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Joel Griffiths
A botched card game in London triggers 
four friends, thugs, weed-growers, hard 
gangsters, loan sharks and debt collectors 
to collide with each other in a series of 
unexpected events, all for the sake of 
weed, cash and two antique shotguns. 
Director: 
Guy Ritchie 
Writer: 
Guy Ritchie 
Stars: 
Jason Flemyng, Dexter 
Fletcher, Nick Moran
"Lock, Stock and Two Smoking Barrels is like Tarantino crossed 
with the Marx Brothers, if Groucho had been into chopping off 
fingers. It's a bewilderingly complex caper film, set among the 
low-lifes of London's East End, and we don't need to be told that 
the director used to make TV commercials; we figure that out 
when a cook throws some veggies into water, and the camera 
shoots up from the bottom of the pot.” 
“The actors seem a little young for this milieu; they seem to be 
playing grown-up. Tarantino's "Reservoir Dogs'' had characters 
with mileage on them, played by veterans like Harvey Keitel, 
Lawrence Tierneyand Michael Madsen.” 
“I sometimes feel, I confess, as if there's a Tarantino reference in 
every third movie made these days. "Lock, Stock and Two 
Smoking Barrels'' is the kind of movie where you naturally play 
Spot the Influence: Tarantino, of course, and a dash of Hong 
Kong action pictures, and the old British crime comedies like 
"The Lavender Hill Mob.'' 
“I also liked the movie's sense of fun. The soundtrack uses a lot of rock 
music and narration to flaunt its attitude, it keeps most of the violence off-screen, 
and it's not above throwaway gags. While Eddy plays poker, for 
example, his three friends go next door to a pub. A man on fire comes 
staggering out of the door. They look at him curiously, shrug, and go in. 
The pub is named Samoa Joe's, which seems like a sideways nod to "Pulp 
Fiction'' (Big Kahuna burgers crossed with Jack Rabbit Slim's restaurant). 
The guys sip drinks with umbrellas in them.” 
Whole Film Review: 
http://www.rogerebert.com/reviews/lo 
ck-stock-and-two-smoking-barrels- 
1999
A vicious London gangster, Jack Carter, travels to Newcastle for 
his brother's funeral. He begins to suspect that his brother's 
death was not an accident and sets out to follow a complex trail 
of lies, deceit, cover-ups and backhanders through Newcastle's 
underworld, leading, he hopes, to the man who ordered his 
brother killed. Because of his ruthlessness Carter exhibits all the 
unstopability of the android in Terminator, or Walker in Point 
Blank, and he and the other characters in the film are prone to 
sudden, brutal acts of violence. 
Director: 
Mike Hodges 
Writers: 
Mike Hodges (screenplay), Ted Lewis (novel) 
Stars: 
Michael Caine, Ian Hendry, Britt Ekland
"Get Carter" is a tense, hard-boiled crime movie that 
uses Michael Caine, for once, as the sure possessor of 
all his unconscious authority.” 
For one thing, "Get Carter" has the sure feel for the 
underbelly of society, like the good American detective 
novelists have always had.” 
“Carter moves through a world of working-class pubs, 
boardinghouses managed by sad-eyed and warm-voiced 
widows and off-track betting parlors. This sort 
of proletarian detail is unusual in a British detective 
movie. Usually we get all flash and no humanity, lots 
of fancy camera tricks but no feel for the criminal 
strata of society.” 
“The movie has a sure touch. Very early, during the 
titles, we see Caine taking the train to Newcastle and 
reading a paperback of Raymond Chandler's 'Farewell 
My Lovely.' This seems audacious at the time, as if 
director Mike Hodges were deliberately inviting 
comparison with the American masters. ” 
More Detailed Review: 
http://www.rogerebert.com/reviews/get-carter- 
1971
Colin is in agony, shattered by his wife's infidelity. However, 
he has friends who do more than stand by -- they kidnap 
the wife's French lover and hold him prisoner so that Colin 
can restore his manhood with revenge. A kangaroo court 
takes place and as the situation escalates Loverboy's life 
hangs in the balance as Colin wrestles with revenge, 
remorse, grief and self pity, all the while egged on by his 
motley crew of friends who just want him to get on with it so 
they can get down the pub. 
Director: Paul McGuigan 
Stars: Malcolm McDowell
In their script for Sexy Beast, screenwriters Louis Mellis 
and David Scinto gave us a Brit-crime classic, and 
created career-gold parts for Ray Winstone as a 
reluctant robber, Ben Kingsley a psychopathic bully and 
Ian McShane a charismatic kingpin. 
Tourette-yelping of the C-word - and it's sometimes very 
funny: a crunchy mix of Pinter, Mamet and Tarantino. 
More Detailed Review: 
http://www.theguardian.com/film/2010/jan/1 
4/44-inch-chest-film-review

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Most Successful British Gangsters

  • 2. A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns. Director: Guy Ritchie Writer: Guy Ritchie Stars: Jason Flemyng, Dexter Fletcher, Nick Moran
  • 3. "Lock, Stock and Two Smoking Barrels is like Tarantino crossed with the Marx Brothers, if Groucho had been into chopping off fingers. It's a bewilderingly complex caper film, set among the low-lifes of London's East End, and we don't need to be told that the director used to make TV commercials; we figure that out when a cook throws some veggies into water, and the camera shoots up from the bottom of the pot.” “The actors seem a little young for this milieu; they seem to be playing grown-up. Tarantino's "Reservoir Dogs'' had characters with mileage on them, played by veterans like Harvey Keitel, Lawrence Tierneyand Michael Madsen.” “I sometimes feel, I confess, as if there's a Tarantino reference in every third movie made these days. "Lock, Stock and Two Smoking Barrels'' is the kind of movie where you naturally play Spot the Influence: Tarantino, of course, and a dash of Hong Kong action pictures, and the old British crime comedies like "The Lavender Hill Mob.'' “I also liked the movie's sense of fun. The soundtrack uses a lot of rock music and narration to flaunt its attitude, it keeps most of the violence off-screen, and it's not above throwaway gags. While Eddy plays poker, for example, his three friends go next door to a pub. A man on fire comes staggering out of the door. They look at him curiously, shrug, and go in. The pub is named Samoa Joe's, which seems like a sideways nod to "Pulp Fiction'' (Big Kahuna burgers crossed with Jack Rabbit Slim's restaurant). The guys sip drinks with umbrellas in them.” Whole Film Review: http://www.rogerebert.com/reviews/lo ck-stock-and-two-smoking-barrels- 1999
  • 4. A vicious London gangster, Jack Carter, travels to Newcastle for his brother's funeral. He begins to suspect that his brother's death was not an accident and sets out to follow a complex trail of lies, deceit, cover-ups and backhanders through Newcastle's underworld, leading, he hopes, to the man who ordered his brother killed. Because of his ruthlessness Carter exhibits all the unstopability of the android in Terminator, or Walker in Point Blank, and he and the other characters in the film are prone to sudden, brutal acts of violence. Director: Mike Hodges Writers: Mike Hodges (screenplay), Ted Lewis (novel) Stars: Michael Caine, Ian Hendry, Britt Ekland
  • 5. "Get Carter" is a tense, hard-boiled crime movie that uses Michael Caine, for once, as the sure possessor of all his unconscious authority.” For one thing, "Get Carter" has the sure feel for the underbelly of society, like the good American detective novelists have always had.” “Carter moves through a world of working-class pubs, boardinghouses managed by sad-eyed and warm-voiced widows and off-track betting parlors. This sort of proletarian detail is unusual in a British detective movie. Usually we get all flash and no humanity, lots of fancy camera tricks but no feel for the criminal strata of society.” “The movie has a sure touch. Very early, during the titles, we see Caine taking the train to Newcastle and reading a paperback of Raymond Chandler's 'Farewell My Lovely.' This seems audacious at the time, as if director Mike Hodges were deliberately inviting comparison with the American masters. ” More Detailed Review: http://www.rogerebert.com/reviews/get-carter- 1971
  • 6. Colin is in agony, shattered by his wife's infidelity. However, he has friends who do more than stand by -- they kidnap the wife's French lover and hold him prisoner so that Colin can restore his manhood with revenge. A kangaroo court takes place and as the situation escalates Loverboy's life hangs in the balance as Colin wrestles with revenge, remorse, grief and self pity, all the while egged on by his motley crew of friends who just want him to get on with it so they can get down the pub. Director: Paul McGuigan Stars: Malcolm McDowell
  • 7. In their script for Sexy Beast, screenwriters Louis Mellis and David Scinto gave us a Brit-crime classic, and created career-gold parts for Ray Winstone as a reluctant robber, Ben Kingsley a psychopathic bully and Ian McShane a charismatic kingpin. Tourette-yelping of the C-word - and it's sometimes very funny: a crunchy mix of Pinter, Mamet and Tarantino. More Detailed Review: http://www.theguardian.com/film/2010/jan/1 4/44-inch-chest-film-review