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Credit changes:
 We have changed The credits of our main production company,
‘Warp Film’. We removed the spacing in between ‘A Warp
Films’ and ‘Production’ so the lettering was together.
 We moved the ‘Directed by Alex Mitchell’ credit to the end as
that was conventional.
 We moved ‘Teil Bertrand’ credit to appear after ‘Anna
Reviakina’ credit as they are the starring actors, rather than
appearing on screen when they individually appear later in the
production.
 We had to change the lettering format for both ‘Written by
Shelly Lam’ and ‘Teil Bertrand’ credits as there was a faint
black box outlining them.
Re-Filming and production
changes
 We re-filmed shot 25 (at the time 1:24) because the
lighting was too harsh on the protagonists face and didn’t
match with the previous shot.
 At the time 1:53, we trimmed down the beginning of the
shot as there was no continuity with the previous shot.
 During shot 30, we cut the antagonists legs because his
trainers were not suitable for the outfit, but also because
we had repeated the shot previously in a separate shot.
Sound changes
 At the time 0:34 and 0:53, we had to lower the volume, as the audios clashed
and also to make it more realistic.
 At the time 0:51, we also lowered the volume as the wind could be heard
hitting the microphone.
 At the times 0:57 and 0:59, we had to match the levels of volume as the
ambient sound levels did not match.
 We changed the audios from a scream to more footsteps that starts and stop
then starts again. We had planned to use a gargling/throat slit sound, that we
had recorded afterwards, however, when edited (it was edited on a separate
software called “audacity”) and placed in the production, we felt it still didn’t fit
in with the scene. This is why we changed it to the footsteps.
 We also increased the audio levels to create a climax towards the end of the
production.

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Alex

  • 1.
  • 2. Credit changes:  We have changed The credits of our main production company, ‘Warp Film’. We removed the spacing in between ‘A Warp Films’ and ‘Production’ so the lettering was together.  We moved the ‘Directed by Alex Mitchell’ credit to the end as that was conventional.  We moved ‘Teil Bertrand’ credit to appear after ‘Anna Reviakina’ credit as they are the starring actors, rather than appearing on screen when they individually appear later in the production.  We had to change the lettering format for both ‘Written by Shelly Lam’ and ‘Teil Bertrand’ credits as there was a faint black box outlining them.
  • 3. Re-Filming and production changes  We re-filmed shot 25 (at the time 1:24) because the lighting was too harsh on the protagonists face and didn’t match with the previous shot.  At the time 1:53, we trimmed down the beginning of the shot as there was no continuity with the previous shot.  During shot 30, we cut the antagonists legs because his trainers were not suitable for the outfit, but also because we had repeated the shot previously in a separate shot.
  • 4. Sound changes  At the time 0:34 and 0:53, we had to lower the volume, as the audios clashed and also to make it more realistic.  At the time 0:51, we also lowered the volume as the wind could be heard hitting the microphone.  At the times 0:57 and 0:59, we had to match the levels of volume as the ambient sound levels did not match.  We changed the audios from a scream to more footsteps that starts and stop then starts again. We had planned to use a gargling/throat slit sound, that we had recorded afterwards, however, when edited (it was edited on a separate software called “audacity”) and placed in the production, we felt it still didn’t fit in with the scene. This is why we changed it to the footsteps.  We also increased the audio levels to create a climax towards the end of the production.