2. What is nonfiction anyway
• Creative nonfiction: the art of
brining all the strategies of
storytelling to the narration of
factual events.
• Telling true stories from a
particular perspective using
literary techniques
• Writing creative nonfiction is about
finding your voice and
perspective.
3. Types + Elements
• Types: memoirs, memos, e-mails,
reports, biographies, lit journalism,
news…
• The Contract: we are not allowed
to make things up!
• But…that doesn’t mean we can’t
tell the story using literary
elements like point of view,
description, or dialogue.
• Set a vivid scene + tell the story
(that happens to be true) in great
detail
4. Finding the Story
• Every story must have
momentum
• Choose your characters
carefully
• Make the reader think about
your narrative arc
5. How might you write
this story?
12:05 p.m., Café Dufrain. Present:
girl, wearing heels, red lipstick,
cute; guy, out of breath, foreign
accent. Introductions. Girl orders
double vodka. Guy orders
espresso. Guy: “Sorry to be late, I
was just….”
6. Finding the Story
• If fiction, rewriting this story
would be simple
• But in nonfiction, we cannot
invent anything.
• So why nonfiction: the power of
true human experience.
• To find the story, you have to
gather as many details bc
characters are in the details.
7. Finding the Story
• If fiction, rewriting this story
would be simple
• But in nonfiction, we cannot
invent anything.
• So why nonfiction: the power of
true human experience.
• To find the story, you have to
gather as many details bc
character is in the details.
8. Focus the Lens
• When characters meet, something
has to happen to create dramatic
tension
• You can’t create dramatic
moments, but you can decide
which order to present them
• Where you shift the “camera” is
the POV and that’s what makes a
story your story.
• E.g. focusing on lipstick says what
about the character?
9. Three Elements of a
Good Story
• Narrative Arc: series of events
filled with dramatic tension
• Drama/Conflict: opposition and
struggle is interesting
• Character: one who is capable of
transformation; characters who
struggle against each other with
different goals/aims.
– Characters must be complex to be
interesting.
10. Researching
• The most challenging/most
important aspect of writing CNF
• Think: where might you find
materials? What kind of
information can you get access
to? How is what you have
groundbreaking?
• CNF = new material, new
perspective, new research.
11. Primary v Secondary
Sources
• Primary: the person him/herself
• Interviews, memoirs, letters,
oral histories, direct exp or
testimony
• Secondary: books/resources
written by someone about
someone/thing.
12. Where to find info
• Bibliographies in books
• Bibliographies of bibliographies
• Digital databases
• Historical archives
(some digital others not)
• Genealogy sites
(ancestry.com)
• Library of Congress
13. Steps to Researching
• Make a list of primary sources +
track them down + seek
permission from the archivist
• Know before you go: what
you’re going to see, who can
give you access, how much
time you’ll have, and how you’ll
track, copy, and annotate
archival information.
14. Evaluating Sources
• Does it have a bibliography?
• Is is an academic source? A
government source? A
business?
• What biases are apparent?
• Anonymous or
identifying/contact information?
