Here are some inspirational pictures for the character of Cilia Elizabeth Carter: [PICTURE OF OLD WOMAN IN MAID'S DRESS] This picture shows an old woman dressed in an old-fashioned maid's dress, which could work well for the costume of Cilia Elizabeth Carter as a spirit from the past. [PICTURE OF WOMAN WITH PALE WHITE FACE AND BLACK CIRCLES AROUND EYES] This picture depicts a woman with a pale white face and black circles drawn around her eyes, giving her a ghostly appearance. This look could work well for the makeup and appearance of Cilia Elizabeth Carter as a spirit. Do these pictures help provide some

1. Shot list Final Draft Sanel
Time Scene Type of shots Description Props/costumes needed
(secs)
130-137 She is walking passed the • Full body shot She walks pass the • Orange top
mirror and doesn’t see the mirror and only • black skirt
first ghost but sees the see one of the • Hoop earrings
second ghost in her mirror ghost at the
(35) second mirror
137-139 You see her face • Close up shot She is really • Orange top
reaction (36) frightened • black skirt
• Hoop earrings
140-142 You see the ghost (37) • Close up shot She sees the • Orange top
ghost when she • black skirt
• Hoop earrings
turns
143-145 See her face reaction • Close up shot She is really • Orange top
(38) scared • black skirt
• Hoop earrings
146-148 Ghost runs into the • Full body shot They run into • Orange top
cupboard (39) the cupboard • black skirt
• Hoop earrings

2. Shot list Final Draft Sanel
Time Scene Type of shots Description Props/costumes needed
(secs)
149-151 You see her walking to • Mid shot She goes to the • Orange top
the cupboard (40) cupboard • black skirt
• Hoop earrings
152-154 The cupboard opens • Mid shot She is scared as • Orange top
(41) the cupboard • black skirt
opened by itself • Hoop earrings
155-158 You see her face • Close-up shot She is really • Orange top
reaction (42) scared • black skirt
• Hoop earrings
159-161 You see the ghost (43) • Full body shot The ghost are • Orange top
telling her to • black skirt
come to her • Hoop earrings
162-164 You see her facial • Close-up shot She is • Orange top
expression (44) frightened • black skirt
• Hoop earrings

3. Shot list Final Draft Sanel
Time Scene Type of shots Description Props/costumes needed
(secs)
164-166 You see her hands (45) • close up She is about to • Orange top
touch one of • black skirt
• Hoop earrings
the ghost
167-169 The ghost grabs her (46) • Close up The ghost grans • Orange top
her and pulls • black skirt
• Hoop earrings
her in
170-172 She falls into the • Mid shot She gets pulled • Orange top
cupboard (47) into the • black skirt
• Hoop earrings
cupboard
173-175 You see the cupboard • Full shot You see the • Orange top
(48) cupboard being • black skirt
• Hoop earrings
shut and her
locked in
176-180 You see her and the other • Close up shot She is locked into • Orange top
two ghost the cupboard and • black skirt
then uses her • Hoop earrings
matches to light
up and see and
you see two ghost
behind her.

4. Kaya
Enigma - How did they do it? L
Insidious opening sequence
Mysterious observer
They show a point of view of someone
walking around the house at night with
a shadowed hint on the window
Mysterious/scary reflection
They show a refection of the female
making the audience want to know
who she is and why she is there at
night watching over people
Credits and shots
During the credits they show shots of things for
example the inside of the house making the
audience watch more in why these are significant
and the titles because they portray ghost like
things making the audience want to see more
about ghosts

5. Kaya
Enigma L
How are we creating enigma in our opening sequences…
• By not telling the audience why these girls are haunting this room so their
audience will want to find out more
• The audience will want to watch more to see what relevance the dolls
have to this closet/house and why they’re always coming back
• At the ending of the opening sequence we build a climax to a sudden
shock/scare getting the audience excited to watch more
• Finally to see what happens to Laura in the closet and further of how the
ghosts disturb her

6. Kaya
Enigma L
How have we improved from draft 1?...
• Since draft one we have improved greatly on how we can create enigma.
• We have gone through many ideas and various genres to create a very
creative and versatile mind to what excited and interests our target audince
• By creating a questionnaire for our target audience to see what they find
interesting and what they don’t
• Researching type of films and themes or concept grabs the audiences
attention to watch more
• Watching many different genre of films opening sequences to understand
what makes enigma and realising what does not

7. Sanel
Target Audience M
Age – 15 – 17
Gender – Female and Male
Ethnicity – British
Location – United Kingdom
Interests/Hobbies – local groups, precious memories
Lifestyle – Social, attends college/school, quite open minded
Why would our target audience be interested in our idea/plot?
• Its based on real life, in London, so it will be familiar with the audience
• Our target audience will be interested to learn about how spirits can play with our mind
throughout the film and interested of being scared.
• The film is based in modern time and youth culture, use of slang in a closed narrative so they
can connect and relate to what they see in the film and leave thinking about the
consequences

8. Sanel
Target Audience M
Why would our target audience be interested in our film because of its form?
• The use of editing in building up tension will interest the target audience, they may find
interesting when something is about to occur.
• The use of suspension type music will keep the audience at the edge of their seat
imagining themselves in certain situations
Why would your target audience be interested in your film because of genre/conventions?
• The target audience would be interested in how different spirits can act and play with
your mind so hopefully it would be interest them.
• The thrill of watching it would constantly keep the target audience interested at the edge
of their seats
• The target audience could hopefully relate to the character while being interested
imaging themselves in them kind of situations

9. Sanel and Kaya Slide not improved
M
Feedback we received from our
target audience
Zoe

10. Sanel and Kaya Slide not improved
M
Feedback we received from our
target audience
Sinead

11. Sanel and Kaya Slide not improved
M
Feedback we received from our
target audience
Xheni

12. Sanel and Kaya Slide not improved
M
Feedback we received from our
target audience
Sayana

13. Sanel and Kaya Slide not improved
M
Feedback we received from our
target audience
Susan

14. Sanel and Kaya
M
Feedback we received from our
target audience
Marcin

15. Kaya
Characters N
How have you developed your characters since draft 1?
• We developed our character to be less dark and a lot more relatable to a wider range of
our target audience
• We made the character one age rather than a variety so its less confusing
• The clown and doll have been developed into a spiritual characters who rather than look
like the dolls to 2 girls with a doll and clown toys.

16. Kaya
Characters N
Actor 1: Character 1:
Kaya Sumbland Laura Hibbitt
Age: Age:
17 19

17. Kaya
Characters N
Costume and props
Black eyes
makeup Scarf across
waist
Matches
Candles Ghost book
Black long skirt Patterned ‘gypsy’
style shirt

18. Slide not improved
Kaya
Characters N
Mise –en-scene
Name – Laura Hibbit
Gender – Female
Age – 19
Costume – gypsy style shirt, scarf around waist, black long skirt
Props – book, candles, matches
Make-up – Mascara, tired eyes, blush, eyeliner
Stereotype – gypsy
Facial expression – Scared, shock
Body language – open
Representation – spiritual gypsy who is interested in other worls

19. Kaya
Characters N
Actor 2: Character 2:
Sanel Homer Cilia Elizabeth Carter
Age: Age:
17 73

20. Kaya
Characters N
Inspirational pictures
Maids dress Pale white face with
black circles around
eyes