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1. Essay on Rebel Without a Cause
Rebel Without a Cause
One of the major themes that are presented throughout the whole entire movie is the dysfunctional relationship between one of the characters and their
fathers. The movie portrays father figures as problematic which then shape the actions and the characters themselves as the movie progresses. We can
see all three dynamics of the father figure presented through Jim, Judy, and Plato. Through Jim, the father figure that he is presented with is a father
who is weak allows himself to be walked on by JimВЎВЇs mother and grandmother. JudyВЎВЇs father, on the other hand, is quite the opposite of
JimВЎВЇs father in that he is the overbearing, masculine, and insensitive. Lastly, we see the absence of a...show more content...
Now, Jim sees this in his father and swears to himself that he will never be the ВЎВ°chickenВЎВ± his father is. This leads to the decisions he makes
in the movie, for example, going to the ВЎВ°chickenВЎВ± run to uphold his honor. He begins to take charge of hisown life, being that strong man
himself, going to the mansion with Judy to live on their own in order to not become like his father.
The audience is then presented with the complete opposite, through the relationship Judy has with her father. We can see that the father is masculine
and insensitive through the way he treats Judy. When Judy tries to show her love to her father by giving him a kiss on the cheek, he goes on to slap
her on the face and tells her girls her age are not supposed to do things like that. Then we see the father pick up the son and give him all the attention
completely ignoring Judy. Some may say that JudyВЎВЇs father is a chauvinist. The fatherВЎВЇs actions then explain why Judy became involved with
Buzz and his crew. It can be argued that because at home she is ignored by her father, she seeks for attention through a manly figure, that being Buzz.
After Buzz dies, however, she then moves into a relationship with Jim. What attracts her to Jim is the fact that he is strong man, yet is sensitive and
sincere at the same time. He gives her what she has been striving for and looking for from her dad and that fact makes her
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2. Rebel Without a Cause
Scaffold for Year 10 Oral Assessment Task Introduction:–introduce the value/values or idea/s you plan to talk about пѓ friendship Friendship is
represented in both the 1967 novel 'The Outsiders' by S.E. Hinton and the 1955 film 'Rebel without a Cause" directed by Nicolas Ray. The value
friendship is represented in 'The Outsiders' through the Greasers gang, this includes; Pony boy, Johnny, Dally, Darry, Soda, Two
–Bits Mathew and
Randle. This value is represented in 'Rebel without a cause' through Jim Stark, Judy, Plato and Jim's dad. Part 1: –Overview of the what the film is
about (no more than 1 or 2 sentences) and the context of the film (2–3sentences) 'Rebel without a Cause' is a film about a rebellious 17 year old...show
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Although they are all different ages they all stay friends. They support each other through hard family times, for example; during the novel. Friendship
is especially shown when Ponyboy runs away to hide with Johnny, so that Johnny don't get into trouble with the police after killing a socs. Johnny
shows that he cares about Ponyboy, but taking him back home to be with his two brothers. At the end of the novel, friendship is shown by Dally,
committing suicide, as he can't handle to live without Johnny. –How is it conveyed? (refer to language techniques) –How does the context of the novel
affect the way this value or idea is represented This novel was set during the post war period, this was a time when independence and rebelling against
parents and law was more important than doing the right thing, during these times of independence, and teenagers needed friendship more than
anything else. –What is the author's purpose in representing the value in the way? –Is the novel making the same point about the value or ideas as the
film? If so, how? If it is making a different point about the value or idea, how is it different? The novel 'the outsiders' is making the same point about
friendship as the film 'rebel without a cause' as they both convey the idea that during this time, friendship was very important to all teenagers as they
are more independent and spend more time away from their families, and aren't as close.
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3. Rebel Without a Cause
1955 marked the year in which Nicholas Ray's film Rebel Without a Cause was released as the latest Hollywood success. With its revolutionary acting
and modern style, Rebel Without a Cause proved to be an ideal example of progressive, contemporary cinema. Amidst these factors is the intricate
screenplay regarding a rebellious adolescent and his troubled relationships with his family and new found friends. Unfortunately, this was a film that
was produced in the mid–1950s, a time when the self–censorship board in the U.S. did not permit certain political and societal issues to be addressed in
films. As a result, various controversial matters could only be suggested or implied, opposed to directly dealt with. One such issue that Rebel...show
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Fundamentally, point of view and the gaze provide an early establishment of Plato's В‘rebellious' character as an emerging homosexual.
The framing of this particular scene also manages to accentuate Plato's sexual insecurities, which could have contributed to his failure to peacefully
cope amongst his peers. The sole picture that Plato has hung in his locker and that the frame is centered upon is one that could most likely be
perceived to be taken of his estranged father. In a fairly indirect manner, Plato is making a bold cry for help for guidance and parenting. In doing so,
understanding is made clearer in regards to his character's uncertainty. Consequently, his identity issues become evident to be a matter of his lacking
guidance. As Plato suffers from parental attachment, he is unsure of who his parents are as people, while he is also uncertain of who his friends are
and ultimately who he is. In essence, the framing of Plato's locker picture conveys his overwhelming anxiety and his uncertainty in own sexuality.
From a psychological perspective, Plato's notion of friendship and personal identity also links with his apparent civil and sexual insecurities. In
understanding that the picture in Plato's locker suggests his lack of a definitive father figure, it may be assumed that he is unaware of the basic societal
conventions with which he is expected to uphold. Essentially, he is inept in terms of social customs, making
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