1. VIDEO PRODUCTION: EDIT DECISION LIST
Production Group: Emma Riddiough, Rachel Jones and Jake Hoey
Production Title (Working Title): Moving Foreword
File
Number or
Name
Shot description/other essential info
Timings
00366
00373
00376
00339
00305
Opening Sequence – tracking shot of somebody
getting a book off the shelf, sitting down and
opening a book to reveal opening title. “Moving
Foreword – Book vs. Kindle” dissolving onto screen.
Somebody reading a book- over the shoulder shot to
extreme close up of book being read.
Somebody reading from a Kindle – close up
Panning Shot of books on bookshelf
Close Up of somebody looking at books online
Panning Shot of a bookshelf
Somebody watching a film online
Close up of person holding a book
Book Publishing “Making Books” 1947 – video clip in
relation as to how books where originally made.
00:00:00:00 – 00:00:03:28
00:00:03:29 – 00:00:07:15
00:00:07:16 – 00:00:10:22
00:00:10:23 – 00:00:14:48
00:00:14:49 – 00:00:17:01
Cut /
Dip to Black
00:00:17:02 – 00:00:18:30
00:00:18:31 – 00:00:20:29
00:00:20:30 – 00:00:24:01
00:00:24:02 – 00:00:26:42
00:00:26:43 – 00:00:28:23
00:00:28:24 – 00:00:30:31
00:00:32:43 – 00:00:33:43
00:00:33:44 – 00:00:35:45
00:00:35:46 – 00:00:39:42
00:00:39:43 – 00:00:42:29
00:00:42:30 – 00:00:45:48
00:00:30:32 – 00:00:32:42
00:00:45:49 – 00:00:48:40
00:00:48:41 – 00:00:52:48
00:00:52:49 – 00:00:57:16
00:00:57:17 – 00:00:58:14
00:00:58:15 – 00:00:59:05
00:00:59:06 – 00:01:00:22
00:01:00:23 – 00:01:01:32
00:01:01:33 – 00:01:15:08
Cut
Cut
Cut
Cut
Cut
Cut
Cut
00:01:12:02 – 00:01:16:29
00:01:15:15 – 00:01:27:17
Cut
Cut
00:01:27:18 – 00:01:36:34
00:01:36:35 – 00:01:53:41
Cut
Cut
00:01:53:42 – 00:02:01:39
00:02:01:40 – 00:02:11:19
Cut
Cut
00329
00324
00293
00290
00381
00151
Archive 1/2
How Books are Made_How they do It (Printing
Twilight Book)
00389
00003
00319
00001
00007
00340
00303
00306
Archive 3
00302
Archive 3
00321
Somebody reading a book via their mobile phone
Vox pops with woman
Vox pops with woman
Vox pops with woman
Vox pops with man
Film teacher speaking about her preference in
relation to both eBook and book.
Cutaway - Panning shot of books within a library
English teacher speaks in relation to books
preference between book and eBook.
Jack Dee Live at the Apollo
Librarian Interview – speaks about her preferences
between eBooks and books.
Jack Dee Live at the Apollo
Cutaway of person on Amazon eBook store
Type of Edit
Cut
Cut
Cut
Cut
Cut
Cut
Cut
Cut
00302
Librarian interview discussing the possibilities of
eBook lending within the library
00:02:11:20 – 00:02:45:31
Cut
00385
Somebody looking at various books on various
websites (appears whilst 00302 is playing)
00:02:14:05 – 00:02:20:36
Cut
2. 00387
00299
Archive 4
Archive 5
00340
Archive 6
00340
00340
Archive 8
00340
Archive 6
00343
Person reading a book though a website (appears
whilst 00302 is playing)
Cutaway of books next to the films – Panning
Twilight Official Movie Trailer
New The Hunger Games Official Movie Trailer
Film teacher explaining how she prefers books in
relation to films. Subject on left of screen.
Harry Potter ‘The Chamber of Secrets’ Extract
“Do you think films will lose their magic if the
physical books were replaced by eBooks?” – (yes)
talks about the book thief and how the opening shot
is iconic and would not be the same if it was
replaced by an electronic device.
Archive 7:- Clips from ‘The Book Thief’ appear
throughout the duration of this particular clip.
How it wouldn’t work if they were replaced by
kindles.
Audrey Hepburn in My Fair Lady
Importance of books within My Fair Lady, the use of
books to teach Eliza Doolittle to speak “properly”
Harry Potter ‘The Chamber of Secrets’ Extract
“the fiction has become the reality” Liz talks about
how in older “futuristic” films then kindles were
seen as high tech and ahead of the time but
nowadays they are just seen as normal.
00332:- cutaway of someone using a Kindle.
(Appears whilst the clip is playing)
00:02:37:16 – 00:02:40:07
Cut
00:02:45:32 – 00:02:52:01
00:02:52:02 – 00:02:55:28
00:02:55:29 – 00:02:59:28
00:02:59:29 – 00:03:19:14
Cut
Cut
Cut
Cut
00:03:19:15 – 00:03:31:32
00:03:27:40 – 00:03:45:09
Cut
Cut
00:03:34:45 – 00:03:35:40
00:03:35:41 – 00:03:36:42
00:03:36:43 – 00:03:40:41
00:03:42:10 – 00:03:45:33
00:03:45:10 – 00:03:48:41
Cut
00:03:48:42 – 00:04:03:09
00:03:56:20 – 00:04:25:39
Cut
Cut
00:04:23:47 – 00:04:27:12
00:04:25:40 – 00:05:00:00
Cut
Cut
00:04:30:26 – 00:04:32:43