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66 timeout.com/sao-paulo  April 2012
pressimage
pressimage
pressimage
A guitar icon for the alt-
rock generation, Thurston
Moore returns to town,
says CM Gorey
Sonic Youth may be taking an
indefinite hiatus, but the band’s
guitarist and vocalist Thurston
Moore is staying busy. After the
New York noise pioneers played
their last show in November 2011
at São Paulo’s SWU festival, Moore
was back on the road the following
week. Having spent the last thirty
years with Sonic Youth, and now
separated from his wife, bassist
Kim Gordon, the lanky No Wave
student turned alt-rock icon returns
in April, in continued support of
his most recent solo venture, last
year’s Demolished Thoughts.
A softer, acoustic-flavoured
affair, the third solo album for
Moore follows Trees Outside the
Academy (2007) and Psychic Hearts
(1995). With kindred ’90s college
rock favourite Beck handling both
production and musical duties,
the songs are lushly realised,
and fleshed out with violins and
harp. And whereas Sonic Youth’s
signature crescendo grew from
shimmering layers of off-kilter
guitar melodies, pedal fuzz and
amp feedback, Moore transforms
those raucous climaxes into
eerie, natural dissonances, like
in ‘Circulation’, where the violins
lurch menacingly over the drum-
Thurston Moore, Kurt Vile
& The Violators
White Denim
The Ting Tings
Live previews
less chug of continuous acoustic
guitar strumming.
Aside from those aggressive
moments, Demolished Thoughts
reveals the marks of an aging
musician breaking free from the
confines of being a rocker – even
if he’s considered a revered,
avant-garde one. Evidence of his
continued growth comes in the
form of ‘Benediction’: he’s clearly
become a competent singer, and
able to craft a mature record
without falling prey to the often-
dangerous tropes of a former noise-
maker aching to be taken seriously.
Moore’s Matador Records
labelmate, Kurt Vile (backed by
his touring band The Violators)
opens the show, providing a fitting
complement to the headliner.
Vile’s intentionally retro sound
often casts his songs in shadowy,
distant reverb and unconventional
overdrive blasts, while his rural
Pennsylvanian accent and adept
but meandering guitar playing
pushes his Springsteen- and
Dylan-inspired visions near the
fringes of outsider music. His
latest introspective offering, Smoke
Ring For My Halo, is a more lucid
collection than his previous three,
but remains inventive.
Thurston Moore and Kurt Vile
& The Violators play at 10pm on
12 April at Cine Joia, Praça Carlos
Gomes 82, Sé (3231 3705/cinejoia.
tv). Tickets R$70-$140.
Mellowing with age Moore takes a break from his usual sonic assaults
Like a breath of fresh air White Denim deftly refreshes progressive rock
Their pleasing melodies range
from a psychedelic delivery to a
straight-up hard rock one. And while
their sound is indelibly marked with
the classic rock guitar noodling
and jazzy chord progressions of
the 1970s, it’s also flavoured by the
sometimes raspy, sometimes airy
voice of singer/guitarist James
Petralli. White Denim reinvigorates
rock with an exquisite sound
bursting with vitality. We’ll be there.
Fabiana Caso
White Denim play at 11pm on 3
May at Beco 203, Rua Augusta 609,
Consolação (2339 0358/beco203.
com.br). Tickets R$40-$60.
Along with their usual
shout-along songs, the
duo delivers new sounds
It’s become difficult to pin down
The Ting Tings. How do you go
about describing a record produced
to imitate the feel of an iPod on the
shuffle setting? Their second full-
length studio album, Sounds from
Nowheresville, certainly hasn’t made
classifying the duo any easier.
While the record’s title captures
the intentional lack of stylistic
focus, fans will surely rejoice at
tracks like ‘Hang It Up’ or the bell-
ringing ‘Hit Me Down Sonny’, as
they replicate the slinky guitars and
clap-along, schoolyard white-girl
rap made famous with their 2008
hit ‘That’s Not My Name’.
Expect the English twosome’s
At the hands of this
inventive band, heady
rock is fun again
Straight out of Austin, Texas, the
quartet White Denim breathes
new life into the often clichéd
world of rock, and new meaning
into the well-worn phrase ‘eclectic
mix of styles’. Their latest album,
2011’s D, displays their dynamic
harmonies and carefully stitched
instrumentals. Dueling guitars
take us back to the best moments
in progressive rock – but more
energetically, and without so many
embellishments.
upcoming show to favour more
dance-ready bash-and-crash than
any of the other flavours found on
their most recent offering. CM Gorey
The Ting Tings play at 9pm on
1 May at Cine Joia, Praça Carlos
Gomes 82, Sé (3231 3705/cinejoia.
tv). Tickets R$160-$220.

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Music-April2012

  • 1. Music 66 timeout.com/sao-paulo  April 2012 pressimage pressimage pressimage A guitar icon for the alt- rock generation, Thurston Moore returns to town, says CM Gorey Sonic Youth may be taking an indefinite hiatus, but the band’s guitarist and vocalist Thurston Moore is staying busy. After the New York noise pioneers played their last show in November 2011 at São Paulo’s SWU festival, Moore was back on the road the following week. Having spent the last thirty years with Sonic Youth, and now separated from his wife, bassist Kim Gordon, the lanky No Wave student turned alt-rock icon returns in April, in continued support of his most recent solo venture, last year’s Demolished Thoughts. A softer, acoustic-flavoured affair, the third solo album for Moore follows Trees Outside the Academy (2007) and Psychic Hearts (1995). With kindred ’90s college rock favourite Beck handling both production and musical duties, the songs are lushly realised, and fleshed out with violins and harp. And whereas Sonic Youth’s signature crescendo grew from shimmering layers of off-kilter guitar melodies, pedal fuzz and amp feedback, Moore transforms those raucous climaxes into eerie, natural dissonances, like in ‘Circulation’, where the violins lurch menacingly over the drum- Thurston Moore, Kurt Vile & The Violators White Denim The Ting Tings Live previews less chug of continuous acoustic guitar strumming. Aside from those aggressive moments, Demolished Thoughts reveals the marks of an aging musician breaking free from the confines of being a rocker – even if he’s considered a revered, avant-garde one. Evidence of his continued growth comes in the form of ‘Benediction’: he’s clearly become a competent singer, and able to craft a mature record without falling prey to the often- dangerous tropes of a former noise- maker aching to be taken seriously. Moore’s Matador Records labelmate, Kurt Vile (backed by his touring band The Violators) opens the show, providing a fitting complement to the headliner. Vile’s intentionally retro sound often casts his songs in shadowy, distant reverb and unconventional overdrive blasts, while his rural Pennsylvanian accent and adept but meandering guitar playing pushes his Springsteen- and Dylan-inspired visions near the fringes of outsider music. His latest introspective offering, Smoke Ring For My Halo, is a more lucid collection than his previous three, but remains inventive. Thurston Moore and Kurt Vile & The Violators play at 10pm on 12 April at Cine Joia, Praça Carlos Gomes 82, Sé (3231 3705/cinejoia. tv). Tickets R$70-$140. Mellowing with age Moore takes a break from his usual sonic assaults Like a breath of fresh air White Denim deftly refreshes progressive rock Their pleasing melodies range from a psychedelic delivery to a straight-up hard rock one. And while their sound is indelibly marked with the classic rock guitar noodling and jazzy chord progressions of the 1970s, it’s also flavoured by the sometimes raspy, sometimes airy voice of singer/guitarist James Petralli. White Denim reinvigorates rock with an exquisite sound bursting with vitality. We’ll be there. Fabiana Caso White Denim play at 11pm on 3 May at Beco 203, Rua Augusta 609, Consolação (2339 0358/beco203. com.br). Tickets R$40-$60. Along with their usual shout-along songs, the duo delivers new sounds It’s become difficult to pin down The Ting Tings. How do you go about describing a record produced to imitate the feel of an iPod on the shuffle setting? Their second full- length studio album, Sounds from Nowheresville, certainly hasn’t made classifying the duo any easier. While the record’s title captures the intentional lack of stylistic focus, fans will surely rejoice at tracks like ‘Hang It Up’ or the bell- ringing ‘Hit Me Down Sonny’, as they replicate the slinky guitars and clap-along, schoolyard white-girl rap made famous with their 2008 hit ‘That’s Not My Name’. Expect the English twosome’s At the hands of this inventive band, heady rock is fun again Straight out of Austin, Texas, the quartet White Denim breathes new life into the often clichéd world of rock, and new meaning into the well-worn phrase ‘eclectic mix of styles’. Their latest album, 2011’s D, displays their dynamic harmonies and carefully stitched instrumentals. Dueling guitars take us back to the best moments in progressive rock – but more energetically, and without so many embellishments. upcoming show to favour more dance-ready bash-and-crash than any of the other flavours found on their most recent offering. CM Gorey The Ting Tings play at 9pm on 1 May at Cine Joia, Praça Carlos Gomes 82, Sé (3231 3705/cinejoia. tv). Tickets R$160-$220.