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Evaluation
question 2




 In what way does your media product use
develop or challenge forms and conventions
        of existing media products?
We used recognisable characters: The main character is the protaganist and at the
start of the trailer it seems as though he is going to take on the role of a hero as he
takes the lead in helping find the missing girls and the cause of their death however
ends up being the villain, his wife is seen as a secondary character who is loved and
protected by him then found dead this therefore sticks to the traditional stereotype
of women being vulnerable and unable to protect themselves.

We incorporated many different shot types that are typical of the horror genre which
immediately infer something bad is about to happen for example the high angle mid shot of
Cameron walking up the stairs- we can only see his silhouette and his face is covered the rest
of the hallway is dark and shadows are cast upon the wall, as the film is a horror film this is
suggestive of the fact the next shot is going to be something the character did not want to
see/ did not expect to face.

We also took inspiration from other programmes and films we had seen previously, for
example the bath scene in which the protaganist finds his wife Sarah dead in the bathtub was
originally used in the tv programme Dexter, however we made it our own by changing the
angles and misenscene of the scene. We also paid homage to fight club (in the end scene
where we use a shaky hand held camera to film a point of view shot from Cameron and he
says ‘’everyones against me you them us’’ We thought this would be effective as it represents
the narrative from his point of view and allows us to get an insight as to what's going on in his
mind.
Applying Burtons Theory
In our trailer some elements of Burton’s theory can be applied for example the mis en
scene- we chose to use stark lighting and low key lighting a lot in the trailer as they cast
shadows upon much of the set and the actors faces which creates a creepy, eerie
atmosphere and creates suspense and adrenaline within the audience as it keeps them on
the edge of the seat as anything could be lurking in the shadows. In contrast the bench
scene with Cameron and his wife is shot outdoors in daylight which represents his
happiness and shows him when he was in a place without darkness. Therefore the lighting
and locations have helped us achieve the different moods and atmospheres we needed to
create in order to fit the horror genre.

The setting of our film- mainly based in the protagonists house and near the end our
outdoors in an isolated forest are used to suggest the theme of madness and insanity, as
the fact he is secluding himself in his house and the killings take place in the house show
the fact he i doing these things in a private space in which no one can intervene or
discover his true identity. This uses Burton’s theory as he suggests that horror films often
take place in a certain location- isolated, or desolate for example an old house in the
forest, or a woods miles out from the rest of town.
Challenge existing products
• We did not use Mulvey’s male gaze, the trailer isn't reflective of a
  typical horror film that uses girls as eye candy and objects of
  passive desire, the trailer is actually predominantly male
  dominated and we see little female activity, instead of going with
  the traditional slasher horror using all the stock characters we
  decided to go for a more complex, psychologically challenging plot
  that is for people who prefer intellectually challenging horror
  movies.

• We didn't incorporate all the characters listed in Vladimir's Propp
  theory however the story was still fitting of the horror genre and
  had characters that fitted into the genre- the killer has unresolved
  issues and conflicts (only with himself rather then with other
  people) that result in his actions, he ends up hurting people he
  loves- his wife.
Narrative
•   In terms of narrative our trailer fits the horror genre as the plot focuses on a mans involvement
    in the murders of girls in a local town; the protagonist is the good guy who is helping to find out
    more about the murder but is also the false hero (propp’s theory) as he appears to be the one
    who is doing the killings.

•   In order to give the audience a unique insight into the protagonists thoughts/memories and
    flashbacks we used objective character identification in several parts of our trailer. Firstly, when
    he has his flashback of him and his wife sitting in the park, when he is being haunted in the
    woods by his wife and the reversal of footage at the beginning of the trailer to show a warp in
    his mind and to symbolise his process of thoughts- everything is blurred and mixed up.
•   In order to articulate a sense of time as divisible and subject to manipulation we aimed to
    create an anachronic modular narative therefore using flashbacks to the period before the
    murders started when he was ‘happy’ with his wife and with society. For me, much of these
    ideas and inspiration came from the film Memento.

•   The overarching issue/theme that our trailer dealt with was mental health; we focused on the
    effects of someone with mental health (although obviously exaggerated and somewhat
    stereotypical for entertainment purposes) and how it can effect society and the individual
    dealing with it.

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Evaluation question 1

  • 1. Evaluation question 2 In what way does your media product use develop or challenge forms and conventions of existing media products?
  • 2. We used recognisable characters: The main character is the protaganist and at the start of the trailer it seems as though he is going to take on the role of a hero as he takes the lead in helping find the missing girls and the cause of their death however ends up being the villain, his wife is seen as a secondary character who is loved and protected by him then found dead this therefore sticks to the traditional stereotype of women being vulnerable and unable to protect themselves. We incorporated many different shot types that are typical of the horror genre which immediately infer something bad is about to happen for example the high angle mid shot of Cameron walking up the stairs- we can only see his silhouette and his face is covered the rest of the hallway is dark and shadows are cast upon the wall, as the film is a horror film this is suggestive of the fact the next shot is going to be something the character did not want to see/ did not expect to face. We also took inspiration from other programmes and films we had seen previously, for example the bath scene in which the protaganist finds his wife Sarah dead in the bathtub was originally used in the tv programme Dexter, however we made it our own by changing the angles and misenscene of the scene. We also paid homage to fight club (in the end scene where we use a shaky hand held camera to film a point of view shot from Cameron and he says ‘’everyones against me you them us’’ We thought this would be effective as it represents the narrative from his point of view and allows us to get an insight as to what's going on in his mind.
  • 3. Applying Burtons Theory In our trailer some elements of Burton’s theory can be applied for example the mis en scene- we chose to use stark lighting and low key lighting a lot in the trailer as they cast shadows upon much of the set and the actors faces which creates a creepy, eerie atmosphere and creates suspense and adrenaline within the audience as it keeps them on the edge of the seat as anything could be lurking in the shadows. In contrast the bench scene with Cameron and his wife is shot outdoors in daylight which represents his happiness and shows him when he was in a place without darkness. Therefore the lighting and locations have helped us achieve the different moods and atmospheres we needed to create in order to fit the horror genre. The setting of our film- mainly based in the protagonists house and near the end our outdoors in an isolated forest are used to suggest the theme of madness and insanity, as the fact he is secluding himself in his house and the killings take place in the house show the fact he i doing these things in a private space in which no one can intervene or discover his true identity. This uses Burton’s theory as he suggests that horror films often take place in a certain location- isolated, or desolate for example an old house in the forest, or a woods miles out from the rest of town.
  • 4. Challenge existing products • We did not use Mulvey’s male gaze, the trailer isn't reflective of a typical horror film that uses girls as eye candy and objects of passive desire, the trailer is actually predominantly male dominated and we see little female activity, instead of going with the traditional slasher horror using all the stock characters we decided to go for a more complex, psychologically challenging plot that is for people who prefer intellectually challenging horror movies. • We didn't incorporate all the characters listed in Vladimir's Propp theory however the story was still fitting of the horror genre and had characters that fitted into the genre- the killer has unresolved issues and conflicts (only with himself rather then with other people) that result in his actions, he ends up hurting people he loves- his wife.
  • 5. Narrative • In terms of narrative our trailer fits the horror genre as the plot focuses on a mans involvement in the murders of girls in a local town; the protagonist is the good guy who is helping to find out more about the murder but is also the false hero (propp’s theory) as he appears to be the one who is doing the killings. • In order to give the audience a unique insight into the protagonists thoughts/memories and flashbacks we used objective character identification in several parts of our trailer. Firstly, when he has his flashback of him and his wife sitting in the park, when he is being haunted in the woods by his wife and the reversal of footage at the beginning of the trailer to show a warp in his mind and to symbolise his process of thoughts- everything is blurred and mixed up. • In order to articulate a sense of time as divisible and subject to manipulation we aimed to create an anachronic modular narative therefore using flashbacks to the period before the murders started when he was ‘happy’ with his wife and with society. For me, much of these ideas and inspiration came from the film Memento. • The overarching issue/theme that our trailer dealt with was mental health; we focused on the effects of someone with mental health (although obviously exaggerated and somewhat stereotypical for entertainment purposes) and how it can effect society and the individual dealing with it.