Amr Nounou - Selected works - 2018 perception

2. SELECTED WORK
2017 PERCEPTION
36
EXHIBITION DESIGN
CONTENTS
3
ABOUT ME
10
INTERIOR DESIGN
64
ARCHITECTURE DESIGN
76
FURNITURE DESIGN

3. SELECTED WORK
ABOUT ME
3. 4 .
SELECTED WORK
ABOUT ME
3.
I believe
I can
make a difference

4. SELECTED WORK
ABOUT ME
5. 6 .
SELECTED WORK
ABOUT ME
5.
1992
2002
1985
2007
2005
2009
2015
2017
2008
2007
THE TRIP
BEGINS
STARTED TO EXPLORE MY
PASSION TOWARDS ART
STARTED STUDYING
ARCHITECTURE
COPERATED WITH
UNIVERSTY STAFF IN
DESIGN PROJECTS AND
COMPTETIONS
STARTED WORKING AS A
TEACHING ASSISTANT
GRADUATED HOLDING
MY 5YRS. BACHELOR
DEGREE
STARTED WORKING AS AN
ARCHITECT IN PRIME ENG.
CONSULTANT
OPENED MY OWN DESIGN
STUDIO SPECIALIAZED IN
INTERIOR DESIGN AND
CONSTRUCTION
PARTICIPATING IN
VARIOUS INTERNATIONAL
DESIGN WORKSHOP
(INTERIOR DESIGN)
GOT ENROLLED IN
SPECIALIZED MASTER
PROGRAM AT POLITECNICO
DI MILANO

5. SELECTED WORK
ABOUT ME
7. 8 .
SELECTED WORK
ABOUT ME
7.
SELECTED WORKS
VA L U E S
m e a n i n g f u l n e s s
o p e n p r e s p e c t i v e
v i s u a l y a p e a l i n g
r e s p e c t
S T R E N G T H
C R E AT I V I T Y
D U R A B I L I T Y
T R E N D Y
E M PAT H Y
R E S P O N S I B I L I T Y
C O N V E N T I O N A L I T Y
P R O B L E M S O LV I N G
A P P L I C A B I L I T Y
S K I L L S
B R A I N S T O R M I N G
S K E T C H I N G
C O N C E P T U A L
R E S E A R C H
3 D R E N D E R
S T O R Y T E L L I N G
W O R K E X P E R I E N C E
A R C H I T E C T U R E D E S I G N
I N T E R I O R D E S I G N
F U R N I T U R E D E S I G N
E X H I B I T I O N D E S I G N
F U R N I T U R E P R O D U C T I O N
C O N S T R U C T I O N
T E A M M A N G A M E N T
P R E S E N TAT I O N S K I L L S

6. 10.
1 . G - S P O T C A F E
2 . F R O YA L - F R O Z E N B A R
INTERIOR DESIGN

7. SELECTED WORK
INTERIOR DESIGN
11. 12.
| LOCATION
| P R O J E C T T Y P E
| S C O P E O F W O R K
| D ATE
| AV E R A G E A R E A
| O C C U PAT I O N
NE W CAIRO , EGYPT
R E S TA U R A N T, C A F E
D E S I G N C O N C E P T
C O N C E P T D E V E L O P M E N T
C O N S T R U C T I O N D R AW I N G S
B R A N D I N G
C O M M U N I C AT I O N D E S I G N
S I T E I M P L E N TAT I O N
S P R I N G 2 0 1 4
1 9 0 S Q M .
A M R N O U N O U A R C H I T E C T S
I N F O .
G - S P O T

8. SELECTED WORK
INTERIOR DESIGN
13. 14.
G - S P O T
D E S I G N K E Y W O R D S
O F F - B E AT P R O G R E S S I V E C L E A N
CONCEPT
*OVAL FUTURISTIC EYES
L O G O .

9. SELECTED WORK
INTERIOR DESIGN
15. 16.
G - s p o t i s a R e s t a u r a n t a n d c o f f e e s h o p
w i t h t h e h i g h e s t s t a n d a r d s i n q u a l i t y o f
p r o d u c t s a n d p l e a s a n t e n v i r o n m e n t .
G - s p o t i s d i f f e r e n t t h a n a n y o t h e r p l a c e
b y i t ’s s p e c i a l f e a t u r e s i n e v e r y t h i n g
s t a r t i n g f r o m t h e i n t e r i o r d e s i g n e n d i n g
w i t h t h e w a y o f p r e s e n t i n g f o o d a n d
d r i n k s . a n d a l l f o l l o w i n g t h e c o n c e p t s .
t h a t i s d e s i g n e d f o r t h e i n t e r i o r a n d
c o m m u n i c a t i o n d e s i g n .
*OUTDOOE MAIN LABEL
*OVAL FUTURISTIC EYES
D E S C R I P T I O N
D RAW INGS
C E I L I N G D E S I G N
c o n c e p t a p p l i e d i n t h e
c e i l i n g a n d e n h a n c e d w i t h

10. SELECTED WORK
INTERIOR DESIGN
17. 18.
MATERIALS + COLORS
l i g h t d i f f u s e
w h i t e a c r y l i c
l i g h t g r e y
l e a t h e r
w h i t e g l o s s
p a i n t
s t a i n l e s s s t e e l p r i n t e d g l a s s
K I T C H E N
S I T T I N G A R E A
H I D D E N L I G H T
P R I N T E D G L A S S
M A I N B A R - S E C T I O N
D RAW INGS
r e n d e r
p l a n d e s i g n

11. SELECTED WORK
INTERIOR DESIGN
19. 20.
CHOOSING THE LIGHT FEATURES OF THE
PLACE WERE DONE IN A VERY SELECTIVE WAY,
TO ENHANCE THE ENVIROMENT OF THE PLACE
l i g h t d e s i g n
r e n d e r
r e n d e r

12. SELECTED WORK
INTERIOR DESIGN
21. 22.
THE DESIGN OF THE SHOP HAVE BEEN
REALIZED AT THE END TO GIVE THE EXACT
CONCEPT DESIGN, INTRODUCING THE
r e n d e r
m a i n s h o t

13. SELECTED WORK
INTERIOR DESIGN
23. 24.
F R O YA L
| LOCATION
| P R O J E C T T Y P E
| S C O P E O F W O R K
| D ATE
| AV E R A G E A R E A
| O C C U PAT I O N
NE W CAIRO , EGYPT
F R O Z E N Y O G U R T, C A F E
D E S I G N C O N C E P T
C O N C E P T D E V E L O P M E N T
C O N S T R U C T I O N D R AW I N G S
B R A N D I N G
C O M M U N I C AT I O N D E S I G N
S I T E I M P L E N TAT I O N
W I N T E R 2 0 1 4
6 5 S Q M .
A M R N O U N O U A R C H I T E C T S
I N F O .

14. SELECTED WORK
INTERIOR DESIGN
25. 26.
FA S T
F O C U S O N C O L O R S E N H A N C E W I T H C O N T R A S T D E C O R AT I O N
C AT C H Y G R E E K
Y O -
G U R T
L O G O .
M O R E O B S E R V E D
W I T H B L A C K
B A C K G R O U N D
S 1 0 6 0 - R 3 0 B S 9 0 0 0 - N
D E S I G N K E Y W O R D S
M A J E S T I C C O N T R A S T D E C O R AT I V E
CONCEPT

15. SELECTED WORK
INTERIOR DESIGN
27. 28.
B LAC K GLOSS PAINTB LAC K GALA X Y
MAR B LE
B LAC K ACRYLIC
GREY EMULLSION
PAINT
p r i n t e d g l a s s
MATERIALS + COLORS
p l a n d e s i g n
D E S I G N F E AT U R E S
D ESGIN
WALL D ESGIN

16. SELECTED WORK
INTERIOR DESIGN
29. 30.
R E A L P H O T O
TA B L E D E S I G N
M E N U D E S I G N
M A I N B A R D E S I G E N
T R A N S . G L A S S
F R E S H F R U I T B A R
H I D D E N L I G H T
P R I N T E D G L A S S
F R I D G E M O T O R
C A S H D E S K
TA B L E F I X AT I O N
T I N T E D G L A S S
G L O S S B L A C K
PA I N T E D W O O D
D ESGIN

17. SELECTED WORK
INTERIOR DESIGN
31. 32.
r e a l p h o t o
L I V E P H O T O
THE PRO D UCT
D ETAILS
The main concept of the entire design of
the shop is to take consideration every de-
tail of the design, and to make it unique,
and matching, and this is obviusly noticed
in the design of the wall mounted lamps
and its relation to the classical chandilier
above the main bar.
The communication design included in
the design packageas as well as the pre-
sentation of the product, the cup design
was diresctly inspired from the shop de-
sign and concept
R E A L P H O T O

18. SELECTED WORK
INTERIOR DESIGN
33. 34.
The design of the shop have been realized
at the end to give the exact concept
design, introducing the majestic, contrast
and decorative enviroment
r e a l p h o t o
m a i n s h o t

19. 36.
EXHIBITION DESIGN
1 . U V E T PAV I L L I O N
2 . B L U E PA N O R A M A

20. SELECTED WORK
EXHIBITION DESIGN
37. 38.
U V E T PAV I L I O N
| LOCATION
| P R O J E C T T Y P E
| S C O P E O F W O R K
| D ATE
| AV E R A G E A R E A
| O C C U PAT I O N
| COMPANY PROFILE
MILANO , ITALY
C O M PA N Y S TA N D
D E S I G N C O N C E P T
C O N C E P T D E V E L O P M E N T
C O N S T R U C T I O N D R AW I N G S
T R AV E L C O M PA N Y
FA L L 2 0 1 7
1 8 0 S Q M .
P R O E V E N T. M I L A N O
I N F O .

21. SELECTED WORK
EXHIBITION DESIGN
39. 40.
L O G O .
D E S I G N K E Y W O R D S
D I V E R S T Y U N I V E R S A L I N T E G R AT I O N
CONCEPT

22. SELECTED WORK
EXHIBITION DESIGN
41. 42.
GROUN D FLOOR PLAN
CONCEPT ANALYSIS

23. SELECTED WORK
EXHIBITION DESIGN
43. 44.
FIRST FLOOR PLAN
CONCEPT ANALYSIS
MO D EL

24. SELECTED WORK
EXHIBITION DESIGN
45. 46.
M O D E L A N A LY S I S
c o l o r s a n d h u e s
r e n d e r
d e s i g n

25. SELECTED WORK
EXHIBITION DESIGN
47. 48.
M O D E L A N A LY S I S
d e s i g n
r e n d e r s

26. SELECTED WORK
EXHIBITION DESIGN
49. 50.
THE DESIGN OF THE SHOP HAVE BEEN
REALIZED AT THE END TO GIVE THE
EXACT CONCEPT DESIGN, INTRODUCING
THE DIVERSITY, INTEGRATION AND THE
UNIVERSAL ENVIROMENT.
r e n d e r
m a i n s h o t

27. SELECTED WORK
EXHIBITION DESIGN
51. 52.
B L U E PA N O R A M A
I N F O .
| LOCATION
| P R O J E C T T Y P E
| S C O P E O F W O R K
| D ATE
| AV E R A G E A R E A
| O C C U PAT I O N
| COMPANY PROFILE
MILANO , ITALY
C O M PA N Y S TA N D
D E S I G N C O N C E P T
C O N C E P T D E V E L O P M E N T
C O N S T R U C T I O N D R AW I N G S
F L I G H T S C O M PA N Y
FA L L 2 0 1 7
3 6 S Q M .
P R O E V E N T. M I L A N O

28. SELECTED WORK
EXHIBITION DESIGN
53. 54.
L O G O .
D E S I G N K E Y W O R D S
F R I E N D LY D Y N A M I C B R I G H T
CONCEPT

29. SELECTED WORK
EXHIBITION DESIGN
55. 56.
ISPIRATION
COM B INATION
PERFORMANCE EMOTIONS
CONCEPT PROCCESS
CONCEPT

30. SELECTED WORK
EXHIBITION DESIGN
57. 58.
PERFORMANCE EMOTIONS
FACA D ES
PLAN
D RAW INGS
c o l o r s a n d h u e s

31. SELECTED WORK
EXHIBITION DESIGN
59. 60.
M O D E L A N A LY S I S
d e s i g n
r e n d e r s

32. SELECTED WORK
EXHIBITION DESIGN
61. 62.
THE DESIGN OF THE SHOP HAVE BEEN
REALIZED TO FOCUS ON THE MIX
BETWEEN THE PERFORMANCE OF THE
COMPANT MIXED WITH THE EMOTIONS OF
THE MESSAGES TRASMITTED.
r e n d e r
m a i n s h o t

33. 64.
E L O D A I D S E A T O W E R
ARCHITECTURE

34. SELECTED WORK
ARCHITECTURE DESIGN
65. 66.
S E A T O W E R
| LOCATION
| P R O J E C T T Y P E
| S C O P E O F W O R K
| D ATE
| AV E R A G E A R E A
| O C C U PAT I O N
| COMPANY PROFILE
A B U D HA B I , UAE
C O M P O S I T E B U I L D I N G
D E S I G N C O N C E P T
C O N C E P T D E V E L O P M E N T
C O N S T R U C T I O N D R AW I N G S
O D A I D R E A L E S TAT E
w i n t e r 2 0 1 1
4 1 0 0 S Q M p l o t .
P R I M E E N G I N E E R I N G C O N S U LTA N T
C A I R O . A B U D H A B I
I N F O .

35. SELECTED WORK
ARCHITECTURE DESIGN
67. 68.
L O G O .
D E S I G N K E Y W O R D S
H A R M O N Y D Y N A M I C
A B U D H A B I
E Q U I L I B R I U M
LOCATION
SITE LOCATION

36. SELECTED WORK
ARCHITECTURE DESIGN
69. 70.
SECTION
PLAN
D RAW INGS
B UIL D ING USAGE
RESI D ENTIAL SHOPPING MALL THEATERS
W OR K SPACE GYMNASIUM

37. SELECTED WORK
ARCHITECTURE DESIGN
71. 72.
PLAN
t y p i c a l f l o o r p l a n ALUMINUM CLA D D ING GLASS CLA D D ING
PANELS CLA D D ING
t y p i c a l f l o o r p l a n
d e t a i l s
D RAW INGS
MATERIALS AN D c o l o r s
W HITE
CLA D D ING
REFLECTIVE GLASS STAINLESS
STEEL B ARS
ALUMINUM
CLA D D ING
CONCRETE
TILES

38. SELECTED WORK
ARCHITECTURE DESIGN
73. 74.
THE BUILDING FACADE WAS TO ENHANCE MORE EMOTIONS TO
THE BUILDING APPEARANCE BY ADDING THE TERRACES THAT
RESEMBLES THE HEASRT BEAT OF THE HYBRID ACTIVITIES OF THE
PEOPLE OF THE CITY
r e n d e r
m a i n s h o t

39. 76.
L E O U N A
FURNITURE DESIGN

40. SELECTED WORK
FURNITURE DESIGN
77. 78.
L E O U N A
| LOCATION
| P R O J E C T T Y P E
| S C O P E O F W O R K
| D ATE
| AV E R A G E A R E A
| O C C U PAT I O N
MILANO
I N T E R A C T I V E L A M P
D E S I G N C O N C E P T
C O N C E P T D E V E L O P M E N T
D E S I G N P R E S E N TAT I O N
w i n t e r 2 0 1 7
N / A
P O L I T E C N I C O D I M I L A N O
I N F O .

41. SELECTED WORK
FURNITURE DESIGN
79. 80.
L O G O .
D E S I G N K E Y W O R D S
I N T E R A C T I V E M O D E R N AVA N T G A R D E
CONCEPT

42. SELECTED WORK
FURNITURE DESIGN
81. 82.
ISPIRATION
t e c h n i c a l i n s p i r a t i o n
t h e c o n c e p t i s i n s p i r e d b y t h e s m o k e c o m i n g o u t o f
a d i s t i n g u i s h e d c a n d l e
a n a l y s i n g s m o k e b e h a v i o r
CONCEPT

43. SELECTED WORK
FURNITURE DESIGN
83. 84.
d e s i g n o b j e c t i v e s
s k e t c h e s
D RAW INGS
MATERIAL POSSI B ILITIES
w o o d MAR B LE STAINLESS
l e a t h e r
GOL D

44. SELECTED WORK
FURNITURE DESIGN
85. 86.
THE CONCEPT WAS TO CREAT AN INTERACTIVE FLOOR
LAMP THAT CAN TARGET WIDE RANGE OF CUSTOMERS,
MAKING THE DESIGN CHANGEABLE IN SHAPE LOOK
FEEL AND MATERIAL MAKES IT SUCCEDING INTO IT’S
APPROACH OF DESIGN.
r e n d e r
m a i n s h o t