ethnography).(Wide Angle Ethnography).
Photo by Danae Bell
3. Within the gated doors beside the entrance of the building is a sharedWithin the gated doors beside the entrance of the building is a shared
outside area by only those who work in this building and the otheroutside area by only those who work in this building and the other
building connected to it. In this shared outer area the youth producersbuilding connected to it. In this shared outer area the youth producers
come to enjoy their lunch and create innovative films. This shared outercome to enjoy their lunch and create innovative films. This shared outer
area has a one of kind set up with unique chairs, a indoor fireplace, andarea has a one of kind set up with unique chairs, a indoor fireplace, and
a field of grass.a field of grass.
Photo by Danae Bell
5. There is artwork andThere is artwork and
murals on the wall.murals on the wall.
There are black andThere are black and
white photographs of thewhite photographs of the
Wide Angle building onWide Angle building on
the wall. Black andthe wall. Black and
White photographs ofWhite photographs of
youth and children inyouth and children in
Africa, I believe Kenya toAfrica, I believe Kenya to
be exact on the wall.be exact on the wall.
Black and whiteBlack and white
photographs of Baltimorephotographs of Baltimore
youth and children onyouth and children on
the wall. Black and whitethe wall. Black and white
photographs of youthphotographs of youth
and children in Latinand children in Latin
America on the wallAmerica on the wall
(Wide Angle(Wide Angle
Ethnography).Ethnography).
Photo by Danae Bell
6. The long hallways lead me to the office where the staff and managementThe long hallways lead me to the office where the staff and management
work. Trophies of the awards the youth producers and Wide Angle Youthwork. Trophies of the awards the youth producers and Wide Angle Youth
Media won are on display. Black and white photographs of the youthMedia won are on display. Black and white photographs of the youth
producers working and filming are on the walls, along with colorful postersproducers working and filming are on the walls, along with colorful posters
of the various festivals and conferences the youth producers attendedof the various festivals and conferences the youth producers attended
were framed and on the wall ( Wide Angle Ethnography).were framed and on the wall ( Wide Angle Ethnography).
Photo by Danae Bell
7. A long woodenA long wooden
staircase leads mestaircase leads me
down stairs to somedown stairs to some
more photographs ofmore photographs of
youth and childrenyouth and children
in Africa on thein Africa on the
walls, some colorwalls, some color
photographs ofphotographs of
children in Northchildren in North
Africa on the walls.Africa on the walls.
There were plentyThere were plenty
of spaciousof spacious
conference roomsconference rooms
downstairs (Widedownstairs (Wide
Angle Ethnography).Angle Ethnography).
Photo by Danae Bell
9. On Monday the youthOn Monday the youth
producers began toproducers began to
seriously work on theseriously work on the
CSX campaign. TheCSX campaign. The
youth producers splityouth producers split
into two teams. Theyinto two teams. They
split into the videosplit into the video
and design team. Theand design team. The
video team workedvideo team worked
with worked onwith worked on
creating ideas for acreating ideas for a
short commercialshort commercial
film.film.
Photo by Danae Bell
10. The design team work on creating ideas forThe design team work on creating ideas for
the poster.the poster.
Photo by Danae Bell
13. To gain inspiration and better understanding of their project, theTo gain inspiration and better understanding of their project, the
youth producers visited the B&O Railroad museum. The museumyouth producers visited the B&O Railroad museum. The museum
consisted of a historical collection of accurate trains replicate andconsisted of a historical collection of accurate trains replicate and
other forms of transportation built from the early 18th century toother forms of transportation built from the early 18th century to
the late 19th centurythe late 19th century The youth producers not only had theThe youth producers not only had the
opportunity to view this collection of trains but also took a ride onopportunity to view this collection of trains but also took a ride on
a historically preserved train.a historically preserved train.
Photo by Danae Bell
19. Both the Design team youth producers and the video teamBoth the Design team youth producers and the video team
youth producers were preparing for Friday's meeting with CSXyouth producers were preparing for Friday's meeting with CSX
and Exit 10 (Wide Angle Ethnography).and Exit 10 (Wide Angle Ethnography).
Photo by Meredith Park
20. The Design team was taking pictures for their posters and editingThe Design team was taking pictures for their posters and editing
their posters based on the feedback they received on Tuesday fromtheir posters based on the feedback they received on Tuesday from
Exit 10, and the video team was editing and fine tuning their videosExit 10, and the video team was editing and fine tuning their videos
in preparation for the meeting with CSX and Exit 10 (Wide Anglein preparation for the meeting with CSX and Exit 10 (Wide Angle
Ethnography).Ethnography).
Photo by Danae Bell
21. For inspiration,For inspiration,
the designthe design
team reviewedteam reviewed
past advertisingpast advertising
posters. In theposters. In the
hopes theyhopes they
would think ofwould think of
new ideas tonew ideas to
improve theirimprove their
current postercurrent poster
ideas.ideas.
Photo by Danae Bell
22. The youth producers are provided with brain food everyday, toThe youth producers are provided with brain food everyday, to
help them produce their best possible ideas.help them produce their best possible ideas.
Photo by Danae Bell
23. On Friday both the design and video teamsOn Friday both the design and video teams
went back to Camden Yards to visit CSX andwent back to Camden Yards to visit CSX and
Exit 10 to pitch the poster ideas and videoExit 10 to pitch the poster ideas and video
ideas…(Wide Angle Ethnography).ideas…(Wide Angle Ethnography).
Photo by Mosunmola Ibrahim
26. We wish theWe wish the
youth producersyouth producers
the best of luckthe best of luck
in their continuein their continue
work on the CSXwork on the CSX
campaign.campaign.
Photo by Danae Bell
27. Special Thanks to:Special Thanks to:
Susan MaloneSusan Malone
Sheila WellsSheila Wells
David SloaneDavid Sloane
Becky SlogarisBecky Slogaris
Photo by Danae Bell
28. Additional Special Thanks to all of the Youth Producers:Additional Special Thanks to all of the Youth Producers:
Da’el Clapperton LeEz SimmonsDa’el Clapperton LeEz Simmons
Danielle Clapperton Ben Loviglio-WolfDanielle Clapperton Ben Loviglio-Wolf
LeRee Simmons Jamia WilliamLeRee Simmons Jamia William
Taqi Juba Jeffrey ObikeTaqi Juba Jeffrey Obike
Joshua White Brandon GallowayJoshua White Brandon Galloway
Tahir Juba Hassan Abu-HakimTahir Juba Hassan Abu-Hakim
Photo by Danae Bell
