SlideShare a Scribd company logo
1 of 135
UNIT 3
ASIA – ROMAN EMPIRE
REVIEW SESSION
TEST FORMAT AND REMINDERS
1) Please remember to at least put a date! If you
are around the correct date you will receive
credit --- no date = no credit
2) Try at the vocab; you can receive partial credit if
so
3) Actually do the essay – write at least one
paragraph and you’ll get +15 points right there
South and Southeast Asia
Indus Civilization, 3rd millennium B.C.E.: advanced ancient
civilization, main city called Mohenjo-daro, traded with Mesopotamian,
writing but can’t read it
Ashoka: king who promoted Buddhist belief; had army in battle and saw
all the suffering, and had a conversion which caused him to promote peace
Buddhism: birth place= India; this prince went around meditating, then
one day accomplished enlightenment under a tree; the idea that the world
is full of suffering, and letting that go; symbols of Buddha: turning wheel,
elephants, lions, foot prints
Hinduism: practice belief in many multiple deities
-View of Mohenjo-daro,c.
-2600-1900 B.C.E.
-main city in the advanced ancient
civilization, Indus, no direct signs
of a palace
- Great Bath from Mohenjo-daro
- 2600-1900 BCE
- possibly a sacred bathing area for
ritual cleansing
-Sarnath, lion capital
-c. 250 B.C.E.
-no images of Buddha, only
symbols of him
-Sanchi, Great Stupa
- 3rd c. B.C.E. – 1st c. C.E.
- Ashoka made these temples for
mediation, walked around stupa
to help achieve enlightenment
-Karle, chaitya Hall
-c. 100 C.E.
-stupa at the end of the long
hallway of columns for mediation
-Ghandara Buddha
-2nd c. C.E.
-Greek culture brought to India, so
sculpture began to have western
influence
-Mathura Buddha
-2nd c. C.E.
-not so much attention given to
proportion, certain hand positions
have meaning, this one means do-
not-fear
-Sarnath Buddha
-5th c. C.E.
-the discoloration is due to people
coming up and touching the statue
-Elephanta, Shiva as Mahadeva
-c. 550-570 C.E.
-Shiva is the deity of creation and
distruction, that’s why there are
multiple heads
-Mamallapuram, rock-cut
temples
-2nd half 7th c.
-very small temples, almost like
models of larger ones, could leave
offerings and maybe the gods
would come
-Khajuraho, Vishvanatha Temple
-c. 1000
-not a place for communal worship,
only have priest and officials go
inside
-Java, Great Stupa at
Borobudur
- c. 800
- symbolizes the heavens and
earth, functions as a place of
meditation
-Cambodia, Angkor Wat
-12th c.
-connected by waterways,
architecture symbolized mountain
range
China
Kong Fuzi: also known as Confusious; respecting your place in society and doing
service, had a role and rules about how you behave (ex, honor your emperor, family,
ancestors)
Laozi and Zhuangzi: Founders of Daoism, withdrawing from the world and finding
personal enlightenment
Daoism (Taoism): Laozi and Zhuangzi are the founders of Daoism; withdrawing from
the world and finding personal enlightenment
Pagoda: Chinese building with multiple roofs that slightly curve up
Porcelain: a type of ceramic made from white clay, baked at a high temperature, that was
mastered by the Chinese, and was exported to surrounding countries
Emperor Huizong: was an artist and poet
CONVENTIONS: no framing, inspired by landscape, poetry and stamps on the painting
itself, multiple perspective
-Shang dynasty bronze vessel
-12-11th c. B.C.E.
-during the bronze age dynasty in
china, used for funerals if an elite
person died, top part of body is lid
of vessel
-Army of 1st emperor of Qin
-c. 210 B.C.E.
- the terra cotta soldiers sculpted are
all different looking, may be actual
people that served for the emperor
-Buddha
- 338 C.E.
- differs from southeast Asian in
that the hands are flat against its
belly, shows that buddism
traveled to china at some point
-Gu Kaizhi
-Lady Feng and the Bear
-late 4th c. C.E.
-The lady was serving the court and
a bear attacked the emperor, and
she threw herself in front of him;
example of Confucianism because
of sacrificing self for honored ones
-Tang dynasty horse
-8-9th c.
-shows how these sculptures were
glazed
-Fan Kuan
-Travelers among mountains and
streams
-early 11th c.
-shows the dominance of nature,
due to the massive mountain, and
the tiny little figures you can barely
see, shows multiple perspectives to
perceive depth
-Ma Yuan
-On a mountain path in spring
-13th c.
-for a book of poetry, shows it can
be a collaborative effort between art
and poetry, can relate to Daoism
-Liang Kai
-6th Chan Patriarch chopping
bamboo
-early 13th c.
-Buddhist inspired art work; shows
the moment of someone reaching
enlightenment by doing a daily task
-Yuan dynasty temple vase
-1351
-contains the popular subject of a
dragon, used for temple rituals
-Forbidden City, Beijing
-15th c. and later
-home of the emperor, now open to
the people to show that the leader
thinks all people are equal
Ai Wei Wei, Remembering, 2009: because of
the way the Chinese government are treating
their people, this artist uses sometimes profane
ideas/concepts to prove the point that Chinas
culture is depleting; this piece is a protest of
the government’s reaction to an earthquake that
happened, and killed children in schools; the
writing is a quote from one of the mothers
-Crown from Silla dynasty
-KOREA
-700-900 C.E.
-made of gold and jade, made in
comma shapes, which was a
convention of this dynasty
-Maebyong vase
-KOREA
-ca. 1000 C.E.
-may be an imitation of the mineral
jade
Japan
Shinto: nature based religion that has gods and goddesses
that are related to the natural cycles of nature
isometric perspective: using parallel lines to show depth
and perspective; lines to not connect
wabi: simple, natural, rustic look; seen in architecture and
ceramics
CONVENTIONS: Zen Buddhism, elongated forms
-Tomb of Emperor Nintoku
-late 4th-early 5th c.
- example of key-hole tomb, put
moat around it to protect from
invaders
-Ise Shrine
-as rebuilt 1973 from 5th c. design
-keep rebuilding the shrine every
now and then based off 5th c design,
a house of the god
-Tori Busshi, Shaka Triad
-623
-sculpture of Buddha, similar to
Indian sculptures with the halo and
hand symbols
-Horiyuji Kondo (Golden Hall),
Nara
-c. 680
-one of the oldest standing wooden
buildings, all the pieces of wood fit
together like a puzzle
-Phoenix Hall, Uji
-1053
-painted, inspired by china, its plan
is in the shape of a bird
-Genji visits Murasaki, hand
scroll
-12th c.
-an example of a work using
isometric perspective
-Burning of the Sanjo Palace
scroll
-13th c.
-political uprising, isometric
perspective
-Sesshu Toyo
-landscape
-1495
-influenced by hanging scroll
Chinese painting,
-Tohaku
-Pine Forest
-late 16th c.
-example of a door screen,
atmospheric perspective (things
fading away in the distance)
-Katsura Imperial Villa, Kyoto
- 17th c.
- uses the wabi style, very
simplistic with not a lot of art or
furniture
-Hokusai
-The Great Wave
-c. 1826-1833
-Mount Fuji, asymmetrically
balanced, shows the power of
nature
Etruscan and Early Roman
Etruscan peak: 700-500 B.C.E., inspiration from Greek, known
for their tombs, art begins to get more dark when the romans start
to take over, still doing the lost-wax bronzing technique
Tuscan column: variety of Doric; has a base that connects to the
podium, no ridges in the flute
CONVENTIONS OF ARCHITECTURE: roof overhangs, terra
cotta sculptures on top of roof, columns just in the front, emphasis
on frontality, has a podium, variety of doric called tuscan
-Model of Etruscan temple
-6th c. B.C.E.
-CONVENTIONS OF
ARCHITECTURE
-> roof overhangs, terra cotta
sculptures on top of roof, columns
just in the front, emphasis on
frontality, has a podium, variety of
doric called tuscan
-Apulu of Veii
-c. 510-500 B.C.E.
-version of Apollo, sculpture from
ontop of Etruscan temple, has that
archaic smile and flat drapery
inspired from greek art, see more
action
-Sarcophagus of couple
-520 B.C.E.
-a coffin that contained cremated
remains, shows a couple reclining
at a dinner party, holding eggs as a
symbol of rebirth
-Tomb of Leopards, Tarquinia
-c. 480 B.C.E.
-like greeks, showed men with a
darker skin tone then females,
-Tomb of Hunting and Fishing
-c. 530-520 B.C.E.
-shows the love of landscape,
similar to Minoan with the random
placement of animals
-Capitoline Wolf
-c. 500-480 B.C.E.
-Romulus and Remus become the
founders of rome; could be an
original estruscan story
-Sarcophagus of Lars Pulena
-early 2nd c. B.C.E.
-not idealized, more realistic, shows
etruscans were interested in
depicted real portraits of their
people
Roman Republic
Roman Republic: 509 B.C.E.-27 B.C.E., begins when they kick out the Etruscans, ends when
Arch:
barrel vault: Mesopotamian vault that arcs, upside down U
groin vault: two barrel vaults that meet at right angles, more airy and open
dome: created in Mesopotamia, but romans exploited it
basilica: rectangular building with columns on the inside, don’t have any specific function, multipurpose
building
PARTS OF ROMAN HOUSE:
atrium: a skylight that lets light and rain into impluvium pool
impluvium: pool in atrium that collects rain water from skylight
tablinum: the man of the household’s office
cubiculum: single bedrooms
Painting styles:
First style: Masonry, fake stone, paint the walls to look like marble
Second style: Architectural, realistic looking architecture that creates a 3D landscape, illusionistic, makes
room looks bigger
-Temple of Portunus, Rome
-c. 75 B.C.E.
-ionic order, columns look like they
go all the way around, but they
actually are just half columns
connected to the wall, still a focus
on frontality with the podium and
large steps, combination of greek
and Etruscan ideas
-Sanctuary of Fortuna
Primigenia, Palestrina
-late 2nd c. B.C.E.
-inspired by Hellenistic art and
Pergamon, oracle site
-Samnite House, Herculaneum
-late 2nd c. B.C.E.
-shows an example of first style
painting
-Cubiculum of Boscoreale
-ca. 60-50 B.C.E.
-shows an example of the second
painting style, looks like they had
the idea of linear perspective, but
didn’t perfect it
-Head of an old man,
-c. 50 B.C.E.
-starting to see the use of plebian
style
-Funerary relief of Gessii
-c. 30 B.C.E.
-starting to see the use of plebian
style
Early Roman Empire
Roman Empire: 27 B.C.E. - ca. 400 C.E.
Octavian/Augustus: takes over after Cesar, renamed Augustus after a win in battle
Painting styles of Empire:
3rd style – Ornate: very small works of art, floating landscape, and flat columns
4th style – Intricate: combo of 2nd and 3rd style
Sculpture styles:
Plebeian: lower social class characterized by disproportions
Verism: super realistic
Classicism: Augustus, shows interest in greek classicizing
Amphitheater: entertainment venue used for sporting events, performances, etc.
forum: heart of roman city; markets, main temples
SLIDES
Pompeii, basilica, 2nd c. B.C.E.
3rd style painting, Boscotrecase, ca. 10 B.C.E.
Augustus of Prima Porta, copy of bronze original of c. 20 B.C.E.
Bust of Livia, early 1st c. B.C.E.
Ara Pacis Augustae, 13-9 B.C.E.
Imperial family procession
Pont du Gard, Nîmes, c. 16 B.C.E.
Severus and Celer, Domus Aurea, 64-68 C.E.
4th style wall painting, Domus Aurea
Vespasian, 75-79 C.E.
Colosseum, c. 70-80 C.E.: Tuscan doric on bottom, ionic middle, and Corinthian on top (a lot like stoa of
attalos)
Arch of Titus, after 81 C.E.: Titus ruler won battle against Jerusalem and this shows triumph
Spoils of Jerusalem relief: shows the parade where there they showing off the things they stole
Triumph of Titus relief: shows the procession of titus
High Roman Empire - 96-192 C.E.
--used military fort grid system to inspire city plans
Apollodorus of Damascus,
Forum of Trajan, dedic. 112
C.E.:
Reconstruction of forum:
provided to the people (libraries
and shopping mall)
Basilica Ulpia: uses clerestory,
love of interior space
Column of Trajan: celebrates
building project and trajan’s
military campaigns
Market Hall: uses concrete
groin vaults
-Portrait of Hadrian
-c. 117-120 C.E.
-loved greek, classicized, started the
fashion for roman emperors to sport
beards
-Pantheon
-c. 118-125 C.E. exterior, interior
-temple of all the gods, first
building to have both a dome and
greek style pediment, frontality,
wanted to associate with reign of
augustus; emphasis on space
-Funerary relief of vegetable
seller
-2nd c. C.E.
-plebian style, flat, oversized hands
Apotheosis of Antoninus Pius &
Faustina, c.161 C.E.: shows the
“becoming of a god,” classicism,
same story on both sides,
Apotheosis relief: classism side
Decursio relief: plebian,
awkward sense of space
-Equestrian statue of Marcus
Aurelius
-c. 175 C.E.
-used to be outside, then brought
inside to protect
Late Roman Empire
Late Roman Empire, 193-337 C.E.: broken pediments,
linear flat sculpture
-Painted portrait of Septimius
Severus & family
-200 C.E.
-only surviving painted portrait of a
roman emperor
-Caracalla
-c. 211-217 C.E.
-built a gigantic bath house, known
for ruling during age of anxiety
-Baths of Caracalla, Rome, plan
-212-216 C.E.
-built for the people, decorated the
interior
-Ludovisi sarcophagus
-250-260 C.E.
-chaotic, no coherent space, shows
suffering
-Temple of Venus, Baalbek
-3rd c. C.E.
-scalloped, had a pediment, podium,
and is enclosed
-Tetrarchs
-c. 305 C.E.
-a ruler decided to split empire in
two with four rulers, art meant to
send message that they got each
other’s back, look the same so rule
the same

More Related Content

What's hot

Summer Ap Art History
Summer Ap Art HistorySummer Ap Art History
Summer Ap Art Historybassmanb
 
The Etruscans 2015 16, CCA Mrs. Hill
The Etruscans 2015 16, CCA Mrs. HillThe Etruscans 2015 16, CCA Mrs. Hill
The Etruscans 2015 16, CCA Mrs. Hillkaychill
 
2. ancient mediterranean
2. ancient mediterranean 2. ancient mediterranean
2. ancient mediterranean ashelytaylorart
 
Etruscannotes
EtruscannotesEtruscannotes
Etruscannotesdneesio
 
04 the art of mesopotamia and egypt
04 the art of mesopotamia and egypt04 the art of mesopotamia and egypt
04 the art of mesopotamia and egyptLilimay Manalo
 
Egyptian (Pp Tminimizer)
Egyptian (Pp Tminimizer)Egyptian (Pp Tminimizer)
Egyptian (Pp Tminimizer)dneesio
 
1º ESO - Greek art (Architecture and scupture)
1º ESO - Greek art (Architecture and scupture)1º ESO - Greek art (Architecture and scupture)
1º ESO - Greek art (Architecture and scupture)JaimeAlonsoEdu
 
Art of The Ancient Near East - Mesopotamia and Persia
Art of The Ancient Near East - Mesopotamia and PersiaArt of The Ancient Near East - Mesopotamia and Persia
Art of The Ancient Near East - Mesopotamia and PersiaChristine Ege
 
Hellenistic2
Hellenistic2Hellenistic2
Hellenistic2dneesio
 
Ap art history test 3
Ap art history test 3Ap art history test 3
Ap art history test 3mary294254374
 
Neareastpresentation (Pp Tminimizer)
Neareastpresentation (Pp Tminimizer)Neareastpresentation (Pp Tminimizer)
Neareastpresentation (Pp Tminimizer)dneesio
 
Ancient Rome Part 2
Ancient Rome Part 2Ancient Rome Part 2
Ancient Rome Part 2smolinskiel
 
Aegean Art: Chapter 4
Aegean Art: Chapter 4Aegean Art: Chapter 4
Aegean Art: Chapter 4smolinskiel
 
Egyptian (pp tminimizer)
Egyptian (pp tminimizer)Egyptian (pp tminimizer)
Egyptian (pp tminimizer)dneesio
 
Prehistoric art and mesopotamian art
Prehistoric art and mesopotamian artPrehistoric art and mesopotamian art
Prehistoric art and mesopotamian artChristian Villanueva
 
ARTID111 Ancient Greek Art - Part 2
ARTID111 Ancient Greek Art - Part 2ARTID111 Ancient Greek Art - Part 2
ARTID111 Ancient Greek Art - Part 2Edeliza Macalandag
 

What's hot (20)

Roman
RomanRoman
Roman
 
Summer Ap Art History
Summer Ap Art HistorySummer Ap Art History
Summer Ap Art History
 
The Etruscans 2015 16, CCA Mrs. Hill
The Etruscans 2015 16, CCA Mrs. HillThe Etruscans 2015 16, CCA Mrs. Hill
The Etruscans 2015 16, CCA Mrs. Hill
 
2. ancient mediterranean
2. ancient mediterranean 2. ancient mediterranean
2. ancient mediterranean
 
Etruscannotes
EtruscannotesEtruscannotes
Etruscannotes
 
04 the art of mesopotamia and egypt
04 the art of mesopotamia and egypt04 the art of mesopotamia and egypt
04 the art of mesopotamia and egypt
 
Egyptian (Pp Tminimizer)
Egyptian (Pp Tminimizer)Egyptian (Pp Tminimizer)
Egyptian (Pp Tminimizer)
 
Midterm review2
Midterm review2Midterm review2
Midterm review2
 
1º ESO - Greek art (Architecture and scupture)
1º ESO - Greek art (Architecture and scupture)1º ESO - Greek art (Architecture and scupture)
1º ESO - Greek art (Architecture and scupture)
 
Greek
GreekGreek
Greek
 
Art of The Ancient Near East - Mesopotamia and Persia
Art of The Ancient Near East - Mesopotamia and PersiaArt of The Ancient Near East - Mesopotamia and Persia
Art of The Ancient Near East - Mesopotamia and Persia
 
Hellenistic2
Hellenistic2Hellenistic2
Hellenistic2
 
Ap art history test 3
Ap art history test 3Ap art history test 3
Ap art history test 3
 
Neareastpresentation (Pp Tminimizer)
Neareastpresentation (Pp Tminimizer)Neareastpresentation (Pp Tminimizer)
Neareastpresentation (Pp Tminimizer)
 
Ancient Rome Part 2
Ancient Rome Part 2Ancient Rome Part 2
Ancient Rome Part 2
 
Aegean Art: Chapter 4
Aegean Art: Chapter 4Aegean Art: Chapter 4
Aegean Art: Chapter 4
 
Egyptian (pp tminimizer)
Egyptian (pp tminimizer)Egyptian (pp tminimizer)
Egyptian (pp tminimizer)
 
Prehistoric art and mesopotamian art
Prehistoric art and mesopotamian artPrehistoric art and mesopotamian art
Prehistoric art and mesopotamian art
 
Chapter 5
Chapter 5Chapter 5
Chapter 5
 
ARTID111 Ancient Greek Art - Part 2
ARTID111 Ancient Greek Art - Part 2ARTID111 Ancient Greek Art - Part 2
ARTID111 Ancient Greek Art - Part 2
 

Similar to ARTH 101 Unit 3 Review Session

01 final southern ar ttttt
01 final southern ar ttttt01 final southern ar ttttt
01 final southern ar tttttbassmanb
 
Art History Mesopotamia ppt.
Art History Mesopotamia ppt.Art History Mesopotamia ppt.
Art History Mesopotamia ppt.Melinda Darrow
 
Week6 roman middleages_part2
Week6 roman middleages_part2Week6 roman middleages_part2
Week6 roman middleages_part2nateabels
 
Mauryan gandhar-gupta
Mauryan gandhar-guptaMauryan gandhar-gupta
Mauryan gandhar-guptaAppyRocks
 
October 15 - Ancient Arts HUM 15
October 15 - Ancient Arts HUM 15October 15 - Ancient Arts HUM 15
October 15 - Ancient Arts HUM 15Ida Torres
 
AP Art History - Ancient Near East & Egypt
AP Art History - Ancient Near East & Egypt AP Art History - Ancient Near East & Egypt
AP Art History - Ancient Near East & Egypt amityapah
 
Greek and romans chapter 7 earlychinesejapaneseart 101012153900-phpapp01
Greek and romans chapter 7 earlychinesejapaneseart 101012153900-phpapp01Greek and romans chapter 7 earlychinesejapaneseart 101012153900-phpapp01
Greek and romans chapter 7 earlychinesejapaneseart 101012153900-phpapp01Karen Owens
 
Content Area 2 part I - Ancient Near East & Egypt
Content Area 2 part I - Ancient Near East & EgyptContent Area 2 part I - Ancient Near East & Egypt
Content Area 2 part I - Ancient Near East & EgyptJackie Valenzuela
 
Part 1 - WorshipReligion Exhibition(page 303)1. Chapter 9.docx
Part 1 - WorshipReligion Exhibition(page 303)1. Chapter 9.docxPart 1 - WorshipReligion Exhibition(page 303)1. Chapter 9.docx
Part 1 - WorshipReligion Exhibition(page 303)1. Chapter 9.docxsmile790243
 
Early river valley civilizations
Early river valley civilizations Early river valley civilizations
Early river valley civilizations KeithNeal2
 
Indian art and japanese art
Indian art and japanese artIndian art and japanese art
Indian art and japanese artrizault3
 
Art of Kushana Period (Gandhara & Mathura) : An Introduction
Art of Kushana Period (Gandhara & Mathura) : An IntroductionArt of Kushana Period (Gandhara & Mathura) : An Introduction
Art of Kushana Period (Gandhara & Mathura) : An IntroductionBanaras Hindu University
 
Ch 2 Lecture
Ch 2 LectureCh 2 Lecture
Ch 2 Lectured cason
 
Ch 2-lecture
Ch 2-lectureCh 2-lecture
Ch 2-lectured cason
 
Unit 2 Rise of Civilization
Unit 2 Rise of CivilizationUnit 2 Rise of Civilization
Unit 2 Rise of Civilizationrenee7806
 
Ap Art History Art Of South Southeast Asia
Ap Art History Art Of South Southeast AsiaAp Art History Art Of South Southeast Asia
Ap Art History Art Of South Southeast Asiabassmanb
 
Chinese And Korean Art Slides [1]
Chinese And Korean Art Slides [1]Chinese And Korean Art Slides [1]
Chinese And Korean Art Slides [1]bassmanb
 

Similar to ARTH 101 Unit 3 Review Session (20)

01 final southern ar ttttt
01 final southern ar ttttt01 final southern ar ttttt
01 final southern ar ttttt
 
Art History Mesopotamia ppt.
Art History Mesopotamia ppt.Art History Mesopotamia ppt.
Art History Mesopotamia ppt.
 
Week6 roman middleages_part2
Week6 roman middleages_part2Week6 roman middleages_part2
Week6 roman middleages_part2
 
Mauryan gandhar-gupta
Mauryan gandhar-guptaMauryan gandhar-gupta
Mauryan gandhar-gupta
 
October 15 - Ancient Arts HUM 15
October 15 - Ancient Arts HUM 15October 15 - Ancient Arts HUM 15
October 15 - Ancient Arts HUM 15
 
AP Art History - Ancient Near East & Egypt
AP Art History - Ancient Near East & Egypt AP Art History - Ancient Near East & Egypt
AP Art History - Ancient Near East & Egypt
 
Greek and romans chapter 7 earlychinesejapaneseart 101012153900-phpapp01
Greek and romans chapter 7 earlychinesejapaneseart 101012153900-phpapp01Greek and romans chapter 7 earlychinesejapaneseart 101012153900-phpapp01
Greek and romans chapter 7 earlychinesejapaneseart 101012153900-phpapp01
 
Content Area 2 part I - Ancient Near East & Egypt
Content Area 2 part I - Ancient Near East & EgyptContent Area 2 part I - Ancient Near East & Egypt
Content Area 2 part I - Ancient Near East & Egypt
 
Part 1 - WorshipReligion Exhibition(page 303)1. Chapter 9.docx
Part 1 - WorshipReligion Exhibition(page 303)1. Chapter 9.docxPart 1 - WorshipReligion Exhibition(page 303)1. Chapter 9.docx
Part 1 - WorshipReligion Exhibition(page 303)1. Chapter 9.docx
 
Unit 3: Aegean
Unit 3:  AegeanUnit 3:  Aegean
Unit 3: Aegean
 
Early river valley civilizations
Early river valley civilizations Early river valley civilizations
Early river valley civilizations
 
Indian art and japanese art
Indian art and japanese artIndian art and japanese art
Indian art and japanese art
 
Art of Kushana Period (Gandhara & Mathura) : An Introduction
Art of Kushana Period (Gandhara & Mathura) : An IntroductionArt of Kushana Period (Gandhara & Mathura) : An Introduction
Art of Kushana Period (Gandhara & Mathura) : An Introduction
 
Ch 2 Lecture
Ch 2 LectureCh 2 Lecture
Ch 2 Lecture
 
Ch 2-lecture
Ch 2-lectureCh 2-lecture
Ch 2-lecture
 
Unit 2 Rise of Civilization
Unit 2 Rise of CivilizationUnit 2 Rise of Civilization
Unit 2 Rise of Civilization
 
Ap Art History Art Of South Southeast Asia
Ap Art History Art Of South Southeast AsiaAp Art History Art Of South Southeast Asia
Ap Art History Art Of South Southeast Asia
 
Chinese And Korean Art Slides [1]
Chinese And Korean Art Slides [1]Chinese And Korean Art Slides [1]
Chinese And Korean Art Slides [1]
 
Romanartpart i
Romanartpart iRomanartpart i
Romanartpart i
 
Indian art history
Indian art historyIndian art history
Indian art history
 

Recently uploaded

Aiims Call Girls : ☎ 8527673949, Low rate Call Girls
Aiims Call Girls : ☎ 8527673949, Low rate Call GirlsAiims Call Girls : ☎ 8527673949, Low rate Call Girls
Aiims Call Girls : ☎ 8527673949, Low rate Call Girlsashishs7044
 
Mandi House Call Girls : ☎ 8527673949, Low rate Call Girls
Mandi House Call Girls : ☎ 8527673949, Low rate Call GirlsMandi House Call Girls : ☎ 8527673949, Low rate Call Girls
Mandi House Call Girls : ☎ 8527673949, Low rate Call Girlsashishs7044
 
8377087607, Door Step Call Girls In Gaur City (NOIDA) 24/7 Available
8377087607, Door Step Call Girls In Gaur City (NOIDA) 24/7 Available8377087607, Door Step Call Girls In Gaur City (NOIDA) 24/7 Available
8377087607, Door Step Call Girls In Gaur City (NOIDA) 24/7 Availabledollysharma2066
 
Akola Call Girls #9907093804 Contact Number Escorts Service Akola
Akola Call Girls #9907093804 Contact Number Escorts Service AkolaAkola Call Girls #9907093804 Contact Number Escorts Service Akola
Akola Call Girls #9907093804 Contact Number Escorts Service Akolasrsj9000
 
Burari Call Girls : ☎ 8527673949, Low rate Call Girls
Burari Call Girls : ☎ 8527673949, Low rate Call GirlsBurari Call Girls : ☎ 8527673949, Low rate Call Girls
Burari Call Girls : ☎ 8527673949, Low rate Call Girlsashishs7044
 
Roadrunner Lodge, Motel/Residence, Tucumcari NM
Roadrunner Lodge, Motel/Residence, Tucumcari NMRoadrunner Lodge, Motel/Residence, Tucumcari NM
Roadrunner Lodge, Motel/Residence, Tucumcari NMroute66connected
 
FULL ENJOY - 9953040155 Call Girls in Gtb Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Gtb Nagar | DelhiFULL ENJOY - 9953040155 Call Girls in Gtb Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Gtb Nagar | DelhiMalviyaNagarCallGirl
 
FULL ENJOY - 9953040155 Call Girls in Karol Bagh | Delhi
FULL ENJOY - 9953040155 Call Girls in Karol Bagh | DelhiFULL ENJOY - 9953040155 Call Girls in Karol Bagh | Delhi
FULL ENJOY - 9953040155 Call Girls in Karol Bagh | DelhiMalviyaNagarCallGirl
 
FULL ENJOY - 9953040155 Call Girls in Dwarka Mor | Delhi
FULL ENJOY - 9953040155 Call Girls in Dwarka Mor | DelhiFULL ENJOY - 9953040155 Call Girls in Dwarka Mor | Delhi
FULL ENJOY - 9953040155 Call Girls in Dwarka Mor | DelhiMalviyaNagarCallGirl
 
Govindpuri Call Girls : ☎ 8527673949, Low rate Call Girls
Govindpuri Call Girls : ☎ 8527673949, Low rate Call GirlsGovindpuri Call Girls : ☎ 8527673949, Low rate Call Girls
Govindpuri Call Girls : ☎ 8527673949, Low rate Call Girlsashishs7044
 
Strip Zagor Extra 322 - Dva ortaka.pdf
Strip   Zagor Extra 322 - Dva ortaka.pdfStrip   Zagor Extra 322 - Dva ortaka.pdf
Strip Zagor Extra 322 - Dva ortaka.pdfStripovizijacom
 
Bur Dubai Call Girls O58993O4O2 Call Girls in Bur Dubai
Bur Dubai Call Girls O58993O4O2 Call Girls in Bur DubaiBur Dubai Call Girls O58993O4O2 Call Girls in Bur Dubai
Bur Dubai Call Girls O58993O4O2 Call Girls in Bur Dubaidajasot375
 
FULL ENJOY - 9953040155 Call Girls in Uttam Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Uttam Nagar | DelhiFULL ENJOY - 9953040155 Call Girls in Uttam Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Uttam Nagar | DelhiMalviyaNagarCallGirl
 
Call Girl Service in Karachi +923081633338 Karachi Call Girls
Call Girl Service in Karachi +923081633338 Karachi Call GirlsCall Girl Service in Karachi +923081633338 Karachi Call Girls
Call Girl Service in Karachi +923081633338 Karachi Call GirlsAyesha Khan
 
Faridabad Call Girls : ☎ 8527673949, Low rate Call Girls
Faridabad Call Girls : ☎ 8527673949, Low rate Call GirlsFaridabad Call Girls : ☎ 8527673949, Low rate Call Girls
Faridabad Call Girls : ☎ 8527673949, Low rate Call Girlsashishs7044
 
FULL ENJOY - 9953040155 Call Girls in Mahipalpur | Delhi
FULL ENJOY - 9953040155 Call Girls in Mahipalpur | DelhiFULL ENJOY - 9953040155 Call Girls in Mahipalpur | Delhi
FULL ENJOY - 9953040155 Call Girls in Mahipalpur | DelhiMalviyaNagarCallGirl
 
Khanpur Call Girls : ☎ 8527673949, Low rate Call Girls
Khanpur Call Girls : ☎ 8527673949, Low rate Call GirlsKhanpur Call Girls : ☎ 8527673949, Low rate Call Girls
Khanpur Call Girls : ☎ 8527673949, Low rate Call Girlsashishs7044
 
Call Girls in Islamabad | 03274100048 | Call Girl Service
Call Girls in Islamabad | 03274100048 | Call Girl ServiceCall Girls in Islamabad | 03274100048 | Call Girl Service
Call Girls in Islamabad | 03274100048 | Call Girl ServiceAyesha Khan
 
Russian⚡ Call Girls In Sector 39 Noida✨8375860717⚡Escorts Service
Russian⚡ Call Girls In Sector 39 Noida✨8375860717⚡Escorts ServiceRussian⚡ Call Girls In Sector 39 Noida✨8375860717⚡Escorts Service
Russian⚡ Call Girls In Sector 39 Noida✨8375860717⚡Escorts Servicedoor45step
 
Jagat Puri Call Girls : ☎ 8527673949, Low rate Call Girls
Jagat Puri Call Girls : ☎ 8527673949, Low rate Call GirlsJagat Puri Call Girls : ☎ 8527673949, Low rate Call Girls
Jagat Puri Call Girls : ☎ 8527673949, Low rate Call Girlsashishs7044
 

Recently uploaded (20)

Aiims Call Girls : ☎ 8527673949, Low rate Call Girls
Aiims Call Girls : ☎ 8527673949, Low rate Call GirlsAiims Call Girls : ☎ 8527673949, Low rate Call Girls
Aiims Call Girls : ☎ 8527673949, Low rate Call Girls
 
Mandi House Call Girls : ☎ 8527673949, Low rate Call Girls
Mandi House Call Girls : ☎ 8527673949, Low rate Call GirlsMandi House Call Girls : ☎ 8527673949, Low rate Call Girls
Mandi House Call Girls : ☎ 8527673949, Low rate Call Girls
 
8377087607, Door Step Call Girls In Gaur City (NOIDA) 24/7 Available
8377087607, Door Step Call Girls In Gaur City (NOIDA) 24/7 Available8377087607, Door Step Call Girls In Gaur City (NOIDA) 24/7 Available
8377087607, Door Step Call Girls In Gaur City (NOIDA) 24/7 Available
 
Akola Call Girls #9907093804 Contact Number Escorts Service Akola
Akola Call Girls #9907093804 Contact Number Escorts Service AkolaAkola Call Girls #9907093804 Contact Number Escorts Service Akola
Akola Call Girls #9907093804 Contact Number Escorts Service Akola
 
Burari Call Girls : ☎ 8527673949, Low rate Call Girls
Burari Call Girls : ☎ 8527673949, Low rate Call GirlsBurari Call Girls : ☎ 8527673949, Low rate Call Girls
Burari Call Girls : ☎ 8527673949, Low rate Call Girls
 
Roadrunner Lodge, Motel/Residence, Tucumcari NM
Roadrunner Lodge, Motel/Residence, Tucumcari NMRoadrunner Lodge, Motel/Residence, Tucumcari NM
Roadrunner Lodge, Motel/Residence, Tucumcari NM
 
FULL ENJOY - 9953040155 Call Girls in Gtb Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Gtb Nagar | DelhiFULL ENJOY - 9953040155 Call Girls in Gtb Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Gtb Nagar | Delhi
 
FULL ENJOY - 9953040155 Call Girls in Karol Bagh | Delhi
FULL ENJOY - 9953040155 Call Girls in Karol Bagh | DelhiFULL ENJOY - 9953040155 Call Girls in Karol Bagh | Delhi
FULL ENJOY - 9953040155 Call Girls in Karol Bagh | Delhi
 
FULL ENJOY - 9953040155 Call Girls in Dwarka Mor | Delhi
FULL ENJOY - 9953040155 Call Girls in Dwarka Mor | DelhiFULL ENJOY - 9953040155 Call Girls in Dwarka Mor | Delhi
FULL ENJOY - 9953040155 Call Girls in Dwarka Mor | Delhi
 
Govindpuri Call Girls : ☎ 8527673949, Low rate Call Girls
Govindpuri Call Girls : ☎ 8527673949, Low rate Call GirlsGovindpuri Call Girls : ☎ 8527673949, Low rate Call Girls
Govindpuri Call Girls : ☎ 8527673949, Low rate Call Girls
 
Strip Zagor Extra 322 - Dva ortaka.pdf
Strip   Zagor Extra 322 - Dva ortaka.pdfStrip   Zagor Extra 322 - Dva ortaka.pdf
Strip Zagor Extra 322 - Dva ortaka.pdf
 
Bur Dubai Call Girls O58993O4O2 Call Girls in Bur Dubai
Bur Dubai Call Girls O58993O4O2 Call Girls in Bur DubaiBur Dubai Call Girls O58993O4O2 Call Girls in Bur Dubai
Bur Dubai Call Girls O58993O4O2 Call Girls in Bur Dubai
 
FULL ENJOY - 9953040155 Call Girls in Uttam Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Uttam Nagar | DelhiFULL ENJOY - 9953040155 Call Girls in Uttam Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in Uttam Nagar | Delhi
 
Call Girl Service in Karachi +923081633338 Karachi Call Girls
Call Girl Service in Karachi +923081633338 Karachi Call GirlsCall Girl Service in Karachi +923081633338 Karachi Call Girls
Call Girl Service in Karachi +923081633338 Karachi Call Girls
 
Faridabad Call Girls : ☎ 8527673949, Low rate Call Girls
Faridabad Call Girls : ☎ 8527673949, Low rate Call GirlsFaridabad Call Girls : ☎ 8527673949, Low rate Call Girls
Faridabad Call Girls : ☎ 8527673949, Low rate Call Girls
 
FULL ENJOY - 9953040155 Call Girls in Mahipalpur | Delhi
FULL ENJOY - 9953040155 Call Girls in Mahipalpur | DelhiFULL ENJOY - 9953040155 Call Girls in Mahipalpur | Delhi
FULL ENJOY - 9953040155 Call Girls in Mahipalpur | Delhi
 
Khanpur Call Girls : ☎ 8527673949, Low rate Call Girls
Khanpur Call Girls : ☎ 8527673949, Low rate Call GirlsKhanpur Call Girls : ☎ 8527673949, Low rate Call Girls
Khanpur Call Girls : ☎ 8527673949, Low rate Call Girls
 
Call Girls in Islamabad | 03274100048 | Call Girl Service
Call Girls in Islamabad | 03274100048 | Call Girl ServiceCall Girls in Islamabad | 03274100048 | Call Girl Service
Call Girls in Islamabad | 03274100048 | Call Girl Service
 
Russian⚡ Call Girls In Sector 39 Noida✨8375860717⚡Escorts Service
Russian⚡ Call Girls In Sector 39 Noida✨8375860717⚡Escorts ServiceRussian⚡ Call Girls In Sector 39 Noida✨8375860717⚡Escorts Service
Russian⚡ Call Girls In Sector 39 Noida✨8375860717⚡Escorts Service
 
Jagat Puri Call Girls : ☎ 8527673949, Low rate Call Girls
Jagat Puri Call Girls : ☎ 8527673949, Low rate Call GirlsJagat Puri Call Girls : ☎ 8527673949, Low rate Call Girls
Jagat Puri Call Girls : ☎ 8527673949, Low rate Call Girls
 

ARTH 101 Unit 3 Review Session

  • 1. UNIT 3 ASIA – ROMAN EMPIRE REVIEW SESSION
  • 2. TEST FORMAT AND REMINDERS 1) Please remember to at least put a date! If you are around the correct date you will receive credit --- no date = no credit 2) Try at the vocab; you can receive partial credit if so 3) Actually do the essay – write at least one paragraph and you’ll get +15 points right there
  • 3. South and Southeast Asia Indus Civilization, 3rd millennium B.C.E.: advanced ancient civilization, main city called Mohenjo-daro, traded with Mesopotamian, writing but can’t read it Ashoka: king who promoted Buddhist belief; had army in battle and saw all the suffering, and had a conversion which caused him to promote peace Buddhism: birth place= India; this prince went around meditating, then one day accomplished enlightenment under a tree; the idea that the world is full of suffering, and letting that go; symbols of Buddha: turning wheel, elephants, lions, foot prints Hinduism: practice belief in many multiple deities
  • 4.
  • 5. -View of Mohenjo-daro,c. -2600-1900 B.C.E. -main city in the advanced ancient civilization, Indus, no direct signs of a palace
  • 6.
  • 7. - Great Bath from Mohenjo-daro - 2600-1900 BCE - possibly a sacred bathing area for ritual cleansing
  • 8.
  • 9. -Sarnath, lion capital -c. 250 B.C.E. -no images of Buddha, only symbols of him
  • 10.
  • 11. -Sanchi, Great Stupa - 3rd c. B.C.E. – 1st c. C.E. - Ashoka made these temples for mediation, walked around stupa to help achieve enlightenment
  • 12.
  • 13. -Karle, chaitya Hall -c. 100 C.E. -stupa at the end of the long hallway of columns for mediation
  • 14.
  • 15. -Ghandara Buddha -2nd c. C.E. -Greek culture brought to India, so sculpture began to have western influence
  • 16.
  • 17. -Mathura Buddha -2nd c. C.E. -not so much attention given to proportion, certain hand positions have meaning, this one means do- not-fear
  • 18.
  • 19. -Sarnath Buddha -5th c. C.E. -the discoloration is due to people coming up and touching the statue
  • 20.
  • 21. -Elephanta, Shiva as Mahadeva -c. 550-570 C.E. -Shiva is the deity of creation and distruction, that’s why there are multiple heads
  • 22.
  • 23. -Mamallapuram, rock-cut temples -2nd half 7th c. -very small temples, almost like models of larger ones, could leave offerings and maybe the gods would come
  • 24.
  • 25. -Khajuraho, Vishvanatha Temple -c. 1000 -not a place for communal worship, only have priest and officials go inside
  • 26.
  • 27. -Java, Great Stupa at Borobudur - c. 800 - symbolizes the heavens and earth, functions as a place of meditation
  • 28.
  • 29. -Cambodia, Angkor Wat -12th c. -connected by waterways, architecture symbolized mountain range
  • 30. China Kong Fuzi: also known as Confusious; respecting your place in society and doing service, had a role and rules about how you behave (ex, honor your emperor, family, ancestors) Laozi and Zhuangzi: Founders of Daoism, withdrawing from the world and finding personal enlightenment Daoism (Taoism): Laozi and Zhuangzi are the founders of Daoism; withdrawing from the world and finding personal enlightenment Pagoda: Chinese building with multiple roofs that slightly curve up Porcelain: a type of ceramic made from white clay, baked at a high temperature, that was mastered by the Chinese, and was exported to surrounding countries Emperor Huizong: was an artist and poet CONVENTIONS: no framing, inspired by landscape, poetry and stamps on the painting itself, multiple perspective
  • 31.
  • 32. -Shang dynasty bronze vessel -12-11th c. B.C.E. -during the bronze age dynasty in china, used for funerals if an elite person died, top part of body is lid of vessel
  • 33.
  • 34. -Army of 1st emperor of Qin -c. 210 B.C.E. - the terra cotta soldiers sculpted are all different looking, may be actual people that served for the emperor
  • 35.
  • 36. -Buddha - 338 C.E. - differs from southeast Asian in that the hands are flat against its belly, shows that buddism traveled to china at some point
  • 37.
  • 38. -Gu Kaizhi -Lady Feng and the Bear -late 4th c. C.E. -The lady was serving the court and a bear attacked the emperor, and she threw herself in front of him; example of Confucianism because of sacrificing self for honored ones
  • 39.
  • 40. -Tang dynasty horse -8-9th c. -shows how these sculptures were glazed
  • 41.
  • 42. -Fan Kuan -Travelers among mountains and streams -early 11th c. -shows the dominance of nature, due to the massive mountain, and the tiny little figures you can barely see, shows multiple perspectives to perceive depth
  • 43.
  • 44. -Ma Yuan -On a mountain path in spring -13th c. -for a book of poetry, shows it can be a collaborative effort between art and poetry, can relate to Daoism
  • 45.
  • 46. -Liang Kai -6th Chan Patriarch chopping bamboo -early 13th c. -Buddhist inspired art work; shows the moment of someone reaching enlightenment by doing a daily task
  • 47.
  • 48. -Yuan dynasty temple vase -1351 -contains the popular subject of a dragon, used for temple rituals
  • 49.
  • 50. -Forbidden City, Beijing -15th c. and later -home of the emperor, now open to the people to show that the leader thinks all people are equal
  • 51.
  • 52. Ai Wei Wei, Remembering, 2009: because of the way the Chinese government are treating their people, this artist uses sometimes profane ideas/concepts to prove the point that Chinas culture is depleting; this piece is a protest of the government’s reaction to an earthquake that happened, and killed children in schools; the writing is a quote from one of the mothers
  • 53.
  • 54. -Crown from Silla dynasty -KOREA -700-900 C.E. -made of gold and jade, made in comma shapes, which was a convention of this dynasty
  • 55.
  • 56. -Maebyong vase -KOREA -ca. 1000 C.E. -may be an imitation of the mineral jade
  • 57. Japan Shinto: nature based religion that has gods and goddesses that are related to the natural cycles of nature isometric perspective: using parallel lines to show depth and perspective; lines to not connect wabi: simple, natural, rustic look; seen in architecture and ceramics CONVENTIONS: Zen Buddhism, elongated forms
  • 58.
  • 59. -Tomb of Emperor Nintoku -late 4th-early 5th c. - example of key-hole tomb, put moat around it to protect from invaders
  • 60.
  • 61. -Ise Shrine -as rebuilt 1973 from 5th c. design -keep rebuilding the shrine every now and then based off 5th c design, a house of the god
  • 62.
  • 63. -Tori Busshi, Shaka Triad -623 -sculpture of Buddha, similar to Indian sculptures with the halo and hand symbols
  • 64.
  • 65. -Horiyuji Kondo (Golden Hall), Nara -c. 680 -one of the oldest standing wooden buildings, all the pieces of wood fit together like a puzzle
  • 66.
  • 67. -Phoenix Hall, Uji -1053 -painted, inspired by china, its plan is in the shape of a bird
  • 68.
  • 69. -Genji visits Murasaki, hand scroll -12th c. -an example of a work using isometric perspective
  • 70.
  • 71. -Burning of the Sanjo Palace scroll -13th c. -political uprising, isometric perspective
  • 72.
  • 73. -Sesshu Toyo -landscape -1495 -influenced by hanging scroll Chinese painting,
  • 74.
  • 75. -Tohaku -Pine Forest -late 16th c. -example of a door screen, atmospheric perspective (things fading away in the distance)
  • 76.
  • 77. -Katsura Imperial Villa, Kyoto - 17th c. - uses the wabi style, very simplistic with not a lot of art or furniture
  • 78.
  • 79. -Hokusai -The Great Wave -c. 1826-1833 -Mount Fuji, asymmetrically balanced, shows the power of nature
  • 80. Etruscan and Early Roman Etruscan peak: 700-500 B.C.E., inspiration from Greek, known for their tombs, art begins to get more dark when the romans start to take over, still doing the lost-wax bronzing technique Tuscan column: variety of Doric; has a base that connects to the podium, no ridges in the flute CONVENTIONS OF ARCHITECTURE: roof overhangs, terra cotta sculptures on top of roof, columns just in the front, emphasis on frontality, has a podium, variety of doric called tuscan
  • 81.
  • 82. -Model of Etruscan temple -6th c. B.C.E. -CONVENTIONS OF ARCHITECTURE -> roof overhangs, terra cotta sculptures on top of roof, columns just in the front, emphasis on frontality, has a podium, variety of doric called tuscan
  • 83.
  • 84. -Apulu of Veii -c. 510-500 B.C.E. -version of Apollo, sculpture from ontop of Etruscan temple, has that archaic smile and flat drapery inspired from greek art, see more action
  • 85.
  • 86. -Sarcophagus of couple -520 B.C.E. -a coffin that contained cremated remains, shows a couple reclining at a dinner party, holding eggs as a symbol of rebirth
  • 87.
  • 88. -Tomb of Leopards, Tarquinia -c. 480 B.C.E. -like greeks, showed men with a darker skin tone then females,
  • 89.
  • 90. -Tomb of Hunting and Fishing -c. 530-520 B.C.E. -shows the love of landscape, similar to Minoan with the random placement of animals
  • 91.
  • 92. -Capitoline Wolf -c. 500-480 B.C.E. -Romulus and Remus become the founders of rome; could be an original estruscan story
  • 93.
  • 94. -Sarcophagus of Lars Pulena -early 2nd c. B.C.E. -not idealized, more realistic, shows etruscans were interested in depicted real portraits of their people
  • 95. Roman Republic Roman Republic: 509 B.C.E.-27 B.C.E., begins when they kick out the Etruscans, ends when Arch: barrel vault: Mesopotamian vault that arcs, upside down U groin vault: two barrel vaults that meet at right angles, more airy and open dome: created in Mesopotamia, but romans exploited it basilica: rectangular building with columns on the inside, don’t have any specific function, multipurpose building PARTS OF ROMAN HOUSE: atrium: a skylight that lets light and rain into impluvium pool impluvium: pool in atrium that collects rain water from skylight tablinum: the man of the household’s office cubiculum: single bedrooms Painting styles: First style: Masonry, fake stone, paint the walls to look like marble Second style: Architectural, realistic looking architecture that creates a 3D landscape, illusionistic, makes room looks bigger
  • 96.
  • 97. -Temple of Portunus, Rome -c. 75 B.C.E. -ionic order, columns look like they go all the way around, but they actually are just half columns connected to the wall, still a focus on frontality with the podium and large steps, combination of greek and Etruscan ideas
  • 98.
  • 99. -Sanctuary of Fortuna Primigenia, Palestrina -late 2nd c. B.C.E. -inspired by Hellenistic art and Pergamon, oracle site
  • 100.
  • 101. -Samnite House, Herculaneum -late 2nd c. B.C.E. -shows an example of first style painting
  • 102.
  • 103. -Cubiculum of Boscoreale -ca. 60-50 B.C.E. -shows an example of the second painting style, looks like they had the idea of linear perspective, but didn’t perfect it
  • 104.
  • 105. -Head of an old man, -c. 50 B.C.E. -starting to see the use of plebian style
  • 106.
  • 107. -Funerary relief of Gessii -c. 30 B.C.E. -starting to see the use of plebian style
  • 108. Early Roman Empire Roman Empire: 27 B.C.E. - ca. 400 C.E. Octavian/Augustus: takes over after Cesar, renamed Augustus after a win in battle Painting styles of Empire: 3rd style – Ornate: very small works of art, floating landscape, and flat columns 4th style – Intricate: combo of 2nd and 3rd style Sculpture styles: Plebeian: lower social class characterized by disproportions Verism: super realistic Classicism: Augustus, shows interest in greek classicizing Amphitheater: entertainment venue used for sporting events, performances, etc. forum: heart of roman city; markets, main temples
  • 109. SLIDES Pompeii, basilica, 2nd c. B.C.E. 3rd style painting, Boscotrecase, ca. 10 B.C.E. Augustus of Prima Porta, copy of bronze original of c. 20 B.C.E. Bust of Livia, early 1st c. B.C.E. Ara Pacis Augustae, 13-9 B.C.E. Imperial family procession Pont du Gard, Nîmes, c. 16 B.C.E. Severus and Celer, Domus Aurea, 64-68 C.E. 4th style wall painting, Domus Aurea Vespasian, 75-79 C.E. Colosseum, c. 70-80 C.E.: Tuscan doric on bottom, ionic middle, and Corinthian on top (a lot like stoa of attalos) Arch of Titus, after 81 C.E.: Titus ruler won battle against Jerusalem and this shows triumph Spoils of Jerusalem relief: shows the parade where there they showing off the things they stole Triumph of Titus relief: shows the procession of titus
  • 110. High Roman Empire - 96-192 C.E. --used military fort grid system to inspire city plans
  • 111.
  • 112. Apollodorus of Damascus, Forum of Trajan, dedic. 112 C.E.: Reconstruction of forum: provided to the people (libraries and shopping mall) Basilica Ulpia: uses clerestory, love of interior space Column of Trajan: celebrates building project and trajan’s military campaigns Market Hall: uses concrete groin vaults
  • 113.
  • 114. -Portrait of Hadrian -c. 117-120 C.E. -loved greek, classicized, started the fashion for roman emperors to sport beards
  • 115.
  • 116. -Pantheon -c. 118-125 C.E. exterior, interior -temple of all the gods, first building to have both a dome and greek style pediment, frontality, wanted to associate with reign of augustus; emphasis on space
  • 117.
  • 118. -Funerary relief of vegetable seller -2nd c. C.E. -plebian style, flat, oversized hands
  • 119.
  • 120. Apotheosis of Antoninus Pius & Faustina, c.161 C.E.: shows the “becoming of a god,” classicism, same story on both sides, Apotheosis relief: classism side Decursio relief: plebian, awkward sense of space
  • 121.
  • 122. -Equestrian statue of Marcus Aurelius -c. 175 C.E. -used to be outside, then brought inside to protect
  • 123. Late Roman Empire Late Roman Empire, 193-337 C.E.: broken pediments, linear flat sculpture
  • 124.
  • 125. -Painted portrait of Septimius Severus & family -200 C.E. -only surviving painted portrait of a roman emperor
  • 126.
  • 127. -Caracalla -c. 211-217 C.E. -built a gigantic bath house, known for ruling during age of anxiety
  • 128.
  • 129. -Baths of Caracalla, Rome, plan -212-216 C.E. -built for the people, decorated the interior
  • 130.
  • 131. -Ludovisi sarcophagus -250-260 C.E. -chaotic, no coherent space, shows suffering
  • 132.
  • 133. -Temple of Venus, Baalbek -3rd c. C.E. -scalloped, had a pediment, podium, and is enclosed
  • 134.
  • 135. -Tetrarchs -c. 305 C.E. -a ruler decided to split empire in two with four rulers, art meant to send message that they got each other’s back, look the same so rule the same