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Film Tourism as a Phenomena
        Simon Hudson
Film tourism is defined as “tourist visits to a
destination or attraction as a result of the destination
  being featured on television, video or the cinema
                        screen”
Summary of the economic contribution of the core UK film industry
                                              Total contribution to UK    Total contribution                                                          Employment
    Channel of impact                               GDP in 2006        to Exchequer revenues                                                         impact in 2006
                                                                                In 2006



Direct                                                                  £1,510 mn                                          £436 mn                                           33,500

Multiplier (indirect and
                                                                       £1, 625 mn                                          £420 mn                                           33,500
induced plus TV)

British film box office
                                                                              £53 mn                                           £8 mn                                               500
effect

Tourism                                                                    £900 mn                                        £200 mn                                            20,000


Promotion /Trade                                                              £20 mn                                           £5 mn                                               700


Merchandising                                                               £235 mn                                        £105 mn                                              6,500


Total                                                                   £4,343 mn                                       £1,174 mn                                            94,700
  Note: The core UK film, industry includes the activities which arise in the UK from the companies /individuals employed in the different stages of film production in the UK (including
 pre-and post-production); distribution of UK-made films; and exhibition of UK-made films. Economic activity associated with the distribution and exhibition of films made abroad is not
                                                                                         included.
Why the growth?

Rise in international travel
History of film-making
Trends in tourist behaviour
Can be more effective than traditional
promotion avenues („destination placement‟)
What qualifies for
      success?
The success of the film
Identifiable and
accessible locations
Relevance of the story to
the location/clear link
Amount of exposure
A film location that has
an emotional attachment
A location that has a
physical icon that
viewers can identify with
Destination Attributes
Scenery
Sets
Backdrops
Icons
Awareness
Brand
Who is the film tourist?

     Three types
       specific
       general
       serendipitous
Motivated by:
 Place (location, attributes, landscapes,
 scenery)
Motivated by:
 Personality (cast, characters, celebrity)
Motivated by:
 Performance (plot, theme, genre).
Don‟t forget television..
And music videos
Why should film commissions
be interested in film tourism?
     They can offset costs
     Gives another reason
    to lobby government
    for tax credits (eg.
    UK)
     Increased exposure
    will bring in more
    business (eg. Malta)
     Sustainability of film
    industry – creates a
Working together to leverage film
            tourism
                    Film commissions
                    can work with
                    Destination
                    Marketing
                    Organizations and
                    engage in
                    marketing activities
                    before production,
                    during production,
                    during release of
                    the film, and after
                    release
1. Before Production
Extra tax credits for
„tourism-friendly‟ productions
Negotiating Credits
Develop Marketing Partnerships
2. During production
The „Making Of‟
3. During release
4. After Release
A place for film tourists to visit
A place to stay
Movie tours
Interpretation is
   important
As is memorabilia
Film tourism packages
Websites
Special Promotions
Movie maps
Guide books
Advertising film tourism destinations
Closing thoughts
 Film tourism is a significant and
growing phenomena in the tourism
industry
 Both the tourism and film industries
can take advantage of this growth by
understanding and leveraging film
tourism
 Film commissions need to partner
with the tourism industry as early as
If you would like to know more…..




   shudson@hrsm.sc.edu

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Filmturisme 2010 - Filmturisme som fenomen, Dr Simon Hudson, University of South Carolina

  • 1. Film Tourism as a Phenomena Simon Hudson
  • 2. Film tourism is defined as “tourist visits to a destination or attraction as a result of the destination being featured on television, video or the cinema screen”
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  • 5. Summary of the economic contribution of the core UK film industry Total contribution to UK Total contribution Employment Channel of impact GDP in 2006 to Exchequer revenues impact in 2006 In 2006 Direct £1,510 mn £436 mn 33,500 Multiplier (indirect and £1, 625 mn £420 mn 33,500 induced plus TV) British film box office £53 mn £8 mn 500 effect Tourism £900 mn £200 mn 20,000 Promotion /Trade £20 mn £5 mn 700 Merchandising £235 mn £105 mn 6,500 Total £4,343 mn £1,174 mn 94,700 Note: The core UK film, industry includes the activities which arise in the UK from the companies /individuals employed in the different stages of film production in the UK (including pre-and post-production); distribution of UK-made films; and exhibition of UK-made films. Economic activity associated with the distribution and exhibition of films made abroad is not included.
  • 6. Why the growth? Rise in international travel History of film-making Trends in tourist behaviour Can be more effective than traditional promotion avenues („destination placement‟)
  • 7. What qualifies for success? The success of the film Identifiable and accessible locations Relevance of the story to the location/clear link Amount of exposure A film location that has an emotional attachment A location that has a physical icon that viewers can identify with
  • 9. Who is the film tourist? Three types specific general serendipitous
  • 10. Motivated by: Place (location, attributes, landscapes, scenery)
  • 11. Motivated by: Personality (cast, characters, celebrity)
  • 12. Motivated by: Performance (plot, theme, genre).
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  • 17. Why should film commissions be interested in film tourism? They can offset costs Gives another reason to lobby government for tax credits (eg. UK) Increased exposure will bring in more business (eg. Malta) Sustainability of film industry – creates a
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  • 20. Working together to leverage film tourism Film commissions can work with Destination Marketing Organizations and engage in marketing activities before production, during production, during release of the film, and after release
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  • 25. Extra tax credits for „tourism-friendly‟ productions
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  • 46. 4. After Release A place for film tourists to visit
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  • 54. A place to stay
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  • 61. Interpretation is important
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  • 81. Advertising film tourism destinations
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  • 85. Closing thoughts Film tourism is a significant and growing phenomena in the tourism industry Both the tourism and film industries can take advantage of this growth by understanding and leveraging film tourism Film commissions need to partner with the tourism industry as early as
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  • 87. If you would like to know more….. shudson@hrsm.sc.edu