Flash or Not? Week 5: Light and Exposure/Flash Photography
Schedule
Review AEB on Flickr
Review Light and Exposure
Flash Presentation
White Balance Function
Assignment, Flash or not
Light
Digital photography is easy- when you have plenty of light and the conditions are ideal.
The flash is the biggest solution- not only does it interfere with your “moment” socially and artistically, but the flash can flatten out your digital images.
A good way to combat the problem in low light you can try using a higher ISO
Flash: Flat – no contrast – washed out No Flash: Natural warm colors - contrast
Non-Flash
Non-Flash Techniques
Crank ISO as high as it will go
Shoot RAW if possible (if post editing is used)
AV with the lowest f-stop on fastest lens
Noise reduction in post processing to help on the grain/noise
And although a fast lens can be very expensive, there are affordable primes out there, like the Canon f1.8 50mm.
Indoor Shots
Take advantage of candle light’s available illumination
Have some additional room light, set in AV mode and IS.
Choose perspective
Support yourself
Sleeping Faces
Capture these precious moments without a distracting flash.
Watch for blurred imaged caused by slow shutter speed.
Choose AV mode, use IS
Aim for eyelashes
Effects of Flash - Skintone Flash Washed out No Flash Warm skin tones
Flash or Not?
Major events at night and watch the grandstands.
The digital camera decided there was not enough light, so the camera flash fired automatically.
Expected max distance for inbuilt camera flashes-ten feet.
No Flash– Low lighting Decision
No Flash – No window glare
Keeping the Camera Still
Often it is not practical to use tripods in some areas (grandstands-train station).
Balance your body and, if possible, brace yourself against something solid, such as a wall or seat.
Then bring your elbows in firmly against your chest, and using the viewfinder hold your camera firmly against your head. Finally breathe, not too deep, and then hold it while you squeeze the shutter release.
Flash
Flash Basics
Built in (good for 10 feet away, not good close up)
Hot shoe
Higher end cameras
External flash
Electronic contact points
Synchronized
TTL metering: the camera measures the light in the scene based on the light coming through the lens. The camera is smart enough to meter the subject, do some quick calculations and then tell each (slave and master)(infrared) flash how bright they should fire.
External Flash
Direct – can produce a harsh image Shadow behind subject
Wall Bounce – Brings out subject shape
Ceiling bounce -
Off-camera
Off camera shoe cord $70
Wireless transmitter $200
Flash brackets
Diffusers
Nikon SB-400
Very simple, very high quality flash
Tiny, lite
Bounce Flash
No sideways tilt, so bounce goes horizontally for vertical shots.
$120
Canon 580EXII Speedlite
Top-of-the-line, professional grade external flash
Wireless control
Master/slave remote flash setting
$420
Light Angle
Portraits – add mood, give contrast and provide interest.
Can be used to dramatically alter the mood of the model
Angled light: Dynamic variation between highlights and shadows to give a dimension and depth
Avoid straight on flash which washes out the subject
Strobes, speedlights, or LEDs: The main light should be strongest, and the second light should simply provide a nice fill
Most dynamic photographs are the ones in which the audience can walk into the scene – lighting and shape most emphasized by side light.
Flash Angles http://www.flickr.com/photos/seanmcfoto/577531995/ From Sean McCormack (Flickr) :
Red Eye
Light bouncing off the blood vessels in the back of the eye
Lens axis flash causes this
Red Eye Red Eye Deleted in Photoshop Elements
Flash Indoors
Christmas Tree in the Background
For indoor light displays or shots of the tree, slow down the shutter speed to allow ambient light to come into the camera.
Always use a tripod.
The flash usage depends on the situation; don't use a flash if you are just shooting the tree or the lights, but use the flash if people are in front of the tree.
Flash Indoors With camera flash: External flash bounced off the ceiling would produce a more evenly contrasted image
Flash Outdoors
Light up close subjects
Artificial looking
Softens hard shadows
Eye sockets at noon hours
Excessive backlight
No flash - silhouette Fill flash – Subjected highlighted
Flash Outdoors
Shooting into Direct Sunlight
Move into the shade
Use fill in flash
Change your perspective
Lens hood
Filters
Spot metering/Exp compensation
Shoot silhouettes
silhouette Use light to direct the viewers eye
Metering Modes
Every time you point your camera at a scene it needs to take a guess at what is important to you in the picture and which part you want to be exposed optimally
Overall Metering (Multi Segment/Zone Metering) camera attempts to take into consideration everything in your frame
Spot Metering camera to do it’s metering from a very small ’spot’ in the scene
Center Weighted Metering takes a little from both ends of the spectrum and tells the camera to focus it’s metering decisions upon the center of your image1
Adorama Budget Studio Monolight Softbox Kit #12, with 2 100 Watt Flashes, Light Stands & Two 12 X 12 Softboxes, $160
Other items
White umbrella
Collapsible Disc Reflectors $20 - $40
Backgrounds
Turn off Flash
Canon
In auto (green box) mode, you can't turn it off. It will pop up if the camera deems it necessary.
In P mode, M, Av, and Tv, it won't fire unless you push the button to make it pop up. If you don't want it to fire, push it back down.
Nikon
When the flash is up press the flash button until the LCD says off in the flash section.
White Balance (WB)
The process of removing unrealistic color casts, so that objects which appear white in person are rendered white in your photo.
Proper camera white balance has to take into account the "color temperature" of a light source, which refers to the relative warmth or coolness of white light.
Our eyes are very good at judging what is white under different light sources, however digital cameras often have great difficulty .
White Balance
Auto white balance (AWB)
An incorrect WB can create unsightly blue, orange, or even green color casts.
Incorrect Correct From Tutorial on White Balance: http://www.cambridgeincolour.com/tutorials/white-balance.htm
White Balance
Assignment
Post a photo on Flickr with the flash being fired outside to highlight a close object (Fill Light)
or
The flash not being fired inside to use the existing natural light available.
0 comments
Post a comment