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Debates in Media



Gendered Bodies on the cinematic screen
Introduction
• Key words in Mulvey’s essay:
  – Psychoanalysis
  – Scopophilia…
• Laura Mulvey’s ‘Visual Pleasure and Narrative
  Cinema’
• Media example
• Open discussion
Key words in Mulvey’s essay
Psychoanalysis
• Originated by Sigmund Freud
• Definition:
   – ‘A therapeutic method … for treating
      mental disorders by investigating the
      interaction of conscious and unconscious
      elements in the patient's mind and
      bringing repressed fears and conflicts
      into the conscious mind, using techniques
      such as dream interpretation and free
      association.’ (OED)
• The use of psychoanalysis in Mulvey: A
  method to analyse and condemn how ‘the
  unconscious of patriarchal society has
  structured film form’ (p.6)
• Patriarchal Society – A society controlled by the male
• Scopophilia or Voyeurism – Sexual stimulation or satisfaction
  derived principally from looking
• Fetishism – The worship of an inanimate object for its
  supposed magical powers or because it is considered to be
  inhabited by a spirit




                                                   Rear Window
                                                   (Hitchcock, 1954)
Laura Mulvey: ‘Visual Pleasure and Narrative
                   Cinema’
• Psychoanalytical Background
   – Image of castration
• Pleasure in Looking/Fascination with the Human
  Form
   – Voyeurism, Separation and sexual instincts
   – Recognition, Identification and the Ego
• Woman as Image, Man as Bearer of the Look
   – The Male Gaze
   – Women as erotic objects
Pleasure in Looking/Fascination with the
               Human Form
‘The first, scopophilic arises from pleasure in using
another person as an object of sexual stimulation
  through sight. The second, developed through
narcissism and the constitution of the ego, comes
  from identification with the image seen’ (p.10)
Woman as Image,
Man as Bearer of the
       Look
• Determining male gaze
• Active/male & passive/female
• Women serves as an ‘erotic object for the characters…
  and as an erotic object for the spectator.’ (p.11)
   – ‘her appearance is coded for strong visual and erotic impact’
     (p.11)
   – Male character becomes ideal ego, identification, and ‘the
     spectator can indirectly posses her too’ (p.13)
• Links to voyeurism and fetishism
Media Example




http://www.youtube.com/watch?v=mWWg4Jtg-EI
Open Discussion
• Can the psychoanalytical method be applied
  beyond the cinematic medium (TV & Film)?
• What about the female spectator/the female
  gaze?
   – http://www.youtube.com/watch?v=5WP4Ssaj8Zc
• The article is 30 years old, is it still relevant
  today?
• How does this link to Boys Don’t Cry?

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Gender boundaries on the cinematic screen

  • 1. Debates in Media Gendered Bodies on the cinematic screen
  • 2. Introduction • Key words in Mulvey’s essay: – Psychoanalysis – Scopophilia… • Laura Mulvey’s ‘Visual Pleasure and Narrative Cinema’ • Media example • Open discussion
  • 3. Key words in Mulvey’s essay Psychoanalysis • Originated by Sigmund Freud • Definition: – ‘A therapeutic method … for treating mental disorders by investigating the interaction of conscious and unconscious elements in the patient's mind and bringing repressed fears and conflicts into the conscious mind, using techniques such as dream interpretation and free association.’ (OED) • The use of psychoanalysis in Mulvey: A method to analyse and condemn how ‘the unconscious of patriarchal society has structured film form’ (p.6)
  • 4. • Patriarchal Society – A society controlled by the male • Scopophilia or Voyeurism – Sexual stimulation or satisfaction derived principally from looking • Fetishism – The worship of an inanimate object for its supposed magical powers or because it is considered to be inhabited by a spirit Rear Window (Hitchcock, 1954)
  • 5. Laura Mulvey: ‘Visual Pleasure and Narrative Cinema’ • Psychoanalytical Background – Image of castration • Pleasure in Looking/Fascination with the Human Form – Voyeurism, Separation and sexual instincts – Recognition, Identification and the Ego • Woman as Image, Man as Bearer of the Look – The Male Gaze – Women as erotic objects
  • 6. Pleasure in Looking/Fascination with the Human Form ‘The first, scopophilic arises from pleasure in using another person as an object of sexual stimulation through sight. The second, developed through narcissism and the constitution of the ego, comes from identification with the image seen’ (p.10)
  • 7. Woman as Image, Man as Bearer of the Look • Determining male gaze • Active/male & passive/female • Women serves as an ‘erotic object for the characters… and as an erotic object for the spectator.’ (p.11) – ‘her appearance is coded for strong visual and erotic impact’ (p.11) – Male character becomes ideal ego, identification, and ‘the spectator can indirectly posses her too’ (p.13) • Links to voyeurism and fetishism
  • 9. Open Discussion • Can the psychoanalytical method be applied beyond the cinematic medium (TV & Film)? • What about the female spectator/the female gaze? – http://www.youtube.com/watch?v=5WP4Ssaj8Zc • The article is 30 years old, is it still relevant today? • How does this link to Boys Don’t Cry?