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ESTHETIC CONSIDERATIONS IN
TREATMENT PLANNING.
BY: DR AYESHA SAJID
FACIAL HEIGHT
LIP LENGTH
Average Length of upper lip is in
Adult female = 20mm to 22mm
Adult male = 22 to 24 mm
SYMMETRY
INCISAL PLANE
POSTERIOR OCCLUSAL PLANE
 The buccal cusp tips of the maxillary posterior
teeth should provide a visual progression from
the canine cusp tips, with no step up or step
down.
 It is important not to create a canted posterior
occlusal plane
 It can be recorded same way as incisal plane
BUCCAL CORRIDOR
“Spacebetwwenthebuccalsurfacesofmaxillary
posteriorteethandcheek”
 Excessive Space
Constricted maxillary arch
 Inadequate Space
Bulky posterior restorations
LOWER LIP
In full smile, the incisal edges of the maxillary anterior teeth
ideally are cradled by the lower lip.
 If a significant space is present b/w the lower lip
and maxillary incisal edges during smile
 Overcome it by Increasing incisal edge length
 Incisal edges of the maxillary anterior teeth are
hidden by lower lip during full smile
 Cause is over eruption of maxillary anterior
teeth, vertical maxillary excess or both
UPPER LIP
In full smile, the upper lip should ideally translate
up to the gingival line
GINGIVAL ZENITH
LIP ASYMMETRY
 Upper Lip Lower Lip
INCISAL EDGE PLACEMENT OF MAXILLARY
CENTRAL INCISORS
 In full smile the incisal edges of maxillary anterior teeth should
be cradled by lower lip
 In full smile,the buccal cusps tips of posterior maxillary teeth
should provide a visual progression from the canine cusp with no
step up or step down.
 In gentle repose (have the patient say “M” or “Emma” and ask
them to let their lips lightly fall apart), approximately 3 to 4 mm
of the incisal edges of the maxillary central incisors should be
displayed in the female & 1mm to 2mm in males
 The average length of maxillary central incisor is 10mm to 11mm
FACIAL CONTOUR OF MAXILLARY INCISORS
The gingival half of the maxillary central incisor is parallel to
and continuous in contour with the surface of the gingival
tissue overlying the alvelous.
The incisal half of the central incisor is tapered back for ease
during lip closure and speech.
INTERPROXIMAL CONTACT AREA
The interproximal contact between the maxillary
central incisors is in the incisal third of the teeth.
The interproximal contact between the central and
lateral incisors is at the junction of the incisal and
middle thirds.
If it extends far too incisally its creates a closed
unnatural incisal embrasure.
If it doesn’t extends far enough gingivally results in
open gingival embrasure or black triangle.
INCISAL EMBRASURES
The incisal embrasures increase from maxillary
central incisor to canine
it is minimal between the maxillary central incisors
the incisal embrasure between the maxillary central
and lateral incisors is more pronounced,
between the lateral incisors and canines is the most
pronounced.
HALO EFFECT
The natural incisal edge anatomy of the maxillary
incisor commonly imparts a thin,
white, opaque “halo effect” at the incisal edge that
frames the incisal translucency.
FACIAL CONTOUR OF MAXILLARY INCISORS
 Facial surface of the maxillary incisors should
not be rounded mesiodistally but rather should
should be flat,with resulting bold mesial and
distal line angles and deep facial embrasures
OUTLINE FORM OF MAXILLARY CANINES
 The distal half of maxillary canine should not be seen when
viewed from front
 Principle of gradation
Canine is the most common offender
LINGUAL CONTOUR OF MAXILLARY INCISORS
 What is a lisp?
 How can it be corrected?
Increasing the lingual concavity
Changing the length of maxillary central incisor
INDIVIDUAL TOOTH LENGTH AND PROPORTION
The average length of maxillary central incisor is
10mm to11mm
The ratio of height to width in maxillary central incisor
1.2 to 1.0
TOOTH TO TOOTH PROPORTIONS
Golden proportions
Central incisor is 1.618 times wider than lateral incisor
Lateral incisor is 1.618 times width of canine
Natural proportions
Width of maxillary central incisor to that of lateral incisor is 1.2 to 1.0
LAW OF FACE
The face of a tooth is that portion of facial surface
bound by transitional line angle when viewed from the
front
To make an anterior tooth appear wider, the
transitional facial line angles are moved into the
interproximal facial embrasures
To make it appear narrower, the transitional line
angles are moved closer to tooth midline
COLOUR AND SHADE MATCHING
Hue : hue enables the distinction and differentiation
among different colors. hue refers to the origin of
the colors we can see.
Value : the dimensions of value refers to lightness or
darkness of a color.
Chroma : chroma is related to variation in strength of
the same color.
 Compatibility: a material will be most compatible
with a tooth when it has shades that mimic both
dentin and enamel.
 Stability: when comparing composite resins and
dental ceramics, resins are less colour stable after
aging.
 Interactions:
Layering is essence of tooth anatomy as layers of
enamel and dentin of different thickness interact
creating a polychromatic appearance.
COLOUR MATCHING TOOLS-DENTAL SHADE
GUIDE
VITA CLASSICAL A TO D ARRANGEMENT
VITA CLASSICAL VALUE SCALE ARRANGEMENT
Represents a light to dark arrangement
From 1(B1) to 16 (C4)
Tooth whitening efficacy
VITA TOOTH GUIDE 3-D MASTER
 Step 1 :The lightness is determined using all tabs
 Total of 29 are reduced to
2 (group 1), 3 (groups 0 & 5),7( group 2,3,4)
Step 2 select Chroma
From selected value group remove middle tab
M and spread out like fan ,select one of the 3
shades
 Step 3 determine Horizontal hue variations
Check whether the natural tooth is more yellowish
or more reddish than sample shade selected
VITA LINEAR GUIDE 3-D MASTER
 Group selection
Middle tabs from each group 0M2 to 5M2
 Fine tuning
Within the group selected 0-1,2,3,4,5
VITA BLEACHGUIDE 3D MASTER
SHADE MATCHING CONDITIONS
 check colour vision
 use colour corrected lights
CRI 90 or above
Light intensity is 1000 to 1500 lux
 controls surrounding/viewing conditions
Neutral gray environment
GUIDELINES FOR SHADE MATCHING
 Perform at the beginning.
 Tooth should be cleaned with toothpaste/pumice.
 Correct viewing distance is 25-35cm
 Tooth should be observed perpendicular to its labial
surface with eyes aligned at same as teeth
 Light should be 45 degree angle to the tooth
 Shade tab positioning (same plane as that of tooth to
be matched OR vertically or horizontally in between
maxillary and mandibular teeth)
 Shade matching duration ( ideally the glances at the
target shade should last only between 5 to 7 s)
COLOUR MATCHING INSTRUMENTS
FIVE DIMENSIONS OF COLOR
 Chromaticity
One hue (universal dentin)
Different chroma levels
 Value
Lower value (older tooth biotype)
Higher value (younger tooth biotype)
 Intensives :spots,small clouds,snowflakes,horizonal bands
 Opalescents:blue and amber hue of incisal halo at the interproximal
level and free enamel margin.
 Characterizations
Dentin :mamelon and band
Enamel: margin,stain,cracks
esthetic diagnosis and treatment planning.pptx

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esthetic diagnosis and treatment planning.pptx

  • 1. ESTHETIC CONSIDERATIONS IN TREATMENT PLANNING. BY: DR AYESHA SAJID
  • 2.
  • 4. LIP LENGTH Average Length of upper lip is in Adult female = 20mm to 22mm Adult male = 22 to 24 mm
  • 7. POSTERIOR OCCLUSAL PLANE  The buccal cusp tips of the maxillary posterior teeth should provide a visual progression from the canine cusp tips, with no step up or step down.  It is important not to create a canted posterior occlusal plane  It can be recorded same way as incisal plane
  • 8. BUCCAL CORRIDOR “Spacebetwwenthebuccalsurfacesofmaxillary posteriorteethandcheek”  Excessive Space Constricted maxillary arch  Inadequate Space Bulky posterior restorations
  • 9. LOWER LIP In full smile, the incisal edges of the maxillary anterior teeth ideally are cradled by the lower lip.
  • 10.  If a significant space is present b/w the lower lip and maxillary incisal edges during smile  Overcome it by Increasing incisal edge length  Incisal edges of the maxillary anterior teeth are hidden by lower lip during full smile  Cause is over eruption of maxillary anterior teeth, vertical maxillary excess or both
  • 11. UPPER LIP In full smile, the upper lip should ideally translate up to the gingival line
  • 13. LIP ASYMMETRY  Upper Lip Lower Lip
  • 14. INCISAL EDGE PLACEMENT OF MAXILLARY CENTRAL INCISORS  In full smile the incisal edges of maxillary anterior teeth should be cradled by lower lip  In full smile,the buccal cusps tips of posterior maxillary teeth should provide a visual progression from the canine cusp with no step up or step down.  In gentle repose (have the patient say “M” or “Emma” and ask them to let their lips lightly fall apart), approximately 3 to 4 mm of the incisal edges of the maxillary central incisors should be displayed in the female & 1mm to 2mm in males  The average length of maxillary central incisor is 10mm to 11mm
  • 15. FACIAL CONTOUR OF MAXILLARY INCISORS The gingival half of the maxillary central incisor is parallel to and continuous in contour with the surface of the gingival tissue overlying the alvelous. The incisal half of the central incisor is tapered back for ease during lip closure and speech.
  • 16. INTERPROXIMAL CONTACT AREA The interproximal contact between the maxillary central incisors is in the incisal third of the teeth. The interproximal contact between the central and lateral incisors is at the junction of the incisal and middle thirds. If it extends far too incisally its creates a closed unnatural incisal embrasure. If it doesn’t extends far enough gingivally results in open gingival embrasure or black triangle.
  • 17. INCISAL EMBRASURES The incisal embrasures increase from maxillary central incisor to canine it is minimal between the maxillary central incisors the incisal embrasure between the maxillary central and lateral incisors is more pronounced, between the lateral incisors and canines is the most pronounced.
  • 18. HALO EFFECT The natural incisal edge anatomy of the maxillary incisor commonly imparts a thin, white, opaque “halo effect” at the incisal edge that frames the incisal translucency.
  • 19. FACIAL CONTOUR OF MAXILLARY INCISORS  Facial surface of the maxillary incisors should not be rounded mesiodistally but rather should should be flat,with resulting bold mesial and distal line angles and deep facial embrasures
  • 20. OUTLINE FORM OF MAXILLARY CANINES  The distal half of maxillary canine should not be seen when viewed from front  Principle of gradation Canine is the most common offender
  • 21. LINGUAL CONTOUR OF MAXILLARY INCISORS  What is a lisp?  How can it be corrected? Increasing the lingual concavity Changing the length of maxillary central incisor
  • 22. INDIVIDUAL TOOTH LENGTH AND PROPORTION The average length of maxillary central incisor is 10mm to11mm The ratio of height to width in maxillary central incisor 1.2 to 1.0
  • 23. TOOTH TO TOOTH PROPORTIONS Golden proportions Central incisor is 1.618 times wider than lateral incisor Lateral incisor is 1.618 times width of canine Natural proportions Width of maxillary central incisor to that of lateral incisor is 1.2 to 1.0
  • 24. LAW OF FACE The face of a tooth is that portion of facial surface bound by transitional line angle when viewed from the front To make an anterior tooth appear wider, the transitional facial line angles are moved into the interproximal facial embrasures To make it appear narrower, the transitional line angles are moved closer to tooth midline
  • 25. COLOUR AND SHADE MATCHING
  • 26. Hue : hue enables the distinction and differentiation among different colors. hue refers to the origin of the colors we can see. Value : the dimensions of value refers to lightness or darkness of a color. Chroma : chroma is related to variation in strength of the same color.
  • 27.  Compatibility: a material will be most compatible with a tooth when it has shades that mimic both dentin and enamel.  Stability: when comparing composite resins and dental ceramics, resins are less colour stable after aging.  Interactions: Layering is essence of tooth anatomy as layers of enamel and dentin of different thickness interact creating a polychromatic appearance.
  • 29. VITA CLASSICAL A TO D ARRANGEMENT
  • 30. VITA CLASSICAL VALUE SCALE ARRANGEMENT Represents a light to dark arrangement From 1(B1) to 16 (C4) Tooth whitening efficacy
  • 31. VITA TOOTH GUIDE 3-D MASTER  Step 1 :The lightness is determined using all tabs  Total of 29 are reduced to 2 (group 1), 3 (groups 0 & 5),7( group 2,3,4)
  • 32. Step 2 select Chroma From selected value group remove middle tab M and spread out like fan ,select one of the 3 shades
  • 33.  Step 3 determine Horizontal hue variations Check whether the natural tooth is more yellowish or more reddish than sample shade selected
  • 34. VITA LINEAR GUIDE 3-D MASTER  Group selection Middle tabs from each group 0M2 to 5M2  Fine tuning Within the group selected 0-1,2,3,4,5
  • 36. SHADE MATCHING CONDITIONS  check colour vision  use colour corrected lights CRI 90 or above Light intensity is 1000 to 1500 lux  controls surrounding/viewing conditions Neutral gray environment
  • 37. GUIDELINES FOR SHADE MATCHING  Perform at the beginning.  Tooth should be cleaned with toothpaste/pumice.  Correct viewing distance is 25-35cm  Tooth should be observed perpendicular to its labial surface with eyes aligned at same as teeth  Light should be 45 degree angle to the tooth  Shade tab positioning (same plane as that of tooth to be matched OR vertically or horizontally in between maxillary and mandibular teeth)  Shade matching duration ( ideally the glances at the target shade should last only between 5 to 7 s)
  • 39.
  • 40. FIVE DIMENSIONS OF COLOR  Chromaticity One hue (universal dentin) Different chroma levels  Value Lower value (older tooth biotype) Higher value (younger tooth biotype)  Intensives :spots,small clouds,snowflakes,horizonal bands  Opalescents:blue and amber hue of incisal halo at the interproximal level and free enamel margin.  Characterizations Dentin :mamelon and band Enamel: margin,stain,cracks

Editor's Notes

  1. The golden proportion are not actual tooth measurements but based on tooth proportions when viewed from the front