Anthony Barrese, artistic director of Opera Southwest, comes to his role with extensive experience in conducting. Anthony Barrese has conducted dozens of operas as well as instrumental performances at venues around the world.

1. Role of the Orchestra Conductor
Anthony Barrese

2. Introduction
 Anthony Barrese, artistic director of Opera Southwest,
comes to his role with extensive experience in
conducting. Anthony Barrese has conducted dozens of
operas as well as instrumental performances at venues
around the world.
To the general public, the role of the conductor is
shrouded in mystery. The stands at the head of the
ensemble, holds no instrument, and speaks no words,
yet he or she communicates with the orchestra
throughout the performance.
First and foremost, and perhaps most obviously, the
conductor must keep the rhythm of the piece. The
conductor uses his or her right hand, often with a baton,
to set and maintain the tempo. He or she must be able
not only to keep the beat steady, but also to adjust it to
the most minute degrees as the desired effect indicates.

3. Orchestra Conductor
 The conductor must be able to guide the audience as the
piece gradually picks up speed, perhaps imperceptibly until it
reaches its climax, or to slow the piece with equal refinement.
Meanwhile, with the left hand, the conductor communicates
nuance of performance. This requires detailed and careful
listening, which guides the conductor to request changes in
volume, tone, or expression as the piece demands. He or she
must bring out the best and most expressive performances in
the musicians present.
At the same time, the conductor serves as a visual
interpretation for the audience. In watching his or her
movements, those listening can experience the music on a
different level and with a different sense. The conductor often
becomes a symbol of the performance itself and a way for the
audience to more deeply understand the intent of the piece.