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WELCOME
Gibran Khalil Gibran
BIOGRAPHY
Gibran Khalil Gibran was born on January 6, 1883.
He displayed an early artistic aptitude and a love for
nature.
Gibran began writing for the Arabic newspaper al-Funun,
and with the outbreak of World War he expressed more
nationalistic leanings.
His writings in both languages, which deal with such
themes as love, death, nature, and a longing for the
homeland
wrote his best-known works in English, Kahlil Gibran
was the key figure in a Romantic movement that
transformed Arabic literature in the first half of the
twentieth century.
Educated in Beirut, Boston, and Paris, Gibran was
influenced by the European modernists of the late
nineteenth century.
His early works were sketches, short stories, poems, and
prose poems written in simple language for Arabic
newspapers in the United States.
Gibran’s simple and direct style was a revelation and an
inspiration
His themes of alienation, disruption, and lost rural beauty and
security in a modernizing world also resonated with the
experiences of his readers.
Gibran opposed Ottoman Turkish rule and the Maronite
Church's strict social control. After "Spirits Rebellious,"
an Arabic poem, was published in 1908,
Gibran was called a reformer and received widespread
recognition in the Arabic world.
Gibran sought and won acceptance from New York's
artistic and literary world.
 His works have been hugely popular, making him the best-selling
American poet of the twentieth century, but that enthusiasm has not
been shared by critics.
 The unconventional beauty of his language and the moral
earnestness of his ideas allow him to speak to a broad audience as
only a handful of other twentieth-century American poets have.
 Gibran was 48 when he died in New York City on April 10, 1931, of
cancer of the liver. The Arabic world eulogized him as a genius and
patriot. A grand procession greeted his body upon its return to
Besharri for burial in September 1931. Today, Arabic scholars praise
Gibran for introducing Western romanticism and a freer style to
highly formalized Arabic poetry. "Gibranism," the term used for his
approach, attracted many followers.
 Arā is al-Murūj (1910; Nymphs of the Valley)
 Damah wa Ibtisāmah (1914; A Tear and a Smile)
 Al-Arwā al-Mutamarridah (1920; Spirits Rebellious)
 Al-Ajniah al-Mutakassirah (1922:The Broken Wings)
 Al-Awāsif (1923; “The Storms”)
 Al-Mawākib (1923; The Procession), poems.
 The Madman (1918),
 The Forerunner (1920),
 The Prophet (1923; film 2014),
 Sand and Foam (1926),
 and Jesus, the Son of Man (1928).
MOST INSPIRING KAHLIL GIBRAN
QUOTES
Beauty is not in the face;
beauty is a light in the
heart.
 We are all like the bright
moon, we still have our
darker side.
• You may forget with whom
you laughed, but you will
never forget with whom
you wept
We choose our joys and sorrows long
before we experience them.
The appearance of things changes
according to the emotions; and thus we
see magic and beauty in them, while the
magic and beauty are really in ourselves.
 Love knows not its own depth until the
hour of separation
THANKS

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Jibran biography

  • 3. BIOGRAPHY Gibran Khalil Gibran was born on January 6, 1883. He displayed an early artistic aptitude and a love for nature. Gibran began writing for the Arabic newspaper al-Funun, and with the outbreak of World War he expressed more nationalistic leanings. His writings in both languages, which deal with such themes as love, death, nature, and a longing for the homeland
  • 4. wrote his best-known works in English, Kahlil Gibran was the key figure in a Romantic movement that transformed Arabic literature in the first half of the twentieth century. Educated in Beirut, Boston, and Paris, Gibran was influenced by the European modernists of the late nineteenth century. His early works were sketches, short stories, poems, and prose poems written in simple language for Arabic newspapers in the United States.
  • 5. Gibran’s simple and direct style was a revelation and an inspiration His themes of alienation, disruption, and lost rural beauty and security in a modernizing world also resonated with the experiences of his readers. Gibran opposed Ottoman Turkish rule and the Maronite Church's strict social control. After "Spirits Rebellious," an Arabic poem, was published in 1908, Gibran was called a reformer and received widespread recognition in the Arabic world. Gibran sought and won acceptance from New York's artistic and literary world.
  • 6.  His works have been hugely popular, making him the best-selling American poet of the twentieth century, but that enthusiasm has not been shared by critics.  The unconventional beauty of his language and the moral earnestness of his ideas allow him to speak to a broad audience as only a handful of other twentieth-century American poets have.  Gibran was 48 when he died in New York City on April 10, 1931, of cancer of the liver. The Arabic world eulogized him as a genius and patriot. A grand procession greeted his body upon its return to Besharri for burial in September 1931. Today, Arabic scholars praise Gibran for introducing Western romanticism and a freer style to highly formalized Arabic poetry. "Gibranism," the term used for his approach, attracted many followers.
  • 7.  Arā is al-Murūj (1910; Nymphs of the Valley)  Damah wa Ibtisāmah (1914; A Tear and a Smile)  Al-Arwā al-Mutamarridah (1920; Spirits Rebellious)  Al-Ajniah al-Mutakassirah (1922:The Broken Wings)  Al-Awāsif (1923; “The Storms”)  Al-Mawākib (1923; The Procession), poems.
  • 8.  The Madman (1918),  The Forerunner (1920),  The Prophet (1923; film 2014),  Sand and Foam (1926),  and Jesus, the Son of Man (1928).
  • 9. MOST INSPIRING KAHLIL GIBRAN QUOTES Beauty is not in the face; beauty is a light in the heart.  We are all like the bright moon, we still have our darker side. • You may forget with whom you laughed, but you will never forget with whom you wept
  • 10. We choose our joys and sorrows long before we experience them. The appearance of things changes according to the emotions; and thus we see magic and beauty in them, while the magic and beauty are really in ourselves.  Love knows not its own depth until the hour of separation