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The Unchanging Future 
          of Music



                
A Cloud Culture Presentation

    http://cloudculturecontent.blogspot.com/




                        
Music is an industry that scales.
 ● The cost of reproducing song files is nearly 


   nothing.
 ● There is virtually no quality degradation

 ● The internet provides a distribution channel that 


   is global and practically costless. 



                           
Earnings in industries that scale are 
    invariably distributed in a power law, 
    or long tail.




                         
Power Law




    Image taken from Wikipedia

                                  
In other words, in something like 
    the music industry, a tiny number of 
    musicians account for the vast 
    majority of income earned.



                       
This Has Always Been The Case



For as long as recorded music has been a reality, 
the music industry has followed a power law 
distribution of income. 




                          
Why?
Recording is what made it possible.
  ● Before recording, one artist's music could only 


    be heard by as many people as could listen to 
    all the live performances that artist put on in 
    their lifetime.
  ● Recording makes it possible for people who 


    have never seen the artist live to hear their 
    music; in fact, it allows the artist's music to 
    compete with other musicians from beyond the 
    grave.
                          
The Fear



We've been told that if the internet takes away the 
ability to charge a price for music, there will be no 
business model to sustain professional musicians.




                            
The Reality
A lot less is going to change about the 
opportunities available to musicians than we have 
been led to believe.
   ● Chris Anderson pointed out that “Music 


     creates celebrity”
   ● There will still be a tiny class of superfamous 


     musicians while the vast majority remain 
     relatively obscure.
   ● Quoting Anderson again, “there are worse 


     problems than the challenge of turning fame 
 
     into fortune.”            
The Structure Will Change


The ones that have real cause for concern are the 
existing institutions.  
  ● They emerged to minimize the costs under 


    very different circumstances, and they have no 
    hope for survival. 
  ● New institutions will emerge to minimize the 


    costs associated with the digital age.

                          
The Practice of Music Will Change

To compensate for the relentless price competition 
created by online digital distribution, musicians will 
be forced to make their money in areas that do not 
scale.
  ● Live performances and guest appearances

  ● Funding will come directly from sources like 


    ticket sales, but also indirectly from sponsors 
    competing in an attention economy.

                            
The Outcome Will Not Change

●A tiny group of musicians will get most of the 
attention and therefore most of the income.
●A larger group will be able to make a good living.

●An yet larger group will be able to make a 


mediocre living.
●The vast majority of musicians will not be able to 


make a living—“don't quit your day job” will remain 
a relevant turn of phrase.

                          
This is how the music industry 
     has always been, and how it 
             always will be.




                    
Attribution



The concept of industries that “scale” taken from 
Nassim Taleb's The Black Swan, the third chapter.

Chris Anderson quotes were taken from chapter 
14 of his book, Free!



                          
A more detailed analysis available at 
                      Cloud Culture.




    This work is licensed under a Creative Commons Attribution 3.0 United States License

                                             

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The Unchanging Future of Music